| Marche fatale Orchestre [Conducteur] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Hal Leonard Acoustic Guitar Method Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
Cultivate Your Acoustic Skills with Practical Lessons and 45 Great Riffs and Son...(+)
Cultivate Your Acoustic
Skills with Practical
Lessons and 45 Great
Riffs and Songs. Guitar
Method. Acoustic,
Instruction, Method.
Softcover Audio Online.
With guitar tablature. 80
pages. Published by Hal
Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Listen to the Angels Shouting Chorale SSAA SSAA, Piano Treble Clef Music Press
SSAA, Piano SKU: SU.80300165 For SSAA, Piano. Arranged by Clifton ...(+)
SSAA, Piano SKU:
SU.80300165 For
SSAA, Piano. Arranged
by Clifton J. Noble Jr.
Vocal/Choral, Sacred
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300165. Published by
Treble Clef Music Press
(SU.80300165).
This
arrangement is a medley
of three spirituals: Come
down, angels, Listen to
the angels, and My way's
cloudy, all from The
Story of the Fisk Jubilee
Singers, one of the
earliest printed
collections of slave
spirituals. In all three,
angels are the heavenly
messengers who inspire
and lead the singers out
of bondage into the
promised land. In this
arrangement, the angels
are not dimpled cherubs,
but rather towering
figures who energize the
singers in their
difficult and dangerous
journey. Swing rhythm
sections alternate with
softer sections in
straight rhythm, in this
fine concert closer with
barn-burning piano
accompaniment. The
spirituals' Exodus
imagery makes this medley
suitable for Passover
programming, as well as
for concerts which honor
slave spirituals. SSAA
and piano; 14 pages;
duration: 5:00 min.;
range: e to g#'';
difficulty: medium. SSAA,
piano Published by:
Treble Clef Music Minimum
order quantity: 8
copies. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Acoustic Women (Guitar Play-Along Volume 87) Guitare notes et tablatures [Partition + CD] Hal Leonard
(Guitar Play-Along Volume 87). By Various. Guitar Play-Along. Softcover with CD....(+)
(Guitar Play-Along Volume
87). By Various. Guitar
Play-Along. Softcover
with CD. Guitar
tablature. 72 pages.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Singer's Library of Musical Theatre, Volume 2 Voix Mezzo-Soprano [Partition + CD] Alfred Publishing
(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo...(+)
(Mezzo Soprano/Alto
Voice). Edited by Lisa
DeSpain. For Voice (Alto
voice (Mezzo)). Vocal
Collection. Singer's
Library of Musical
Theatre. Broadway. Book
and CD. 224 pages
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Singer's Library of Musical Theatre, Vol. 2 Voix seule [Partition] Alfred Publishing
For Voice. (Mezzo Soprano/Alto Voice). Vocal Collection. Broadway. Book. 224 pa...(+)
For Voice. (Mezzo
Soprano/Alto Voice).
Vocal Collection.
Broadway. Book. 224
pages. Published by
Alfred Publishing.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Song in an Ancient Land GIA Publications
SKU: GI.G-CD-315 Volume I. Sacred. CD. GIA Publications #315. Publ...(+)
SKU: GI.G-CD-315
Volume I. Sacred.
CD. GIA Publications
#315. Published by GIA
Publications
(GI.G-CD-315).
GIA brings you
the finest liturgical
music from the land down
under. Packed with a
broad range of
music—hymns,
psalms, and service
music—these
collections are the
perfect introduction to
the best-known Australian
composers: Christopher
Willcock, Roger Heagney,
Margaret Thomas, Deirdre
Browne, Jane Wood, Tony
Way, and others. Most
compositions are arranged
twice, both in full and
simplified versions,
giving this music
tremendous versatility.
And almost every piece
may be accompanied either
by guitar or keyboard (a
smattering of titles
contain parts for other
instruments). Add to all
of this the helpful
composer's notes and
assembly reprint boxes,
and you've got two
collections that bring
the land down under that
much closer to home!
 . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Song in an Ancient Land GIA Publications
SKU: GI.G-CD-316 Volume 2. Sacred. CD. GIA Publications #316. Publ...(+)
SKU: GI.G-CD-316
Volume 2. Sacred.
CD. GIA Publications
#316. Published by GIA
Publications
(GI.G-CD-316).
GIA brings you
the finest liturgical
music from the land down
under. Packed with a
broad range of
music—hymns,
psalms, and service
music—these
collections are the
perfect introduction to
the best-known Australian
composers: Christopher
Willcock, Roger Heagney,
Margaret Thomas, Deirdre
Browne, Jane Wood, Tony
Way, and others. Most
compositions are arranged
twice, both in full and
simplified versions,
giving this music
tremendous versatility.
