Rondino Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS42 On a Theme of Beeth...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS42
On a Theme of
Beethoven. Composed
by Fritz Kreisler.
Arranged by Doris Gazda.
Carl Fischer Concert
String Orchestra Series.
Score and Parts. With
Standard notation.
16+4+10+10+16+5+8 pages.
Carl Fischer Music
#CAS42. Published by Carl
Fischer Music (CF.CAS42).
ISBN 9780825867071.
UPC: 798408067076. 8.5 X
11 inches. Key: D
major.
This popular
piece for solo violin and
piano has been skillfully
arranged by string
pedagogue Doris Gazda. A
standard piece in the
repertoire, it adapts
quite well to the string
orchestra. This is an
excellent piece for an
advancing group. A
rondo is a musical form
that was commonly used by
composers from the
classical through the
romantic music periods.
It was often the form
used for the last
movement of a sonata, a
symphony, a concerto or a
piece of chamber
music.The rondo form
consists of a main theme
(part A) that recurs with
contrasting sections
(parts B, C, D and so on)
in between. The
contrasting sections can
change key and can change
from major to minor
tonality. A typical form
of a rondo might be
ABACADABA. It is usually
written in triple meter,
and is lively and joyful
in character. Beethoven
used the rondo form quite
often, and Fritz
Kreisler, the famous
violinist and composer,
found a Beethoven melody
and turned it into this
“little
rondo,†or rondino,
written originally for
violin and piano.This
arrangement for string
orchestra can also be
played by a small string
ensemble. It should be
played with a light style
of bowing so as to give
it a happy, lilting
quality.
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag Here you will find
the E flat major version
of this concerto. Solo
concerto; Classical.
Part. 14 pages. Breitkopf
and Haertel #OB 15119-19.
Published by Breitkopf
and Haertel
(BR.OB-15119-19).
ISBN
9790004340325. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
(Grades 7-8). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Mars...(+)
(Grades 7-8). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Anne Marsden Thomas. For
organ. Oxford Bach Books
for Organ. Pieces and
Studies. Level D
(difficult). 64 pages.
Published by Oxford
University Press
Violin SKU: HL.49045478 By Raymond Leppard. Composed by Raymond Le...(+)
Violin
SKU:
HL.49045478
By
Raymond Leppard.
Composed by Raymond
Leppard and Wolfgang
Amadeus Mozart. Edited by
Raymond Leppard. Arranged
by Cho-Liang Lin. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 28
pages. Schott Music
#ED30150. Published by
Schott Music
(HL.49045478).
ISBN
9781495090226. UPC:
888680671655.
9.0x12.0x0.115
inches.
Includes
Raymond Leppard's
original cadenzas for
Mozart's violin concertos
Nos. 1-5 and 7; Adagio in
E Major, K. 261; Rondo in
C Major, K. 373; and
Serenade in D Major
Haffner, K. 250.
From
Novelettes, Op. 15.
Composed by Alexander
Glazunov. Arranged by
Deborah Baker Monday. SWS
FS. Concert String
Orchestra. Set of Score
and Parts. With Standard
notation.
24+24+6+15+15+10+16
pages. Carl Fischer Music
#CAS63. Published by Carl
Fischer Music (CF.CAS63).
ISBN 9780825889387.
UPC: 798408089382. 8.5 x
11 inches. Key: D
major.
Originally
written for string
quartet, this fantastic
characteristic piece from
Glazunov is a welcome
addition to the string
orchestra repertoire, as
arranged by Deborah Baker
Monday. Well-suited for
the more advanced
ensemble, it contains
excellent musical
opportunities and the
chance to play the music
of a prominent Russian
composer. Deborah's
setting stays very true
to the original, but
enhances it for use by
the full ensemble. Alert
your contest/festival
music committee to this
worthy new piece for high
school string
orchestras. Alexander
Glazunov
(1865–1936) lived
during a very
transitional period of
Russian music history,
active as a composer,
conductor, and teacher.
