Books and Journals; Voice SKU: UT.LB-14 Composed by Antonio Juvarra. Pape...(+)
Books and Journals; Voice
SKU: UT.LB-14
Composed by Antonio
Juvarra. Paperback (Soft
Cover). Classical. Books
and Journals. Ut Orpheus
#LB 14. Published by Ut
Orpheus (UT.LB-14).
ISBN 9788881094769.
5.90 x 8.46
inches.
Entrare
nell'universo del canto e
ritrovare se stessi, la
propria dimensione piu
autentica e profonda, che
comprende anche quella
espressiva. Esistono
due modi di cantare:
imitando dall'esterno dei
suoni oppure scoprendo la
propria vera voce e
lasciandola risuonare
liberamente. Solo il
secondo modo dona quel
senso euforico di
apertura dell'essere, di
elevazione e di
liberazione, che spinge
tante persone sulla
strada del canto, ma
purtroppo al giorno
d'oggi e soprattutto il
primo modo a essere
proposto e
propagandato. Ogni
epoca ha un'immagine, un
simbolo che ne
rappresenta lo spirito,
l'essenza. Il
'meccanismo' e l'immagine
in cui ancora si
rispecchia e si esprime
la modernita del
Duemila. Come i
bambini sono convinti che
nella radio si nasconda
un omino che ci parla
dentro, cosi i moderni
didatti e scienziati del
canto sono convinti che
nel corpo si nasconda una
macchina vocale che puo
entrare in funzione solo
leggendo i libretti di
istruzione, da loro
predisposti. I risultati
di questa convinzione si
possono sentire nelle
scuole di canto e nei
teatri... Si dice che
il corpo diventi cio che
uno vi introduce
mangiando. Analogamente
il cantante diventa cio
che egli immagina
cantando. Se immagina
muscoli e cartilagini, il
suo canto non potra che
essere, per definizione,
muscolare e
laringeo. In effetti
il canto e si una
disciplina del corpo, ma
e una disciplina che si
apprende educando la
mente e non i singoli
muscoli. Questa
educazione inizia
acquisendo la capacita di
prendere coscienza delle
varie sensazioni vitali e
di evocarle cantando.
Queste e non le immagini
foniatriche delle corde
vocali o dei vari muscoli
rappresentano la vera
tastiera del
cantante. In verita le
tastiere meccanicistiche
non sono che le gabbie in
cui i cantanti
inconsapevolmente
rinchiudono la loro voce,
e ogni anatomia della
voce si trasforma ben
presto in autopsia della
voce... <>, ha scritto
Eraclito venticinque
secoli fa. Altrettanto
dicasi dell'insperabile
del vero canto, detto
anche belcanto.
(Woodwind Solos & Ensemble/Eb Contrabass Music). By Jean Baptiste Senaille (1687...(+)
(Woodwind Solos &
Ensemble/Eb Contrabass
Music). By Jean Baptiste
Senaille (1687-1730).
Arranged by Richard S.
Thurston. Woodwind Solos
& Ensembles - Eb
Contrabass Music.
Southern Music. Grade 3.
Southern Music Company
#SU115. Published by
Southern Music Company
(Woodwind Solos & Ensemble/Bb Contrabass Music). By Jean Baptiste Senaille (1687...(+)
(Woodwind Solos &
Ensemble/Bb Contrabass
Music). By Jean Baptiste
Senaille (1687-1730).
Arranged by Richard S.
Thurston. Woodwind Solos
& Ensembles - Bb
Contrabass Music.
Southern Music. Grade 3.
8 pages. Southern Music
Company #SU114. Published
by Southern Music Company
For Trumpet in B-flat. Includes a newly engraved, high-quality solo part, printe...(+)
For Trumpet in B-flat.
Includes a newly
engraved, high-quality
solo part, printed on
acid-free ivory paper;
and a compact disc
containing digital stereo
complete versions of each
tune and another
recording of each
accompaniment, minus the
soloist. Published by
Music Minus One.
Music for Brass No. 801 Version for Trumpet and Piano. Composed by Johann Nep...(+)
Music for Brass No. 801
Version for Trumpet and
Piano. Composed by Johann
Nepomuk Hummel
(1778-1837).
