| Ensemble Concepts for Band - Fundamental Level Clarinette [Partition] Hal Leonard
Clarinet. By Eddie Green, David Bertman, John Benzer. Essential Musicianship Ban...(+)
Clarinet. By Eddie Green,
David Bertman, John
Benzer. Essential
Musicianship Band.
Softcover. 16 pages.
Published by Hal Leonard.
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Play 'Em Right Rock - Vol. 1 Clarinette [Partition + CD] - Facile Hal Leonard
Clarinet. Arranged by Erik Veldkamp. De Haske Play-along Book. Play Along. Publi...(+)
Clarinet. Arranged by
Erik Veldkamp. De Haske
Play-along Book. Play
Along. Published by Hal
Leonard.
$16.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ensemble Concepts for Band - Fundamental Level Clarinette [Partition] Hal Leonard
Bass Clarinet. By Eddie Green, David Bertman, John Benzer. Essential Musicianshi...(+)
Bass Clarinet. By Eddie
Green, David Bertman,
John Benzer. Essential
Musicianship Band.
Softcover. 16 pages.
Published by Hal Leonard.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Play 'Em Right Latin - Vol. 1 Clarinette - Facile De Haske Publications
Vol. 1 - Clarinet. De Haske Play-along Book. Size 9x12 inches. Published by De H...(+)
Vol. 1 - Clarinet. De
Haske Play-along Book.
Size 9x12 inches.
Published by De Haske
Publications.
$16.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ensemble Concepts for Band - Fundamental Level Clarinette Hal Leonard
Alto Clarinet. By Eddie Green, David Bertman, John Benzer. Essential Musicianshi...(+)
Alto Clarinet. By Eddie
Green, David Bertman,
John Benzer. Essential
Musicianship Band.
Softcover. 19 pages.
Published by Hal Leonard.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Play 'Em Right Latin - Vol. 2 Clarinette - Facile De Haske Publications
Vol. 2 - Clarinet. De Haske Play-along Book. Size 9x12 inches. Published by De H...(+)
Vol. 2 - Clarinet. De
Haske Play-along Book.
Size 9x12 inches.
Published by De Haske
Publications.
$16.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite Nr.1 in G Major, BWV 1007 for Bass Clarinet Solo Metropolis Music Publishers
Bass Clarinet Solo SKU: IS.BC7076EM Composed by Johann Sebastian Bach. Ar...(+)
Bass Clarinet Solo
SKU: IS.BC7076EM
Composed by Johann
Sebastian Bach. Arranged
by Stefano Cardo.
Woodwinds - Bass
Clarinet. Metropolis
Music Publishers
#BC7076EM. Published by
Metropolis Music
Publishers (IS.BC7076EM).
ISBN
9790365070763. It
was 1995 when I had the
fortune to listen to the
freshly published
recording of the suites
performed by Mstislav
Rostropovich. I would
have given anything to be
able to play them, and
this was what inspired me
to study the bass
clarinet. The series of
diverse emotions which I
subsequently experienced
made me see Music in a
completely new way. I
began learning them
slowly, inevitably
adapting the text. As I
discovered their
educational value, the
knowledge of harmonic
structures, forms and
stylistic features
gradually evolved within
me. Over 20 years I have
studied various editions
and listened to the
meaning which these
suites have had for many
famous performers. I
pleasantly discovered the
commendable work of other
clarinettists who in turn
have dedicated themselves
to approaching this
composer with the bass
clarinet. The objective
of this version
isn’t to impose
conditions on how to play
the suites. We carried
out unique research into
the coherence of the
text, based on the
manuscripts of Anna
Magdalena Bach and Johann
Peter Kellner. The choice
to remove any type of
articulation and agogic
was made in order to
encourage the development
of personal
interpretation, which
obviously requires a
fundamental investigation
of the sources. This
edition comes with 4
versions of the suite.