He was a part of the
Romantic school of
Russian music following
in the tradition of
Tchaikovsky, like his
fellow composers Borodin
and
Rimsky-Korsakov.During
his years at the
conservatory he
instructed many students
who chose to pursue the
modern trends set forth
by Debussy. Stravinsky,
Shostakovich, and even
Prokofiev took
instruction from
Glazunov. Although they
considered him
old-fashioned, he was
remembered as a
stabilizing influence
during transitional
times.Glazunov’s
music stayed within the
category of Russian
Romanticsm: nationalistic
with classical formality.
His list of works
includes numerous
symphonies, concertos,
piano and vocal works,
and chamber works
including seven string
quartets.Op. 15 was first
given the title
“Suite†(a
collection of dances),
and after a
friend’s
recommendation he changed
the name to
“Novelettesâ€.
The five movements are of
contrasting style, but
beautifully reminiscent
of their particular
themes:I. Alla
SpagnuolaII.
OrientaleIII. Interludium
in modo anticoIV. ValseV.
All’ UnghereseThis
movement is very well
adaptable for string
orchestra. The original
string quartet moodis
light, using harmonics
and pizzicato, but there
are forceful sections
which allow for strong
sectional playing
(especially with the
cello and bass orchestral
sound). There is very
much interesting melodic
material offered for all
instruments which lends
itself to a fantastic
string orchestra
arrangement. Conductors
will find material in all
sections which provide
greatopportunities for
rehearsal.The form is a
large ABA with a D.C. al
fine, but the sections
are not square by any
means.There is lots of
energy and momentum in
the material of both
sections, as well as a
modalcharacter which
gives the music an exotic
sound. Bowing patterns
abound in all sections
formore great teaching
opportunities.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Mixed Ensemble (Study Score) SKU: HL.49009517 Composed by Antonio Vivaldi...(+)
Mixed Ensemble (Study
Score)
SKU:
HL.49009517
Composed
by Antonio Vivaldi.
Edited by Felix
Schroeder. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Op. 46/2. 48 pages.
Duration 13'. Eulenburg
Edition #ETP1277.
Published by Eulenburg
Edition (HL.49009517).
ISBN 9790200210316.
UPC: 073999497847.
5.25x7.5x0.15
inches.
2 oboes,
bassoon, 2 horns, violin,
strings, and b.c.
Piano Quintet (solos:
ob.clar.hn.bsn - 0.2.0.0.
- 2.0.0.0. - str)
SKU:
BR.MR-1046
Composed
by Wolfgang Amadeus
Mozart. Chamber music;
Softbound. Musica Rara.
Symphony; Solo concerto;
Classical. Piano
reduction. 84 pages.
Duration 25'. Breitkopf
and Haertel #MR 1046.
Published by Breitkopf
and Haertel (BR.MR-1046).
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Choir; Early Music; Voice SKU: UT.ODH-35 Edited by Stefania Lanzo. Paperb...(+)
Choir; Early Music; Voice
SKU: UT.ODH-35
Edited by Stefania Lanzo.
Paperback (Soft Cover).
Odhecaton. Classical.
Softcover. 144 pages. Ut
Orpheus #ODH 35.
Published by Ut Orpheus
(UT.ODH-35).
ISBN
9790215322578. 9 x 12
inches.
L’am
orosa caccia is a
collection of 24
madrigals for five
voices, created specially
by as many composers
originating from Mantua.
All were distinguished
professional people,
working within the
church, at court or in
the Palatine basilica of
Saint Barbara, and music
lovers of noble birth
from the area who were
somehow connected to the
Academy of the Invaghiti,
or perhaps part of the
same. Among the
established musicians of
the collection are to be
mentioned: G.M. Bacchino,
H. Baccusi, P. Cantino,
A. Coma, G. Moro, S.
Nascimbeni, A. Nuvoloni,
N. Parma, G.B. Recalchi,
F. Rovigo, A. Striggio,
R. Trofeo. The
lesser-known, however,
seem to be: C. Accelli,
E. Ceruti, S. Cressoni,
P. Marni, A. Preti, while
the following: H.
Borelli, C. Ceruti, O.
Grassi, P. Massari, G.B.
Orto, F. Ramesini, C.