Robert King. Classical.
CD
only. 44 pages. Alphonse
Leduc #AL28564. Published
by
Alphonse Leduc
For Vocal Bass-Baritone. Classical (Opera with Orchestra). Includes a printed vo...(+)
For Vocal Bass-Baritone.
Classical (Opera with
Orchestra). Includes a
printed vocal score on
high-quality ivory paper,
with informative liner
notes; and a compact disc
with complete versions
(with soloist) followed
by stereo orchestral
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
Handbells (3-6 octaves) - Level 4 SKU: S2.20-1957SF Composed by Matthew C...(+)
Handbells (3-6 octaves) -
Level 4
SKU:
S2.20-1957SF
Composed
by Matthew Compton.
Concert, General.
Handbell score.
SoundForth #20/1957SF.
Published by SoundForth
(S2.20-1957SF).
ISBN
9780787753870.
This
captivating original
composition comes
together naturally. The
Pavane is beautiful and
serene, and the
Spiritoso, based on the
same melodic figure as
the Pavane, is rhythmic
and driving. Using LV,
martellato, martellato
lift, and malleted bells,
this work will be a
favorite of ringers and
listeners alike.
Allegro Spiritoso Basson, Piano (duo) - Intermédiaire Southern Music Ltd
By Jean Baptiste Senaille. Arranged by Pezzi/ Albert Andraud. For Bassoon. Appro...(+)
By Jean Baptiste
Senaille. Arranged by
Pezzi/ Albert Andraud.
For Bassoon. Approved
contest/festival piece
for the University
Interscholastic League.
Level: Grade 4. Published
by Southern Music
Company.
Cello; handbell; violin - Level 5 SKU: HP.2469P Composed by Arnold B. She...(+)
Cello; handbell; violin -
Level 5
SKU:
HP.2469P
Composed by
Arnold B. Sherman. Agape
Bronze - L4-5. Original,
General Worship,
Devotion, Sacred.
Instrumental Parts. 25
pages. Hope Publishing
Company #2469P. Published
by Hope Publishing
Company (HP.2469P).
UPC:
763628224691.
An
original composition
Riveting with energy,
intensity and drive -
this Arnold Sherman
original composition is
the first in a new series
called AGAPE BRONZE:
Music for Advanced
Ensembles. With or
without the addition of
strings, this inspired
composition moves like
the wind that it
reflects, capturing the
listener from the very
start, and leaving them
almost breathless by the
end. For 3-6 octave
handbells with optional
3-4 octave handchimes &
strings. The separate
Instrumental packet
contains a Conductor's
Score and parts for:
Violin 1 & 2, Viola,
Cello & Contrabass.
For Concert Band,
Mixed Choir and Organ
(optional). Composed
by Jacob De Haan. Musica
Sacra. Score Only.
Composed 2015. De Haske
Publications #DHP
1155661-140. Published by
De Haske Publications
(BT.DHP-1155661-140).
English-German-French-
Dutch.
This Latin
mass for choir and wind
band was composed in
honour of Saint
Cecilia’s feast
day, Saint Cecilia being
the patroness of
musicians. For this
reason, many ensembles
have annual concerts
dedicated to Saint
Cecila, which was the
inspiration forthis
piece. It is a festive,
optimistic, but also
comforting work, which in
style perfectly suits the
character of Saint
Cecilia’s Feast
Day. After Missa
Brevis, Missa
Katharina and The
Gospel Mass, Missa
Santa Cecilia isthe
fourth published mass by
the Dutch composer Jacob
de Haan.Choral parts
available
separately.
Deze
Latijnse mis voor koor en
harmonieorkest is
gecomponeerd ter ere van
de feestdag van
Sint-Cecilia. Deze
heilige is de patrones
van de musici. Talrijke
muziekverenigingen en
koren organiseren elk
jaar concerten ter ere
van Sint-Cecilia,
eengegeven dat Jacob de
Haan inspireerde dit werk
te schrijven. Het is een
feestelijk, optimistisch,
maar ook troostend werk,
dat qua stijl uitstekend
past bij het karakter van
het Sint-Ceciliafeest. Na
Missa Brevis,
Missa Katharina
enThe Gospel Mass
is Missa Santa
Cecilia de vierde
uitgegeven mis van Jacob
de Haan.Koorpartijen
apart
verkrijgbaar.
