Chamber Music Flute Trio

SKU: PR.144406330

Composed by Robert Martin. Music for the Months, a Collection of Flute Trios. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 36 pages. Duration 5:15. Theodore Presser Company #144-40633. Published by Theodore Presser Company (PR.144406330).

UPC: 680160626205. 9x12 inches.

Compelled by the force of dreams, Martin has created a series of twelve flute trios, each a single movement of four to five minutes in length. These trios correlate roughly to a calendar year, although the composer has assigned them titles from a personal myth. They can, of course, be played in any order or grouping. The twelve trios were completed during a trip to northwestern Michigan in the Summer of 2014.

Piano Duet

SKU: HL.50511310

The 14 Stations of the Cross. Composed by Franz Liszt. Romantic. EMB. Book Only. 45 pages. Editio Musica Budapest #Z12942. Published by Editio Musica Budapest (HL.50511310).

ISBN 9790080129425. UPC: 073999169195. 9.0x12.0x0.284 inches. Hungarian, English, German, French. Ferenc Liszt; Imre Mezo.

Via Crucis is one of the most outstanding religious masterpieces from Liszt-s late creative period, and it depicts the story of the fourteen stations of Jesus' suffering. The work was not released during the composer-s lifetime due to its unusual and daring new sonorities. Based on his own dating, Liszt completed the composing process on February 26, 1879 in Budapest. The piece was originally written as fifteen short movements for solo vocalists, choir, and organ or harmonium, and its text was compiled by Liszt's partner, Carolyne von Sayn-Wittgenstein, using biblical excerpts, two medieval Latin hymns and two German Lutheran chorales.This volume, edited by Imre Mezo, contains German, English and Hungarian prefaces, as well as critical notes in English, which reveal valuable details about the history of the work.

(Sg-S-solo,Sg-Mez-solo,Sg -A-solo,Sg-T-solo,Sg-Bar- solo,mixed choir-SATB,harp,2V,Va,Vc, db,Org)

SKU: BA.BA11304-90

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. Arranged by Christina M. Stahl and Eugene Gigout. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. Opus 12. Baerenreiter Verlag #BA11304_90. Published by Baerenreiter Verlag (BA.BA11304-90).

ISBN 9790006566150. 27 x 19 cm inches. Text Language: Latin.

Saint-Saens was just 23 years old when he composed hisOratorio de Noelin 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholarly-critical Urtext edition.

In the Foreword (Ger/Eng/Fr), the editor explains the background to the premiere, explains the expansion of the work from six to ten movements as well as the composer's multiple revisions. The Critical Commentary (Eng) meticulously records these revisions.

For the first time, valuable tips are provided for the Gallican pronunciation of the Latin text, customary in France until 1903.

The piano reduction is based on the contemporary arrangement by Saint-Saens' student Eugene Gigout.

Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb

SKU: CA.1039709

(Alto Rhapsody). Composed by Johannes Brahms. Edited by Rainer Boss. 1x 10.397/21 flute 1, 1x 10.397/22 flute 2, 1x 10.397/23 oboe 1, 1x 10.397/24 oboe 2, 1x 10.397/25 clarinet 1, 1x 10.397/26 clarinet 2, 1x 10.397/27 bassoon 1, 1x 10.397/28 bassoon 2, 1x 10.397/31 horn 1, 1x 10.397/32 horn 2. Harmony parts. Secular choral music. Set of Orchestra Parts. Op. 53. Duration 14 minutes. Carus Verlag #CV 10.397/09. Published by Carus Verlag (CA.1039709).

ISBN 9790007245610. Language: German.

Johannes Brahms's Alto Rhapsody is published here in a new Urtext edition, modernised for present-day performance practice. It is based on the 2nd impression of the first printed edition, as this is regarded as the authentic musical text following the last revisions made by the composer. The musical setting of Goethe's poem Harzreise im Winter opens with a somber beginning, then by turning to divine powers, it arrives at a hopeful new level. The work - which was composed in connection with the marriage of Julie, the daughter of Brahms's revered Clara Schumann, in 1869 - impresses above all with its personal touch as well as its pioneering progressive harmonies and enormous compositional power, which still entice listeners into the concert hall. Score and parts available separately - see item CA.1039700.

