(Piano Solo). By Franz Liszt (1811-1886). Edited by Ullrich Scheideler. Henle Music Folios. Softcover. 28 pages. G. Henle Verlag #HN978. Published by G. Henle Verlag

SKU: CL.013-0985-00

Sacred Paraphrase. Composed by Barnhouse. Band. Score and set of parts. Composed 1929. C.L. Barnhouse #013-0985-00. Published by C.L. Barnhouse (CL.013-0985-00).

Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appealing book is for players of all ages; the material ranges from waltzes, marches, and polkas to song favorites and jazz solos. As a special feature, the book contains variations on Happy Birthday in a number of styles from Bach to boogie.

Piano, 4 Hands

SKU: BT.DV-12192

Composed by Elina Cherchesova. Classical. Book Only. Composed 2024. Da Vinci Publishing #DV 12192. Published by Da Vinci Publishing (BT.DV-12192).

Piano - difficult

SKU: HL.49028138

For Piano. Composed by Johann Strauss Jr. and Leopold Godowsky. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Book Only. 24 pages. Schott Music #CRZ1023. Published by Schott Music (HL.49028138).

ISBN 9790204001682. UPC: 884088085490. 9.0x12.0x0.092 inches.

Piano

SKU: BT.DV-12103

From Orphèe aux enfers Op. 12, for Piano. Composed by Marco Sollini. Book Only. Composed 2023. 12 pages. Da Vinci Publishing #DV 12103. Published by Da Vinci Publishing (BT.DV-12103).

For Flute, Piano Accompaniment. Pop, Classical, Folk. Sheet Music and Audio CD. 48 pages. Published by Music Sales.

For Piano. By Johann Strauss, Jr., Godowsky, Leopold Godowsky. Schott. Size 8.25x11.75 inches. 16 pages. Published by Schott.

SKU: CL.013-0826-00

Descriptive Paraphrase. Composed by Amsden. Band. Score and set of parts. Composed 1924. C.L. Barnhouse #013-0826-00. Published by C.L. Barnhouse (CL.013-0826-00).

Soir?e de Vienne, Op. 56 (A Concert Paraphrase of Johann Strauss's Waltz Motives from Fledermaus). By Alfred Grunfeld (1852-1924). Edited by F. H. Schneider. BH Piano. Book only. 14 pages. Bote and Bock #M202500316. Published by Bote and Bock (

By Thomas Adès. For Piano. Book; Masterworks; Piano Solo; Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

SKU: CL.013-0720-00

Paraphrase. Composed by Barnhouse. Band. Score and set of parts. Composed 1920. C.L. Barnhouse #013-0720-00. Published by C.L. Barnhouse (CL.013-0720-00).

Brass Band - Grade 3

SKU: BT.AMP-238-130

Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Score Only. Composed 2008. 16 pages. Anglo Music Press #AMP 238-130. Published by Anglo Music Press (BT.AMP-238-130).

9x12 inches. English-German-French-Dut ch.

The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferunge n. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.

L’h ymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».

Brass Band - Grade 3

SKU: BT.AMP-238-030

Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Set (Score & Parts). Composed 2008. Anglo Music Press #AMP 238-030. Published by Anglo Music Press (BT.AMP-238-030).

9x12 inches. English-German-French-Dut ch.

The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferunge n. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.

L’h ymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».

Harp Solo. By Carlos Salzedo. (Harp). Boosey and Hawkes Chamber Music. Size 9x12 inches. 36 pages. Published by Boosey & Hawkes.

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 29 pages. Ricordi #NR141573. Published by Ricordi

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 40 pages. Ricordi #NR141576. Published by Ricordi

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 32 pages. Ricordi #NR141570. Published by Ricordi

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 31 pages. Ricordi #NR141579. Published by Ricordi

Composed by Louis Moreau Gottschalk (1829-1869). For piano. Format: piano solo book. Romantic period. 200 pages. 9x12 inches. Published by Schirmer.

Clarinet in Bb (violin) and piano - advanced

SKU: HL.49019813

Composed by Alexander Rosenblatt. This edition: Saddle stitching. Sheet music. Woodwind. Softcover. Composed 2012. 56 pages. Duration 9' 30''. Schott Music #ED 21709. Published by Schott Music (HL.49019813).

ISBN 9790001194976. UPC: 841886021136. 9.0x12.0x0.145 inches.

Very often in music history, composers wrote fantasies, paraphrases based on one theme or on several melodies from one single piece, for example Liszt's 'Serenade' after Schubert, or 'Fantasy on themes from Don Carlos' after Verdi. The Russian composer and pianist Alexander Rosenblatt, a master of the virtuoso concert fantasia and of the musical crossover between light and serious music, follows this tradition: His fantasia uses well known themes from various operas and from the symphonic poem 'Sheherazade' by Rimsky-Korsakov. A virtuoso concert piece - entertaining for players and listeners alike!

(Lord, Now Lettest Thou Thy Servant Depart in Peace). By Brad Richmond. For SATB divisi chorus a cappella. Christmas, General. Music from American Colleges and University Series. Sacred. Moderately Difficult. Octavo. 7 pages

Piano

SKU: HL.50564342

Piano Solo. Composed by Franz Liszt. Editions Durand. Classical. 24 pages. Editions Durand #DC1306100. Published by Editions Durand (HL.50564342).

8.25x11.75x0.11 inches.

Full orchestra (Full Orchestra)

SKU: EC.RBM-253

Composed by Randol Alan Bass. Orchestra: Pops, Orchestra: Short Work. 21st Century. Full score. Randol Bass Music #RBM-253. Published by Randol Bass Music (EC.RBM-253).

Casey at the Bat was commissioned in 2001 by the Dallas Symphony Orchestra as a part of their Americana concert series from that season. The work is a colorful and highly descriptive narrative setting of the famous poem, “Casey at the Bat” by Ernest Lawrence Thayer, first published in an 1885 edition of The San Francisco Chronicle.(The poetry has been slightly paraphrased from the original to replace some arcane terminology.)This composition was conceived in a distinctly cartoonish style – reminiscent of the orchestral music so masterfully created by Carl Stalling and other great film score writers during the Golden Age of the animated short. In addition to brief quotes from Till Eulenspiegel of Richard Strauss, the melody from Take Me Out to the Ballgame (Tilzer-Norworth) is interpolated throughout the fabric of the piece (although the lyrics are never sung).The first performance of this work took place during the Spring of 2001, under the baton of Richard Kaufman and featuring Pat Sajak as narrator of the well-known poem.Audio excerpts from a matchless narrative performance of this piece by Shakespearean actor Sir Derek Jacobi (with the National Symphony of London and the composer conducting) are included below for perusal purposes. The full performance may be purchased as an audio file from Kodanja Records of Dallas, TX. ( dur: 8’ )