Fanfare Band - Grade 4

SKU: BT.AMP-226-020

Contest March. Composed by Philip Sparke. Ceremonial Series. Concert March. Set (Score & Parts). Composed 2009. Anglo Music Press #AMP 226-020. Published by Anglo Music Press (BT.AMP-226-020).

9x12 inches. English-German-French-Dut ch.

Philip Sparke wrote this march for the famous brass band contest held ever year on Whit Friday in Oldham and Saddleworth. Given the competition’s long history (over 120 years), he consciously composed this piece in a very traditional march form. The title, The Conqueror, refers to Alexander the Great’s nickname as well as being something every band aspires to be!

Philip Sparke schrieb diesen Marsch für die Teilnahme am berühmten Pfingstfreitag-Marschwett bewerb in England. So weist The Conqueror auch weitgehend die Form eines Wettbewerbsmarsches auf. Ganz im Sinne des passenden Titels Der Eroberer“ sollte es für jedes Blasorchester ein Leichtes sein, Juroren und/oder Publikum mit dieser Musik zu überzeugen!

Durante la stagione musicale delle brass band inglesi, c’è un appuntamento al quale gli appassionati non possono mancare: il celebre Whit Friday March Contest, un concorso all’aperto che ha luogo il venerdì dopo l’Ascensione. Si tratta di un evento cui partecipano anche formazioni straniere, tra cui la Brass Band Alexander di Stavanger in Norvegia, per la quale Philip Sparke ha composto questa marcia. The Conqueror fa parte delle marce da concerto tradizionali. Il titolo si riallaccia ad Alessandro Magno.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1175760-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2017. 52 pages. De Haske Publications #DHP 1175760-140. Published by De Haske Publications (BT.DHP-1175760-140).

English-German-French- Dutch.

Pfarreimusik Wünnewil-Flamatt requested a new work to be commissioned for the celebration of its 111th anniversary. They asked the composer to create a piece lasting approximately 11 minutes and 11 seconds. The band asked Jan Van der Roost to reflect on a number of aspects from the past, as well as the current state of affairs. The piece contains lyrical movements, cheerful and jubilant parts, as well as light introverted sequences. Fantasia Helvetica is a varied concert piece with a number of challenging passages, but is also fun to play!

Pfarreimusik Wünnewil-Flamatt uit Zwitserland gaf de opdracht voor dit werk om haar 111-jarig bestaan gestalte te geven en verzocht de componist om er een ongeveer elf minuten en elf seconden durende compositie van te maken. Verder vroeg het orkest Jan Van der Roost om een aantal aspecten uit het verleden en de huidige samenstelling (als bloeiende vereniging met veel jeugd) weer te geven. Het werk bevat lyrische momenten en opgewekte tot zelfs uitbundige delen, maar ook ingetogen passages. Al met al is Fantasia Helvetica een afwisselend en welluidend concertwerk met een paar uitdagende passages, maar het draait vooral om het speelplezier!

Die Pfarreimusik Wünnewil-Flamatt gab aus Anlass ihres 111-jährigen Bestehens ein neues Werk in Auftrag. Sie baten den Komponisten, ein Stück zu komponieren, das etwa elf Minuten und elf Sekunden dauert. Jan Van der Roost sollte außerdem einige Aspekte aus der Geschichte des Orchesters sowie aktuelle Ereignisse darstellen. Das Stück enthält lyrische Passagen, fröhliche und triumphierende Abschnitte sowie leicht introvertierte Sequenzen. Fantasia Helvetica ist ein abwechslungsreiches Konzertstück mit einigen anspruchsvollen Passagen, aber es macht vor allem Spaß, es zu spielen!

La Pfarreimusik Wünnewil-Flamatt désirait commander une nouvelle œuvre pour la célébration de son 111e anniversaire et a invité le compositeur créer un morceau d’une durée approximative d’onze minutes et onze secondes. L’ensemble a souhaité que Jan Van der Roost reflète sur plusieurs aspects de son passé ainsi que sur ses affaires courantes. L’œuvre contient des mouvements lyriques, des moments joyeux et jubilatoires, et des séquences plus légères et introverties. Fantasia Helvetica est une œuvre de concert variée dont les passages exigeants ne mettent pas un frein la joie de jouer !

