Composed by W.A. Mozart / J.N. Hummel. Edited by Leonardo Miucci. Full score and parts. Published by Edition HH Music Publishers (HH.HH356-FSP).

This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Essential Home Library Series. (Wolfgang Amadeus Mozart) * Moonlight Sonata (First Movement). Level: (Ludwig van Beethoven) * Ode to Joy (Ludwig van Beethoven) * Pavane (Maurice Ravel) * Prelude in A Major (Frederic Chopin) * Rondo alla Turca (Wolfgang Amadeus Mozart) * Sonata No. 1 in C Major (First Movement) (Wolfgang Amadeus Mozart) * Trumpet Tune (Jeremiah Clarke), and many more. Book. 144 pages. Published by Alfred Publishing.

For Piano. Piano Collection. Masterwork. Level: Intermediate / Advanced. Book. Published by Alfred Publishing.

For Flute. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo, with the soloist on the right channel; and a second performance in full stereo minus the soloist. Published by Music Minus One

By George Frideric Handel (1685-1759). Edited by Werner Jacob. This edition: Paperbound. Free organ music. Complete edition. 192 pages. Published by Carus Verlag

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 40 pages. Ricordi #NR141576. Published by Ricordi

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 32 pages. Ricordi #NR141570. Published by Ricordi

Reduction for Flute and Piano. Composed by Giulio Briccialdi (1818-1881). Edited by Ginevra Petrucci. Woodwind Solo. Classical. Softcover. 31 pages. Ricordi #NR141579. Published by Ricordi

Piano

SKU: HL.1730933

Book with Audio Online. Composed by Wolfgang Amadeus Mozart. Dowani Book. Classical. Softcover Audio Online. 72 pages. Dowani International #DOW17006-404. Published by Dowani International (HL.1730933).

ISBN 9789043170505. UPC: 196288284017. 9.0x12.0x0.204 inches.

Mozart's Piano Concerto in A Major is one of the first Mozart concertos that pianists learn to play. This edition allows you to work through the piece systematically at different tempi with a professional accompaniment. 1-4 Allegro5-8 Andante9-12 Allegretto.

Basso continuo (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5251-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 8 pages. Duration 13'. Breitkopf and Haertel #OB 5251-12. Published by Breitkopf and Haertel (BR.OB-5251-12).

ISBN 9790004333327. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Basso (cello/double bass) (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5251-26

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 13'. Breitkopf and Haertel #OB 5251-26. Published by Breitkopf and Haertel (BR.OB-5251-26).

ISBN 9790004332979. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5251-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Set of parts. 8 pages. Duration 13'. Breitkopf and Haertel #OB 5251-30. Published by Breitkopf and Haertel (BR.OB-5251-30).

ISBN 9790004332986. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 1 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5251-15

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 13'. Breitkopf and Haertel #OB 5251-15. Published by Breitkopf and Haertel (BR.OB-5251-15).

ISBN 9790004332948. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Organ and orchestra (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5251

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Full score. 28 pages. Duration 13'. Breitkopf and Haertel #PB 5251. Published by Breitkopf and Haertel (BR.PB-5251).

ISBN 9790004210239. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 2 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5251-16

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 13'. Breitkopf and Haertel #OB 5251-16. Published by Breitkopf and Haertel (BR.OB-5251-16).

ISBN 9790004332955. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Organ and orchestra (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5212

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Full score. 24 pages. Duration 18'. Breitkopf and Haertel #PB 5212. Published by Breitkopf and Haertel (BR.PB-5212).

ISBN 9790004209431. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Basso continuo (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 8 pages. Duration 18'. Breitkopf and Haertel #OB 5212-12. Published by Breitkopf and Haertel (BR.OB-5212-12).

ISBN 9790004330890. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Basso (cello/double bass) (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-26

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 4 pages. Duration 18'. Breitkopf and Haertel #OB 5212-26. Published by Breitkopf and Haertel (BR.OB-5212-26).

ISBN 9790004330944. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Set of parts. 12 pages. Duration 18'. Breitkopf and Haertel #OB 5212-30. Published by Breitkopf and Haertel (BR.OB-5212-30).

ISBN 9790004330951. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Violin 3 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-17

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Softcover. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 2 pages. Duration 18'. Breitkopf and Haertel #OB 5212-17. Published by Breitkopf and Haertel (BR.OB-5212-17).

ISBN 9790004330920. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Violin 2 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-16

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 4 pages. Duration 18'. Breitkopf and Haertel #OB 5212-16. Published by Breitkopf and Haertel (BR.OB-5212-16).

ISBN 9790004330913. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Violin 1 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-15

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 4 pages. Duration 18'. Breitkopf and Haertel #OB 5212-15. Published by Breitkopf and Haertel (BR.OB-5212-15).

ISBN 9790004330906. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.