| Festival Gloria (Full Score) Chorale SATB SATB, Cuivre(s) Consonances
Composed by Jacob B. Weber. Full score. Concordia Publishing House #977884. P...(+)
Composed by Jacob B.
Weber.
Full score. Concordia
Publishing House #977884.
Published by Concordia
Publishing House
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Io Wilhelm Hansen
Score Chamber Ensemble and Electronics SKU: HL.14028527 For Chamber En...(+)
Score Chamber Ensemble
and Electronics SKU:
HL.14028527 For
Chamber Ensemble, Tape,
and Live Electronics
Score. Composed by
Kaija Saariaho. Music
Sales America. Classical.
Score. 74 pages. Edition
Wilhelm Hansen #KP00105.
Published by Edition
Wilhelm Hansen
(HL.14028527). ISBN
9788759856215.
11.75x16.5x0.538 inches.
English. The
harmonic basis for this
composition is found from
analysing sounds of
individual instruments,
with the non-harmonic
sounds produced on double
bass and bass flute,
these provide a model for
the chord structure of
the piece. The harmonic
energy of the piece is
provided through the
treatment of timbre as a
system, which is formed
from the categorisation
of instruments and the
sounds they produce. The
instruments are divided
into different categories
according to how and
where they place
themselves along an axis
whose end points are
either clear or noise
like sounds. In this
approach clear, clean
sounds are considered
consonances with noises
as dissonances. Work for
Chamber Ensemble, Tape
and Live Electronics.
Premiered in the Pompidou
Centre, Paris in in July
1987, and commissioned by
IRCAM for the Ensemble
Intercontemporain to
celebrate the 10th
anniversary of Centre
Georges-Pompidou. Winner
of the 1998 Ars
Electronica Prize. $89.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Give Me Your Stars to Hold Chorale SSAA SSAA A Cappella Heritage Music Press
SSAA choir (a cappella) SKU: LO.15-3843H Composed by Kate Crellin. Choral...(+)
SSAA choir (a cappella)
SKU: LO.15-3843H
Composed by Kate Crellin.
Choral. Concert, General.
Octavo. Heritage Music
Press #15/3843H.
Published by Heritage
Music Press
(LO.15-3843H). ISBN
9780787774004. The
delicate harmonic beauty
of this piece is truly
stunning. Though short in
length, there is immense
opportunity for magical
expressive moments. With
close harmonies weaving
in and out of consonances
and unisons and flowing
passages paired with
moments of rhythmic
energy, there is so much
music to be made. A
repeating ending of
layered melodies that
gradually fades al niente
will have your audience
holding their breath.
Composed as a set of
three compositions, also
look for Day of Fire and
Sun (15/3898H) and
Home–Thoughts,
from Abroad
(15/3844L). $2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata in two Movements Violoncelle, Piano [Conducteur et Parties séparées] - Avancé Furore Verlag
By Ruth Schonthal. For cello and piano. Work premeried: Neues Kurhaus, Bad Wildu...(+)
By Ruth Schonthal. For
cello and piano. Work
premeried: Neues Kurhaus,
Bad Wildungen (D),
Corinna Eikmeier: Cello,
Brunhilde Eikmeier,
Piano. Commissioned by
the Delta Omicron
International Music
Fraternity. Level:
advanced. Score and
parts. Composed 1989.
Duration 13'. Published
by Furore-Verlag (German
import).
$26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gateway to French Melodies -- Diction Book Voix seule Alfred Publishing
Edited by John Glenn Paton. For Voice. Book; Masterworks; Vocal Collection. ...(+)
Edited by John Glenn
Paton.
For Voice. Book;
Masterworks;
Vocal Collection. Gateway
Series. Masterwork. 128
pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| What Child Is This? Carl Fischer
Choral Descant, alto voice, soprano voice SKU: CF.CM9578 Composed by Engl...(+)
Choral Descant, alto
voice, soprano voice
SKU: CF.CM9578
Composed by English
Carol. Arranged by Ken
Berg. Fold. Performance
Score. 12 pages. Duration
3 minutes, 52 seconds.
Carl Fischer Music
#CM9578. Published by
Carl Fischer Music
(CF.CM9578). ISBN
9781491154007. UPC:
680160912506. 6.875 x
10.5 inches. Key: E
minor. English. William
C. Dix. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sureall
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.The
consonant combination th
is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout.The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word.To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty.Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your listeners. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joulupuu on rakenettu Carl Fischer
Choral Oboe, Piano, alto voice, soprano voice SKU: CF.CM9720 Christmas...(+)
Choral Oboe, Piano, alto
voice, soprano voice
SKU: CF.CM9720
Christmas Time is
Here. Composed by
Finnish Carol. Arranged
by Daniel Miner. 12
pages. Duration 3
minutes, 20 seconds. Carl
Fischer Music #CM9720.