Pfarreimusik Wünnewil-Flamatt ha voluto commissionare una nuova opera per celebrare il suo 111 ° anniversario, chiedendo al compositore di creare un pezzo della durata di circa 11 minuti e 11 secondi. La banda ha voluto che Jan Van der Roost riflettesse su una serie di aspetti del passato, oltre allo stato attuale delle cose. Il brano contiene movimenti lirici, parti allegre e festose, nonché sequenze leggere introverse. Fantasia Helvetica è un variegato pezzo da concerto con una serie di passaggi impegnativi, ma è anche divertente da eseguire!

Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4

SKU: PR.114409860

Concertino for Roto Toms and Percussion Quartet. Composed by William Kraft. Encounters. Contemporary. Set of Score and Parts. With Standard notation. Composed 1976. 27+12+10+10+10+10 pages. Duration 10 minutes. Theodore Presser Company #114-40986. Published by Theodore Presser Company (PR.114409860).

UPC: 680160014644.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.

Score - Grade 4

SKU: HL.255173

Wind Quintet. Composed by Outi Tarkiainen. Music Sales America. Classical. Softcover. Composed 2017. 24 pages. Duration 780 seconds. Edition Wilhelm Hansen #WH32984. Published by Edition Wilhelm Hansen (HL.255173).

ISBN 9788759839706. 10.5x14.5x0.45 inches. English.

Siimes for Wind Quintet by Finnish composer Outi Tarkiainen (2017). Program notes: Siimes is my second wind quintet and is based on the saxophone concerto Saivo. The title of the work suggests an allegorical hiding place deep in the forest, from where one can easily observe the surrounding reality. The first movement flows and swirls like divingunder water, at times changing direction and always bubbling merrily. The second movements ethereal shimmering culminates into the last movements mighty chord pillars that pile up on one another like an ash cloud. Siimes is dedicated to Auriga Wind Quintet's flautist Heli Haapala, who commissioned the work with the support of the Sibelius Foundation. Parts are available: WH32984A.

(cem,str=4.4.3.2.0)

SKU: TM.01345SET

Composed by Johann Sebastian Bach. Set Type: M. Set of parts. Lucks Music Library #A7110. Published by Lucks Music Library (TM.01345SET).

Sinfonias, Canons, Fugues, Dances, Chorales, and Largo from Concerto in d. Cem in sc.

SATB choir, soprano descant, brass quintet, and organ, with optional timpani and percussion - Early Intermediate

SKU: MN.60-4011

Composed by Jeremy J. Bankson and K. Lee Scott. Easter, 21st Century. Instrument parts. MorningStar Music Publishers #60-4011. Published by MorningStar Music Publishers (MN.60-4011).

UPC: 688670640117. English.

The hymn tune SHADES MOUNTAIN (K. Lee Scott, 1987) is paired with a 1976 Erik Routley text in this concertato for choir, congregation, brass quintet, organ, and optional timpani and percussion. Six stanzas of the fifteen-measure melody are provided here. Two stanzas are notated in SATB layout. Stanza 2 encourages the congregation to sing in four parts as in a hymnal layout (reproducible congregational pages are provided). Stanza 4 is for the choir alone, a cappella, in four parts. One stanza (1) asks the women of the congregation to sing with the women of the choir, and this concept is repeated with the men (stanza 3). Stanza 5 is unison, stanza 6 is unison with descant. An introduction and interlude before the final stanza round out the piece. A majestic piece, full of wonderful variety and color.

Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Spring Coil, Tam-tam, Vibraphone, Wind Chimes

SKU: PR.11440986S

Composed by William Kraft. Full score. With Standard notation. 27 pages. Duration 10 minutes. Theodore Presser Company #114-40986S. Published by Theodore Presser Company (PR.11440986S).

