Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512).
ISBN
9790007201708. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511).
ISBN
9790007201692. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514).
ISBN
9790007201722. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549).
ISBN
9790007201746. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Clarinet Quintet - intermediate SKU: BT.DHP-1064015-070 Composed by Charl...(+)
Clarinet Quintet -
intermediate
SKU:
BT.DHP-1064015-070
Composed by Charles
Francois Gounod and
Johann Sebastian Bach.
Arranged by Lorenzo
Bocci. Music Box. Set
(Score & Parts). Composed
2006. 12 pages. De Haske
Publications #DHP
1064015-070. Published by
De Haske Publications
(BT.DHP-1064015-070).
9x12 inches.
English-German-French-Dut
ch.
Over the course
of time, many composers
have honoured the mother
of Jesus with a musical
Ave Maria (a Hail
Mary). One of the most
well-known is that of the
French composer Charles
François Gounod
(1818-1893), who added a
melody to the first
prelude from Das
Wohltemperierte
Klavier by the German
master-composer Johann
Sebastian Bach
(1685-1750). The result
is a long, lyrical melody
line with a wonderfully
built-up curve of
tension, floating above a
softly sparkling
accompaniment. Lorenzo
Bocci has arranged the
Ave Maria by
Bach/Gounod for clarinet
ensemble.
Veel
componisten hebben in de
loop der tijden de moeder
van Jezus geëerd met
een muzikaal Ave Maria
(een Weesgegroet). Een
van de bekendste is dat
van de Franse componist
Charles François
Gounod (1818-1893), die
de melodie toevoegdeaan
de eerste prelude uit
Das wohltemperierte
Klavier van de Duitse
meestercomponist Johann
Sebastian Bach
(1685-1750). Het
resultaat is een lange,
lyrische melodielijn met
een prachtig opgebouwde
spanningsboog over
eenzacht sprankelende
basis. Lorenzo Bocci
bewerkte het Ave
Maria van Bach/Gounod
voor
klarinetensemble.
Das Ave Maria ist
von Komponisten aller
Epochen vertont worden.
Eine der berühmtesten
Vertonungen stammt von
Charles Gounod. Dieser
legte seine Melodie
über die Musik zum 1.
Präludium aus dem
Wohltemperierten
Klavier von Johann
Sebastian Bach, weshalb
das Werk als Ave Maria
von Bach-Gounod in die
Musikgeschichte einging.
Lorenzo Bocci bearbeitete
die schöne Musik
für
Klarinettenquartett.
L’Ave
Maria è stata
scritta da compositori di
tutte le epoche. Una
delle più famose è
senza dubbio quella di
Charles Gounod che
sovrappose la sua melodia
alla musica del primo
preludio da il
Clavicembalo Ben
Temperato di Johann
Sebastian Bach. Per
questa ragione il brano
entrò nella storia
della musica come Ave
Maria di Bach-Gounod.
L’arrangiamento
per quartetto di
clarinetti è firmato
Lorenzo Bocci.
Cavatina Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-140<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5
SKU:
BT.DHP-1135392-140
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1135392-140.
Published by De Haske
Publications
(BT.DHP-1135392-140).
9x12 inches.
English-German-French-Dut
ch.
Goethe’s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounod’s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(“Salut, demeure
chaste et pureâ€).
Wil van der Beek has
arranged the
Cavatina with the
euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(“Salut, demeure
chaste et pureâ€),
in deze versie van Wil
van der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem für herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pure“). Wil van der
Beek wählte für
seine Bearbeitung das
Euphonium als
Soloinstrument.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
l’opera omonima.
Il suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
l’imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074291-010 Composed by Cha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1074291-010
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Your
Favorite Classics.
Transcription. Set (Score
and Parts). Composed
2007. De Haske
Publications #DHP
1074291-010. Published by
De Haske Publications
(BT.DHP-1074291-010).
MARS (135X180) inches.
English-German-French-Dut
ch.
In 1950, Pope
Pius XII selected Marche
Pontificale from the
OrganSymphony No. 1, by
French composer Charles
Gounod, as the
officialhymn of the
Vatican. The first
rendition of the official
hymn took placein the
same year, in Saint
Peter?s Square in Rome,
played by sevenmilitary
bands. To celebrate the
80th birthday of Pope
Benedict XVI in2007, Wil
van der Beek has produced
a first-class arrangement
of thisfamous work for
concert band.