Published by Carl Fischer
Music (CF.CM9720).
ISBN 9781491160992.
UPC: 680160919598. Key: E
minor. Finnish, English.
Finnish Carol with
additional words by Dan
Miner. Accompanied
by piano and oboe, this
traditional carol offers
treble choirs an
opportunity to explore
the beauty of traditional
Finnish music. This
arrangement offers each
voice part the
opportunity to lead as
well as harmonize the
melody throughout the
verses. Care should be
taken to ensure the
melody is properly
balanced through the
harmonization in each
verse. Tenutos are marked
throughout to help choirs
discover the simplistic
beauty of this carol.
Marked pitches should be
stressed, but not
accented. To further aid
in the flow of the
melodic line, I suggest a
slight crescendo in each
measure from beat 4 over
the bar-line into beat 1
(as in m. 16-17) unless
otherwise marked. An
English paraphrase is
offered in addition to
the original Finnish text
to make this song
accessible to choirs of
all abilities. It is my
sincere hope that through
this arrangement, choirs
and audiences will fall
in love with this
simplistically beautiful
carol! Finnish
Pronunciation Guide
Finnish is written
phonetically with every
letter sounding. This
includes both vowels in a
diphthong. Consonants
sound as English
consonants. Phonetic
Vowel/IPA Pronunciations
a = ah / [a] e = ey / [e]
i = eeh / [i] o = oh /
[o] u = ooh / [u] j is
pronounced as an English
y y is pronounced as a
German u a is pronounced
as in the English word
that with a mix of eh
sound There is a
recording of the Finnish
pronunciation by the
arranger which can be
found at
www.carlfischer.com/cm972
0 About the arranger
Dan Miner is an
Assistant Choir Director
at Atascocita High School
in the metropolitan area
of Houston, TX and has
taught choral music at
both the junior high and
high school levels in
both Arizona and Texas.
He holds degrees in music
education and piano
performance from Michigan
State University. In
addition to composing,
outside of the classroom
Dan is an active
accompanist for
community, school,
sacred, and TMEA Region
choirs. He also serves as
Organist/Music Associate
at Clear Lake United
Methodist
Church. Accompanied by
piano and oboe, this
traditional carol offers
treble choirs an
opportunity to explore
the beauty of traditional
Finnish music. This
arrangement offers each
voice part the
opportunity to lead as
well as harmonize the
melody throughout the
verses. Care should be
taken to ensure the
melody is properly
balanced through the
harmonization in each
verse.Tenutos are marked
throughout to help choirs
discover the simplistic
beauty of this carol.
Marked pitches should be
stressed, but not
accented. To further aid
in the flow of the
melodic line, I suggest a
slight crescendo in each
measure from beat 4 over
the bar-line into beat 1
(as in m. 16-17) unless
otherwise marked.An
English paraphrase is
offered in addition to
the original Finnish text
to make this song
accessible to choirs of
all abilities.It is my
sincere hope that through
this arrangement, choirs
and audiences will fall
in love with this
simplistically beautiful
carol!Finnish
Pronunciation
GuideFinnish is written
phonetically with every
letter sounding. This
includes both vowels in a
diphthong. Consonants
sound as English
consonants.Phonetic
Vowel/IPA Pronunciationsa
= ah / [a]e = ey / [e]i =
eeh / [i]o = oh / [o]u =
ooh / [u]j is pronounced
as an English yy is
pronounced as a German
üä is pronounced as
in the English word
“that†with a
mix of “ehâ€
soundThere is a recording
of the Finnish
pronunciation by the
arranger which can be
found at
www.carlfischer.com/cm972
0About the
arranger Dan Miner is
an Assistant Choir
Director at Atascocita
High School in the
metropolitan area of
Houston, TX and has
taught choral music at
both the junior high and
high school levels in
both Arizona and Texas.
He holds degrees in music
education and piano
performance from Michigan
State University.In
addition to composing,
outside of the classroom
Dan is an active
accompanist for
community, school,
sacred, and TMEA Region
choirs. He also serves as
Organist/Music Associate
at Clear Lake United
Methodist Church. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come Raise a Song on High Carl Fischer
Choral SSAB Choir, piano SKU: CF.CM9599 Composed by Sonja Poorman. Fold. ...(+)
Choral SSAB Choir, piano
SKU: CF.CM9599
Composed by Sonja
Poorman. Fold.