Zucca have become known
as composers only thanks
to L’amorosa
caccia. The
realization in score of
the madrigals has made it
possible to bring to
light this collection,
establishing its actual
musical value and proving
the remarkable mastery of
madrigal writing of these
24 musicians and offering
the opportunity to
highlight each
one’s different
skill as a composer. If
some of them have proved
to be completely in line
with the practices of the
time, verging on
Augenmusik, others stand
out for the wide variety
of their harmonies,
melodies and rhythms,
seeking the best musical
expressions to express
the affetti contained in
the text. There are
no major breakthroughs,
but, if the contrapuntal
procedures are as to be
expected, the body of
voices, the
experimentation, the
interplay between the
parts and the harmonic
sensitivity show
familiarity with the
vocal virtuosity of the
concerti di dame of
Ferrara and Mantua,
bringing out what was
most modern at the time.
The possibility that
these madrigals may
actually have been
performed by that very
group of talented singers
is enchanting and
entirely plausible.
Stonehenge Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1053805-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1053805-140
Composed by Jan Van der
Roost. Arranged by Tohru
Takahashi. Sovereign
Series. Concert Piece.
Score Only. Composed
2005. 86 pages. De Haske
Publications #DHP
1053805-140. Published by
De Haske Publications
(BT.DHP-1053805-140).
340 X 250 inches.
English-German-French-Dut
ch.
This piece
attempts to portray
atmospheric pictures
through music. The
opening section evokes
the somewhat misty and
hazy early morning
atmosphere surrounding
the ancient monument.
When the band reaches its
first dynamic climax itis
as if the massive
boulders are audible,
even touchable through
the use of minor 3rd
chords. The main theme,
constructed on the notes
CAFBG, symbolises the
arrangement of the
central boulders in the
shape of a horseshoe,
whichforms the focal
point of this huge
collection of stones.
Towards the end of the
work you will experience
a fantastic effect when
five soloists play a five
part hymn whilst other
members of the band
create a special
atmosphere byimitating a
choir of monks and
druids. A fantastic major
new concert work for
advanced
bands.
Een enorme
cirkel van gigantische
rechtopstaande stenen
staat al zo’n 3500
jaar lang in het
zuidwesten van Engeland.
In dit werk zijn
sfeerbeelden omgezet in
muziek. Hoewel er geen
concreet verhaal aan ten
grondslag ligt en er
geenduidelijk scenario is
gebruikt, verklankt deze
compositie het mysterie
en de grootsheid van het
eeuwenoude geheimzinnige
monument Stonehenge op
voortreffelijke
wijze.
Im
Südwesten Englands
steht seit fast 3500
Jahren ein Ring riesiger
Steine: Stonehenge. Das
gleichnamige Werk von Jan
Van der Roost bringt
mystische Stimmungen und
Bilder rund um die alte
Stätte auf
musikalische Weise zum
Klingen. Das Hauptmotiv
aus fünf Tönen
zieht sich durch das
gesamte Werk und
symbolisiert den
hufeisenförmigen
inneren Ring des riesigen
Steinkreises. Später
gemahnen fünf
Vokalsolisten sowie ein
gesungener Druiden- und
Mönchs-Chor an Stimmen
aus einer fremden Welt.
Stonehenges
ungelüftetes Geheimnis
schlug den Komponisten in
seinen Bann und
inspirierte ihn zu diesem
ebenso unwiderstehlichen
Werk, das Tohru Takahashi
nun für Blasorchester
transkribierte.
Chamber Music Horn, Piano SKU: CF.W2559 For Horn in F and Piano. C...(+)
Chamber Music Horn, Piano
SKU: CF.W2559
For Horn in F and
Piano. Composed by
Quincy C. Hilliard. This
edition: score & part.
Classical. Set of Score
and Parts. With Standard
notation. Carl Fischer
Music #W2559. Published
by Carl Fischer Music
(CF.W2559).
ISBN
9780825840302. UPC:
798408040307. 9 X 12
inches. Key: Eb
major.
Written as
Concerto for Young
Artist(s) and Band on
commission from 1999 New
Music Festival of
Sandusky, Ohio, Encore
has been published in the
multiple versions and can
be played by any standard
wind and brass
instrument. These
versions are all
compatible with the
published band edition
(Concerto for Young
Artist{s}and Band-YPS11).
The piece is in one
movement, ABA form with a
lyrical Andante framed by
the opening Allegro con
energico and its repeat.
Encore - Quincy C.
Hilliard.