The reason behind
producing four versions
(which are in different
keys and tones) is
because every musician
has their own tastes and
tendencies. Personally, I
prefer the bass clef
transposed to B flat
because I find the bass
clef to be the most
appropriate for the
spirit of the low
instrument. $41.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 3 - Eb Alto Clarinet GIA Publications
Eb alto clarinet SKU: GI.G-M3ACL Sing Drum and Play. Composed by J...(+)
Eb alto clarinet SKU:
GI.G-M3ACL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3ACL. Published by GIA
Publications
(GI.G-M3ACL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 1 - E-flat Alto Clarinet (Expanded) GIA Publications
Eb alto clarinet SKU: GI.G-M1ACL Sing Drum and Play. Composed by J...(+)
Eb alto clarinet SKU:
GI.G-M1ACL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M1ACL. Published by GIA
Publications
(GI.G-M1ACL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 1 - B-flat Bass Clarinet GIA Publications
Bb bass clarinet SKU: GI.G-M1BCL Sing Drum and Play. Composed by J...(+)
Bb bass clarinet SKU:
GI.G-M1BCL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M1BCL. Published by GIA
Publications
(GI.G-M1BCL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 2 - Bb Bass Clarinet GIA Publications
Bb bass clarinet SKU: GI.G-M2BCL Sing Drum and Play. Composed by J...(+)
Bb bass clarinet SKU:
GI.G-M2BCL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M2BCL. Published by GIA
Publications
(GI.G-M2BCL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Supplementary Book 1 - Eb Alto Clarinet GIA Publications
Eb alto clarinet SKU: GI.G-MS1ACL Solos & Ensembles. Composed by J...(+)
Eb alto clarinet SKU:
GI.G-MS1ACL Solos
& Ensembles. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MS1ACL.
Published by GIA
Publications
(GI.G-MS1ACL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Supplementary Book 1 - Bb Bass Clarinet GIA Publications
Bb bass clarinet SKU: GI.G-MS1BCL Solos & Ensembles. Composed by J...(+)
Bb bass clarinet SKU:
GI.G-MS1BCL Solos
& Ensembles. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MS1BCL.
Published by GIA
Publications
(GI.G-MS1BCL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 3 - Bb Clarinet GIA Publications
Bb clarinet SKU: GI.G-M3CL Sing Drum and Play. Composed by James F...(+)
Bb clarinet SKU:
GI.G-M3CL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3CL. Published by GIA
Publications (GI.G-M3CL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Supplementary Book 2 - Bb Bass Clarinet GIA Publications
Bb bass clarinet SKU: GI.G-MS2BCL Tunes For Developing Technique. ...(+)
Bb bass clarinet SKU:
GI.G-MS2BCL Tunes
For Developing
Technique. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 17 pages. GIA
Publications #MS2BCL.
Published by GIA
Publications
(GI.G-MS2BCL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 3 - Bb Bass Clarinet GIA Publications
Bb bass clarinet SKU: GI.G-M3BCL Sing Drum and Play. Composed by J...(+)
Bb bass clarinet SKU:
GI.G-M3BCL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3BCL. Published by GIA
Publications
(GI.G-M3BCL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| That's My Jam (Technique with Attitude) - Clarinet / Bass Clarinet Orchestre d'harmonie FJH
Concert Band Clarinet SKU: FJ.BB215CL Composed by Brian Balmages. Educati...(+)
Concert Band Clarinet
SKU: FJ.BB215CL
Composed by Brian
Balmages. Educational
Mats; Method/Instruction.
That's My Jam. Book. The
FJH Music Company Inc
#98-BB215CL. Published by
The FJH Music Company Inc
(FJ.BB215CL). ISBN
9781619283107.
English. Practicing
long tones, scales and
other fundamentals is an
essential part of a daily
routine, but it is not
always the most fun
part... All of that
changes with That's My
Jam, a collection of
important technical
studies paired with
incredibly immersive
background tracks
including techno, R&B,
hip-hop, rock and more!
Play along with
incredible background
tracks using your
computer or mobile
device. Ideal for
motivation and home
practice. Establish a
daily routine. $6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Individualized Instructor: Book 2 - Eb Alto Clairnet GIA Publications
Eb alto clarinet SKU: GI.G-M2ACL Sing Drum and Play. Composed by J...(+)
Eb alto clarinet SKU:
GI.G-M2ACL Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M2ACL. Published by GIA
Publications
(GI.G-M2ACL).
English. For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Musician: Bass Clarinet GIA Publications
(A Comprehensive Curriculum for Use During Fundamentals Time). By Scott Rush & R...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time). By
Scott Rush & Rich Moon.
For bass clarinet. High
school and middle school
bands. Music Education -
Band Method. Method book.
68 pages. Published by
GIA Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Artistry of Fundamentals for Band [Partition] Alfred Publishing
By Frank Erickson. For B-Flat Clarinet. Band Supplement. Book. 36 pages. Publish...(+)
By Frank Erickson. For
B-Flat Clarinet. Band
Supplement. Book. 36
pages. Published by
Alfred Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chorales and Beyond-Bb Clarinet/Bass Clarinet Orchestre d'harmonie FJH
Concert Band Clarinet SKU: FJ.BB211CL Composed by Chip DeStefano and Timo...(+)
Concert Band Clarinet
SKU: FJ.BB211CL
Composed by Chip
DeStefano and Timothy
Loest. Band Supplement;
Method/Instruction.
Chorales and Beyond.
Book. The FJH Music
Company Inc #98-BB211CL.
Published by The FJH
Music Company Inc
(FJ.BB211CL). ISBN
9781619281813. UPC:
241444376768.
English. This
incredible resource is an
ideal way to expand or
vary the daily routine of
your ensemble while
developing essential
fundamental concepts of
sound and intonation.
Daily routines cover
breathing, long tones,
pitch matching,
intervals, scales,
arpeggios, chords and
chorales. All chorales
are written in four-part
harmony with all parts
appearing in each
instrument book for
ultimate flexibility with
instrumentation. Centered
around 10 common major
and minor keys, each
includes a daily routine
and three cycles that can
be used to provide
constant variety and
freshness. Personal
warm-ups and musical
terms are also included
along with vibrant and
engaging percussion
writing from longtime
master educator and
percussionist Kevin
Lepper! $6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Agama For Clarinet, Violin, Cello And Piano Score And Parts Violoncelle, Piano Schott
Clarinet, violin, cello and piano - difficult SKU: HL.49019523 For cla...(+)
Clarinet, violin, cello
and piano - difficult
SKU: HL.49019523
For clarinet, violin,
violoncello and
piano. Composed by
Jing Zhou. This edition:
Saddle stitching. Sheet
music. Ensemble.
Softcover. Composed 2009.
92 pages. Duration 12'.
Schott Music #ED21517.
Published by Schott Music
(HL.49019523). ISBN
9790001190480. UPC:
884088945237.
9.0x12.0x0.23
inches. The title
of the piece refers to
the Agama, a fundamental
holy scripture of early
Buddhism. The young
composer says about it:
'The basic ideas of these
writings were a source of
my inspiration. The
compositional material
corresponds to my own
musical language and is
strongly linked to the
spirit and concept of
these Buddhist
writings.'The result is a
very lively and spirited
interplay of the musical
passages among the
different instruments.
The piece is a harmonious
blend of Chinese
contemporary music and
distinct reminiscences of
tradition. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Habits of a Successful Middle School Musician - Bassoon Basson GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9144).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Flute Flûte traversière GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9142).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Oboe Hautbois GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9143).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem in C major Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. For SATB voc...(+)
By Charles Francois
Gounod (1818-1893).
Edited by Barbara
Grolmann. For SATB vocal
soloists, SATB choir, 2
flutes, 2 oboes, english
horn, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
tuba, timpani, bass drum,
harp, percussion, 2
violins, viola, cello,
contrabass, organ. This
edition: Paperbound.
C-Dur (C major).
Stuttgart Urtext
editions. Requiem, End of
the church year,
Mourning, death. Vocal
score. Language: Latin.
Op. Posth.. 44 pages.
Duration 35 min.
Published by Carus Verlag
$21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Habits of a Successful Musician: French Horn Cor GIA Publications
(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / R...(+)
(A Comprehensive
Curriculum for use during
Fundementals Time). By
Scott Rush / Rich Moon.
For french horn. Band
method. High school and
middle school bands.
Published by GIA
Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS251F Composed
by Patrick Glenn Harper.
Full score. 25 pages.
Carl Fischer Music
#CPS251F. Published by
Carl Fischer Music
(CF.CPS251F). ISBN
9781491159880. UPC:
680160918478. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 3 SKU:
CF.CPS251 Composed by
Patrick Glenn Harper. Set
of Score and Parts.
28+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+4+8+1+4
+2+2+12+2+8 pages.
Duration 4 minutes, 27
seconds. Carl Fischer
Music #CPS251. Published
by Carl Fischer Music
(CF.CPS251). ISBN
9781491159873. UPC:
680160918461. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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