And almost every piece
may be accompanied either
by guitar or keyboard (a
smattering of titles
contain parts for other
instruments). Add to all
of this the helpful
composer's notes and
assembly reprint boxes,
and you've got two
collections that bring
the land down under that
much closer to home!
 . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Call to Valor Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Scott Watson. Concert Band. Concert Band; Part(s); Score; SmartMusic. Challen...(+)
By Scott Watson. Concert
Band. Concert Band;
Part(s); Score;
SmartMusic. Challenger
Band Series. Form:
Fanfare. Grade 1.5. 122
pages. Published by
Alfred Music Publishing
$48.00 $45.6 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Call to Valor Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
By Scott Watson. Concert Band. Concert Band; Score. Challenger Band Series. Form...(+)
By Scott Watson. Concert
Band. Concert Band;
Score. Challenger Band
Series. Form: Fanfare.
Grade 1.5. 8 pages.
Published by Alfred Music
Publishing
$6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Colonnade [Conducteur] Theodore Presser Co.
Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe...(+)
Orchestra Bassoon, Cello,
Clarinet, Contrabass,
Flute, Harp, Horn,
Marimba, Oboe,
Vibraphone, Viola, Violin
1, Violin 2 SKU:
PR.416414230 For
Chamber Orchestra.
Composed by James
Matheson. This edition:
Version 6/10/10. Sws.
Contemporary. Full score.
With Standard notation.
Composed February 13
2003. 84 pages. Duration
18 minutes. Theodore
Presser Company
#416-41423. Published by
Theodore Presser Company
(PR.416414230). ISBN
9781598066630. UPC:
680160602087. 9x12
inches. Colonnade
is James
Matheson’s
intriguing response to
the Albany
Symphony’s
commission to create a
work inspired by the NY
State Board of Education
Building, designed by the
renowned architect Rafael
Guastavino. Matheson
explains that “A
colonnade acts as a
metaphor for the tension
between knowledge and
perception. The columns
are the same height and
equidistant from each
other; while the mind
understands this fully,
there exists no place
from which one can
perceive this –
the columns always appear
to be of uneven height
and spacing. If one then
adds motion to
perspective, identical
columns acquire
elasticity, and begin to
change kaleidoscopically
– they shrink,
grow, become closer, and
then further
apart.†This
structural paradox is
given musical life in the
outer sections of
Colonnade, while the
long, arching middle
section is inspired by
the vaulted ceiling of
one of the
building’s largest
rooms, enhancing the
structure’s
spacious openness and
lightness. Colonnade
is inspired by
Albany’s majestic
New York State Board of
Education Building, and
written on a commission
from the Albany Symphony
Orchestra. It was an
intriguing task, in part
because in order to
accept the commission I
had to agree to write a
work “inspired
by†a building I
had not yet seen.
Thisproblem was
compounded by the fact
that, for me, the very
notion of extra-musical
inspiration is a complex
one, particularly with
respect to literary or
visual sources. I
generally find ideas and
abstracted notions more
generative of musical
ideas than specific ones
(a poem, an experience, a
painting). So when I went
to seeand tour the
building, I sought to
identify fundamental
formal aspects of the
building which I could
process into musical
ideas, and would then be
linked to the building
through a sense of formal
relationship. In theend,
two characteristics of
the building stood out as
noteworthy and
undiminished by time
(compared with, for
instance, the
building’s
rotunda, which contains a
series of quaintly
outdated allegorical
paintings): theexterior
colonnade and a beautiful
interior vaulted ceiling,
designed by Rafael
Guastavino.For me, a
colonnade acts as a
metaphor for the tension
between knowledge and
perception. We all know,
for instance, that the
columns are of the same
height and are
equidistant from each
other. Nevertheless,
while the mind
understands this fully,
it is also the case that
there exists no place
– no standpoint or
viewpoint –
anywhere in the universe
– from which one
can perceive this; the
columns always appear to
be of uneven height and
spacing. If one then adds
motion to perspective
– a walk along the
colonnade, for instance
– the fixed, even,
rigidly identical columns
acquire elasticity, and
begin to change
kaleidoscopically
– they shrink,
grow, become closer, and
then further apart.
Further, the detail of
the building’s
façade behind the
colonnadeshifts into and
out of visibility, with
different portions
obscured by the columns
from each vantage point.
