For Baritone Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Alto Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Tenor Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Soprano Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra (ST) - intermediate

SKU: HL.49002062

Composed by Harald Genzmer. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1960. 142 pages. Duration 13'. Schott Music #CON 61-70. Published by Schott Music (HL.49002062).

ISBN 9790001022163. 9.0x12.0x0.493 inches.

The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester).

Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Spring Coil, Tam-tam, Vibraphone, Wind Chimes

SKU: PR.11440986S

Composed by William Kraft. Full score. With Standard notation. 27 pages. Duration 10 minutes. Theodore Presser Company #114-40986S. Published by Theodore Presser Company (PR.11440986S).

UPC: 680160014651.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.

Chamber Music flute, piano

SKU: PR.114418770

Composed by Carter Pann. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 9 minutes. Theodore Presser Company #114-41877. Published by Theodore Presser Company (PR.114418770).

ISBN 9781491112700. UPC: 680160667642.

GIANT ESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.
Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.

SKU: GI.G-1118

Composed by James Jordan. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1118. Published by GIA Publications (GI.G-1118).

A year ago, Westminster Williamson Voices joined a consortium called “The Scattered Light Consortium” along with Jo-Michael Scheibe at USC (the USC Thornton Chamber Singers) and Jamie Glasgow (The Glasgow School of Art Choir). I was attracted to the concept not only because of the composers who are dear friends, but because the pieces were set to poems by one of America’s greatest poets, Dana Gioia. When the two works arrived from composer Sarah Rimkus and Thomas LaVoy, I had, as they say, “the wind knocked out of me.” While both poems could be interpreted using a broader life perspective, they spoke to me and the choir in ways that were immediately deep and profound. Both poems provide light and hope to all of us who are living through this change at Westminster into something unknown. And then, shortly after this recording was completed, the pandemic struck and we were in isolation from our music-making family. We were thankful that we were able to complete this recording.   All of the music on the CD reflects our hope for the future as we climb a crooked ladder leading to, hopefully, a brighter new time for our beloved college, and our lives beyond the pandemic. Our desire is to see a glimmer of light behind what seems a very closed door. This CD offers music for personal reflection, with the hope that these sounds can provide for each of us “scattered” new light.   CONTENTS: In the Bleak Midwinter, Steve Pilkington • Kit Smart's Carol, Gerald Custer • Improvisation on Coventry Carol, Sam Scheibe, Christian Koller, Guillermo Passarin, Alex Tomlinson • Solitude, James Whitbourn • The Stars Now Rearrange Themselves, Thomas LaVoy • The Burning Ladder, Sarah Rimkus • Salvation to All That Will Is Nigh, Anthony Maglione • Brightest and Best, Sarah Rimkus • Coventry Carol, John Frederick Hudson • Magnificat, Peter Relph • Let All Mortal Flesh Keep Silent, Sam Scheibe.

2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra (V2) - intermediate

SKU: HL.49002061

Composed by Harald Genzmer. Sheet music. Concertino (Chamber Orchestra). Classical. Solo Part. Composed 1960. 4 pages. Duration 13'. Schott Music #CON 61-02. Published by Schott Music (HL.49002061).

ISBN 9790001022156.

The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester).

2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra (V1) - intermediate

SKU: HL.49002060

Composed by Harald Genzmer. Sheet music. Concertino (Chamber Orchestra). Classical. Solo Part. Composed 1960. 7 pages. Duration 13'. Schott Music #CON 61-01. Published by Schott Music (HL.49002060).

ISBN 9790001022149.

The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester).

2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra - intermediate

SKU: HL.49002059

Composed by Harald Genzmer. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Composed 1960. 30 pages. Duration 13'. Schott Music #CON61. Published by Schott Music (HL.49002059).

ISBN 9790001022132. 9.0x12.0x0.13 inches.

The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically inter-esting though not revolutionary work presents the strings and the solo instruments often enter-ing canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester).

By Daniel Baldwin. For clarinet, bassoon, horn, piano. Level 5. Duration 16 minutes. Published by Imagine Music

Composed by Geraldine Green. For bass clarinet and piano. Classical; 21st century. Solo part and piano reduction. Composed 1992. Duration 23 minutes. Published by Alea Publishing

Percussion and strings (ST CHOR) - intermediate

SKU: HL.49001875

Composed by Heinz Benker. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 124 pages. Duration 10'. Schott Music #CON 181-50. Published by Schott Music (HL.49001875).

ISBN 9790001024631.

This tonal neo-baroque piece sets itself the task to perform counterpoint techniques (theme, inversion, crab etc.) practically in an easily understandable way within the framework of the school. Heinz Benker, who worked as school music teacher in Regensburg for a long time, thinks, as a practical person, of the possibilities of school and amateur orchestras. Particular attraction is held by the use of percussion instruments (also Orff instruments) which concertize with the strings as equal partners.

Flute and orchestra (ST CHOR) - intermediate to advanced

SKU: HL.49001730

Composed by Franz Anton Rö and ssler-Rosetti. Edited by Janos Szebenyi. Sheet music. Concertino (Chamber Orchestra). Classical. Set of parts. 134 pages. Duration 19'. Schott Music #CON 125-50. Published by Schott Music (HL.49001730).

ISBN 9790001117258. 9.25x12.0x0.384 inches.

F.A. Rossler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rossler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rossler achieves in this concerto an almost natural musical unity.

Flute and orchestra (STR ERG) - intermediate to advanced

SKU: HL.49001731

Composed by Franz Anton Rö and ssler-Rosetti. Edited by Janos Szebenyi. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 62 pages. Duration 19'. Schott Music #CON 125-60. Published by Schott Music (HL.49001731).