Dies
e lateinische Messe
für Chor und
Blasorchester wurde zu
Ehren des Gedenktages der
heiligen Cäcilia, der
Patronin der Musiker,
komponiert. Aus diesem
Grund widmen zahlreiche
Ensembles der heiligen
Cäcilia jedes Jahr
Konzerte, was als
Inspirationfür dieses
Stück gedient hat. Es
handelt sich um ein
festliches,
optimistisches, aber auch
beruhigendes Werk, das
stilistisch perfekt zum
Gedenktag der heiligen
Cäcilia passt. Nach
der Missa Brevis,
der Missa
Katharina und The
GospelMass ist die
Missa Santa Cecilia
die vierte Messe des
holländischen
Komponisten Jacob de
Haan, die nun
veröffentlicht
wird.Chorstimmen separat
erhältlich.
Questa messa in latino
per coro e banda è
stata scritta in onore
della protettrice dei
musicisti: Santa Cecilia.
Ogni anno, nel giorno
della sua commemorazione,
viene riproposta in
occasione dei numerosi
concerti che in tutto il
mondo cristiano sitengono
in onore della santa.
Forte di un
caratteristico spirito
festoso e al contempo
rinfrancante, è stata
scritta dal compositore
olandese Jacob de Haan,
autore anche di opere
come la Missa
Brevis, la Gospel
Mass (Messa Gospel) e
laMissa
Katharina.Parti per
coro disponibili a
parte.
Grade 3 - Score
Only. Composed by
David Moore. Curnow Music
Concert Band. Concert. 28
pages. Curnow Music
#73503140. Published by
Curnow Music
(HL.44004642).
UPC:
073999046427. 9x12
inches.
Filled with
rhythmic and harmonic
interest as well as
memorable melodies,
MISSOURI RIVER FESTIVAL
well displays David
Moore's artistic
exploration of thematic
material. Moods of the
river are artistically
represented in the
interplay between
Maestoso, Allegro
spiritoso and Andante
mysterioso sections. An
added practical advantage
can be found in the brass
parts, which are dynamic
and fun to play while
including plenty of
?resting time? carefully
interspersed throughout -
so you can use MISSOURI
RIVER FESTIVAL at
virtually any time in
your program without fear
of overtaxing the
brass.
From Russia with Love Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-020 Medley of Three Russian...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1053856-020
Medley of Three
Russian Love Songs.
Arranged by Roland
Kernen. Applause Series.
Pop & Rock. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053856-020. Published by
De Haske Publications
(BT.DHP-1053856-020).
9x12 inches.
English-German-French-Dut
ch.
A
characteristic of many
Russian folksongs is the
emotion that they contain
- sometimes exceptionally
fierce, sometimes, in
contrast, resigned and
melancholic. This makes
the music captivating and
gives it its special,
distinctive atmosphere.
The same can also be said
for From Russia with
Love, in which Roland
Kernen has made use of
three beautiful Russian
love songs. In the
cheerful and stirring
Kalinka, the singer tells
of a girl whom he fell
head over heals in love
with, so much so that she
is always on his mind.
Lutshje Bulo is the story
of a man who wants to
break up with his
girlfriend and in Otschi
Tschornije attention is
focused on a dangerous
woman who can seduce many
menwith her piercing
black eyes.
Kenmerkend voor
veel Russische
volksliedjes is de emotie
die erin ligt. Ze maakt
deze muziek boeiend en
creëert een bijzondere
sfeer. Zo ook in From
Russia with Love,
waarin Roland Kernen drie
liefdesliedjes verwerkte.
In hetopzwepende
Kalinka vertelt de
zanger over een meisje
dat hem het hoofd op hol
brengt. Lutshje
Bulo is het verhaal
van een man die juist met
zijn vriendin wil breken
en in Otschi
Tschornije staat een
gevaarlijkevrouw centraal
die met haar gitzwarte
ogen vele mannen weet te
verleiden.