These considerations
underlie the outer
sections of Colonnade, in
which a continuously
repeated, continuously
varied rising figure
– suggestive of a
column –
dominates. The iterations
of this elastic,
evolvingfigure are
interspersed with other
music – suggestive
of the building’s
façade. The second
feature of the building
that caught my attention
was the vaulted ceiling,
designed by Guastavino,of
one of the
building’s largest
rooms. The ceiling
enhances the spaciousness
of the room, giving it an
openness and lightness
that is quite
captivating. The middle
section of Colonnade has
this openness at its
core, and is dominated by
long, arching lines that,
to me, suggest the
refined beauty of this
ceiling.World premiere
March 8, 2003; Albany
Symphony Orchestra
conducted by David Alan
Miller. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 1 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Fennica Gehrman
String Quartet SKU: FG.042-08257-7 Composed by Usko Merilainen. Score. Pu...(+)
String Quartet SKU:
FG.042-08257-7
Composed by Usko
Merilainen. Score.
Published by Fennica
Gehrman (FG.042-08257-7).
ISBN
979-0-042-08257-7.
Usko Merilainen's first
string quartet is a
serial work completed in
1965. The ground occupied
by the work is closer
than ever to the second
Viennese school proper.
Merilainen makes a
deliberate attempt to
break notational taboos.
In two places in the
second movement - each of
about 10 bars - he makes
use of time-space
notation in a way typical
of his work, thereby
discarding precisely
defined durational
relationships. $35.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Colonnade Theodore Presser Co.
Orchestra Bassoon, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe, Vibra...(+)
Orchestra Bassoon,
Clarinet, Contrabass,
Flute, Harp, Horn,
Marimba, Oboe,
Vibraphone, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.41641423L
For Chamber
Orchestra. Composed
by James Matheson. This
edition: Version 6/10/10.
Contemporary. Large
Score. With Standard
notation. Composed
February 13 2003. 84
pages. Duration 18
minutes. Theodore Presser
Company #416-41423L.
Published by Theodore
Presser Company
(PR.41641423L). UPC:
680160602094. 11 x 14
inches. Colonnade
is inspired by Albanys
majestic New York State
Board of Education
Building, and written on
a commission from the
Albany Symphony
Orchestra. It was an
intriguing task, in part
because in order to
accept the commission I
had to agree to write a
work inspired by a
building I had not yet
seen. This problem was
compounded by the fact
that, for me, the very
notion of extra-musical
inspiration is a complex
one, particularly with
respect to literary or
visual sources. I
generally find ideas and
abstracted notions more
generative of musical
ideas than specific ones
(a poem, an experience, a
painting). So when I went
to see and tour the
building, I sought to
identify fundamental
formal aspects of the
building which I could
process into musical
ideas, and would then be
linked to the building
through a sense of formal
relationship. In the end,
two characteristics of
the building stood out as
noteworthy and
undiminished by time
(compared with, for
instance, the buildings
rotunda, which contains a
series of quaintly
outdated allegorical
paintings): the exterior
colonnade and a beautiful
interior vaulted ceiling,
designed by Rafael
Guastavino. For me, a
colonnade acts as a
metaphor for the tension
between knowledge and
perception. We all know,
for instance, that the
columns are of the same
height and are
equidistant from each
other. Nevertheless,
while the mind
understands this fully,
it is also the case that
there exists no place no
standpoint or viewpoint
anywhere in the universe
from which one can
perceive this; the
columns always appear to
be of uneven height and
spacing. If one then adds
motion to perspective a
walk along the colonnade,
for instance the fixed,
even, rigidly identical
columns acquire
elasticity, and begin to
change kaleidoscopically
they shrink, grow, become
closer, and then further
apart. Further, the
detail of the buildings
facade behind the
colonnade shifts into and
out of visibility, with
different portions
obscured by the columns
from each vantage point.
These considerations
underlie the outer
sections of Colonnade, in
which a continuously
repeated, continuously
varied rising figure
suggestive of a column
dominates. The iterations
of this elastic, evolving
figure are interspersed
with other music
suggestive of the
buildings facade. The
second feature of the
building that caught my
attention was the vaulted
ceiling, designed by
Guastavino, of one of the
buildings largest rooms.
The ceiling enhances the
spaciousness of the room,
giving it an openness and
lightness that is quite
captivating. The middle
section of Colonnade has
this openness at its
core, and is dominated by
long, arching lines that,
to me, suggest the
refined beauty of this
ceiling. World premiere
March 8, 2003; Albany
Symphony Orchestra
conducted by David Alan
Miller. $110.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Church Soloist
Piano seul [Partition] Hope Publishing Company
| | |
| iWorship Chord Chart Edition CD-ROM [Key & Note References|CD-ROM] Hal Leonard
| | |
| Chad gadya (One Little Goat) Chorale SSAA SSAA, Piano Treble Clef Music Press
SSAA, Piano, Percussion SKU: SU.80300196 For SSAA, Piano, Percussion(+)
SSAA, Piano, Percussion
SKU: SU.80300196
For SSAA, Piano,
Percussion. Arranged
by Mark Glick.
