By Michel Blavet (1700-1768). Edited by Philippe Lescat, Jean Saint-Arroman. For...(+)
By Michel Blavet
(1700-1768). Edited by
Philippe Lescat, Jean
Saint-Arroman. For Flute,
Continuo. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Chamber
Music. Score. 80 pages.
Published by Anne Fuzeau
Productions - France
Violin 2 (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - tim...(+)
Violin 2 (solos: STB -
choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.OB-4519-16
At
St Michael and All Angels
- Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough revision
and comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
4519-16. Published by
Breitkopf and Haertel
(BR.OB-4519-16).
ISBN
9790004313053. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
Vocal soloists, choir and orchestra SKU: HL.49017759 History of the wo...(+)
Vocal soloists, choir and
orchestra
SKU:
HL.49017759
History of the work
and documents.
Composed by Arnold
Schoenberg. Edited by
Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Arnold Schoenberg -
Complete Works. Complete
edition. 332 pages.
Schott Music #AS1016-23.
Published by Schott Music
(HL.49017759).
ISBN
9783795794187.
9.0x12.0x0.997 inches.
German.
This volume
contains the editorial
notes on the
'Gurre-Lieder' score
published in series A,
volume 16, 1. Apart from
a detailed description of
the sources and critical
notes, it provides a
tabular list of errata,
omissions and oversights
in the musical text of
the primary source. In
addition, it contains a
line-by-line comparison
of the different texts
and versions as well as a
comparison of the
subsequent amendments,
tracing back to
Schoenberg himself, to
the primary source and
all secondary sources
included in the revision
process.
Basso (cello/double bass) (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0....(+)
Basso (cello/double bass)
(solos: STB - choir: SATB
- 0.2(2ob d'am) ob da
cac.0.0 - 0.3.0.0 - timp
- str - bc)
SKU:
BR.OB-4519-26
At
St Michael and All Angels
- Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough revision
and comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Part.
12 pages. Duration 22'.
Breitkopf and Haertel #OB
4519-26. Published by
Breitkopf and Haertel
(BR.OB-4519-26).
ISBN
9790004313077. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel #OB
4540-16. Published by
Breitkopf and Haertel
(BR.OB-4540-16).
ISBN
9790004314227. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella
SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02).
ISBN
9790004411537. 7.5 x 10.5
inches.
German.
Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica).
By Richard F. Grunow, Edwin E. Gordon, Christopher D. Azzara. Band Method. Instr...(+)
By Richard F. Grunow,
Edwin E. Gordon,
Christopher D. Azzara.
Band Method.
Instructional. Book Only.
Text language: English.
336 pages. Published by
GIA Publications
Choral (SATB a cappella) - intermediate to advanced SKU: HL.49019265 S...(+)
Choral (SATB a cappella)
- intermediate to
advanced
SKU:
HL.49019265
SATB a
cappella. Composed by
Robert Sund. This
edition: Saddle
stitching. Sheet music.
Choral. Classical.
Softcover. 6 pages.
Duration 3'. Schott Music
#C55112. Published by
Schott Music
(HL.49019265).
ISBN
9790001189101.
7.75x11.0x0.41 inches.
German.
The
well-known Swedish
composer and choir
director Robert Sund,
born in 1942, wrote a
tonally striking and
expressive composition
onthe well-known text by
Rainer Maria Rilke which
allows interesting
comparisons with musical
settings of other
composers. German.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig Pod. Sacred vocal
music, End of the church
year, Mourning, death.
Single Part, Organ.
Composed 1724. BWV 26. 12
pages. Duration 17
minutes. Carus Verlag #CV
31.026/49. Published by
Carus Verlag
(CA.3102649).
ISBN
9790007205300. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and part available
separately - see item
CA.3102600.
Tuba, piano SKU: P2.90123 Composed by Fabrizio Fontanot. Tuba Solo. Publi...(+)
Tuba, piano
SKU:
P2.90123
Composed by
Fabrizio Fontanot. Tuba
Solo. Published by
Potenza Music (P2.90123).
Harmoniae
Saltantes is composed in
three movements that each
represent a typical danza
of Italian peninsula: the
Furlana, the Siciliana
and the Tarantella. The
first movement (Furlana)
is characterized by
joyous but fluid movement
between the tuba and
piano, highlighting the
players more intimate and
emotional aspects. In the
second section
(Siciliana) the thematic
cell develops in some
variations that, as in a
deforming mirror,
transform the appearance,
alternating passages full
of lyricism with
movements full of vital
energy that produces
tension. In the third and
last part (Tarantella)
you meet the tuba
virtuoso aspect
juxtaposed with its
inherent lyricism and
expressiveness. The piano
replies to the brilliant
theme from the tuba in a
dialogue of rich sound
comparisons in a dialogue
that finishes in sound
blocks that display
throughout, with
reiterations, the
rhythmic-melodic
fragments of the final
theme.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Full score. Composed
1724. BWV 26. 40 pages.
Duration 17 minutes.
