Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Composed by Miloslav Kabelac (1908-1971). Edited by Jan Hora. Stapled. Performan...(+)
Composed by Miloslav
Kabelac (1908-1971).
Edited by Jan Hora.
Stapled. Performance
score. Opus 32. 27 pages.
Editio Baerenreiter Praha
#H08028. Published by
Editio Baerenreiter Praha
(PA.H08028).
Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, ...(+)
Composed by Gerard Bunk.
Edited by Jan Boecker;
Wolfgang Stockmeier. For
organ, (violin). This
edition: Urtext edition.
Paperback. Gerard Bunk.
Samtliche Orgelwerke 3.
Performance score,
Part(s), Anthology. 110/2
pages. Published by
Baerenreiter Verlag
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
Organ SKU: CA.5280400 Composed by Max Reger. Edited by Alexander Becker, ...(+)
Organ
SKU:
CA.5280400
Composed
by Max Reger. Edited by
Alexander Becker,
Christopher Grafschmidt,
Stefan Konig, and
Stefanie Steiner-Grage.
This edition: Complete
edition. Hymns by Martin
Luther: Ausgaben mit
mehreren Luther-Liedern;
Complete editions /
Selected works: Max
Reger. Hybrid Edition of
works. With DVD. Organ
music based on hymns.
Full score (complete
edition / selected
edition). 224 pages.
Carus Verlag #CV
52.804/00. Published by
Carus Verlag
(CA.5280400).
ISBN
9790007139384.
The
fourth volume of the
section of the Reger
Edition devoted to his
organ works comprises, in
chronological order, the
chorale preludes composed
between October 1893 and
November 1914 in
Wiesbaden, Weiden,
Munich, Leipzig, and
Meiningen. The
composition of chorale
preludes accompanied
Reger throughout his
entire career, even
though they were composed
primarily in the years
from 1900 to 1902 and
1914 (Opus 135a). As
almost no other composer
at the turn of the
century, he dedicated
himself to the chorale
prelude, composing around
100 works in this genre.
Since January 2008, the
first scholarly, critical
edition of the works of
Max Reger (RWA) is being
produced at the
Max-Reger-Institute,
Karlsruhe. Its design as
a hybrid edition breaks
new ground in the methods
of editorial practice. It
comprises three areas of
Reger's compositional
output: Organ works,
Lieder and choruses and,
for the first time, Max
Reger's arrangements of
works by other composers.
To begin the series, the
first seven volumes have
been published and
contain the organ works,
which have been eagerly
awaited by many.
Organ SKU: BR.SON-411 Complete Works. Composed by Felix Bartholdy ...(+)
Organ
SKU:
BR.SON-411
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works.
Awarded the German
Music Edition
Prize 2006 (SON
411-413)
Romantic period. Complete
Works. 292 pages.
Breitkopf and Haertel
#SON 411. Published by
Breitkopf and Haertel
(BR.SON-411).
ISBN
9790004802380. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Organ SKU: BR.SON-413 Complete Works. Composed by Felix Bartholdy ...(+)
Organ
SKU:
BR.SON-413
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works.
Awarded the German
Music Edition
Prize 2006 (SON
411-413)
Romantic period. Complete
Works. 268 pages.
Breitkopf and Haertel
#SON 413. Published by
Breitkopf and Haertel
(BR.SON-413).
ISBN
9790004802519. 9 x 12
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Organ - Level 3 SKU: BA.BA06852-01 6 Orgelkompositionen. Composed ...(+)
Organ - Level 3
SKU:
BA.BA06852-01
6
Orgelkompositionen.
Composed by Leos Janacek.
Edited by Leoš Faltus
and Miloslav Bucek. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek F/2.
Complete edition,
Performance score,
anthology. Baerenreiter
Verlag #BA06852_01.
Published by Baerenreiter
Verlag (BA.BA06852-01).
ISBN 9790006483358.
24.1 x 31.4 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: HL.49046414 Version for organ by Leif Thybo (1952) based on...(+)
Organ
SKU:
HL.49046414
Version for organ by
Leif Thybo (1952) based
on the original version
for chamber
orchestra. Composed
by Igor Stravinsky. Organ
Large Works. Classical.