UPC: 680160014651.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.

Concert Band/Harmonie - Grade 4

SKU: BT.GOB-000448-010

Composed by Sjaak van der Reijden. Set (Score & Parts). 82 pages. Gobelin Music Publications #GOB 000448-010. Published by Gobelin Music Publications (BT.GOB-000448-010).

Bessarabia is an area of south-eastern Europe (modern-day Romania, Moldovia and the Ukraine) in which numerous “Shtetl,” or small Jewish towns, have been established over time. Bessarabyanke is a remarkable Yiddish themed work for concertband, composed by Sjaak van der Reijden. An ideal piece to close a concert with, or perhaps play as an encore.

Up tempo, levendig, vol vuur! Je ziet de klezmorim bijna voor je… Vol gedrevenheid luisteren ze met hun fascinerende klanken een joodse bruiloft op. Sjaak van de Reijden bouwt dit Jiddische thema op een buitengewoon spectaculairewijze uit tot eenverrassende concertuitsmijter. Het is geen toeval dat Van der Reijden ook trompettist en arrangeur van de klezmerband ‘Di Gojim’ is. Bessarabyanke: een heerlijk werk vol uitdaging voor alle secties van het orkes!

Bessarabien ist eine Region in Südosteuropa (heute Teile von Rumänien, Moldawien und der Ukraine), in der seit dem 18. Jahrhundert zahlreiche jüdische Shtetl“ entstanden sind. Ein jiddisches Thema ist es denn auch, das der Komponist inBessarabyanke auf spektakuläre Weise zu einem überraschenden Blasorchesterwerk ausarbeitete, das sich ideal als Konzertabschluss oder Zugabestück eignet.

La Bessarabie est une région du sud-est de l’Europe, partagée depuis 1991 entre la République de Moldavie et l’Ukraine. Elle comptait de nombreuses communautés juives au cours du 18e siècle. L’expérience acquise par le compositeur lorsqu’il était trompettiste et arrangeur du Klezmer Band Di Gojim aura indéniablement contribué l’écriture de ce thème yiddish. Une pièce idéale pour toute programmation de concert ou comme pièce de rappel.

La Bessarabia è una regione del sud-est europeo (oggi parte della Romania, Moldavia e Ucraina), patria di molti ebrei “shetl” nel corso del XVIII secolo. Ed è anche un tema di musica yiddish che il compositore arrangia superbamente per banda, creando così Bessarabyanke, un brano perfetto per chiudere un concerto o per un bis.

Congregation, SATB choir, and organ, with optional brass quartet and timpani (Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani) - Early Intermediate

SKU: MN.60-6114

Composed by James Biery. Reformation, Epiphany, 21st Century, Word of God. MorningStar Music Publishers #60-6114. Published by MorningStar Music Publishers (MN.60-6114).

UPC: 688670661143. English.

From the mysterious to the glorious, Biery perfectly captures the wide-ranging moods of this text, set to the enduring tune EBENEZER. This hymn concertato was written for the Schola Cantorum of Concordia Theological Seminary, Fort Wayne, Indiana in observance of the 500th anniversary of the Reformation. So, it's no surprise that the setting has considerable sweep and gravitas, with some fresh harmonic twists. A beautiful choir-only section spans stanzas three and four in major tonalities that nicely complement the staid minor of the rest of the hymn. The sixth and final stanza is unison with descant and concludes with a choir Alleluia and Amen. Stirring and majestic. Duration 4:00.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117416

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Viola. Composed 1729. BWV 174. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.174/16. Published by Carus Verlag (CA.3117416).

ISBN 9790007209698. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

Organ & Strings

SKU: SU.80101416

For Organ & Strings. Composed by Carson Cooman. Keyboard, Organ, Strings, String Ensemble. Set of Parts. Zimbel Press #80101416. Published by Zimbel Press (SU.80101416).