Orchestra orchestra

SKU: AP.12-057152379X

The Early Works (1901). Composed by Ralph Vaughan Williams. Full Orchestra (Study Score); Larger Works; Masterworks; Performance Music Ensemble. Faber Edition. 20th Century; Masterwork. Score. Faber Music #12-057152379X. Published by Faber Music (AP.12-057152379X).

ISBN 9780571523795. English.

Ralph Vaughan Williams' Heroic Elegy and Triumphal Epilogue was composed in 1901. The Elegy dates from January and the Epilogue towards the end of the year, in early November. After some revision by the composer, both movements were performed by the Leeds Municipal Orchestra, conducted by Vaughan Williams, on the 21st January 1905 and this appears to have been the last performance of the work in the UK. The manuscript surfaced in the US in 1966 and is now in the Beinecke Library of Yale University.

Piano

SKU: BT.EMBZ14699

By Ágnes Lakos. EMB Musical Expeditions. Educational Tool. Book Only. Composed 2010. 52 pages. Editio Musica Budapest #EMBZ14699. Published by Editio Musica Budapest (BT.EMBZ14699).

The four composer-sons of Johann Sebastian Bach were figures of decisive importance in the transitional period between the Baroque and Viennese classicism. Around the middle of the 18th century they were influential not only as composers but also as virtuoso players of keyboard instruments in promoting the enormous change in style that took place during those decades. This volume offers a selection of the genres typical of the keyboard works by Bach's sons, thereby also giving students an excellent introduction to Viennese classicism and to the works of Haydn, Mozart and Beethoven. Contains ABRSM Piano Syllabus pieces, Grades 3-6.

Vier Söhne Johann Sebastian Bachs, die in die Fußstapfen des Vaters traten, sind bedeutende Figuren der 'Übergangszeit' zwischen dem Barock und der Wiener Klassik. Nicht nur als Komponisten sondern auch als Meister der Tasteninstrumente wirkten sie gegen Mitte des 18. Jahrhunderts massiv an dem enormen Stilwechsel mit, welcher sich in diesen Jahrzehnten vollzog. Das vorliegende Heft bietet dem Schüler eine Auswahl an charakteristischen Gattungen von Werken der Bach-Söhne für Tasteninstrumente und führt sie dadurch ausgezeichnet in die Wiener Klassik, in die Stücke von Haydn, Mozart und Beethoven ein.

SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.5505694

Composed by George Frideric Handel. Carus Choir Coach. Messiah.Ccc (3 Cds). Sacred vocal music, Oratorios. Compact Disc. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/94. Published by Carus Verlag (CA.5505694).

Text language: English. Text: Jennens, Charles.

George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600.

Solo tenor voice, SATB chorus divisi, Alto Sax, Piano, Bass, Percussion - Grade 3

SKU: CA.1011421

Composed by John Hoybye. Single Part, Alto Saxophone. Composed 2019–2020. Duration 30 minutes. Carus Verlag #1011421. Published by Carus Verlag (CA.1011421).

ISBN 9790007309633. English. Text: Broadbridge, Edward.

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger.Presenti ng a medium level of difficulty, Hope. Easter Music is suitable for a good amateur choir. The mix of a beautiful choral sound and rhythmic intensity in jazz-inspired phrases is “trademark Høybye”. Primarily written for four voices (SATB), the choral writing subdivides at certain, particularly expressive passages to create six- or eight-part harmonies. In addition, the male voices are challenged by several excellently scored four-part passages (TTBB without female voices). The short male voice solo can be sung instead by the choir if necessary.The instrumental quartet is given ample scope for improvisation. While each of the eight movements has its own unique character, the work forms a cohesive whole. Based on a text by Edward Broadbridge, the movements are linked by the theme of “hope” as well as by recurring musical motifs and themes. This not only makes the piece easier to rehearse, but also ensures its popularity with audiences.

Vocal, Solfege

SKU: HL.50489944

Composed by Zoltan Kodaly. EMB. Volume 4. Solfeggio, music theory, pedagogy, Solfeggio, music theory, pedagogy. Editio Musica Budapest #Z2808. Published by Editio Musica Budapest (HL.50489944).

ISBN 9790080028087. B/5 quer (24x17) inches.