Performance. 8 pages.
Duration 2 minutes, 3
seconds. Carl Fischer
Music #CM9599. Published
by Carl Fischer Music
(CF.CM9599). ISBN
9781491154212. UPC:
680160912711. 6.875 x
10.5 inches. Key: Eb
major. English, Latin.
Original. A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular
because of its joyful
nature. The bright,
rhythmic A-section
contains a powerful,
exciting accompaniment
and should be sung with
strength and exuberance.
Keep the syncopated
rhythms accurate and sing
with precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full
forte, yet
maintain beauty and do
not over-sing. The slower
B-section is legato with
a flowing piano
accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-teh DAW-mee-naw
KAHN-tee-koom NAW-voom,
Kahn-TAH-teh DAW-mee-naw
AWM-nees TEH-rah. Latin
text translation: Sing to
the Lord a new song, Sing
to the Lord all the
earth. A dynamic
opener or closer for any
concert program,A
Come Raise a Song on
High includes
English and the Latin
text Cantate
Domino, popular
because of its joyful
nature. The bright,
rhythmic A-section
contains a powerful,
exciting accompaniment
and should be sung with
strength and exuberance.
Keep the syncopated
rhythms accurate and sing
with precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full
forte, yet
maintain beauty and do
not over-sing. The slower
B-section is legato with
a flowing piano
accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-tehA A
DAW-mee-nawA A
KAHN-tee-koomA A A
NAW-voom, Kahn-TAH-tehA A
DAW-mee-nawA A AWM-neesA
A A TEH-rah. Latin text
translation: Sing to the
Lord a new song, Sing to
the Lord all the
earth. A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular because
of its joyful nature. The
bright, rhythmic
A-section contains a
powerful, exciting
accompaniment and should
be sung with strength and
exuberance. Keep the
syncopated rhythms
accurate and sing with
precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full forte,
yet maintain beauty and
do not over-sing. The
slower B-section is
legato with a flowing
piano accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness. Observe
the sudden dynamic
changes in the final
A-section. Latin
pronunciation:
Kahn-TAH-teh DAW-mee-naw
KAHN-tee-koom NAW-voom,
Kahn-TAH-teh DAW-mee-naw
AWM-nees TEH-rah. Latin
text translation: Sing to
the Lord a new song, Sing
to the Lord all the
earth. A dynamic
opener or closer for any
concert program, Come
Raise a Song on High
includes English and the
Latin text Cantate
Domino, popular because
of its joyful nature. The
bright, rhythmic
A-section contains a
powerful, exciting
accompaniment and should
be sung with strength and
exuberance. Keep the
syncopated rhythms
accurate and sing with
precise diction by
energizing consonants and
executing clean cut-offs.
Sing with a full forte,
yet maintain beauty and
do not over-sing.The
slower B-section is
legato with a flowing
piano accompaniment. Sing
expressively with
energetic softer dynamics
to aid the singers in
adding more
expressiveness.Observe
the sudden dynamic
changes in the final
A-section.Latin
pronunciation:Kahn-TAH-te
h  DAW-mee-nawÂ
 KAHN-tee-koomÂ
Â
 NAW-voom,Kahn-TAH-teh
  DAW-mee-nawÂ
 AWM-nees Â
 TEH-rah.Latin text
translation:Sing to the
Lord a new song,Sing to
the Lord all the
earth. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Complete Theory Of Music - Vol. 2 Leduc, Alphonse
SKU: HL.48181262 Composed by Jacques Chailley. Leduc. Classical. CD. 38 p...(+)
SKU: HL.48181262
Composed by Jacques
Chailley. Leduc.
Classical. CD. 38 pages.
Alphonse Leduc #AL20631.
Published by Alphonse
Leduc (HL.48181262).
UPC: 888680868543.
8.0x11.5x0.248
inches. Complete
theory of music by
Jacques Chailley and
Henri Challan is a really
complete method for
musician beginners. This
second and final volume
is following the first
one and covers the eleven
last chapters of the
method. It features: I.
Principle of chords:
Consonant and Dissonant
II. Natural consonant
chords III. Artifical
consonant chords IV.
Cadenza V. Modes VI.
Rhythm VII. Ornaments
VIII. Rigorous intonation
IX. Transcribing X.
Transcribing Instruments
XI. Gregorian Songs
Appendix Really focused
on theory and including
some exercises, this book
will be a better fit for
mature music beginners.
Henri Challan was a
French composer and
professor at the Paris
Conservatoire who won the
Grand Prix de Rome and
who has wrote many music
analysis. Jacques
Chailley was a musician
and Deputy Director of
the Paris
Conservatoire.. $35.90 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Aligning Voices - Director's edition Chorale SATB GIA Publications
SATB choir, SSAA choir, or TTBB choir SKU: GI.G-9692 Exercises to Buil...(+)
SATB choir, SSAA choir,
or TTBB choir SKU:
GI.G-9692
Exercises to Build
Choral Musicianship.
Composed by Dean Luethi.
This edition: Director's
edition. Music Education.
Octavo. 54 pages. GIA
Publications #9692.
Published by GIA
Publications (GI.G-9692).
ISBN
9781622773510. This
book of versatile,
pedagogically based
choral warm-ups helps
conductors take full
advantage of this
important time in every
rehearsal, providing
tools for assessment,
musicianship, and
ensemble unity at the
same time singers are
warming up their voices.
The exercises in Aligning
Voices are organized into
nine chapters, each
focusing on a different
area of choral technique:
Rhythm Brilliance
Intonation Balance
Dynamics Consonants
Beginning Consonants
Diphthongs and Ending
Consonants Vowels Each
warm-up contains two or
more parts, allowing the
director to work toward
improving choral sound in
a texture similar to that
of the repertoire.
Moreover, author Dean
Luethi provides every
warm-up in three
voicings—SATB,
SSAA, and TTBB—and
sequentially organizes
them by difficulty level.
In addition, each section
begins by defining the
objective for each
exercise and offering
practical solutions for
many of the common
challenges choirs face in
each area. A companion
student edition that
contains only the music
notation for each warm-up
exercise is also
available (G-9692S).
These exercises go well
beyond simply warming up
the voice. This resource
is a must-have for all
choral directors looking
to make the most of their
warm-up time. Dean Luethi
is Associate Professor
and Director of the
School of Music at
Washington State
University. In addition
to his work at the
university, he is a
frequently sought after
conductor, adjudicator,
and clinician, and he has
been published in the
Choral Journal and Music
Educators Journal. Watch
this introductory video
on Dean Luethi's
(Lee-thee) book Aligning
Voices: Exercises to
Build Choral
Musicianship. $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Réalisations des basses et chants Heugel
Voice SKU: BT.ALHE27750 Classical. Book Only. Heugel & Cie #ALHE27750. Pu...(+)
Voice SKU:
BT.ALHE27750
Classical. Book Only.
Heugel & Cie #ALHE27750.
Published by Heugel & Cie
(BT.ALHE27750).
French. Treatise of Harmony
– Bass and
Voices is an
absolute must-have volume
on harmonies by
Théodore
Dubois. Written in
the last century (1921),
this book includes the
two parts of the
treatise:Part 1 –
Basses and Part 2 –
Voices. This
volume is quite complex,
requires some strong
theory knowledge and
would be playable by
upper-advanced players
and professionals. It
also features
numerousexamples.
The two parts
contains the following
sub-sections:
Part 1
–
Basses:
- Consonant
harmonies
-
Dissonant harmonies
-Alterations
-
Delays
-
Pedals
-
Appendix
Part 2
–
Voices:
- Consonant
harmonies
-
Dissonant harmonies
-Alterations
- Delays,
Pedals…
- Appendix
$42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Course in French Lyric Diction - Student edition GIA Publications
SKU: GI.G-10067 Composed by Deborah Williamson. This edition: Student edi...(+)
SKU: GI.G-10067
Composed by Deborah
Williamson. This edition:
Student edition. Music
Education. 108 pages. GIA
Publications #10067.
Published by GIA
Publications
(GI.G-10067). ISBN
9781622774265. A
Course in French Lyric
Diction by author Deborah
Williamson is a complete
and comprehensive guide
to French pronunciation,
articulation, inflection,
flow, and vocalization
for singers and teachers
of singing—ideal
for any collegiate
diction course. Available
in both an
instructor’s
edition and a student
edition, Williamson
offers an overview of
French lyric diction that
addresses the
language’s
distinctive elements,
information on
syllabification,
stressing, word rhythm,
accent and other
diacritical marks, and
vocalic harmonization. In
the sections on vowels,
consonants, and liaison
and elision, the author
explores the nuances of
French pronunciation,
along with its unique
challenges for the
singer. Williamson
presents vowels first by
sound and then by letter,
and organizes consonants
by letter. All
pronunciation is
precisely transcribed
into the International
Phonetic Alphabet (IPA),
an essential tool used
extensively throughout
the book. Williamson also
provides a review of
relevant IPA at the
beginning of the book.