Additional string parts (8-7-6-5-4)score, organ part, and string quintet set available (Cat. No. 80101415)Overture concertante (2018) is, as the title suggests, an overture with a concerto-like character. The music begins with a slow theme in dotted rhythms in the manner of a traditional baroque overture. The faster music that follows begins first with the organ alone, employing a basse de trompette texture (the organ's trumpet stop sounding in the bass register). This is soon answered by a bright, melodic theme in the strings. The interplay of these three main ideas is developed across the rest of the piece. Instrumentation: Organ & Strings Duration: 6' Composed: 2018 Published by: Zimbel Press.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1053913-010

Composed by Julius Fucik. Arranged by Wil van der Beek. The Great Classics. Transcription. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053913-010. Published by De Haske Publications (BT.DHP-1053913-010).

9x12 inches. English-German-French-Dut ch.

Julius Fucik (1872-1916) was born in Prague, Czech Republic. He studied under Antonin Dvorák and at a young age played in military bands and later became bandmaster, a profession he practiced in various cities with many bands. In 1913 he settled in Berlin where he started his own music publishing house. As a composer Fucik is known for his light entertaining music however he also wrote chamber music, songs, choral works, a mass, a requiem and an unfinished opera. Many of his works have fallen into oblivion but many of his marches such as Einzug der Gladiatoren, Regimentskinder and Florentiner Marsch are still often played. With the concert overture Marinarella, Fucik takes us toan imaginary seaside resort on a beautiful spring day. Marinarella, a girl of the sea, accompanies us on our stroll. Leisurely walking couples on the boulevard, the murmur of the sea, fragments of a waltz melody from a café and a concert band performing a promenade concert pass you by. A fantastic opening work for any concert.

Met de concertouverture Marinarella neemt de Tsjechische componist Julius Fucik ons mee naar een denkbeeldige badplaats aan de kust op een mooie lentedag. Marinarella, een meisje van de zee, vergezelt ons op onze wandeling.Slenterende paartjes op de boulevard, het ruisen van de zee, flarden van een walsmelodie uit een café en een blaasorkest dat een promenadeconcert verzorgt passeren de revue. De vorm van deze ouverture is eenvoudig: na een snelleen luide opening volgt een langzaam, ongedwongen deel waarin enige solopassages zijn verwerkt. De afsluiting is weer krachtig en snel.

Julius Fucik (1872-1916) hat sich als Komponist vor allem mit Marschmusik wie dem Florentiner Marsch aber auch mit Werken in anderen Genres einen Namen gemacht. Mit dieser Konzertouvertüre entführt er uns auf einen Spaziergang ans Meer, in charmanter Begleitung eines Mädchens namens Marinarella. Gemütlich am Boulevard entlang schlendernd, schnappen wir verschiedene Geräusche und Konzerte auf. Ihr Publikum wird die Musik gerne auf diesen einfach strukturierten, aber sehr unterhaltsamen musikalischen Spaziergang begleiten!

Concert Band - Grade 4

SKU: BT.DHP-1053913-040

Composed by Julius Fucik. Arranged by Wil van der Beek. The Great Classics. Transcription. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053913-040. Published by De Haske Publications (BT.DHP-1053913-040).

9x12 inches. English-German-French-Dut ch.

Julius Fucik (1872-1916) was born in Prague, Czech Republic. He studied under Antonin Dvorák and at a young age played in military bands and later became bandmaster, a profession he practiced in various cities with many bands. In 1913 he settled in Berlin where he started his own music publishing house. As a composer Fucik is known for his light entertaining music however he also wrote chamber music, songs, choral works, a mass, a requiem and an unfinished opera. Many of his works have fallen into oblivion but many of his marches such as Einzug der Gladiatoren, Regimentskinder and Florentiner Marsch are still often played. With the concert overture Marinarella, Fucik takes us toan imaginary seaside resort on a beautiful spring day. Marinarella, a girl of the sea, accompanies us on our stroll. Leisurely walking couples on the boulevard, the murmur of the sea, fragments of a waltz melody from a café and a concert band performing a promenade concert pass you by. A fantastic opening work for any concert.

