Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp

SKU: CA.5526014

Composed by George Frideric Handel. Edited by Alon Schab. Single Part, basso continuo. Composed 1727. HWV 260. Duration 11 minutes. Carus Verlag #5526014. Published by Carus Verlag (CA.5526014).

ISBN 9790007310967. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp

SKU: CA.5526049

Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 260. Duration 11 minutes. Carus Verlag #5526049. Published by Carus Verlag (CA.5526049).

ISBN 9790007252083. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp

SKU: CA.5525814

Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 258. Duration 6 minutes. Carus Verlag #5525814. Published by Carus Verlag (CA.5525814).

ISBN 9790007311025. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Zadok the priest was performed for the anointing of the new King and more recently for the coronation of Charles III in 2023.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Vl, Va, Bc, 2 Ob

SKU: CA.5525914

Composed by George Frideric Handel. Edited by Alon Schab. Single Part, basso continuo. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525914. Published by Carus Verlag (CA.5525914).

ISBN 9790007311100. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp

SKU: CA.5525800

Composed by George Frideric Handel. Edited by Alon Schab. Carus digital: Extra digital products. Full Score. Composed 1727. HWV 258. Duration 6 minutes. Carus Verlag #5525800. Published by Carus Verlag (CA.5525800).

ISBN 9790007251970. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Zadok the priest was performed for the anointing of the new King and more recently for the coronation of Charles III in 2023.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp

SKU: CA.5526005

Composed by George Frideric Handel. Edited by Alon Schab. Choral Score. Composed 1727. HWV 260. Duration 11 minutes. Carus Verlag #5526005. Published by Carus Verlag (CA.5526005).

ISBN 9790007252076. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Vl, Va, Bc, 2 Ob

SKU: CA.5525905

Composed by George Frideric Handel. Edited by Alon Schab. Choral Score. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525905. Published by Carus Verlag (CA.5525905).

ISBN 9790007252038. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc

SKU: CA.5526100

Composed by George Frideric Handel. Edited by Alon Schab. Carus digital: Extra digital products. Full Score. Composed 1727. HWV 261. Duration 12 minutes. Carus Verlag #5526100. Published by Carus Verlag (CA.5526100).

ISBN 9790007252090. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. My heart is inditing was probably played at the end of the coronation ceremony in London's Westminster Abbey. For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp

SKU: CA.5526009

Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 260. Duration 11 minutes. Carus Verlag #5526009. Published by Carus Verlag (CA.5526009).

ISBN 9790007311117. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. The King shall rejoice was probably played during the crowning of the king in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp

SKU: CA.5525803

Composed by George Frideric Handel. Edited by Alon Schab. Vocal score. Composed 1727. HWV 258. Duration 6 minutes. Carus Verlag #5525803. Published by Carus Verlag (CA.5525803).

ISBN 9790007251987. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Zadok the priest was performed for the anointing of the new King and more recently for the coronation of Charles III in 2023.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc

SKU: CA.5526105

Composed by George Frideric Handel. Edited by Alon Schab. Choral Score. Composed 1727. HWV 261. Duration 12 minutes. Carus Verlag #5526105. Published by Carus Verlag (CA.5526105).

ISBN 9790007252113. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. My heart is inditing was probably played at the end of the coronation ceremony in London's Westminster Abbey. For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Vl, Va, Bc, 2 Ob

SKU: CA.5525909

Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525909. Published by Carus Verlag (CA.5525909).

ISBN 9790007310905. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp

SKU: CA.5525809

Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 258. Duration 6 minutes. Carus Verlag #5525809. Published by Carus Verlag (CA.5525809).

ISBN 9790007311049. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Zadok the priest was performed for the anointing of the new King and more recently for the coronation of Charles III in 2023.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano, Piccolo, Timpani and more. - Grade 4

SKU: CF.SPS93

For Those Who Continue to Rise. Composed by Travis Weller. Set of Score and Parts. 30+2+12+12+4+12+12+12+4+4 +4+4+4+4+6+6+6+8+9+9+6+9+ 6+6+4+2+2+9+4+12+4 pages. Duration 6 minutes, 10 seconds. Carl Fischer Music #SPS93. Published by Carl Fischer Music (CF.SPS93).

ISBN 9781491159774. UPC: 680160918362.

Adver sity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.
Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.

SATB choir and orchestra

SKU: LP.765762228207

Composed by Regi Stone & David T. Clydesdale. Arranged by David Clydesdale. Anthems. Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762228207).

UPC: 765762228207.

Offer victorious hope in difficult circumstances through this encouraging piece written by Regi Stone and David T. Clydesdale. With the majestic and powerful musicianship that Clydesdale has become known for the arrangement and orchestration of this anthem featuring a male soloist and adult choir fits perfectly with the powerful reminder of the promise that God will carry us through wherever He leads.