Ter
gelegenheid van het
heilig jaar 1950 bepaalde
de toenmalige paus Pius
XII dat de Marche
Pontificale van de
Franse componist Charles
Gounod (1818-1893) de
officiële hymne van
Vaticaanstad zou worden,
als opvolger van eenhymne
uit 1857 van Vittorino
Hallmayr.De nieuwe naam
van de mars werd
â??Paushymneâ??. De
godvruchtige Gounod had
het werk in 1869
geschreven voor een
jubileum van paus Pius
IX. In dat jaar vond de
première plaats op het
Sint-Pieterpleinin Rome,
gespeeld door zeven
militaire orkesten. Het
was een enorm succes - en
ook nu nog is deze muziek
zeer geliefd.Wil van der
Beek stond garant voor
het uitstekende
arrangement van dit
bekende
werk.
Marche
Pontificale stammt
aus der Orgelsymphonie
Nr. 1, die Charles
François Gounod 1835
zur Ernennung von Papst
Pius IX schrieb und die
seit 1950 als offizielle
Vatikanhymne gilt. Nun
liegt sie, pünktlich
zum Jubiläumsjahr
2007, in dem unserâ??
Papst Benedikt XVI seinen
80. Geburtstag feierte,
in einer neuen
Bearbeitung für
Blasorchester aus der
Feder des erfahrenen
Arrangeurs Wil van der
Beek vor.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074291-140 Composed by Cha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1074291-140
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Your
Favorite Classics.
Transcription. Score
Only. Composed 2007. 12
pages. De Haske
Publications #DHP
1074291-140. Published by
De Haske Publications
(BT.DHP-1074291-140).
9x12 inches.
English-German-French-Dut
ch.
In 1950, Pope
Pius XII selected Marche
Pontificale from the
OrganSymphony No. 1, by
French composer Charles
Gounod, as the
officialhymn of the
Vatican. The first
rendition of the official
hymn took placein the
same year, in Saint
Peter?s Square in Rome,
played by sevenmilitary
bands. To celebrate the
80th birthday of Pope
Benedict XVI in2007, Wil
van der Beek has produced
a first-class arrangement
of thisfamous work for
concert band.
Ter
gelegenheid van het
heilig jaar 1950 bepaalde
de toenmalige paus Pius
XII dat de Marche
Pontificale van de
Franse componist Charles
Gounod (1818-1893) de
officiële hymne van
Vaticaanstad zou worden,
als opvolger van eenhymne
uit 1857 van Vittorino
Hallmayr. De nieuwe naam
van de mars werd
‘Paushymne’.
De godvruchtige Gounod
had het werk in 1869
geschreven voor een
jubileum van paus Pius
IX. In dat jaar vond de
première plaats op het
Sint-Pieterpleinin Rome,
gespeeld door zeven
militaire orkesten. Het
was een enorm succes - en
ook nu nog is deze muziek
zeer geliefd. Wil van der
Beek stond garant voor
het uitstekende
arrangement van dit
bekende
werk.
Marche
Pontificale stammt
aus der Orgelsymphonie
Nr. 1, die Charles
François Gounod 1835
zur Ernennung von Papst
Pius IX schrieb und die
seit 1950 als offizielle
Vatikanhymne gilt. Nun
liegt sie, pünktlich
zum Jubiläumsjahr
2007, in dem unser“
Papst Benedikt XVI seinen
80. Geburtstag feierte,
in einer neuen
Bearbeitung für
Blasorchester aus der
Feder des erfahrenen
Arrangeurs Wil van der
Beek vor.
Cavatina Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-010<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5
SKU:
BT.DHP-1135392-010
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo and
Concerto. Set (Score and
Parts). Composed 2013. De
Haske Publications #DHP
1135392-010. Published by
De Haske Publications
(BT.DHP-1135392-010).
9x12 inches.
English-German-French-Dut
ch.
Goetheâ??s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounodâ??s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(â??Salut, demeure
chaste et pureâ?). Wil
van der Beek has arranged
the Cavatina with
the euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(â??Salut, demeure
chaste et pureâ?), in
deze versie van Wil van
der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem fu?r herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pureâ??). Wil van der
Beek wählte fu?r seine
Bearbeitung das Euphonium
als
Soloinstrument.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
lâ??opera omonima. Il
suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
lâ??imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda.
Soldiers' Chorus Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155637-010 From 'Faust'(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155637-010
From 'Faust'.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek.
Great Classics.
Classical. Set (Score &
Parts). Composed 2015. De
Haske Publications #DHP
1155637-010. Published by
De Haske Publications
(BT.DHP-1155637-010).
English-German-French-
Dutch.
The tale of
Faust, who sold his soul
to the devil in exchange
for knowledge and power,
has been a source of
inspiration for many
authors, poets, film
directors and composers.