Ein
typisches Merkmal
zahlreicher russischer
Volkslieder ist ihre
Gefühlstiefe: Zuweilen
sind sie
außerordentlich
heftig, dann aber wieder
resigniert und
melancholisch. Diese
Eigenschaft macht die
Musik so reizvoll und
verleiht ihr ihre
besondere,
unverwechselbare
Atmosphäre. Dasselbe
gilt auch für das
Medley From Russia
with Love, in welchem
Roland Kernen drei
Liebeslieder verwendete.
Sie erzählen von
frisch Verliebten, von
unglücklicher und von
gefährlicher Liebe.
Ein absolut
verführerisches
Stück!
I canti
tradizionali russi
traboccano di emozioni.
Pieni di foga, o al
contrario, languidi e
malinconici, riflettono
lo spirito ed il
carattere in un intero
popolo e affascinano per
la potente espressione
dei sentimenti. From
Russia with Love di
Roland Kernen
s’iscrive in
questa tradizione e
riprende tre canti
d’amore russi:
Kalinka, Lutshje Bulo e
Otschi Tschornije.
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-120 Medley of Three Russian...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1053856-120
Medley of Three
Russian Love Songs.
Arranged by Roland
Kernen. Applause Series.
Pop & Rock. Score Only.
Composed 2005. 44 pages.
De Haske Publications
#DHP 1053856-120.
Published by De Haske
Publications
(BT.DHP-1053856-120).
9x12 inches.
English-German-French-Dut
ch.
A
characteristic of many
Russian folksongs is the
emotion that they contain
- sometimes exceptionally
fierce, sometimes, in
contrast, resigned and
melancholic. This makes
the music captivating and
gives it its special,
distinctive atmosphere.
The same can also be said
for From Russia with
Love, in which Roland
Kernen has made use of
three beautiful Russian
love songs. In the
cheerful and stirring
Kalinka, the singer tells
of a girl whom he fell
head over heals in love
with, so much so that she
is always on his mind.
Lutshje Bulo is the story
of a man who wants to
break up with his
girlfriend and in Otschi
Tschornije attention is
focused on a dangerous
woman who can seduce many
menwith her piercing
black eyes.
Kenmerkend voor
veel Russische
volksliedjes is de emotie
die erin ligt. Ze maakt
deze muziek boeiend en
creëert een bijzondere
sfeer. Zo ook in From
Russia with Love,
waarin Roland Kernen drie
liefdesliedjes verwerkte.
In hetopzwepende
Kalinka vertelt de
zanger over een meisje
dat hem het hoofd op hol
brengt. Lutshje
Bulo is het verhaal
van een man die juist met
zijn vriendin wil breken
en in Otschi
Tschornije staat een
gevaarlijkevrouw centraal
die met haar gitzwarte
ogen vele mannen weet te
verleiden.
Ein
typisches Merkmal
zahlreicher russischer
Volkslieder ist ihre
Gefühlstiefe: Zuweilen
sind sie
außerordentlich
heftig, dann aber wieder
resigniert und
melancholisch. Diese
Eigenschaft macht die
Musik so reizvoll und
verleiht ihr ihre
besondere,
unverwechselbare
Atmosphäre. Dasselbe
gilt auch für das
Medley From Russia
with Love, in welchem
Roland Kernen drei
Liebeslieder verwendete.
Sie erzählen von
frisch Verliebten, von
unglücklicher und von
gefährlicher Liebe.
Ein absolut
verführerisches
Stück!
I canti
tradizionali russi
traboccano di emozioni.
Pieni di foga, o al
contrario, languidi e
malinconici, riflettono
lo spirito ed il
carattere in un intero
popolo e affascinano per
la potente espressione
dei sentimenti. From
Russia with Love di
Roland Kernen
s’iscrive in
questa tradizione e
riprende tre canti
d’amore russi:
Kalinka, Lutshje Bulo e
Otschi Tschornije.
2 violins and orchestra SKU: HL.49009495 Composed by Wolfgang Amadeus Moz...(+)
2 violins and orchestra
SKU: HL.49009495
Composed by Wolfgang
Amadeus Mozart. Edited by
Stanley Sadie. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1773. 70 pages.
Duration 21'. Eulenburg
Edition #ETP1249.
Published by Eulenburg
Edition (HL.49009495).
ISBN 9790200210040.
UPC: 884088117023.