Met de concertouverture Marinarella neemt de Tsjechische componist Julius Fucik ons mee naar een denkbeeldige badplaats aan de kust op een mooie lentedag. Marinarella, een meisje van de zee, vergezelt ons op onze wandeling.Slenterende paartjes op de boulevard, het ruisen van de zee, flarden van een walsmelodie uit een café en een blaasorkest dat een promenadeconcert verzorgt passeren de revue. De vorm van deze ouverture is eenvoudig: na een snelleen luide opening volgt een langzaam, ongedwongen deel waarin enige solopassages zijn verwerkt. De afsluiting is weer krachtig en snel.

Julius Fucik (1872-1916) hat sich als Komponist vor allem mit Marschmusik wie dem Florentiner Marsch aber auch mit Werken in anderen Genres einen Namen gemacht. Mit dieser Konzertouvertüre entführt er uns auf einen Spaziergang ans Meer, in charmanter Begleitung eines Mädchens namens Marinarella. Gemütlich am Boulevard entlang schlendernd, schnappen wir verschiedene Geräusche und Konzerte auf. Ihr Publikum wird die Musik gerne auf diesen einfach strukturierten, aber sehr unterhaltsamen musikalischen Spaziergang begleiten!

Concert Band - Grade 4

SKU: KJ.JB119

Composed by Timothy Mahr. Band/Repertoire. Score and parts. Neil A. Kjos Music Company #JB119. Published by Neil A. Kjos Music Company (KJ.JB119).

UPC: 084027053560.

There Are Giants Among Us opens with a sense of awe and admiration, capturing the presence of the influential people in our lives that inspire us. Timothy Mahr has created a quasi-concerto for wind ensemble in miniature featuring all sections of the band in different styles, moods, and tempos, ending in exuberant gratitude. This is a great opener for your next concert or a suitable piece to honor someone in your community.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-0991578-015

Composed by Edvard Grieg. Arranged by Jacob De Haan. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991578-015. Published by De Haske Publications (BT.DHP-0991578-015).

Norwegian composer Edvard Grieg (1843-1907) wrote a lot of songs, several of which Jacob de Haan has arranged for ensemble of variable strength. The songs are: Fremad! Fremad!, Stille Nu! and Fola, Fola, Blakken. It has been arranged for beginner bands and can be played with a minimum of four players (+ percussion).

Edvard Grieg heeft een onuitwisbare invloed op de Scandinavische muziek gehad. De drie Noorse liederen die in dit stuk zijn verwerkt - Fremad! Fremad!, Stille Nu! en Fola,Fola,Blakken- zijn representatief voor het Noorsemuzikale karakter. Jacob de Haan heeft de liederen vakkundig bewerkt voor esembles met een variabele instrumentatie. Omdat ze zorgvuldig zijn georkestreerd voor moeilijkheidsgraad 2, is Norwegian Songs ook voor jonge orkestentoegankelijk. De rijke instumentale kleuren blazen deze aansprekende nummers nieuw leven in!

Jacob de Haan arrangierte drei Lieder von Edvard Grieg und fasste sie in einer dreiteiligen Suite für ein vierstimmig variables Ensemble oder Blasorchester mit optionalen Mallet- und Klavierstimmen zusammen. Die verschiedenen Charaktere der einzelnen Teile - von majestätisch über melancholisch-traurig bis zu ausgelassen-fröhlich - stellen Ihr Orchester auf die Probe. Ein höchst interessantes Werk, in dem viele Facetten Norwegens musikalisch dargestellt werden!

Edvard Grieg (1843-1907) a délibérément choisi de donner ses œuvres une touche norvégienne et nordique très personnelle. La notoriété de plusieurs de ses œuvres a dépassé les frontières de la Scandinavie. Ainsi, le Concerto pour piano en La mineur (1868) et la musique de scène Peer Gynt (1876) ont été salués par les mélomanes du monde entier. Edvard Grieg a également composé un grand nombre de mélodies, chansons et lieder. Jacob de Haana choisi d’arranger trois de ces chansons : Fremad!, Fremad!, une chanson au caractère majestueux ; Stille Nu!, plus mélancolique en raison de sa tonalité mineure et Fola, Fola, Blakken, unallegro plein de gaieté qui vient conclure cette petite suite en trois parties.