Among these is the French
composer Charles Gounod
whose opera
Faustwas first
performed in 1859. This
charming
Soldiers’
Chorus is one of the
most famous melodies from
the opera. Its musical
simplicity and beauty
fits any concert
programme that needs a
well-known classical
arrangement.
Het
verhaal van Faust, die
zijn ziel aan de duivel
verkocht in ruil voor
kennis en macht, is een
rijke bron van inspiratie
geweest voor onder
anderen schrijvers,
dichters, regisseurs en
componisten. Zo ook voor
de Franse componist
Charles Gounod, diezijn
opera Faust in
1859 in première zag
gaan. Het fraaie
Soldatenkoor is een van
de beroemdste
melodieën uit deze
opera. De muzikale
eenvoud en schoonheid
ervan maakt het een
geschikte klassieke
aanvulling op elk
concertprogramma.
Die Geschichte von Faust,
der als Gegenleistung
für Wissen und Macht
seine Seele an den Teufel
verkaufte, diente
zahlreichen
Schriftstellern,
Dichtern, Filmregisseuren
und Komponisten als
Inspirationsquelle. Zu
ihnen zählt auch der
französischeKomponist
Charles Gounod, dessen
Oper Faust 1895
erstmals aufgeführt
wurde. Der bezaubernde
Soldiers’
Chorus
(Soldatenchor“)
zählt zu den
bekanntesten Melodien
dieser Oper. Durch die
musikalische Schlichtheit
und Schönheit des
Stückeseignet es sich
bestens für jedes
Konzertprogramm, das ein
bekanntes klassisches
Arrangement beinhalten
soll.
Soldiers' Chorus Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155637-140 From 'Faust'(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155637-140
From 'Faust'.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek.
Great Classics. Score
Only. Composed 2015. 14
pages. De Haske
Publications #DHP
1155637-140. Published by
De Haske Publications
(BT.DHP-1155637-140).
English-German-French-
Dutch.
The tale of
Faust, who sold his soul
to the devil in exchange
for knowledge and power,
has been a source of
inspiration for many
authors, poets, film
directors and composers.
Among these is the French
composer Charles Gounod
whose opera
Faustwas first
performed in 1859. This
charming
Soldiers’
Chorus is one of the
most famous melodies from
the opera. Its musical
simplicity and beauty
fits any concert
programme that needs a
well-known classical
arrangement.
Het
verhaal van Faust, die
zijn ziel aan de duivel
verkocht in ruil voor
kennis en macht, is een
rijke bron van inspiratie
geweest voor onder
anderen schrijvers,
dichters, regisseurs en
componisten. Zo ook voor
de Franse componist
Charles Gounod, diezijn
opera Faust in
1859 in première zag
gaan. Het fraaie
Soldatenkoor is een van
de beroemdste
melodieën uit deze
opera. De muzikale
eenvoud en schoonheid
ervan maakt het een
geschikte klassieke
aanvulling op elk
concertprogramma.
Die Geschichte von Faust,
der als Gegenleistung
für Wissen und Macht
seine Seele an den Teufel
verkaufte, diente
zahlreichen
Schriftstellern,
Dichtern, Filmregisseuren
und Komponisten als
Inspirationsquelle. Zu
ihnen zählt auch der
französischeKomponist
Charles Gounod, dessen
Oper Faust 1895
erstmals aufgeführt
wurde. Der bezaubernde
Soldiers’
Chorus
(Soldatenchor“)
zählt zu den
bekanntesten Melodien
dieser Oper. Durch die
musikalische Schlichtheit
und Schönheit des
Stückeseignet es sich
bestens für jedes
Konzertprogramm, das ein
bekanntes klassisches
Arrangement beinhalten
soll.
Composed by Johann Sebastian Bach (1685-1750). Arranged by Charles Francois Goun...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Charles Francois Gounod.
Masterworks; Solo; Solo
Small Ensembles; String -
Violin and Piano. Kalmus
Edition. Baroque;
Masterwork; Sacred. Book.
12 pages. Kalmus Classic
Edition #00-K09192.
Published by Kalmus
Classic Edition
Music for Celebrations Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1196088-070 Collection of fe...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1196088-070
Collection of festive
and solemn classical
pieces. Arranged by
Anthony Gröger. De
Haske String Series.
Classical. Set (Score &
Parts). Composed 2020. 32
pages. De Haske
Publications #DHP
1196088-070. Published by
De Haske Publications
(BT.DHP-1196088-070).
ISBN 9789043158572.
English-German-French-Dut
ch.
No matter the
occasion, string quartets
are always in demand.
Music for
Celebrations features
eight works by composers
ranging from Marc-Antoine
Charpentier to Charles
Gounod which rank among
the most popular wedding
classics, with many of
the pieces also well
suited for other
occasions. The arranger
Anthony Gröger has
succeeded in transforming
the works, some of which
originally had extensive
instrumentation, into
compelling string quartet
arrangements that are
also easy to play while
preserving much of the
familiar character of the
originals. The third
violin part, which can
replace the viola part if
no violist is available,
is an added
bonus.
Er is
altijd vraag naar
strijkkwartetten voor
diverse feestelijke
gelegenheden. Music
for Celebrations
bevat acht werken van
verschillende bekende
componisten, van
Marc-Antoine Charpentier
tot Charles Gounod, die
behoren tot de meest
geliefde klassiekers voor
bruiloften, maar veelal
eveneens geschikt zijn
voor andere gelegenheden.
Arrangeur Anthony
Gröger is erin
geslaagd de stukken
waarvan sommige
oorspronkelijk voor een
omvangrijke
instrumentatie zijn
geschreven te
transformeren tot
overtuigende, goed
speelbare muziek voor
strijkkwartetbezetting,
waarin het vertrouwde
klankbeeld grotendeels
behouden is gebleven. Een
handig extraatje is de
toegevoegde
derdevioolpartij, die de
altvioolpartij kan
vervangen als er geen
altviolist beschikbaar
is.
Bei
festlichen Anlässen
diverser Art sind
Streichquartette immer
wieder gefragt. In
Music for
Celebrations sind
acht Kompositionen von
Marc-Antoine Charpentier
bis Charles Gounod
versammelt, die besonders
auf Hochzeitsfeiern zu
den beliebtesten
Klassikern zählen,
wobei viele der Stücke
sich auch für andere
Gelegenheiten bestens
eignen. Dem Arrangeur
Anthony Gröger ist es
gelungen, die teilweise
umfangreich besetzten
Originalwerke in
überzeugende, gut
spielbare
Streichquartettsätze
zu verwandeln und dabei
viel vom vertrauten
Klangbild zu bewahren.
Ein Bonbon ist die
zusätzlich beiliegende
dritte Violinstimme, die
anstelle der
Bratschenstimme genutzt
werdenkann, falls kein
Bratschist zur
Verfügung steht.
This Book and CD collection of Volume 2 of Les Plaisirs Du Bel Canto(+)
This Book and CD
collection of Volume 2 of
Les Plaisirs Du
Bel Canto
features a selection of
songs for singers that
have been taken from the
classic repertoire of the
great operas. For
Mezzo-SopranoVoic
e.
<
br>
Fo
r professional singers,
students, enthusiasts and
music schools, this
varied repertoire is a
great way to enter into
the joyous world of
singing. The CD features
Pianoaccompaniment as it
appears transcribed in
the book.
Song List
(6)
Habanera (Carmen)
[Bizet, Georges]
La Lettre
(Veronique)
[Messager, Andre]
La Maison Grise
(Fortunio)
[Messager, Andre]
La Reine De La Nuit
(La Flute
Enchantee) [Mozart,
Wolfgang Amadeus]
Three Onegin Dances Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1012918-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1012918-010
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. The
Great Classics. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012918-010. Published by
De Haske Publications
(BT.DHP-1012918-010).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg.
Tchaikowsky ist
berühmt für seine
rein instrumentalen
Kompositionen. Er ist
jedoch auch als
Opernkomponist nicht zu
unterschätzen.Viele
seiner OPern werden
immoernoch
regelmäßig auf der
ganzen Welt
aufgeführt, wie zum
Beispiel Pique
Dame und Eugen
OneginEugen
Onegin wurde in den
Jahren 1877 bis 1878
komponiert und von
Tschaikowsky selbst
zunächst nicht als
Oper, sondern als
lyrische Szenen betitelt.
Der lyrische Charakter
ist im ganzen Werk
vorherrschend. Zwei
Stellen kontrastieren
jedoch deutlich mit
dieser Lyrik: zwei
Ballszenen ,für die
Tschaikowsky einen Walzer
uns eine Polonaise
schrieb.Nach einem
weniger bekannten Allegro
Dansant als
Eröffung,stellt dieses
Arrangement vor allem den
oben genannten Walzer in
den Vordergrund, welcher
guten Herzens als ein
schönes russisches
Gegenstück zu Charles
Gounods
Faustwalzer
bezeichnet werden kann.