5.25x7.5x0.215
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
(Brass Solos and Ensemble/Trombone And Piano). By Jean Baptiste Senaille (1687-1...(+)
(Brass Solos and
Ensemble/Trombone And
Piano). By Jean Baptiste
Senaille (1687-1730).
Arranged by Falcone,
Leonard. For Trombone
(Trombone). Brass Solos
and Ensembles - Trombone
And Piano/Organ. Southern
Music. Grade 4. 12 pages.
Southern Music Company
#SS563. Published by
Southern Music Company
Paso Doble for 3
Trumpeters and Band - New
Sounds for Concert Band
no. 114. Composed by
Pascual Marquina Narro.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2006. 28 pages.
De Haske Publications
#DHP 1064165-140.
Published by De Haske
Publications
(BT.DHP-1064165-140).
9x12 inches.
English-German-French-Dut
ch.
Der Paso doble
ist ein spanischer Tanz,
bei dem der Mann einen
Torero und die Frau das
rote Tuch, einen zweiten
Stierkämpfer oder eine
Flamencotänzerin
darstellt. Eines der
beliebtesten
Paso-doble-Stücke, das
auch oft auf
professionellen
Tanzturnieren gespielt
wird, ist das feurige
Stück España
Cani, das Toshio
Mashima nun für
Blasorchester
bearbeitete. Spanisches
Temperament auf Ihrer
Konzertbühne!
Il paso doble
è nato agli inizi del
XIX secolo nello spirito
della corrida dove la
donna simbolizza il
mantello rosso (la
mantella) e l’uomo
il torero. Espana
Cani è considerato
uno dei più celebri
paso doble. La musica
nasconde un temperamento
di fuoco.
All Time Klezmers Violoncelle [Partition + CD] - Intermédiaire De Haske Publications
Cello - intermediate SKU: BT.DHP-1135502-400 Composed by Joachim Johow. F...(+)
Cello - intermediate
SKU:
BT.DHP-1135502-400
Composed by Joachim
Johow. Folk Klezmer. Book
with CD. Composed 2013.
28 pages. De Haske
Publications #DHP
1135502-400. Published by
De Haske Publications
(BT.DHP-1135502-400).
ISBN 9789043137683.
9x12 inches.
English-German-French-Dut
ch.
This is a
wonderful collection of
klezmer music, inspired
by the Jewish dances and
songs of the klezmorim
from Eastern Europe -
from the lyrical HORA to
the fast, compelling
FREILACH. Some of the
pieces have a second part
ad libitum - for
playingtogether or for
variation in a repeat.
For the accompaniment,
chord symbols have been
added and on the included
CD there are complete
versions as well as
play-along versions of
all pieces, played live
by genuine klezmer
musicians.
ALL TIME KLEZMERS ist
eine wundervolle Sammlung
von Klezmermusik,
inspiriert von den
jüdischen Tänzen
und Liedern der Klezmorim
aus Osteuropa: vom
lyrischen Hora bis hin
zum schnellen,
unwiderstehlichen
Freilach. Einige
Stücke haben eine
optionalezweite Stimme
für das Zusammenspiel
oder eine Variation in
einer Wiederholung.
Für die Begleitung
wurden Akkordsymbole
hinzugefügt. Auf der
beiliegenden CD gibt es
vollständige Aufnahmen
sowie Mitspielversionen
aller Stücke, live
eingespielt vonechten
Klezmermusikern.
La raccolta
All Time Klezmers
si ispira alle danze e ai
balli: dalla bellezza
lirica della Hora
allâ??esuberanza di
Freilach. Ci si ritrova
ugualmente lâ??influenza
della musica tradizionale
israeliana nello spirito
di Giora Feidman.
Lâ??accompagnamento è
affidato ad un vero
gruppo klezmorim
che vi trasciner
nellâ??autenticit di
questo genere
musicale.
Piano - Grade 2 SKU: BT.MUSMI0306 Al Pianoforte. Composed by Feder...(+)
Piano - Grade 2
SKU:
BT.MUSMI0306
Al
Pianoforte. Composed
by Federico Dattino.
Jazz. Book with CD.
Composed 2017. Play Music
Italy #MUSMI0306.