Softcover. 52 pages.
Duration 900 seconds.
Schott Music #ED23092.
Published by Schott Music
(HL.49046414).
ISBN
9781540090522. UPC:
842819103974.
The
American musical patrons
Mildred and Robert Wood
Bliss were considering
which distinguished
composer to commission to
create a work in
celebration of their 30th
wedding anniversary in
1938. The couple had made
the acquaintance of Igor
Stravinsky in April the
preceding year at the
premiere of his ballet
Jeu de Cartes in New York
and had subsequently
invited the composer to
their country home
'Dumbarton Oaks' in
Washington D.C. to talk
about a new composition.
Stravinsky only just
managed to complete the
work in time for the
anniversary celebrations:
its date of completion
was also the date of its
first performance. For
his classically styled
three-movement work, he
selected the title
Concerto in E flat,
adding the subtitle
Dumbarton Oaks as a
dedication. The structure
of the work references
the concerto grosso: it
features a soloist
ensemble which unites in
the tutti sequences but
also plays in concertino
groups during the solo
episodes. Broken chordal
structures characterise
the central movement
whereas the outer
movements are
distinguished through
their use of fugato.
Dumbarton Oaks went on to
become one of Stravinskys
mostsuccessful works,
performed widely and
delighting Mildred Bliss
so much that she
immediately issued
another commission, for
the Symphony in C. Its
composer's very public
commitment to American
cultural life helped pave
the way for Stravinskys
emigration to the USA in
1945. As early as 1952
Leif Thybo created an
arrangement for organ
which Stravinsky probably
did not know at the time
of his life.
Organ - Grade 4 SKU: HL.14022830 For Organ. By Niels Bo Foltmann. ...(+)
Organ - Grade 4
SKU:
HL.14022830
For
Organ. By Niels Bo
Foltmann. By Carl August
Nielsen. Music Sales
America. Classical. Book
[Softcover]. Composed
2006. 62 pages. Edition
Wilhelm Hansen #WH30667.
Published by Edition
Wilhelm Hansen
(HL.14022830).
ISBN
9788759814680.
International (more than
one language).
Carl
Nielsen's last major
composition, Commotio
Op.58, for organ.
Presented here as part of
the Carl Nielsen Complete
works, this volume
includes a detailed
preface, four pages of
facsimiles of Nielsen's
original work, a list of
common abbreviations, and
an authoritative critical
commentary. Designed for
either scholarship or
performance, this freshly
engraved score will be a
highlight of any
organist's library.
Organ SKU: CA.5027400 Arranged for concert use by Josef Gabriel Rheinb...(+)
Organ
SKU:
CA.5027400
Arranged for concert
use by Josef Gabriel
Rheinberger. Composed
by Nicolaus Bruhns.
Edited by Martin Weyer.
Arranged by Josef Gabriel
Rheinberger. Carus
digital: Extra digital
products. Full Score.
Composed 1883. WoO 95.
Carus Verlag #5027400.
Published by Carus Verlag
(CA.5027400).
ISBN
9790007298395. Key: G
major.
As well as
20 organ sonatas and
seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and friends.
The Prelude in G
major by Nikolaus Bruhns
arranged by Rheinberger
in 1882 specifically
“for concert
performance†shows
Rheinberger as an editor
skilled at
“recreatingâ€
older works. He added
individual voices or
chords to the original
composition, and
occasionally restructured
the part-writing –
an interesting version
for performing on a late
19th-century
organ.
Separate
edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition.
Organ SKU: BA.BA05100-02 Composed by Johann Sebastian Bach. Edited by Pet...(+)
Organ
SKU:
BA.BA05100-02
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny and Ulrich
Bartels. This edition:
complete edition, urtext
edition. Half-leather
binding. New Bach Edition
(NBA) IV/11. Complete
edition, Performance
score, anthology.
Baerenreiter Verlag
#BA05100_02. Published by
Baerenreiter Verlag
(BA.BA05100-02).
