| Mojave (score) Orchestre [Conducteur] Bill Holab Music
By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 b...(+)
By Michael Torke (1961-).
For marimba and chamber
orchestra (solo marimba -
22 bass clarinet 2 - 2220
- percussion 1 strings).
Orchestral Music
(Concerti). Score.
Duration 16 minutes.
Published by Bill Holab
Music
$85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Northern Dreams (Reves du Nord) - A Suite in Four Movements Clarinette Fennica Gehrman
Clarinet, piano SKU: FG.55011-584-2 Composed by Heikki Sarmanto. Fennica ...(+)
Clarinet, piano SKU:
FG.55011-584-2
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-584-2. Published
by Fennica Gehrman
(FG.55011-584-2). ISBN
9790550115842. A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
$104.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arioso and Humoreske, Op. 9, No. 1 & 2 for Bass Clarinet and Piano Metropolis Music Publishers
Bass Clarinet and Piano SKU: IS.BCP7331EM Composed by Julius Weissenborn....(+)
Bass Clarinet and Piano
SKU: IS.BCP7331EM
Composed by Julius
Weissenborn. Arranged by
Matt Johnston. Woodwinds
- Bass Clarinet.
Metropolis Music
Publishers #BCP7331EM.
Published by Metropolis
Music Publishers
(IS.BCP7331EM). ISBN
9790365073313. Germ
an bassoonist and
pedagogue Julius
Weissenborn is known
primarily as an author
and composer of method
and etude books familiar
to all bassoonists.
However, he also composed
a number of solo works,
including a collection of
pieces in his Opus 9, for
bassoon and piano. The
first two works of this
opus, Arioso and
Humoreske, pair so well
together that they are
often performed together
as a single piece,
something slow and
lyrical, followed by
something quicker and
technical. And it just so
turns out that with a
relatively simple
transposition, they are
perfectly suited for the
bass clarinet. In this
edition, for each
movement, the piano part
has been transposed down
a whole-step to better
accommodate the bass
clarinet. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bibliography and Discography on Music for Solo Wind Instruments and Orchestra Breitkopf & Härtel
Oboe, clarinet, bassoon, saxophone SKU: BR.MR-2286 Volume 2: oboe/clar...(+)
Oboe, clarinet, bassoon,
saxophone SKU:
BR.MR-2286 Volume
2:
oboe/clarinet/bassoon/sax
. Composed by Hermann
Haug. Softbound. Musica
Rara. The bibliography on
Solo Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed. Music pedagogy.
Book. 480 pages.
Breitkopf and Haertel #MR
2286. Published by
Breitkopf and Haertel
(BR.MR-2286). ISBN
9783765103797. 8.5 x 11.5
inches. German /
English. The
bibliography on Solo
Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed. The primary
sources were the specific
bibliographies on the
particular instrument,
then the listings of
music in print,
biographic-bibliographic
dictionaries, catalogues
of libraries and music
information centres as
well as the German
Bielefelder Katalog
Klassik, the British
R.E.D. Catalogue and the
US Schwann Opus. In
addition, a number of
works were communicated
by musicians and
collectors of
manuscripts, printed and
the recorded music
itself. The information
on the works contain
along with the key of the
composition, the title,
the instrumentation and
the duration, information
on libraries and
publishing houses as well
as the sources of
manuscripts with
reference to RISM-Library
Sigla. An additional
CD-listing makes it
easier to find the
recording.
The
bibliography on Solo
Concertos for Wind
Instruments and Orchestra
comprises three volumes.
Nearly 17 000 works by
about 6 000 composers are
listed. $88.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| One Small Child Voix Moyenne Hope Publishing Company
Composed by David Meece. Arranged by Lloyd Larson. For medium voice. Voice solo....(+)
Composed by David Meece.
Arranged by Lloyd Larson.
For medium voice. Voice
solo. Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Sing Lullaby (Organ/Choral Score) Chorale SATB [Octavo] Schirmer
Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instr...(+)
Composed by Leo Nestor.
For Soprano or Tenor
solo, SATB choir, 2
obbligato Instruments
(Mixed Voices). Year C:
Epiphany of the Lord.
Epiphany, Christmas,
Services, Concerts, 20th
Century. Medium. Octavo.
Text Language: English.
Published by E.C.
Schirmer Publishing
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Were You There on That Christmas Night? Voix moyenne, Piano [Vocal Score] Hope Publishing Company
Composed by Natalie Sleeth. Arranged by Lloyd Larson. For medium voice solo (key...(+)
Composed by Natalie
Sleeth. Arranged by Lloyd
Larson. For medium voice
solo (key of F). Hope's
All-Time Best Sellers
series. Christmas. Vocal
score. 8 pages. Published
by Hope Publishing
Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Hymns of Praise - Bb Clarinet(s) - Facile Choristers Guild
(Arrangements for Solo Instrument to Full Orchestra; Flexible for any number or ...(+)
(Arrangements for Solo
Instrument to Full
Orchestra; Flexible for
any number or combination
of instruments with piano
or CD accompaniment).