ISBN 9790001117265. 9.0x12.0x0.162 inches.

F.A. Rossler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rossler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rossler achieves in this concerto an almost natural musical unity.

Percussion and strings (STR ERG) - intermediate

SKU: HL.49001876

Composed by Heinz Benker. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 30 pages. Duration 10'. Schott Music #CON 181-60. Published by Schott Music (HL.49001876).

ISBN 9790001024648.

This tonal neo-baroque piece sets itself the task to perform counterpoint techniques (theme, inversion, crab etc.) practically in an easily understandable way within the framework of the school. Heinz Benker, who worked as school music teacher in Regensburg for a long time, thinks, as a practical person, of the possibilities of school and amateur orchestras. Particular attraction is held by the use of percussion instruments (also Orff instruments) which concertize with the strings as equal partners.

Percussion and strings - intermediate

SKU: HL.49001874

Composed by Heinz Benker. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 44 pages. Duration 10'. Schott Music #CON 181. Published by Schott Music (HL.49001874).

ISBN 9790001024624.

This tonal neo-baroque piece sets itself the task to perform counterpoint techniques (theme, inversion, crab etc.) practically in an easily understandable way within the framework of the school. Heinz Benker, who worked as school music teacher in Regensburg for a long time, thinks, as a practical person, of the possibilities of school and amateur orchestras. Particular attraction is held by the use of percussion instruments (also Orff instruments) which concertize with the strings as equal partners.

Orchestra - intermediate

SKU: HL.49002149

Score. Composed by Francesco Manfredini. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Composed 1718. Op. 3/12. 23 pages. Duration 10'. Schott Music #CON94. Published by Schott Music (HL.49002149).

ISBN 9790001022859. UPC: 073999621150. 9.0x12.0x0.097 inches.

It was the Weihnachtskonzert (Christmas concerto) in C major that won special popularity continuing a tradition which was cultivated by Corelli with his pastoral at the end of Op. 6 No. 8 or by Torelli in his Op. 8 No. 6 and reaching to the pastoral in Handel's Messiahs and to the sinfonia in the second cantata of Johann Sebastian Bach's Christmas oratorium. This, finally, originates from the music-making of shepherds - coming from the Abruzzi and from Calabria to Rome at Christmas to play the shawm and the bagpipes in front of the cribs. Hence the popular consecutive thirds and the sustained bass tones characterizing the first Largo, a genuine siciliano in the rocking, typically dotted 12/8 time.

Orchestra (Score) - intermediate

SKU: HL.49001983

Full Score. Composed by Joseph Bodin de Boismortier. Edited by Hugo Ruf. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Op. 34/6. 24 pages. Duration 6'. Schott Music #CON 31. Published by Schott Music (HL.49001983).

ISBN 9790001021531. UPC: 073999567076. 9.0x12.0x0.119 inches.

Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.

Flute and orchestra (Score) - intermediate to advanced

SKU: HL.49001729

Composed by Franz Anton Rö and ssler-Rosetti. Edited by Janos Szebenyi. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 76 pages. Duration 19'. Schott Music #CON 125. Published by Schott Music (HL.49001729).

ISBN 9790001117241. 9.0x12.0x0.205 inches.

F.A. Rosler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rosler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rosler achieves in this concerto an almost natural musical unity.

Trombone and Piano accompaniment - moderately advanced

SKU: CY.CC2780

Composed by Max Warnecke. Arranged by Ronald Babcock. German 19th Century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2780).

Max Warnecke's Konzertstuck is characteristic of the nineteenth-century solo Trombone tradition. At six minutes in duration, it is considerably shorter than contemporary solos of the time such as the Grafe Concerto. Like the David Concertino it uses similar martial-style opening and closing themes with a lyrical middle section. The solo and piano accompaniment are of medium difficulty and appropriate for school recitals or professional performances.

Orchestra - intermediate to advanced

SKU: HL.49013774

Set of Parts. Composed by Giovanni Battista Viotti. Edited by Walter Lebermann. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 154 pages. Duration 18'. Schott Music #CON 158-50. Published by Schott Music (HL.49013774).

ISBN 9790001024211. 9.0x12.0x0.408 inches.

It is elegance and brilliance that characterize this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy. Violin and string orchestra; 2 oboes and 2 horns ad lib.

Trombone solo with orchestra accompaniment - moderately advanced

SKU: CY.CC2843

Composed by Max Warnecke. Arranged by Ronald Bobcock. German 19th Century. Solo part, score and parts. Published by Cherry Classics (CY.CC2843).

Max Warnecke's Konzertstück is characteristic of the nineteenth-century solo Trombone tradition. At six minutes in duration, it is considerably shorter than contemporary solos of the time such as the Gräfe Concerto. Like the David Concertino it uses similar martial-style opening and closing themes with a lyrical middle section. The solo and orchestral accompaniment are of medium difficulty and appropriate for school recitals or professional performances.

Cello, strings and basso continuo (Score) - intermediate

SKU: HL.49001937

Composed by Giovanni Battista Martini. Edited by Istvan Koloss. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 22 pages. Duration 9'. Schott Music #CON 208. Published by Schott Music (HL.49001937).

ISBN 9790001024990. 9.0x12.0x0.085 inches.

Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others. Martini's compositions, between baroque and rococo as to style, are considered to be excellent works of Italian music of that time. The violoncello is treated by Martini as concertante instrument. The viola part can also be played by a third violin.