ISBN
9790006545124. 24.7 x
32.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Sonatas 25-37). By Leopold Kozeluh (1747-1818). Edited by Christopher Hogwood. ...(+)
(Sonatas 25-37). By
Leopold Kozeluh
(1747-1818). Edited by
Christopher Hogwood. For
piano. This edition:
Paperback, Urtext
edition. Performance
score. Text Language:
English/Czech/German. 240
pages. Published by
Baerenreiter Verlag
By Jan Pieterszoon Sweelinck (1562-1621). Edited by Siegbert Rampe. For organ/ha...(+)
By Jan Pieterszoon
Sweelinck (1562-1621).
Edited by Siegbert Rampe.
For
organ/harpsichord/piano.
This edition: Paperback,
Urtext edition. Complete
Organ and Keyboard Works,
Volume I-IV. Samtliche 8
Bande zum Paketpreis.
Performance score,
Anthology. 816 pages.
Published by Baerenreiter
Verlag
By Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ. This edit...(+)
By Gerard Bunk. Edited by
Jan Boecker; Wolfgang
Stockmeier. For organ.
This edition: Paperback,
Urtext edition.
Paperback. Complete Organ
Works, Volume IV.
Performance score,
Anthology. Language:
German/English. Opus
43,49,54,57. 95 pages.
Published by Ba
Heures mystiques: Elevations, Communions, Sorties. By Leon Boellmann. Edited by ...(+)
Heures mystiques:
Elevations, Communions,
Sorties. By Leon
Boellmann. Edited by
Schauerte-Maubouet,
Helga. For Organ. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ
Works) Composed by
Dietrich Buxtehude
(1637-1707), edited by
Christoph Albrecht. For
organ. Format: organ solo
book. With organ notation
and thematic index.
Baroque. 73 pages. 12x9.5
inches. Published by
Baerenreiter-Ausgaben.
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ
Works) Composed by
Dietrich Buxtehude
(1637-1707), edited by
Christoph Albrecht. For
organ. Format: organ solo
book. With organ
notation, thematic index
and introductory text.
Baroque. 72 pages. 12x9.5
inches. Published by
Baerenreiter-Ausgaben.
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ
Works) Composed by
Dietrich Buxtehude
(1637-1707), edited by
Christoph Albrecht. For
organ. Format: organ solo
book. With organ notation
and thematic index.
Baroque. 84 pages. 12x9.5
inches. Published by
Baerenreiter-Ausgaben.
(The Organ Works Published During His Lifetime) Composed by Leon Boellmann (1862...(+)
(The Organ Works
Published During His
Lifetime) Composed by
Leon Boellmann
(1862-1897), edited by
Helga Schauerte. For
organ. Urtext. Format:
organ solo book. With
organ notation,
introductory text and
manuscript facsimiles.
Romantic period. 104
pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben
(German Import).
By Joel Martinson (1960-). For SATB choir, oboe and organ with optional congrega...(+)
By Joel Martinson
(1960-). For SATB choir,
oboe and organ with
optional congregation.
Parish. Choral, Advent,
General. Medium/Medium
Difficult. Choral octavo.
Published by Paraclete
Press
Complete Organ Works, Volume 7 by Johann Sebastian Bach (1685-1750). For Organ. ...(+)
Complete Organ Works,
Volume 7 by Johann
Sebastian Bach
(1685-1750). For Organ.
Masterworks; Organ -
Method or Collection.
Kalmus Edition. Baroque;
Masterwork. Book. 112
pages. Published by
Alfred Music Publishing
Organ SKU: CA.5027600 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027600
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score.
Carus Verlag #5027600.
Published by Carus Verlag
(CA.5027600).
ISBN
9790007298432.
Befo
re Rheinberger came to
public attention as an
organ composer with the
publication of his first
Organ Sonata op. 27, he
had already written a few
shorter works for his
favorite instrument.
These include the three
Preludes and Fugues JWV
10, 13 and 16 which
Rheinberger composed at
the age of just 15. He
dedicated his early
contributions to this
tradition-rich genre to
his organ teacher and
supporter Johann Georg
Herzog, who found these
to be of such high
quality that he offered
them to a colleague for
publication. Separate
edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition.