| Requiem In D Minor K 626 Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
Excerpts: I. Introitus: Requiem aeternam, II. Kyrie eleison, III. Sequenz: 1. Di...(+)
Excerpts: I. Introitus:
Requiem aeternam, II.
Kyrie eleison, III.
Sequenz: 1. Dies irae, 3.
Rex tremendae majestatis,
5. Confutatis maledictis,
6, Lacrimosa dies illa -
SATB choir ad libitum. By
Wolfgang Amadeus Mozart.
Arranged by Marco
Somadossi. Concert band.
Classical, Transcription.
Level: Grade 4.5. Score
and set of parts.
Duration 15:00. Published
by Scomegna Edizioni
Musicali (Italian
import).
$234.00 $222.3 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Kopi Confutatis [Conducteur] Music Sales
Orchestra, Soprano, SATB SKU: HL.14018137 Composed by Arne Nordheim. Musi...(+)
Orchestra, Soprano, SATB
SKU: HL.14018137
Composed by Arne
Nordheim. Music Sales
America. Classical.
Score. 23 pages. Music
Sales #KP00444. Published
by Music Sales
(HL.14018137). ISBN
9788759887165.
English. Confutatis
from Requiem Der
Versohnung (Requiem of
Reconciliation) was
composed by Arne Norheim
in 1995. For Soprano
solo, SATB Choir and
large Orchestra. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2...(+)
Violoncello/double bass
part (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165214
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165214.
Published by Carus Verlag
(CA.5165214). ISBN
9790007313876. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem, K. 626 Chorale SATB SATB Schirmer
SATB. By Wolfgang Amadeus Mozart. (SATB). Choral Large Works. Size 7x10.75 inch...(+)
SATB. By Wolfgang Amadeus
Mozart. (SATB). Choral
Large Works. Size 7x10.75
inches. 41 pages.
Published by G. Schirmer,
Inc.
(1)$12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (CD only - no sheet music) [CD d'accompagnement] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Deborah Rentz-Moore. For Alto voice...(+)
By Wolfgang Amadeus
Mozart. Teaching Singer:
Deborah Rentz-Moore. For
Alto voice. Choral
learning aid. SingleParts
with StudySpots.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:54:44. Published by
Rehearsal Arts, LLC.
$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165212
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165212.
Published by Carus Verlag
(CA.5165212). ISBN
9790007313852. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem [Conducteur] Music Distribution Services
Soloists, choir and orchestra SKU: M7.DOHR-17625 Grande Messa di Requi...(+)
Soloists, choir and
orchestra SKU:
M7.DOHR-17625
Grande Messa di
Requiem (1850/1851) mit
Libera me (1856).
Composed by Mabellini and
Teodulo. Arranged by
Guido Johannes and Joerg.
Sheet music. Score. 260
pages. MDS (Music
Distribution Services)
#DOHR 17625. Published by
MDS (Music Distribution
Services)
(M7.DOHR-17625). ISBN
9790202036259.
Latin. Das Requiem
besteht aus:Grande Messa
di Requiem c-Moll
(1850/1851) - Libera me,
Domine f-Moll (1856) -
Die Partitur enthält
ein ausführliches
Nachwort, das über
Leben und Schaffen des
Komponisten sowie die
hier vorgelegte
Requiem-Komposition
informiert, sowie einen
umfangreichen kritischen
Bericht. Der
Klavierauszug enthält
beide Teile des Requiems.
Das
Aufführungsmaterial
erscheint für beide
Teile separat und
enthält jeweils eine
Digigier-Partitur im
Format DIN A3.
2
Flöten - 2 Oboen
/ 1 Englischhorn (nur Nr.
3) - 2 Klarinetten -
Bassklarinette (nur
Libera me) - 2
Fagotte (4 Fagotte im
Libera me) - 4
Hörner - 2
Trompeten (4 Trompeten im
Libera me) - 3
Posaunen - 1
Ophikleide (oder
Basstuba) - 4 Pauken
(2 Musiker) -
Tam-tam (nur Libera me) -
Soli (SATB / TTBB) -
Chor SATB -
Streicher. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Two Selections from Mozart's Requiem Mass Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.38490S Composed by Wolfgang Amadeus Mozart. A...(+)
Orchestra - Grade 3
SKU: AP.38490S
Composed by Wolfgang
Amadeus Mozart. Arranged
by Bob Lipton.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 16 pages.
Highland/Etling
#00-38490S. Published by
Highland/Etling
(AP.38490S). UPC:
038081432489.
English. The
Confutatis and Lacrimosa
from this emotional work
comprise some of the most
heartbreakingly sad and
beautiful music ever
written. Your string
students get a chance to
play the music that was
featured in the climatic
scenes of the movie
Amadeus. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Mass, Op. 89 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Kalmus
SATB divisi with SATB Soli (Orch.) (Latin Language Edition). Composed by Antonin...(+)
SATB divisi with SATB
Soli (Orch.) (Latin
Language Edition).
Composed by Antonin
Dvorak (1841-1904).
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Masterworks;
Performance Music
Ensemble; Worship
Resources. Kalmus
Edition. Masterwork;
Romantic; Sacred. Book.
156 pages. Kalmus Classic
Edition #00-K06163.
Published by Kalmus
Classic Edition
$16.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 5 etudes sacrees [Conducteur] - Intermédiaire Lemoine, Henry
Voice - Intermediate SKU: LM.JJ2286 Choeur a 6 voix. Composed by Y...(+)
Voice - Intermediate
SKU: LM.JJ2286
Choeur a 6 voix.
Composed by Yann Robin.
Instrumental Music.
Score. Editions Henry
Lemoine #JJ2286.
Published by Editions
Henry Lemoine
(LM.JJ2286). ISBN
9790230822862. 9 x 12
inches.
Francais. $200.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem Mass, K. 626 Chorale SATB satb (soli), SATB (chœur), Orchestre [Partition] Kalmus
SATB with SATB Soli (Orch.) (Latin Language Edition). Composed by Wolfgang Amade...(+)
SATB with SATB Soli
(Orch.) (Latin Language
Edition). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Masterworks; Performance
Music Ensemble; Worship
Resources. Kalmus
Edition. Classical;
Masterwork; Sacred. Book.
80 pages. Kalmus Classic
Edition #00-K06351.
Published by Kalmus
Classic Edition
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem (CD only - no sheet music) [CD d'accompagnement] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Murry Kidd. For Tenor voice. Choral...(+)
By Wolfgang Amadeus
Mozart. Teaching Singer:
Murry Kidd. For Tenor
voice. Choral learning
aid. SingleParts with
StudySpots. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:54:42. Published by
Rehearsal Arts, LLC.
$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Amadeus Soundtrack Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Larry Moore. Mu...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Arranged
by Larry Moore. Music for
String Orchestra. Movies,
Classical. Softcover.
Published by Hal Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
1st violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165211
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165211.
Published by Carus Verlag
(CA.5165211). ISBN
9790007313845. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (CD only - no sheet music) [CD d'accompagnement] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Don Wilkinson. For Bass voice. Chor...(+)
By Wolfgang Amadeus
Mozart. Teaching Singer:
Don Wilkinson. For Bass
voice. Choral learning
aid. SingleParts with
StudySpots. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:53:35. Published by
Rehearsal Arts, LLC.
$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem in c minor Chorale SATB SATB Schirmer
SATB. By Michael Haydn. (SATB). Choral Large Works. Size 9x12 inches. 72 pages....(+)
SATB. By Michael Haydn.
(SATB). Choral Large
Works. Size 9x12 inches.
72 pages. Published by G.
Schirmer, Inc.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Mic...(+)
New Completion. Composed
by
Wolfgang Amadeus Mozart
(1756-
1791). Edited by Michael
Ostrzyga. This edition:
Urtext. Paperback
Binding.
Baerenreiter Urtext.
Classical
Period. Score.
Baerenreiter
Verlag #BA11310.
Published by
Baerenreiter Verlag
$92.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wolfgang Amadeus Mozart: Requiem, K. 626
Chorale SATB SATB, Piano [Vocal Score] - Intermédiaire/avancé Schirmer
(SATB). By Wolfgang Amadeus Mozart (1756-1791). For soprano solo voice, alto sol...(+)
(SATB). By Wolfgang
Amadeus Mozart
(1756-1791). For soprano
solo voice, alto solo
voice, tenor solo voice,
bass solo voice, SATB
choir and piano
accompaniment (SATB).
This edition: ED1882.
Choral Large Works.
Classical Period.
Difficulty: medium to
medium-difficult. Vocal
score. Choral notation
and piano reduction. 80
pages. Published by G.
Schirmer
(5)$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Giuseppe Verdi: Requiem
Chorale SATB SATB, Piano [Vocal Score] - Intermédiaire/avancé Peters
Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For SATB solos, S...(+)
Composed by Giuseppe
Verdi (1813-1901), edited
by Kurt Soldan. For SATB
solos, SATB choir and
piano accompaniment.
Format: vocal score. With
choral notation, piano
reduction and
introductory text.
Romantic period. Text
language Latin. 144
pages. 7.5x10.5 inches.
Published by C.F. Peters.
(5)$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Oratorio Anthology - Baritone/Bass
Voix Baryton, Piano [Partition] - Intermédiaire Hal Leonard
The Vocal Library. By Various. Arranged by Richard Walters. (Baritone). Vocal Co...(+)
The Vocal Library. By
Various. Arranged by
Richard Walters.
(Baritone). Vocal
Collection. Size 8.5x11
inches. 272 pages.
Published by Hal Leonard
Corporation.
(2)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem, K. 626 [Vocal Score] Serenissima
By Wolfgang Amadeus Mozart. Edited by Wolfgang Amadeus Mozart. Arranged by Franz...(+)
By Wolfgang Amadeus
Mozart. Edited by
Wolfgang Amadeus Mozart.
Arranged by Franz Xaver
Sussmayr, Friedrich
Ferdinand Brissler. For
Solo voices, Choir /
Piano. (Chorus and
piano). Classical;
Sacred/Hymns; Funerals.
Vocal Score. Text
Language: Latin. Composed
1791. 80 pages. Duration
57 minutes. Published by
Serenissima.
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Messa di Requiem Chorale SATB SATB [Vocal Score] Schirmer
Vocal Score. By Giuseppe Verdi. (SATB). Choral Large Works. Size 6.75x10.5 inche...(+)
Vocal Score. By Giuseppe
Verdi. (SATB). Choral
Large Works. Size
6.75x10.5 inches. 214
pages. Published by
Schirmer.
(3)$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem (CD only - no sheet music) [CD d'accompagnement] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Gail Abbey. For Soprano voice. Chor...(+)
By Wolfgang Amadeus
Mozart. Teaching Singer:
Gail Abbey. For Soprano
voice. Choral learning
aid. SingleParts with
StudySpots. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:54:43. Published by
Rehearsal Arts, LLC.
(1)$21.80 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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