Arranged by Stan Pethel.
For Bb clarinet(s) with
piano or orchestrated
audio CD accompaniment.
Advent; Christmas;
Epiphany;
Transfiguration; Christ's
Gracious Life; Palm
Sunday; Easter;
Eastertide; Pentecost;
Holy Trinity;
Reformation; All Saints';
Christ the King;
Communion; Stewardship;
Thanksgiving; General.
Grade 2-4. Book only.
Published by Chorister's
Guild
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wenceslas Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Oxford University Press
Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SAT...(+)
Composed by Bob Chilcott.
For mezzo-soprano voice
solo, baritone voice
solo, SATB choir and
piano/orchestra (2
flutes, 2 oboes, 2 Bb
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 percussion,
harp and strings). This
edition: paperback.
Christmas. Level B-C
(easy - moderately
difficult). Vocal score.
60 pages. Duration 25
minutes. Published by
Oxford University Press
$19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From heav'n on high Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Ed...(+)
(Christmas cantata).
Composed by Felix
Mendelssohn Bartholdy /
Martin Luther. Edited by
Karen Lehmann. For SBar
vocal soli, SSATB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins, 2
violas, 2 cellos,
contrabass. Stuttgart
Urtext Edition. German
title: Vom Himmel hoch,
da komm ich her.
Cantatas, Christmas.
Level 3. Complete
orchestral parts.
Language: German/English.
Composed 1831. Duration
16 minutes. Published by
Carus Verlag
$174.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Piano and Wind Ensemble Piano et Orchestre [Conducteur d'étude / Miniature] Subito Music
Composed by Nancy Galbraith (1951-). For Piano and Concert Band (solo piano; 3,1...(+)
Composed by Nancy
Galbraith (1951-). For
Piano and Concert Band
(solo piano; 3,1 2 3,bass
clarinet 2 2 alto sax,
tenor sax, baritone sax;
4331, euphonium; 5
percussion, contrabass).
Study Score. Duration
21'. Published by Subito
Music Corporation
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My Country, 'Tis of Thee Chorale SATB [Vocal Score] - Facile Oxford University Press
Arranged by Mack Wilberg. For SATB choir and organ/orchestra (3 flute piccolo, 2...(+)
Arranged by Mack Wilberg.
For SATB choir and
organ/orchestra (3 flute
piccolo, 2 oboe, 2
clarinet, 2 bassoon, 4
horn, 3 trumpet, 3
trombone, tuba, timpani,
suspended cymbal, chimes,
organ, strings). Mixed
Voices. Sacred. Level B
(easy). Vocal score. 12
pages. Duration 3
minutes. Published by
Oxford University Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ, thou Lamb most holy Chorale SATB SATB, Cordes [Set de Parties séparées] Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Oswald Bill. For SATB
choir, 2 violins, viola,
cello/contrabass, [flute
or oboe or clarinet].
Stuttgart Urtext Edition.
German title: Christe, du
Lamm Gottes. Cantatas,
Mass sections, Lent and
Passiontide, Holy Week,
Eucharist, Communion.
Complete orchestral
parts. Language:
German/English. Composed
1827. A 5. Duration 7
minutes. Published by
Carus Verlag
$65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lobgesang Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited...(+)
(Symphonie-Kantate).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Douglass Seaton. For SST
vocal soli, SSAATB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, 2
violins, viola, cello,
contrabass, organ.
Stuttgart Urtext Edition.
Score available
separately - see item
CA.4007600. Praise and
thanks. Level 3. Complete
orchestral parts.
Language: German/English.
Composed 1840. Op. 52.
Duration 65 minutes.
Published by Carus Verlag
$426.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christus Soli, choeur mixte et accompagnement Carus Verlag
(Oratorienfragment. Teil I: Die Geburt Christi Teil II: Das Leiden Christi). By ...(+)
(Oratorienfragment. Teil
I: Die Geburt Christi
Teil II: Das Leiden
Christi). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by R.
Larry Todd. For tenor
solo voice, SATTBB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombo
$248.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prima la musica e poi le parole - Facile Barenreiter
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edi...(+)
(Divertimento teatrale in
one act). Composed by
Antonio Salieri
(1750-1825). Edited by
Thomas Betzwieser. For 2
soprano voice solos/2
bass voice solos/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/2
violins/viola/double
bass/basso continuo. This
edition: Urtext edition.
Paperback. Level 3. Piano
reduction. Language:
Italian/German, Text
Language: German/English.
Duration 1 hour, 15
minutes. Published by
Baerenreiter Verlag
$55.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Day in the Life of a Fool (Manha de Carnaval) Ensemble Jazz [Conducteur] - Facile Alfred Publishing
Composed by Luiz Bonf�¡, English lyric by Carl Sigman. Arranged by Terry Wh...(+)
Composed by Luiz
Bonf�¡, English
lyric by Carl Sigman.
Arranged by Terry White.
Jazz Ensemble. Jazz
Ensemble; Score. Young
Jazz Ensemble. Jazz;
Latin. Grade 2. 20 pages.
Published by Alfred Music
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wolf-temperiertes Klavier Piano seul - Avancé EMB (Editio Musica Budapest)
24 pieces for piano. Composed by Peter Wolf. Contemporary Music. EMB. Classic...(+)
24 pieces for piano.
Composed by Peter Wolf.
Contemporary Music. EMB.
Classical. Softcover.
Composed 2019. 128 pages.
Editio Musica Budapest
#EMBZ15087. Published by
Editio Musica Budapest
$39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Elegy for a Firefighter - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Piccolo, String Bass,
Trombone 1, Trombone 2,
Trombone 3, Trumpet 1 and
more. - Grade 4 SKU:
CF.SPS87 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+4+2+2+2+8+8+4+2+4+4+2+2
+2+2+3+3+3+4+4+4+4+3+3+3+
6+4+4+2+2+1+1+1+1+4+24
pages. Duration 6
minutes, 28 seconds. Carl
Fischer Music #SPS87.
Published by Carl Fischer
Music (CF.SPS87). ISBN
9781491156445. UPC:
680160914982. 9 x 12
inches. About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elegy for a Firefighter [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Horn 1, Horn 2, Horn 3,
Horn 4, Mallet
Percussion, Oboe 1, Oboe
2, Percussion and more. -
Grade 4 SKU:
CF.SPS87F Composed by
Jeremy Martin. Sws. Sps.
Full score. 24 pages.
Duration 6 minutes, 28
seconds. Carl Fischer
Music #SPS87F. Published
by Carl Fischer Music
(CF.SPS87F). ISBN
9781491156452. UPC:
680160914999. 9 x 12
inches. About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nocturne, Op. 50 No. 3 Clifton Edition
Miscellaneous Chamber SKU: ST.C489 Composed by R.N.C Bochsa. Chamber musi...(+)
Miscellaneous Chamber
SKU: ST.C489
Composed by R.N.C Bochsa.
Chamber music. Clifton
Edition #C489. Published
by Clifton Edition
(ST.C489). ISBN
9790570814893.
This Nocturne can be
performed by Oboe, or B
flat Clarinet or Violin,
with either harp or
piano. Three separate
solo parts are included
in the
book. [bg_collapse
view=link color=#4a4949
icon=arrow
expand_text=Show More
collapse_text=Show Less
] The three Nocturnes
by Bochsa are all
dedicated ‘To his
friend Charles
Garnier’ and were
published in Paris. They
are short dramatic pieces
for harp and oboe,
exploiting operatic
themes and styles,
offering each instrument
at least one elaborate
variation. The title page
of the earlier
publication suggests
flute, clarinet or violin
as possible alternatives
to the oboe, but then
fails to mention the
flute on the headings of
the instrumental parts.
The other two Nocturnes
show that the flute is to
play the violin version,
if no oboe is available,
while the clarinet plays
the oboe version. With
this new edition of
Nocturne Op. 50 No. 3,
set by C.M.M. and F.H.
Nex, there are separate
parts for Oboe, Clarinet
in Bb and Violin, and the
Harp part can
alternatively be played
on the Piano. Some
mystery surrounds the
numbering of the
collection of Nocturnes
Op. 50, whose original
title page states ‘Two
Nocturnes’ in every
case, followed by the
numbers 1, 2 and
3![/bg_collapse]
E
dited by Rachel
Malloch Former Spartan
Press Cat. No.:
PP121.
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fantasia di Falcone Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Euphonium and Piano. By James Curnow. (EUPHONIUM). Curnow Concert Band Full Set...(+)
Euphonium and Piano. By
James Curnow.
(EUPHONIUM). Curnow
Concert Band Full Set.
Published by Curnow
Music.
$159.00 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Excerpts from Appalachian Spring Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield. For
Concert Band (Score and
Parts). Boosey and Hawkes
Concert Band. Grade 4.
Published by Boosey and
Hawkes
$105.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blue Horizons - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
English Horn, Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Piccolo, Trumpet
1, Trumpet 2, Trumpet 3,
alto Saxophone 1 and
more. - Grade 5 SKU:
CF.SPS85 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+28+28+14+14+4+14+14+7+2
4+28+28+8+4+8+8+14+8+9+12
+12+8+8+8+8+12+12+9+12+8+
16+4+3+2+6+6+6+7+44
pages. Duration 7
minutes, 8 seconds. Carl
Fischer Music #SPS85.
Published by Carl Fischer
Music (CF.SPS85). ISBN
9781491156421. UPC:
680160914968. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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