SKU: AP.1-ADV11400

Romanticism Through the Twelve-Tone Row. Composed by Ludmila Ulehla. Reference Textbooks; Technique Musicianship; Textbook - General; Theory. Advance Music. Book. Advance Music #01-ADV11400. Published by Advance Music (AP.1-ADV11400).

ISBN 9783892210610. UPC: 805095114003. English.

Contempora ry Harmony: Romanticism Through the Twelve-Tone Row is by Ludmila Ulehla. The understanding of the musical techniques of composition cannot be reduced to a handbook of simplified rules. Music is complex and ever changing. It is the purpose of this book to trace the path of musical growth from the late Romantic period to the serial techniques of the contemporary composer. Through the detailed analysis of the musical characteristics that dominate a specific style of writing, a graduated plan is organized and presented here in the form of explanations and exercises. A new analytical method substitutes for the diatonic figured bass and makes exercises and the analysis of non-diatonic literature more manageable. The explanations describing each technique are thorough. They are designed to help the teacher and the student see the many extenuating circumstances that affect a particular analytical decision. More important than a dogmatic decision on a particular key center or a root tone, for example, is the understanding of why such an underdeterminate condition may exist.

Wind Band - Grade 3.5

SKU: YM.GTW01097546

Concert Band. New Sounds in Brass (NSB). Arranged Classics. Score & Parts. Yamaha Music Media #GTW01097546. Published by Yamaha Music Media (YM.GTW01097546).

ISBN 9784636975468.

New Sounds in Concert Band Series (NSB)
Duration: approx.4'30
Arranged by Hideaki Miura.

SATB choir, congregation, organ

SKU: CA.1037308

Composed by Ludwig Meinardus. Edited by Dieter Zeh. Congregation. Sacred vocal music, Cantatas, Christmas. Single Part, Gemeinde. Composed 1888. Opus 48. 2 pages. Duration 20 minutes. Carus Verlag #CV 10.373/08. Published by Carus Verlag (CA.1037308).

ISBN 9790007190736. Language: German.

The cantata is an example of the striving toward reform at the end of 19th century to give choir and congregational singing more importance in worship services, even under modest circumstances. Therefore, Ludwig Meinardus did without the participation of soloists and made due with the organ as the accompanying instrument. The antiphonal singing between the choir and congregation holds a central place in this work. The cantata may be performed as a whole, but, in accordance with the conception of the composer it can also be performed within the context of a liturgical service. Score and part available separately - see item CA.1037300.

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718712

Composed by Georges Bizet. Edited by Marc Rigaudière. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718712. Published by Carus Verlag (CA.2718712).

ISBN 9790007303549. Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

SKU: GI.G-9124

Step-by-Step Instructions and Exercises. Composed by Blake R. Henson and Gerald Custer. Music Education. 278 pages. GIA Publications #9124. Published by GIA Publications (GI.G-9124).

ISBN 9781622771745. English.

Need to adapt an SATB work for your small SAB choir? Have sopranos who can’t sing divisi…but know a great trumpet player who is happy to help out? Need to simplify a viola part for a beginner? In straightforward, step-by-step fashion, authors Blake Henson and Gerald Custer show how to take a piece of existing music and craft a workable, polished arrangement that meets the needs of your ensemble in the real world. Arranging: A Beginner’s Guide is full of ideas, examples, and exercises to try out and adapt, grounded in the belief that arranging is not only a necessary skill, it is one that is relatively easy to learn and master. This book is written for conductors, church musicians, teachers, and students at all levels. Learn how to: • reconfigure a piece to fit your choral circumstances • translate your ideas into practical, performable music • turn a solo song into a choral piece • write a descant • transform a piano part into an arrangement for band or strings • extend a hymn into an anthem with introduction, interludes, and coda • create within copyright law With numerous examples and helpful tips—plus humor and insight—this engaging and practical workbook is designed to make the arranging process simple and fun. “We are generally familiar with an endless supply of songs and sounds. However, as performers and as listeners, we need ways of experiencing this information and inspiration in fresh and new ways for insight, understanding, and sometimes for the important and practical reasons of accessibility. This is at the core of Arranging: A Beginner’s Guide: Step-by Step Instructions and Exercises, and the tools we need to approach informed creativity are systematically outlined in this comprehensive guide to arranging.” —Tim Sharp, Executive Director American Choral Directors Association Sought after for his choral, solo vocal, and orchestral work, Blake Henson has received numerous commissions from choral and instrumental ensembles of all kinds. Dr. Henson is an experienced and popular teacher of theory and composition. A Grammy-nominated, award-winning composer and arranger with more than 95 works in print and two CDs, Jerry Custer teaches music theory and composition at Wayne State University in Detroit. Also by Blake Henson and Jerry Custer, available from GIA Publications, Inc.: From Words to Music: A User’s Guide to Text for Choral Musicians (G-8728) and The Composer’s Craft: A Practical Guide for Students and Teachers (G-8533).