Published by Play Music
Italy (BT.MUSMI0306).
Italian.
Ques
t’opera presenta
una serie di
accompagnamenti ed assoli
di Pianoforte negli stili
Jazz e Swing. Scoprirete
quindi delle ritmiche che
riprendono le principali
tecniche ed armonie
proprie degli standards
di Jazz.
Tutte le
nozioni di
accompagnamento “in
quattro”, walking
bass, riarmonizzazione,
modulazione, sostituzione
tritonica,
rivolti… sono
affrontate qui su dei
giri di tipo Blues/Jazz,
Anatole,
Jazz/Bossa…Suonere
te poi assoli
caratteristici i quali
illustrano e sviluppano i
principali gimmicks
propri del jazz, che
siano melodici o
ritmici.
Il tutto
nello spirito di
Thelonious Monk o Erroll
Garner passando per
OscarPeterson,Nat King
Cole… e tanti
altri ancora! Per ogni
accompagnamento ed
assolo, troverete 5
registrazioni diverse sul
CD MP3 allegato,
distribuite nel modo
seguente: il Pianoforte
da solo, a
velocità normale
poiridotta, la stessa
parte di Pianoforte
suonata però sulla
sua base musicale ed
infine la sola base
musicale, prima a
velocità normale,
poi ridotta... per
permettere ad ognuno di
suonare secondo il
proprio ritmo, ilproprio
livello e le proprie
capacità.
Nobuya Sugawa Presents. By Nobuya Sugawa. Composed by Franz Wilhelm Ferling. Arr...(+)
Nobuya Sugawa Presents.
By Nobuya Sugawa.
Composed by Franz Wilhelm
Ferling. Arranged by
Andre Waignein. For Piano
accompaniment. This
edition: 155908.
Instrumental
solos/Ensembles with the
same instruments. De
Haske Intl Play Along
Book. Studies. Level:
Grade 6. Accompaniment
book for solo saxophone
etudes. Text language:
English, Deutsch,
Francais, Nederlands.
Published by De Haske
Publications.
Alto Sax Book with 2 CDs. By Nobuya Sugawa. Composed by Franz Wilhelm Ferling. A...(+)
Alto Sax Book with 2 CDs.
By Nobuya Sugawa.
Composed by Franz Wilhelm
Ferling. Arranged by
Andre Waignein. For Alto
Saxophone. This edition:
155808. Instrumental
solos/Ensembles with the
same instruments. De
Haske Intl Play Along
Book. Solo piano
accompaniment available
separately. Studies.
Level: Grade 6. Book and
CD (2 Play-Along-CDs with
Demo). Text language:
English, Deutsch,
Francais, Nederlands. 48
pages. Published by De
Haske Publications.
(Nel Spirito Di Bach) For String Orchestra. Composed by Samuel Adler. Pre...(+)
(Nel Spirito Di Bach)
For String Orchestra.
Composed by Samuel Adler.
Premiered by the New
Baroque Ensemble, Roberto
Cardinale, conductor;
Catania, Italy. Baroque.
Full score (study). With
Standard notation.
Composed 2014. Duration 3
minutes, 15 seconds.
Theodore Presser Company
#116-40048F. Published by
Theodore Presser Company
(PR.11640048F).
Vilja-Lied Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1053872-120 Lied vom Waldmägde...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1053872-120
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Score Only.
Composed 2005. 12 pages.
De Haske Publications
#DHP 1053872-120.
Published by De Haske
Publications
(BT.DHP-1053872-120).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry Widow
which became an instant
worldwide success. The
libretto of this operetta
provides a succession of
intimate arias and duets
with festive ensembles.
The Vilja-Lied is one of
these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.
Vilja-Lied Ensemble de cuivres [Conducteur] - Facile De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1053872-130 Lied vom Waldmägdele...(+)
Brass Band - Grade 2.5
SKU:
BT.DHP-1053872-130
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Score Only.
Composed 2005. 16 pages.
De Haske Publications
#DHP 1053872-130.
Published by De Haske
Publications
(BT.DHP-1053872-130).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry
Widow which became an
instant worldwide
success. The libretto of
this operetta provides a
succession of intimate
arias and duets with
festive ensembles. The
Vilja-Lied is one
of these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.