(Clarinet in B-flat with Piano Reduction). Composed by Bernhard Henrik Crusell (...(+)
(Clarinet in B-flat with
Piano Reduction).
Composed by Bernhard
Henrik Crusell
(1775-1838). Edited by
Nicolai Pfeffer. For
Clarinet, Piano
Accompaniment. Henle
Music Folios. Softcover.
34 pages. G. Henle
#HN1210. Published by G.
Henle
Book/Online Audio Oboe SKU: HL.400379 Music Minus One Oboe. By Fra...(+)
Book/Online Audio Oboe
SKU: HL.400379
Music Minus One
Oboe. By Frantisek
Kimmel. By Tomaso
Giovanni Albinoni. Sheet
music. Music Minus One.
Classical. Softcover
Audio Online. 16 pages.
Music Minus One #MMO3400.
Published by Music Minus
One (HL.400379).
ISBN
9781596153479. UPC:
884088188894.
9.0x12.0x0.056
inches.
Italian
Baroque Master Tomaso
Albinoni is sometimes
overlooked due to his
fellow countryman
Vivaldi's immense
popularity, but this
collection demonstrates
the immense gifts which
Albinoni exhibited as a
composer. These three
concerti are
representative of his
beautiful Baroque style.
Includes a high-quality
printed music score and
recordings containing a
complete performance with
soloist, then a second
version with the
orchestral accompaniment,
minus the soloist.
Performed by Frantisek
Kimmel, oboe
Accompaniment: Czech
Symphony Chamber
Orchestra Conductor:
Mario Klemens Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
First violin (1. Violin) SKU: BA.BA04233-74 Concerto for Organ (Harpsi...(+)
First violin (1. Violin)
SKU: BA.BA04233-74
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_74.
Published by Baerenreiter
Verlag (BA.BA04233-74).
ISBN 9790006446490. 30
x 23 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
2Ob (Oboes (2)) SKU: BA.BA04233-65 Concerto for Organ (Harpsichord) an...(+)
2Ob (Oboes (2))
SKU:
BA.BA04233-65
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_65.
Published by Baerenreiter
Verlag (BA.BA04233-65).
ISBN 9790006446476. 30
x 23 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA04233-75 Concerto for Organ (Harps...(+)
Second violin (2. Violin)
SKU: BA.BA04233-75
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_75.
Published by Baerenreiter
Verlag (BA.BA04233-75).
ISBN 9790006446506. 30
x 23 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_82.
Published by Baerenreiter
Verlag (BA.BA04233-82).
ISBN 9790006446537. 30
x 23 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord, organ, basso continuo SKU: BA.BA04233-86 Concerto for Org...(+)
Harpsichord, organ, basso
continuo
SKU:
BA.BA04233-86
Concerto for Organ
(Harpsichord) and
Orchestra. Composed
by George Frideric
Handel. Edited by Eva
Gerlach and Ingeborg
Schneider. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 7/1,
HWV 306. Baerenreiter
Verlag #BA04233_86.
Published by Baerenreiter
Verlag (BA.BA04233-86).
ISBN 9790006446544. 30
x 23.5 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra
SKU: BR.PB-5509
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Full score. 52
pages. Duration 27'.
Breitkopf and Haertel #PB
5509. Published by
Breitkopf and Haertel
(BR.PB-5509).
ISBN
9790004211694. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass
SKU:
BR.OB-5509-27
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-27.
Published by Breitkopf
and Haertel
(BR.OB-5509-27).
ISBN
9790004338506. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Violoncello SKU: BR.OB-5509-23 Urtext. Composed by Carl Philipp Em...(+)
Violoncello
SKU:
BR.OB-5509-23
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
cello part. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 12
pages. Duration 27'.
Breitkopf and Haertel #OB
5509-23. Published by
Breitkopf and Haertel
(BR.OB-5509-23).
ISBN
9790004338490. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Harpsichord/piano SKU: BR.OB-5509-12 Urtext. Composed by Carl Phil...(+)
Harpsichord/piano
SKU:
BR.OB-5509-12
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
harpsichord/piano part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 16
pages. Duration 27'.
Breitkopf and Haertel #OB
5509-12. Published by
Breitkopf and Haertel
(BR.OB-5509-12).
ISBN
9790004338452. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Violin 2 SKU: BR.OB-5509-16 Urtext. Composed by Carl Philipp Emanu...(+)
Violin 2
SKU:
BR.OB-5509-16
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
violin 2 part. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-16.
Published by Breitkopf
and Haertel
(BR.OB-5509-16).
ISBN
9790004338476. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Viola SKU: BR.OB-5509-19 Urtext. Composed by Carl Philipp Emanuel ...(+)
Viola
SKU:
BR.OB-5509-19
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
viola part. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-19.
Published by Breitkopf
and Haertel
(BR.OB-5509-19).
ISBN
9790004338483. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Violin 1 SKU: BR.OB-5509-15 Urtext. Composed by Carl Philipp Emanu...(+)
Violin 1
SKU:
BR.OB-5509-15
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
violin 1 part. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-15.
Published by Breitkopf
and Haertel
(BR.OB-5509-15).
ISBN
9790004338469. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Piano Accompaniment; Trumpet (trumpet & piano) SKU: HL.48181191 Pour T...(+)
Piano Accompaniment;
Trumpet (trumpet & piano)
SKU: HL.48181191
Pour Trompette et
Orchestre [Piano
Reduction]. Composed
by Henri Tomasi. Leduc.