Vocal/Choral, Secular
Choral. Accompanied by
percussion, accompanied
by piano. Choral Octavo.
Treble Clef Music Press
#80300196. Published by
Treble Clef Music Press
(SU.80300196).
This lively
cumulative table
song--the Jewish
equivalent of The Old
Lady Who Swallowed a
Fly--has for centuries
been sung toward the end
of the Passover Seder
meal, when the adults are
wine-mellowed and the
children are falling
asleep. This arrangement,
with its zesty piano and
small percussion parts,
and maximum flexibility
in assigning stanzas of
the text, makes a fine
closer for a spring
concert. Aramaic, with
full translation. SSAA
with piano and sm.
percussion. Medium. SSAA,
piano, percussion
Published by: Treble Clef
Music Minimum order
quantity: 8 copies. $2.75 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| (Back Home Again In) Indiana Ensemble Jazz [Conducteur] - Facile Belwin
Jazz Ensemble - Grade 3 SKU: AP.38682S Composed by James F. Hanley. Arran...(+)
Jazz Ensemble - Grade 3
SKU: AP.38682S
Composed by James F.
Hanley. Arranged by Greg
Yasinitsky. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. Jazz Band Series.
Jazz; Standard; Swing.
Score. 20 pages. Belwin
Music #00-38682S.
Published by Belwin Music
(AP.38682S). ISBN
9781470665036. UPC:
038081430706.
English. You'll be
swingin' with this jazz
classic! This chart
features terrific sax
solis, a written-out or
ad lib tenor solo, some
stop-time interludes, and
a rousing shout. A fine
opener or closer. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| (Back Home Again In) Indiana Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By James F. Hanley. Arranged by Greg Yasinitsky. Jazz Ensemble. Jazz Ensemble; P...(+)
By James F. Hanley.
Arranged by Greg
Yasinitsky. Jazz
Ensemble. Jazz Ensemble;
Part(s); Score. Jazz Band
Series. Jazz. Grade 3.
104 pages. Published by
Alfred Music Publishing
$52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Burst Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By Sean O'Loughlin. Concert Band. For Concert Band. Carl Fischer Symphonic Perfo...(+)
By Sean O'Loughlin.
Concert Band. For Concert
Band. Carl Fischer
Symphonic Performance
Series. Grade 5. Score
and Set of Parts.
Duration 3:10
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Peace Chorale SSAA SSAA, Piano [Octavo] Treble Clef Music Press
By Martha Alter. For SSAA choir (with piano). Secular. Medium-Difficult. Choral ...(+)
By Martha Alter. For SSAA
choir (with piano).
Secular.
Medium-Difficult. Choral
octavo. Text language:
English. Published by
Treble Clef Music Press
$2.85 $2.7075 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peace Chorale SSAA SSAA, Piano Treble Clef Music Press
SSAA, Piano SKU: SU.80300259 For SSAA, Piano. Composed by Martha A...(+)
SSAA, Piano SKU:
SU.80300259 For
SSAA, Piano. Composed
by Martha Alter.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300259. Published by
Treble Clef Music Press
(SU.80300259).
This lost gem
from just before World
War II sets an ancient
Greek paean to the
blessings of peace:
spiders spin webs over
swords and shields, and
young warriors have a big
party. The piano
accompaniment's warlike
dissonances are
juxtaposed to the choir's
peace motifs in an
effective struggle. A
fine concert closer.
SSAA, piano Published by:
Treble Clef Music Minimum
order quantity: 8
copies. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guardians of the Galaxy Vol. 2 Piano, Voix et Guitare Hal Leonard
Music from the Motion Picture Soundtrack. By Various. Piano/Vocal/Guitar Songb...(+)
Music from the Motion
Picture
Soundtrack. By Various.
Piano/Vocal/Guitar
Songbook.
Softcover. 80 pages.
Published by Hal Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Freedom's March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Composed by James Swearingen. Concert Band. Concert Band. Belwin Beginning Band....(+)
Composed by James
Swearingen. Concert Band.
Concert Band. Belwin
Beginning Band. 4th of
July; Patriotic; Summer.
Grade 1. Conductor Score
and Parts. 130 pages.
Duration 1:36. Published
by Belwin Music
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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