Carus Verlag #CV
31.026/00. Published by
Carus Verlag
(CA.3102600).
ISBN
9790007090784. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-8618
From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University.
Trombone solo with Piano accompaniment - Advanced SKU: CY.CC3170 Composed...(+)
Trombone solo with Piano
accompaniment - Advanced
SKU: CY.CC3170
Composed by Dmitri
Shostakovich. Arranged by
James Markey. Classical.
Score and Parts. Cherry
Classics #CC3170.
Published by Cherry
Classics (CY.CC3170).
ISBN 9790530111406.
8.5 x 11 in
inches.
The set of
24 Preludes for Piano,
Op. 34 was composed in
the winter of 1932-33.
They represent all of the
major and minor keys,
inviting comparisons with
similar collections by
Bach and Chopin. Each
movement has its own
individual mood and there
are sharp contrasts
within each movement and
between movements in
style, rhythm and
harmony. James Markey has
brilliantly arranged
eleven of these movements
for Tenor Trombone and
Piano for virtuoso level
performers. The entire
work is about 17 minutes
in length. We are
grateful to the
Shostakovich estate and
G. Schirmer for
authorizing Mr. Markey's
arrangement. Mr. Markey
and pianist Virginia
Perry can be heard
performing this
arrangement of the
Preludes on his CD
entitled Offroad released
in 2003, which happens to
be sold by Cherry
Classics Music on this
site and also available
on iTunes and other music
retailers.
Set of Parts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Di...(+)
Set of Parts. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Wolf-Dieter Seiffert and
Ernst Herttrich. Sheet
music. Paperbound. Henle
Music Folios. Pages: Vl I
Part = * Vl II Part = *
Va I Part = *Va II Part =
* Vc Part =. Classical.
Set of Parts. 64 pages.
G. Henle #HN777.
Published by G. Henle
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext. 1x
31.026/21 flute, 1x
31.026/22 oboe 1, 1x
31.026/23 oboe 2, 1x
31.026/24 oboe 3, 1x
31.026/31 horn. Stuttgart
Urtext Edition: Bach
vocal. German title: Ach
wie fluchtig, ach wie
nichtig 5. Sacred vocal
music, End of the church
year, Mourning, death.
Set of Orchestra Parts.
Composed 1724. BWV 26. 26
pages. Duration 17
minutes. Carus Verlag #CV
31.026/09. Published by
Carus Verlag
(CA.3102609).
ISBN
9790007205256. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and parts available
separately - see item
CA.3102600.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Single Part, Viola.
Composed 1724. BWV 26. 4
pages. Duration 17
minutes. Carus Verlag #CV
31.026/13. Published by
Carus Verlag
(CA.3102613).
ISBN
9790007205287. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and part available
separately - see item
CA.3102600.
10 Virtuoso Pieces for Solo Violin. Composed by Aleksey Igudesman. Full s...(+)
10 Virtuoso Pieces for
Solo Violin. Composed
by Aleksey Igudesman.
Full score (study). With
Standard notation. 44
pages. Universal Edition
#UE36700. Published by
Universal Edition
(PR.UE036700).
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Set of Orchestra Parts.
Composed 1724. BWV 26.
Duration 17 minutes.
Carus Verlag #CV
31.026/19. Published by
Carus Verlag
(CA.3102619).
ISBN
9790007136048. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and parts available
separately - see item
CA.3102600.
Composed by Frederic Chopin (1810-1849). Edited by Joseph Banowetz. Book; Graded...(+)
Composed by Frederic
Chopin (1810-1849).
Edited by Joseph
Banowetz. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Alfred
Masterwork Edition. Form:
Scherzo. Masterwork;
Romantic. 108 pages.
Published by Alfred Music
(AP.45324).
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990).
ISBN
9780711923904.
5.5x7.5x0.283
inches.
If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination.
Edited by Willard A. Palmer. Johann Sebastian Bach. For Piano. Piano Solo. Maste...(+)
Edited by Willard A.
Palmer. Johann Sebastian
Bach. For Piano. Piano
Solo. Masterwork. Level:
Early Advanced / Advanced
(grade 6 ). 32 pages.
Published by Alfred
Publishing.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Choral Score. Composed
1724. BWV 26. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
31.026/05. Published by
Carus Verlag
(CA.3102605).
ISBN
9790007115227. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score available
separately - see item
CA.3102600.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Single Part, Violin 1.
Composed 1724. BWV 26. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.026/11. Published by
Carus Verlag
(CA.3102611).
ISBN
9790007205263. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and part available
separately - see item
CA.3102600.