Classical Music,
Contemporary. Softcover.
34 pages. Alphonse Leduc
#AL20470. Published by
Alphonse Leduc
(HL.48181191).
UPC:
888680787806.
9.0x12.0x0.104
inches.
The
concerto is composed in
B-flat Major; the solo
part is for Trumpet in C.
Finished in 1948, the
Concerto for Trumpet and
Orchestra was composed by
the French composer,
conductor and the 1927
winner of the Grand Prix
de Rome, Henri Tomasi
(1901-1971), and lasts
approximately 14 minutes.
Dedicated to the
trumpeter Ludovic
Vaillant, soloist at the
National Orchestra, the
Concerto for Trumpet and
Orchestra was premiered
in Paris in 1949. The
first part, which lasts 7
minutes, Allegro and
Cadenza, begins with a
trumpet cadenza and a
quiet snare drum
background. The Nocturne
follows as the second
part of this Concerto,
and the Finale, the
shortest part of the
concerto, ends up with a
cheerful cartoon-music
theme. Henri Tomasi also
composed a variety of
concerti for alto
saxophone and for
trombone, as well as some
ballades.
(Concerto for piano and orchestra). By Wolfgang Amadeus Mozart (1756-1791). Edit...(+)
(Concerto for piano and
orchestra). By Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Wolfgang Rehm. For piano
solo, orchestra (Solo
Piano/Orchestra). This
edition: Paperback,
Urtext edition.
Paperback. Barenreiter
Study scores. Study
score. KV 595. Publi
Study Score / Miniature
91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
With Audio of Full Performances and Orchestral Accompaniments Schirmer's Musi...(+)
With Audio of Full
Performances and
Orchestral
Accompaniments Schirmer's
Musical Library Vol.
2145.
Composed by Ludwig van
Beethoven (1770-1827).
Piano.
Classical. Softcover
Audio
Online. Published by G.
Schirmer
By George Frideric Handel (1685-1759). Edited by Werner Jacob. This edition: Pap...(+)
By George Frideric Handel
(1685-1759). Edited by
Werner Jacob. This
edition: Paperbound. Free
organ music. Complete
edition. 192 pages.
Published by Carus Verlag
Made Easy for Piano Solo. By Edvard Grieg; Felix Mendelssohn Bartholdy; Franz Li...(+)
Made Easy for Piano Solo.
By Edvard Grieg; Felix
Mendelssohn Bartholdy;
Franz Liszt; Frederic
Chopin; Johannes Brahms;
Ludwig Van Beethoven;
Peter Ilyich Tchaikovsky;
Robert Schumann; Sergei
Rachmaninoff; Wolfgang
Amadeus Mozart. Arranged
by John Brimhall. Solo
piano. For Piano Solo.
Great Music Made Easy
Masterwork Series. Solo
part. 48 pages. Published
by Carl Fischer
Selections from The Brandenburg Concertos,Eine kleine Nachtmusik, The Four Seaso...(+)
Selections from The
Brandenburg
Concertos,Eine kleine
Nachtmusik, The Four
Seasons and More.
Arranged by Fred Kern.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate.
Book. 80 pages. Published
by Alfred Publishing.
Keyboard SKU: ST.K47 Composed by Various. Edited by Peter Lynan. Piano & ...(+)
Keyboard
SKU:
ST.K47
Composed by
Various. Edited by Peter
Lynan. Piano & keyboard
music. Edited by Peter
Lynan. Keyboard
collection. Stainer &
Bell Ltd. #K47. Published
by Stainer & Bell Ltd.
(ST.K47).
ISBN
9790220224027.
The
keyboard concertos in K47
contain both solo
material and a simple
reduction of the
orchestral passages, and
this allows the concertos
to be played either with
or without orchestral
accompaniment. Full
details are given in the
introduction as well as
in MB94.
Sets of
instrumental material
which may be used to
accompany the concertos
are available.
Philip HAYES: Concerto
no. 3 in F major
(1769) James HOOK:
Concerto no. 1 in C major
(1771) George RUSH:
Concerto no. 3 in B flat
major (1773) John
STANLEY: Concerto op. 10
no. 4 in C minor
(1775) Charles
WESLEY: Concerto set 3
no. 2 in E major
(1778).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-19. Published by
Breitkopf and Haertel
(BR.OB-5386-19).
ISBN
9790004334591. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-15. Published by
Breitkopf and Haertel
(BR.OB-5386-15).
ISBN
9790004334577. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Organ and orchestra (solo: org(hp) - 2rec.0.0.0. - 0.0.0.0. - str - bc) SKU: ...(+)
Organ and orchestra
(solo: org(hp) -
2rec.0.0.0. - 0.0.0.0. -
str - bc)
SKU:
BR.PB-5386
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). I want
to make an edition that
is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Full
score. 20 pages. Duration
12'. Breitkopf and
Haertel #PB 5386.
Published by Breitkopf
and Haertel (BR.PB-5386).
ISBN 9790004210772. 9
x 12 inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Folder.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Set of
parts. 4 pages. Duration
12'. Breitkopf and
Haertel #OB 5386-30.
Published by Breitkopf
and Haertel
(BR.OB-5386-30).
ISBN
9790004334614. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.