Flute Ensemble (4 flutes, alto flute, bass flute, optional contrabass flute) - Intermediate-Advanced

SKU: FT.FM228

Composed by Gordon Jacob. Arranged by Robert Rainford. Score and Parts. Forton Music #FM228. Published by Forton Music (FT.FM228).

ISBN 9790570481279.

Flut e Ensemble - 4 Flutes, Alto Flute, Bass Flute, Optional Contrabass Flute. This piece shows all the stylistic characteristics of one of England's lesser known composers. The opening, with it's unison semiquaver passages alternating with dissonant major seventh chords, has almost the feeling of a baroque concerto grosso about it, albeit with a very modern harmonic palette. These sections alternate with slower passages featuring lush harmonies and sinuous, flowing lines. The end is a flourish of semiquavers followed by a staggering series of jazz tinged chord that push all the instruments up to the top of their registers (even the alto and bass flutes!). A great chance to bring the music of this composer to a wider audience.

Solo flute and winds (2(piccolo)2(+1)2,tenor sax,bari sax,2(+1)-solo flute-4331-timpani+4-harp -piano)

SKU: B9.419-CS

Composed by D.J. Sparr. Concert Band Music. Conductor's score. Duration 20 minutes. Bill Holab Music #419-cs. Published by Bill Holab Music (B9.419-CS).

11 x 17 inches.

A concerto for Flute and Winds. A study score is also available for purchase. Parts are available on rental from the publisher.

Solo flute and winds (2(piccolo)2(+1)2,tenor sax,bari sax,2(+1)-solo flute-4331-timpani+4-harp -piano)

SKU: B9.419-SS

Composed by D.J. Sparr. Concert Band Music. Study score. Duration 20 minutes. Bill Holab Music #419-ss. Published by Bill Holab Music (B9.419-SS).

8.5 x 14 inches.

A concerto for Flute and Winds. A large conductor's score is also available for purchase. Parts are available on rental from the publisher.

(Excerpts from: Piano Concerto N.1 (1st mvm.), Marche Slave, Symphony N.4 (1st mvm.), Symphony N.6 (1st & 3rd mvm.), Violin Concerto (1st mvm.)). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Ofburg. Concert band. Classical, Transcription. Grade 3. Score and set of parts. Duration 7:10. Published by Scomegna Edizioni Musical srl

Congregation, soprano descant, SATB choir, and organ, with optional brass quartet or quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani) - Early Intermediate

SKU: MN.60-0004

Composed by Hal H. Hopson and Michael Burkhardt. Advent, Hanging of the Green, Lessons and Carols, 21st Century. Instrument parts. MorningStar Music Publishers #60-0004. Published by MorningStar Music Publishers (MN.60-0004).

UPC: 688670600043. English.

This setting pairs Kathleen R. Moore's 2010 text with MERLE'S TUNE, a Hal Hopson hymn tune found in over 30 hymnals. First used for the 2019 Presbyterian Association of Musicians conference at Montreat, this hymn concertato has optional brass quintet and timpani parts. Stanza 1 is in unison, Stanza 2 could be for solo voices, quartet, or SATB, Stanza 3 is for sopranos accompanied by the rest of the choir humming (using Hopson's original harmonization) and Stanza 4 is unison with descant concluding with Amens.

Piano Accompaniment; Violin (Score & Parts) - difficult

SKU: HL.49018055

Memorial for the Columbia Astronauts Violin and Piano Reduction. Composed by Peter Eö, s, and tvö. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2006/2007. 80 pages. Duration 21'. Schott Music #ED20258. Published by Schott Music (HL.49018055).