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718741

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, timpani. Composed 1858. 4 pages. Duration 20 minutes. Carus Verlag #2718741. Published by Carus Verlag (CA.2718741).

Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Mezzo-Soprano, Orchestra

SKU: HL.14010207

Composed by Brian Elias. Music Sales America. 20th Century. Score. Composed 2002. 128 pages. Chester Music #CH59162. Published by Chester Music (HL.14010207).

ISBN 9780711924925. UPC: 196288152422. 9.0x12.0x0.306 inches.

Elias: I first came across Irina Ratushinskaya's poetry when the collection 'No, I'm Not Afraid' was published in England in early May 1986. The poems, the various circumstances in which they were written and the poet's integrity, commitment and appalling situation (she was still imprisoned) all had a tremendous impact upon me. I was drawn inexorably into the world she describes so vividly. The powerful imagery of resistance, the acceptance of shattering realities and the fantasies of different kinds of escape made poetry of truly universal significance and urgency, and the idea of a setting for voice and large orchestra followed immediately. Each of the settings (in Russian) is self-contained and quite different in mood and orchestration. However, I consider the songs as one piece, and the whole cycle is performed without a break. All the basic musical material, themes and motifs for the entire work are stated in the first few pages, and the order of the poems was chosen to provide an overall musical and dramatic shape that attempts to link them together and to reflect more than the immediate meaning of the individual poems.

SA Choir

SKU: SU.80101260

For SA Choir. Composed by Sandra Gay. Vocal/Choral, Sacred Choral. Choral Octavo. Zimbel Press #80101260. Published by Zimbel Press (SU.80101260).

These three brief motets are composed for 2-part men's voices (with no divisi) and are very useful for circumstances where only small choral forces are available. They may also be performed as vocal duets. The texts are drawn from the Bible: Psalm 46:4, 7; Jeremiah 17:10, 7, 8; and Psalm 105:1-3. Published by Zimbel Press. Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusi c.com (include the organization name with your request). To order quantities fewer than 8, please please write to sales@subitomusic.com.

SKU: GI.G-8651

From the Memoirs of Arturo Sandoval. Composed by Marianela Sandoval and Robert S. Simon. Music Education. Book (not sheet music). 252 pages. GIA Publications #8651. Published by GIA Publications (GI.G-8651).

ISBN 9781622770656.

Visi t 2013 Midwest Clinic Page 2013 marks the 20th anniversary of the passing of Dizzy Gillespie, a master entertainer and one of the greatest jazz musicians of all time. This book celebrates the relationship and influence Dizzy had with Arturo and his family. Through amazing photographs and stories, this book tracks the remarkable story of how the two met in Cuba during a very restrictive period and the eventual role Dizzy would play in Arturo’s flight to freedom. It also recounts the modest start and parallels that exist between the two musicians as well as their career developments. Throughout his career Dizzy Gillespie faced a huge challenge to achieve success as a black man born in the South with limited education. He endured the hardship of the Great Depression as well as the humiliation and restrictions of the deep-rooted racism and segregation of the time. Decades later, Arturo Sandoval suffered his own bonds of tyranny when he was forbidden the freedom to perform the music he loved. While serving his three years of obligatory military service in Cuba, he was jailed for three months for listening to the “Voice of America” program hosted by Willis Conover on a short wave radio. Both Dizzy and Arturo were angered and demoralized by their individual circumstances, yet both found ways to persevere no matter the political or social consequences of the times. One does not have to look far to realize the level of affection that quickly grew between Dizzy Gillespie and Arturo Sandoval. Their relationship was not only one of mentor-protégé, but also a father-son type of kinship. Dizzy never had a son until he met Arturo. In Arturo’s words, were it not for Dizzy “ maybe I would have ended up in jail, or worse, because nothing good could have happened to me if I stayed there.” One of Dizzy’s greatest achievements and contributions to music was not only the discovery, but the encouragement and promotion of Arturo Sandoval. Arturo Sandoval's life was the subject of the film For Love or Country.

SKU: BR.SON-501

Die Rundkopfe u.die Spitzkopfe. Composed by Hanns Eisler. Edited by Th. und A. Dumling Ahrend. Hardback. Complete Works.

Awarded the German Music Edition Prize 2003

Early modern; Music post-1945. Complete Works. 184 pages. Breitkopf and Haertel #SON 501. Published by Breitkopf and Haertel (BR.SON-501).

ISBN 9790004802236. 10 x 12.5 inches.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.