Based on sol-fa notation combined with unaccompanied part singing from the earliest stages in a child's school music, the Zoltan Kodaly Method develops musical literacy, secure intonation and rhythmic confidence-essential fundamentals of sound music education. Bicinia Hungarica comprises a series of 4 books featuring the music which Kodaly composed and collected for the Method. The songs provide a welcome introduction to elementary two-part singing. These works are not merely exercises, but miniatures which may serve as an introduction to the composer's larger works.Territorial restrictions may apply. Please ask before ordering.

Viola and Piano

SKU: IS.VAP4359EM

Composed by August Baeyens. Strings - Viola. Metropolis Music Publishers #VAP4359EM. Published by Metropolis Music Publishers (IS.VAP4359EM).

ISBN 9790365043590.

Augu st Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss; this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. It makes sense that the first concerto he wrote for a solo instrument was his Concerto for Viola (Concerto voor altviool) in 1956. A recipient of the first prize award for viola while in conservatory, he performed as a violist in orchestras throughout Flanders. The concerto is in three movements: Moderato, Larghetto espressivo, and Allegro.

Books and Journals

SKU: UT.APS-1

Edited by Fulvia Morabito and Michela Niccolai. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 1. Published by Ut Orpheus (UT.APS-1).

ISBN 9788881094530. 6.5 x 9.5 inches.

Introduz ione di Julian Rushton. Saggi di Diana Bickley, Claudio Bolzan, Guillaume Bordry, Laura Cosso, Katharine Ellis, Roberto Illiano, Michela Niccolai, Mark A. Pottinger, Alban Ramaut, Cécile Reynaud, Julian Rushton, Lesley A. Wright


Thi s volume inaugurates the series of Studies of the twice-yearly journal Ad Parnassum. A Journal of 18th and 19th-Century Instrumental Music. These publications are devoted to individual composers who have made a significant impact in the field of instrumental music. In this way they remain securely within the journal’s area of interest, though without actually imposing strict limits on the specific themes treated, given that the entire output of the composers concerned may be taken into account, not just the instrumental music. As in the case of Hector Berlioz (Côte-St. André, 1803 - Paris, 1869), the composer chosen for the present volume. This collection of miscellaneous studies ranges widely, therefore, from his instrumental production to the operas, also taking in his contributions to music criticism and the theoretical literature.

Oboe and Piano

SKU: BT.EMBZ1852

Composed by Frigyes Hidas. Book Only. Composed 1955. 68 pages. Editio Musica Budapest #EMBZ1852. Published by Editio Musica Budapest (BT.EMBZ1852).

Hungarian.

It s quite rare when a composer s diploma work becomes a successful, popular piece even after 70 years. Frigyes Hidas (1928 2007) Oboe Concerto, written in 1951, is a work that Péter Pongrácz, Lajos Lencsés, and many other Hungarian and foreign oboists gladly add to their concert programs. It is difficult to pinpoint exactly what stylistic conventions helped to form the musical language of the Oboe Concerto: the three-movement form is suggestive of Viennese Classicism, and Hungarian motifs of the era can also be detected here and there. However, the main influences can be felt from the Neoclassicism of the 1920s and 1930s, the Baroque era, and the French woodwind school. Aswith all of his musical creations, Hidas demonstrates here that he is a master of instrumental knowledge, consideration towards his works performers, and tasteful moderation. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Soli (kl. Chor), SATB Choir (teilw. geteilt)

SKU: CA.2708905

Composed by Felix Petyrek. Edited by Claus Woschenko. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral Score. Composed 1949. 32 pages. Duration 25 minutes. Carus Verlag #CV 27.089/05. Published by Carus Verlag (CA.2708905).

ISBN 9790007187101. Language: Latin.

Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his Missa phrygica, written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker. Score available separately - see item CA.2708900.

String quartet String Quartet

SKU: PR.16400272S

Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S).

UPC: 680160588442. 8.5 x 11 inches.

My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change.   I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania]   The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla.   Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional.   II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts]   This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture.   This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream.   III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts]   The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this.   Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1.   String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet.

String Quartet

SKU: SU.29020170

For String Quartet. Composed by Reinaldo Moya. Chamber Music, String Trio/Quartet/Quintet. Score & Parts. Subito Music Corporation #29020170. Published by Subito Music Corporation (SU.29020170).

Lush, richly textured string quartet featuring unconventional notation to create a fluid atmosphereString Quartet Duration: 8' Composed: 2014 Published by: Distributed Composer.

Guitar

SKU: BT.HITPCDEBGUI02DVD

Composed by Philippe Heuvelinne. Method. Book, CD and DVD. Composed 2010. 110 pages. Hit Diffusion #HITPCDEBGUI02DVD. Published by Hit Diffusion (BT.HITPCDEBGUI02DVD).

French.

Gr ce au volume 1 de la méthode, les débutants ont appris toutes les bases techniques et musicales de la guitare. Avec ce volume 2, les guitaristes pourront continuer leur progression travers de nouveaux morceaux. La particularité de ce volume 2est un chapitre dédié la découverte de nombreux styles guitaristiques : picking, folk, jazz, classique, rock, blues... Le DVD est un excellent complément vidéo la méthode simple car il permet de décomposer les effets sonores les plus connus(slide, bend, pulling off...), visualiser des techniques d’accompagnement et s’initier quelques styles musicaux. Sur le DVD : 50 minutes d’images, 29 leçons, tablatures l’écran.

Piano Duet - intermediate

SKU: HL.14020065

Composed by Montague Phillips. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH02939. Published by Chester Music (HL.14020065).

8.5x11.5x0.615 inches.

The second Concerto by the celebrated British composer of 'light' music, arranged for Piano Duet.

String Quartet

SKU: BT.MUSM570367405

Composed by Sadie Harrison. Set of Parts. University of York Music Press #MUSM570367405. Published by University of York Music Press (BT.MUSM570367405).

Sadie Harrison's Squish! (King Kong's Love Song) for String Quartet. Composed and published 2016.

Dedicated to Cuatro Puntos and The American School for the Deaf.

Squish! is a love story, King Kong’s lovestory. But not the conventional one immortalised in the 1933 Hollywood film - the terrifying giant ape astride the Empire State Building who clasps the fainting heroine, while swiping hopelessly at the planes which eventually sendhim crashing dead to the ground. This is the American Sign Language (ASL) version which has something of a twist at the end.

Squish! was written as Composer-in-Residence with Cuatro Puntos and was commissioned withfundsfrom the Connecticut Office of the Arts. The premiere took place at the American School for the Deaf (the oldest permanent school for the deaf in the United States founded in 1817) in West Hartford, Connecticut, on 7thDecember 2016.

Piano (Piano)

SKU: HL.50511849

New Definitive Edition. Composed by Bela Bartok. EMB. Volume 5. Studies & Exercises. Book [Softcover]. Composed 1951. Editio Musica Budapest #Z129. Published by Editio Musica Budapest (HL.50511849).

ISBN 9790080001295. Bach (23 x 30,2 cm) inches. Hungarian-English-German- French. Peter Bartok.

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Der Mikrokosmos ist ein Zyklus von 153 Stucken fur Klavier, zu didaktischen Zwecken geschrieben (Band 1: Z. 125, Band 2: Z. 126, Band 3: Z. 127, Band 4: Z. 128, Band 5: Z. 129, Band 6: Z. 130). Das bedeutet, dass von Anfang an kleine Klavierstucke g eubt werden konnen, um dann darauf weiter aufzubauen, da die Stucke entsprechend ihrem Schwierigkeitsgrad angeordnet sind. Das Wort Mikrokosmos kann als eine Serie von Stucken in verschiedenen Stilen verstanden werden, die zusammen eine kleine Welt b ilden. Oder man kann es als ,die Welt der Kleinen, der Kinder' verstehen. (Aus einem Interview des WNYC, New York, Anfang 1945, im Rahmen einer Sendung mit dem Titel Fragen Sieden Komponisten.).

Accordion Orchestra - Grade 3.5

SKU: BT.DHP-0910279-060

Composed by Jacob De Haan. Arranged by Roun R.R. Zieverink. Accordion. Set (Score and Parts). Composed 1991. De Haske Publications #DHP 0910279-060. Published by De Haske Publications (BT.DHP-0910279-060).

ISBN 9789043133692.

F ree World Fantasy was commissioned in Holland for celebrations commemorating the liberation of Groningen, and therefore symbolises the dream of a world without war. It is the first piece of a series in which composer, Jacob de Haan, combines concert band music with a pop style.

Dit werk componeerde Jacob de Haan in opdracht van de provincie Groningen in het kader van de bevrijdingsherdenking 1987. In de compositie wordt de droom gesymboliseerd van een wereld zonder oorlog. Het betreft de eerste compositiein een reeks waarin Jacob de Haan concertmuziek combineert met popmuziek.

Dieses Werk komponierte Jacob de Haan 1987 im Auftrag der niederländischen Provinz Groningen anlässlich des Befreiungstages. Die Musik symbolisiert den Traum von einer Welt ohne Krieg. Es handelt sich um das erste Werk einer Reihe, in welcher Jacob de Haan Unterhaltungsmusik und ernste Musik zu einer Stilart vermischt, die an Filmmusik erinnert.

Free World Fantasy (â??Fantaisie du monde libreâ?) symbolise le rêve que nous chérissons tous : celui dâ??un monde sans guerre et sans haine. Dans cette composition, Jacob de Haan combine le style classique de la musique pour Orchestre dâ??Accordéons la rythmique récurrente de la musique pop pour créer un genre proche de la musique de film. Une fresque musicale qui sonne comme un appel la paix.

Jacob de Haan compose questo brano nel 1987 su incarico della provincia olandese di Groningen per celebrare il giorno della liberazione. La musica simboleggia il sogno di un mondo senza guerre. Free World Fantasy è il primo brano di una serie firmata da Jacob de Haan, nella quale il compositore olandese mischia sapientemente musica da intrattenimento a musica più seria, in uno stile che ricorda la musica da film.

Solo Voices, SATB Chorus, Orchestra - Level 3

SKU: CA.5066413

Composed by Joseph Martin Kraus. Single Part, viola. Duration 30 minutes. Carus Verlag #5066400. Published by Carus Verlag (CA.5066413).

ISBN 9790007296711. Latin.

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And rightly so! The Miserere was composed in 1773 during his student years in Erfurt and is evidence of his technical abilities at the age of just seventeen. Even in this early work Kraus showed himself to be a true exponent of the musical Sturm und Drang movement. For all its youthful carefreeness and originality in terms of compositional technique, the music is characterised by great seriousness and depth of expression, abruptness, and at times also brusqueness.

Organ

SKU: SU.80101401

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101401. Published by Zimbel Press (SU.80101401).

Hamburg Organbook (2017) is a collection of individual organ pieces suitable for recital or service that are all based on motives and themes by the German composer Andreas Willscher (a native of Hamburg). Contained within are: Cortege, Intermezzo, and Litany on the Joseph-Hymnus; Ostinato Postlude on a Motive of Andreas Willscher; Variations on a Theme of Andreas Willscher; Pastorale on a Hymn by Andreas Willscher; Voluntary on a Motet by Andreas Willscher; Paraphrase on a Motive of Andreas Willscher. Instrumentation: Organ Duration: 30' Composed: 2017 Published by: Zimbel Press.

Wind Quintet

SKU: HL.14042382

Composed by Sunleif Rasmussen. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31397A. Published by Edition Wilhelm Hansen (HL.14042382).

ISBN 9788759823415.

S et of parts for Motion/Emotion for Wind Quintet (2010/11) by Faroese composer Sunleif Rasmussen.

Commissioned by John Storgårds and The Chamber Orchestra
of Lapland.

 

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408719

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 87. Duration 17 minutes. Carus Verlag #CV 54.087/19. Published by Carus Verlag (CA.5408719).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and parts available separately - see item CA.5408700.

Piano - difficult

SKU: HL.49018139

Revised Version. Composed by Christian Jost. This edition: Saddle stitching. Sheet music. Piano. Book only. Composed 1989. 24 pages. Duration 12'. Schott Music #ED20859. Published by Schott Music (HL.49018139).

ISBN 9790001171786.

The richly varied concert piece shows how well the composer, himself a brilliant piano player, knows how to use the instrument. His polyphonic, complex compositional style gives way to various possibile interpretations. Despite high technical demands, the entire work is comfortable to play.A beginning appearing from nowhere which, with its consistent basic rhythm, reveals Jost's passion for jazz music, gradually becomes more intense. Eventually, the music changes into a softer, lyrical passage, allowing time to breathe. At the end, motifs from the beginning are taken up again. And after a phase of great intensity, the work fades into nothing.

Flute & Piano

SKU: SU.27000110

For Flute & Piano. Composed by Roger Stubblefield. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Subito Music Corporation #27000110. Published by Subito Music Corporation (SU.27000110).

Flute & Piano Duration: 14' ' Composed: 2011 Published by: Distributed Composer.