ISBN 9790001149044. UPC: 884088556327. 9.0x12.0x0.313 inches.

Eotvos wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas.'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eotvos)

3 (1. auch Altfl., 2./3. auch Picc.) * 3 * 3 * Bassklar. * Altsax. (auch Baritonsax.) * 3 - 2 * 2 * 2 * 1 - S. (I: Crot. * Gongs * Rohren [Amboss] * Rohrengl. * Nietenbeck. * chin. Beck. * Dome-Beck. * Tamt. * Trgl. * Sprungfeder; II: Vibr. * Gongs * Glsp. * Rohrengl. * Beck. * Dome-Beck. * Tamt. * Crot. * Sistrum * Sprungfeder; III: Vibr. * Gongs * Glsp. * Rohrengl. * Beck. * Dome-Beck. * Crot. * Rohren [Amboss] * Glsp. * Sprungfeder; IV: Crot. * Gongs * Rohrengl. * Nietenbeck. * chin. Beck. * Dome-Beck. * Tamt. * Sistrum * Rohren [Amboss] * Trgl. * Sprungfeder) (4 Spieler) - E-Git. * Hfe. * Keyboard-Sampler* - Str. (6 * 0 * 5 * 5 * 4)
* Fur alle technischen Anweisungen wenden Sie sich bitte an www.eotvospeter.com / For technical instructions please contact www.eotvospeter.com.

Chamber Music Cello, Double Bass, Flute, Piano, Viola, Violin 1, Violin 2

SKU: PR.114407860

Concerto for Flute and Strings. Composed by Ezra Laderman. Set of Score and Parts. With Standard notation. 24+4 pages. Duration 4 minutes. Theodore Presser Company #114-40786. Published by Theodore Presser Company (PR.114407860).

ISBN 9781491112960. UPC: 680160012107. 9 x 12 inches.

Brass Band - Grade 2.5

SKU: BT.DHP-1115046-030

Arranged by Lorenzo Bocci. Flexible 4 Series. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115046-030. Published by De Haske Publications (BT.DHP-1115046-030).

9x12 inches. English-German-French-Dut ch.

Brian May’s We Will Rock You was not Queen’s biggest hit when it first came out. However, looking back it has become much more than simply a successful song. It is the group’s hymn, welcomed with loud cheers whenever and wherever it is played. Let the good times roll with Lorenzo Bocci’s outstanding arrangement that will rock your band!

We Will Rock You von Brian May ist kurz nach seiner Veröffentlichung nicht einmal der größte Erfolg für die Rockgruppe Queen gewesen - rückblickend, anlässlich des 40-jährigen Bühnenjubiläums, ist er die Hymne und das Erkennungszeichen der Band schlechthin. Wenn Sie einer der großartigsten Rockbands aller Zeiten ein Konzertprogramm widmen wollen, darf diese Bearbeitung nicht fehlen!

Lors de sa sortie, en 1977, la chanson We Will Rock You, écrite par Brian May, reçut un accueil plutôt mitigé. Pourtant, elle compte aujourd’hui parmi les chansons les plus populaires du groupe. Elle fut reprise par divers artistes et utilisée par le monde publicitaire. En choisissant We Will Rock You, vous rendrez un hommage vibrant ce groupe mythique.

We Will Rock You è la prima canzone dell’album News of the World dei Queen, uscito nel 1977 e composta da Brian May. Sulla facciata B del 45 giri si trovava We Are the Champions, ciò che spiega il fatto che queste due canzoni furono a volte eseguite insieme nei concerti della band, spesso una seconda volta in una versione più rapida. We Will Rock You resta una delle canzoni più popolari del gruppo ed è stata più volte ripresa da vari artisti.

SKU: HL.50490413

String. Hal Leonard #R13624100. Published by Hal Leonard (HL.50490413).

By Bartolomeo Montalbano (1600-1651). Edited by Alessandro Bares. For 1 or 2 violins, trombone and basso continuo / 4 viola da gamba. This edition: Paperback. Concerto de' varii stromenti. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali