(Oper in 3 Akten, Paris 1774 (franzosisch/deutsch), 2 Teilbande. Teilband a: Notenband - Teilband b: Vorwort, Kritischer Bericht, Anhang. Urtext der Gluck-Gesamtausgabe). By Christoph Willibald von Gluck (1714-1787). Edited by Marius Flothuis. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Baritone Solo, Bass Solo (3), Mixed Choir, Ball, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Trumpet (2), Trombone, Kettledrum, Strings. Gluck. Samtliche Werke. Serie I, Band 5. Score; Urtext Edition; Complete Edition (cloth bound). Duration 150'

For Harp. By Franz Joseph Haydn, Anton Rubenstein, Christoph Willibald von Gluck, Carlos Salzedo. Arranged by Carlos Salzedo. Text: Yolanda Kondonassis. For Harp. Solo part. 64 pages. Published by Carl Fischer.

Orchestra

SKU: BA.BA05822-01

Composed by Christoph Willibald Von Gluck. Edited by Irene Brandenburg. Arranged by Carlo Bernardi and Gasparo Angiolini. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA05822-01. Published by Baerenreiter Verlag (BA.BA05822-01).

ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan.

To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions – also called Krumau ballets because of their musical transmission – which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.

Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.

In addition to the detailed introduction by this volume’s editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo Voices , Chorus and Orchestra (5Sg-S-solo,Sg-T-solo,Sg- Bar-solo,3Sg-B-solo,Mixed Ch,Tz-Bal,2Fl-picc,2Fl,2O b,2Clar,2Fag,2Hn,2Trp,3Po s,Timp,perc,2V,Va,Vc)

SKU: BA.BA05847-90

Tragedy in four acts. Composed by Christoph Willibald Von Gluck. Edited by Gerhard Croll. Arranged by Hans Schellevis and Jurgen Sommer. This edition: urtext edition. Paperback. Barenreiter Urtext. Paris version of 1779. Vocal Score. Duration 02:05:00. Baerenreiter Verlag #BA05847_90. Published by Baerenreiter Verlag (BA.BA05847-90).

ISBN 9790006558759. 27 x 19 cm inches. Text Language: French, German. Translation: Schmidt, Peter / Brenner, Peter. Text: Nicolas-Francois Guillard.

Christoph Willibald Gluck's four-act opera onthe curse of the Tantalidesis based on a tragedy by the ancient Greek dramatist Euripides that was particularly popular in the 18th century. Gluck's setting received its highly successful premiere in 1779.
Now Barenreiter is publishing the meticulously revised, corrected and newly engraved vocal score which has been adapted to meet their current editorial standards.

- Urtext edition based on theGluck Complete Edition
- Judiciously modernized and newly engraved
- Detailed foreword (Ger/Fr/Eng) by the editorial board of theGluck Complete Edition
- Well presented idiomatic piano reduction

17 Duos des 18.-20. Jahrhunderts von Soussmann, Hugo, Harris u.a. Edited by W0chter, Edmund;Weinzierl, Elisabeth. For Flute (2). Playing Score. Published by Baerenreiter-Ausgaben (German import).

Violin and piano

SKU: LM.P03073

Composed by Henri Classens. Classical. Score. Editions Combre #P03073. Published by Editions Combre (LM.P03073).

ISBN 9790230330732.

DIAB ELLI Anton : Petite piece en Do maj. - LATOUR Jean Theodore : Theme en Sol maj. - GLUCK Christoph Willibald : Divertissement en Sol maj. - GRETRY Andre-Modeste : Ariette en Sol maj. - ARNE Thomas : Menuet en Sol maj. - GURLITT Cornlius : Berceuse en Do maj. - CZERNY Carl : Amusement en Re maj. - PURCELL Henry : Menuet en Sol maj. - BRAHMS Johannes : L'homme au sable en Sol maj. - SCHUMANN Robert : Petite romance en La min. - KUHNAU Johann : Menuet en Sol maj. - GOUNOD Charles : Chanson du soir en Do maj. - SCHUMANN Robert : L'Etranger en Sol maj. - HAENDEL Georg Friedrich : Menuet en Fa maj. - HEROLD Ferdinand : Romance en Sol maj. - DIABELLI Anton : Andante en Fa maj. - DUVAL Francois : Sarabande en Re maj. - PINOLET de MONTECLAIR Michel : Menuet en Re maj. - DUVAL Francois : Sarabande en Sol maj. - SCHUMANN Robert : Marche militaire en Sol maj. - MION Charles-Louis : Air en Si min. - PINOLET de MONTECLAIR Michel : Entree des masques en La maj. - PINOLET de MONTECLAIR Michel : Musette en Do maj. - CZERNY Carl : Sur I'Onde en Do maj. - PINOLET de MONTECLAIR Michel : Les chasseurs en Re maj.

Clarinet - Elementary

SKU: FH.WC1

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 32/16 pages. The Frederick Harris Music Company #WC1. Published by The Frederick Harris Music Company (FH.WC1).

ISBN 978-1-55440-577-0.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Branch Line - Colin Cowles
Space-age Sonatina - Paul Harris
Skip - Errollyn Wallen
Peacherine Rag - Scott Joplin, arr. Forrest Kinney
Hornpipe - Henry Purcell, arr. Christine Donkin
Gavotte, HWV 491 - George Frideric Handel, arr. Christine Donkin
Ghoulish - Paul Harris
Major-General's Song - Arthur Sullivan, arr. Martin van de Ven
Lyrical Repertoire:
All the Pretty Little Horses - American lullaby, arr. Jason Gray
Swanee River - Stephen Foster, arr. Christopher Norton
Che faro senza Euridice? (What Shall I Do Without Euridice?) from Orfeo ed Euridice - Christoph Willibald Gluck, arr. Jason Noble
Sentimental Serenade - Alan Bullard
Entr'acte, from Carmen - Georges Bizet, arr. Christine Donkin
The Wish - Mr. Tuke, arr. Paul Harris
Largo, from The Four Seasons - Antonio Vivaldi, arr. Jason Gray
Hava Nagila - Israeli folk song, arr. Martin van de Ven and Forrest Kinney
Minuet, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason Gray.

Flute - Early Advanced

SKU: FH.FLR07

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/Piano Accompaniment/CD. The Frederick Harris Music Company #FLR07. Published by The Frederick Harris Music Company (FH.FLR07).

ISBN 978-1-55440-295-3.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Sonata in G Major, op. 1, no. 5, HWV 363b (complete) George Frideric Handel, arr. Stephen Chatman
Sonata in A Minor, op. 2, no. 6 (La Bouget) (complete) Michel Blavet
Andante in C Major, K 315 (285e) Wolfgang Amadeus Mozart, arr. Stephen Chatman
Menuet and Dance of the Blessed Spirits Christoph Willibald Gluck, arr. Stephen Chatman
Suite Antique, Second Movement: Ostinato, Third Movement: Aria John Rutter
Sonatina for Flute and Harpsichord (or Piano), First Movement and Third Movement R. Murray Schafer
Deux Morceaux, op. 41, 2. Intermezzo Victor Alphonse Duvernoy
Six Pieces for Flute and Piano Fikret Amirov
1. Song of the Ashug
3. Dance
6. Nocturne
Partita in A Minor for Solo Flute, BWV 1013 Third Movement: Sarabande Johann Sebastian Bach
Fantasia No. 6 in D Minor, TWV 40:7 Georg Philipp Telemann
Thoronet Robert Evans
Trois pieces, 2. Jade Pierre-Octave Ferroud.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

By Christoph Willibald von Gluck (1714-1787). Deux, trois, quatre mandolines. For mandolin. Instrumental Music. Easy (grade 2)

Soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, orchestra (soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, Orchestra)

SKU: BA.BA04086

Opera in three acts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 26. Replaces BA 4008. Complete edition, Score. HWV 29. Duration 3 hours. Baerenreiter Verlag #BA04086_00. Published by Baerenreiter Verlag (BA.BA04086).

ISBN 9790006550036. 33 x 25.8 cm inches. Pietro Metastasio.

As with many other libretti by Pietro Metastasio, “Ezio” was also set to music several times – besides Handel, by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius, who had defeated the Huns under Attila on the Catalaunian Fields, had largely fallen into oblivion by the 18th century, they merely form a backdrop to the highly-dramatic “Sex and Crime” on the operatic stage. In contrast with the original Roman story, “Ezio” remains alive at the “happy ending”, and the enthusiastic public experienced this version for the first time on 15 January 1732 in London .

However, despite this, the opera only received five performances during Handel’s lifetime. Handel took the overture from his incomplete opera “Titus l’Empereur”.

The new vocal score is based on Vol. II/26 of the Halle Handel Edition (BA 4086).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Piano (Sg-S-solo,piano)

SKU: BA.BA08166

Composed by Christoph Willibald Von Gluck. Edited by Benoît Dratwicki. Arranged by Hans Schellevis, Heinz Moehn, Jurgen Sommer, Konrad Rötscher, and Michael Töpel. This edition: urtext edition. Paperback. Christoph Willibald Gluck. Airs d'opera francais / French Operatic Arias | BARENREITER URTEXT. Soprano. Vocal Score, anthology. 148 pages. Baerenreiter Verlag #BA08166. Published by Baerenreiter Verlag (BA.BA08166).

ISBN 9790006563340. 29.7 x 21 cm inches. Text Language: French.

This edition contains French arias for soprano from operas composed by the opera reformer Christoph Willibald Gluck for the Paris Opera:

Iphignie en Aulide (1774)
Orphe et Euridice (1774)
L’arbre enchant (1775)
Cythère assige (1775)
Armide (1777)
Écho et Narcisse (1779)

The edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.


About the series:
Christoph Willibald Gluck. Airs d’opra français / French Operatic Arias

In collaboration with the Centre de musique baroque de Versailles (CMBV), all arias from Christoph Willibald Gluck’s French operas will be published for the first time in a collection of four volumes, ordered by voice type.

With their wide variety of arias and informative texts, these volumes constitute a valuable resource of works by one of the preeminent opera composers of the 18th century. They are suitable for opera singers and voice students and can be used in lessons, auditions and recitals.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Urtext der Gluck-Gesamtausgabe). By Christoph Willibald von Gluck (1714-1787). Edited by Friedrich H Neumann. For Violin (2), Basso Continuo. Gluck. Samtliche Werke. Serie V, Band 1. Score; Urtext Edition; Complete Edition (cloth bound)

Flute - Beginner

SKU: FH.FLR02

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/Piano Accompaniment/CD. The Frederick Harris Music Company #FLR02. Published by The Frederick Harris Music Company (FH.FLR02).

ISBN 978-1-55440-290-8.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Greenslee ves Traditional English, arr. Akiko and Forrest Kinney
Menuet Christoph Willibald Gluck, arr. Stephen Chatman
Theme in B flat Major Ludwig van Beethoven
Bourree anglaise George Frideric Handel, arr. Stephen Chatman
Gavotta Jean-Baptiste Loeillet (de Gant), arr. Kathleen Wood
I am the Bird Catcher, from Die Zauberfloete Wolfgang Amadeus Mozart, arr. Stephen Chatman
L'Armement, TWV 50:35 Georg Philipp Telemann, arr. Ernst Patzold
Sicilienne Antonio Vivaldi, arr. Kathleen Wood
Little Suite: Third movement Hendrik Andriessen
Canoeing Violet Archer
The Groovy Witch Louise Chamberlain
Sun Shower Robert Dick
Hazelnote Crunch Paul Harris
Rumballade Thierry Masson
Flowers Elizabeth Raum
Theme from ballet d'Ascanio Camille Saint-Saens
Suite of Israeli Folk Songs: Third movement Yoav Talmi.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

(Tragedia per musica in 3 Akten. Wiener Fassung 1767.). By Christoph Willibald von Gluck (1714-1787). Edited by Gerhard Croll; Renate Croll. For Soprano Solo (4), Tenor Solo (2), Baritone Solo (2), Bass Solo (3), Mixed Choir, Ball, Flute (2), Oboe (2), Chalumeau (2), English Horn (2), Bassoon (2), Horn (2), Trumpet (2), Trombone (3), Kettledrum, Strings, Basso Continuo. Gluck Samtliche Werke Serie I, Band 3a b. Score; Urtext Edition; Complete Edition (cloth bound). Duration 135'

Vocal and Piano (Voice and Piano)

SKU: HL.50572025

Composed by Christoph Willibald Von Gluck. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF1775. Published by Editions Durand (HL.50572025).

Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, harp, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA02282

Tragédie-opéra (Drame héroïque) in three acts. Composed by Christoph Willibald Von Gluck. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series I, Volume 6. Paris Version 1774. Complete edition, Score. Composed 1774. Duration 2 hours. Baerenreiter Verlag #BA02282_00. Published by Baerenreiter Verlag (BA.BA02282).

ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.

Christoph Willibald Gluck’s most popular opera “Orphe et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.

Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Recorder

SKU: BT.9780713670462

Composed by David Moses. Recorder Magic. Method. Book with CD. 24 pages. Collins Music Publishing #9780713670462. Published by Collins Music Publishing (BT.9780713670462).

ISBN 9780713670462.

T en classical themes by the greatest composers have been arranged for a young Recorder ensemble. A selection of melodies by Mozart, Boccerini, Weber, Beethoven and more are presented here in full score for four descantRecorders with Piano accompaniment. The four parts vary in difficulty to suit a mixed-ability classroom group. An audio CD provides exemplary quality backing tracks and example performances for use in rehearsal or in concert.

Furthermore, a CD-ROM is also provided which is packed with parts for other Recorders, including 3 parts for treble/sopranino, 3 parts for tenor and bass parts for any C instrument.
The selectionofworks will give young students vital first-time experience of Classical music-playing, and the pack contains everything you need for even the most unusual combination of instruments and abilities.

Piano (Piano)

SKU: HL.50571501

Composed by Christoph Willibald Von Gluck. Editions Durand. Score Only. Composed 2001. Editions Durand #DC11146. Published by Editions Durand (HL.50571501).

Choir (Highlights)

SKU: HL.50574543

Composed by Christoph Willibald Von Gluck. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF12274. Published by Editions Durand (HL.50574543).

Piano (Piano)

SKU: HL.50571502

Composed by Christoph Willibald Von Gluck. Editions Durand. March. Score Only. Composed 2001. Editions Durand #DC11147. Published by Editions Durand (HL.50571502).

Choir (Highlights)

SKU: HL.50574522

Composed by Christoph Willibald Von Gluck. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DF12216. Published by Editions Durand (HL.50574522).