In der Oper wird dieser
Walzer von einer
Militärkapelle
gespielt. Das Arrangement
schließt mit der
erwähnten pompösen
Polonaise, die den
letztzen Akt eröffnet:
die ideale Musik, um ein
Bild des Hochadels im
Salon eines Petersburger
Palastes zu zeichnen.
Voice (Soprano) SKU: HL.48180033 Soprano. Composed by Charles Fran...(+)
Voice (Soprano)
SKU:
HL.48180033
Soprano. Composed
by Charles Francois
Gounod. Leduc. Classical,
General Worship, Sacred.
Softcover. Alphonse Leduc
#AL12258. Published by
Alphonse Leduc
(HL.48180033).
French
composer, Charles Gounod
(1818-1893) was a
prominent in his day,
best remembered for his
Ave Maria and his opera,
Faust. 1854 saw the
premiere of his Solemn
Mass, also known as the
St. Cecilia Mass. This
work fully established
Gounod as a noteworthy
composer. Despite being a
minor composer to us
today, Gounod was famed
in his day, so much so
that at his funeral,
Camille Saint-Saens
played the organ and
Gabriel Faure conducted.
Gounod's Solemn Mass
proves the composer's
extraordinary talent and
caught the attention of
much of Paris when it was
first performed. Famous
recordings include that
of the Chorus of Radio
France with the New
Philharmonia Orchestra.
For all aspiring choirs,
Gounod's St. Cecilia Mass
is an imperative, sublime
addition to the
repertoire.
Choral (music for voice) SKU: HL.48180031 Voice Parts. Composed by...(+)
Choral (music for voice)
SKU: HL.48180031
Voice Parts.
Composed by Charles
Francois Gounod. Leduc.
Classical, General
Worship, Sacred.
Softcover. Alphonse Leduc
#AL12197. Published by
Alphonse Leduc
(HL.48180031).
French
composer, Charles Gounod
(1818-1893) was a
prominent in his day,
best remembered for his
Ave Maria and his opera,
Faust. 1854 saw the
premiere of his Solemn
Mass, also known as the
St. Cecilia Mass. This
work fully established
Gounod as a noteworthy
composer. Despite being a
minor composer to us
today, Gounod was famed
in his day, so much so
that at his funeral,
Camille Saint-Saens
played the organ and
Gabriel Faure conducted.
Gounod's Solemn Mass
proves the composer's
extraordinary talent and
caught the attention of
much of Paris when it was
first performed. Famous
recordings include that
of the Chorus of Radio
France with the New
Philharmonia Orchestra.
For all aspiring choirs,
Gounod's St. Cecilia Mass
is an imperative, sublime
addition to the
repertoire.
Choral, piano (SATB) SKU: HL.48180032 SATB. Composed by Charles Fr...(+)
Choral, piano (SATB)
SKU: HL.48180032
SATB. Composed by
Charles Francois Gounod.
Leduc. Classical, Sacred.
CD only. 80 pages.
Alphonse Leduc #AL12250.
Published by Alphonse
Leduc (HL.48180032).
UPC: 888680830076.
7.25x10.75
inches.
French
composer, Charles Gounod
(1818-1893) was a
prominent in his day,
best remembered for his
“Ave Maria”
and his opera,
Faust. 1854 saw
the premiere of his
Solemn Mass, also
known as the St.
Cecilia Mass. This
work fully established
Gounod as a noteworthy
composer. Despite being a
minor composer to us
today, Gounod was famed
in his day, so much so
that at his funeral,
Camille Saint-Saëns
played the organ and
Gabriel Fauré
conducted. Gounod's
Solemn Mass proves
the composer's
extraordinary talent and
caught the attention of
much of Paris when it was
first performed. Famous
recordings include that
of the Chorus of Radio
France with the New
Philharmonia Orchestra.
For all aspiring choirs,
Gounod's St. Cecilia
Mass is an
imperative, sublime
addition to the
repertoire.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis.
Arranged by Hans
Schellevis. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Vocal Score.
Baerenreiter Verlag
#BA08966_90. Published by
Baerenreiter Verlag
(BA.BA08966-90).
ISBN
9790006564002. 27 x 19 cm
inches. Text Language:
Latin. Preface:
Schellevis,
Hans.
Sacred works
occupy a large part of
Charles Gounod's oeuvre.
It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to
opera.
This Urtext
edition is based not only
on the original print of
1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
* Gounod's
well-known mass in a new
Urtext edition *
Bilingual Foreword
(Ger/Eng) and Critical
Commentary (Eng) *
Idiomatic piano
reduction * In
preparation for the
Gounod bicentenary year
2018