For each section of the
book, the author provides
numerous practice
worksheets so that
students may apply newly
acquired skills and
knowledge to French text
from the standard art
song and operatic
repertoire. The separate
instructor’s
edition provides all of
the answers in red for
quick reference, as well
as reproducible materials
for in-class use,
including a sample
syllabus, assignment
sheet, test review
sheets, two tests, an
oral exam, and a final
exam. A Course in French
Lyric Diction is an
expert resource that will
facilitate the mastery of
French diction and
transform the study of
diction from a pedantic,
syllabic production of
language into an
expressive communication
of the text, a worthy
goal for students and
teachers alike. Deborah
Williamson is Professor
of Voice at Baylor
University and has taught
French diction at the
university level for more
than twenty years. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Treatise Of Harmony ? Bass And Voices Heugel
Voice (Music For Voice) SKU: HL.48187301 Leduc. Classical. Softcover. 109...(+)
Voice (Music For Voice)
SKU: HL.48187301
Leduc. Classical.
Softcover. 109 pages.
Heugel & Cie #HE27750.
Published by Heugel & Cie
(HL.48187301). UPC:
888680826970.
7.0x11.0x0.38 inches.
French. “Trea
tise of Harmony ? Bass
and Voices is an absolute
must-have volume on
harmonies by Théodore
Dubois. Written in the
last century (1921), this
book includes the two
parts of the treatise:
Part 1 ? Basses and Part
2 ? Voices. This volume
is quite complex,
requires some strong
theory knowledge and
would be playable by
upper-advanced players
and professionals. It
also features numerous
examples. The two parts
contains the following
sub-sections: Part 1 ?
Basses - Consonant
harmonies - Dissonant
harmonies - Alterations -
Delays - Pedals -
Appendix Part 2 ? Voices
- Consonant harmonies -
Dissonant harmonies -
Alterations - Delays,
Pedals? - Appendix
â€. $44.30 - Voir plus => Acheter | | |
| Dominus Vobiscum Chorale SATB Carl Fischer
Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl ...(+)
Composed by Jacob
Narverud.
Fold. Octavo. 8 pages.
Duration 2 minutes. Carl
Fischer Music #CM9648.
Published by Carl Fischer
Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Course in French Lyric Diction - Instructor edition GIA Publications
SKU: GI.G-10066 Composed by Deborah Williamson. This edition: Instructor ...(+)
SKU: GI.G-10066
Composed by Deborah
Williamson. This edition:
Instructor edition. Music
Education. 158 pages. GIA
Publications #10066.
Published by GIA
Publications
(GI.G-10066). ISBN
9781622774258. A
Course in French Lyric
Diction by author Deborah
Williamson is a complete
and comprehensive guide
to French pronunciation,
articulation, inflection,
flow, and vocalization
for singers and teachers
of singing—ideal
for any collegiate
diction course. Available
in both an
instructor’s
edition and a student
edition, Williamson
offers an overview of
French lyric diction that
addresses the
language’s
distinctive elements,
information on
syllabification,
stressing, word rhythm,
accent and other
diacritical marks, and
vocalic harmonization. In
the sections on vowels,
consonants, and liaison
and elision, the author
explores the nuances of
French pronunciation,
along with its unique
challenges for the
singer. Williamson
presents vowels first by
sound and then by letter,
and organizes consonants
by letter. All
pronunciation is
precisely transcribed
into the International
Phonetic Alphabet (IPA),
an essential tool used
extensively throughout
the book. Williamson also
provides a review of
relevant IPA at the
beginning of the book.
For each section of the
book, the author provides
numerous practice
worksheets so that
students may apply newly
acquired skills and
knowledge to French text
from the standard art
song and operatic
repertoire. The separate
instructor’s
edition provides all of
the answers in red for
quick reference, as well
as reproducible materials
for in-class use,
including a sample
syllabus, assignment
sheet, test review
sheets, two tests, an
oral exam, and a final
exam. A Course in French
Lyric Diction is an
expert resource that will
facilitate the mastery of
French diction and
transform the study of
diction from a pedantic,
syllabic production of
language into an
expressive communication
of the text, a worthy
goal for students and
teachers alike. Deborah
Williamson is Professor
of Voice at Baylor
University and has taught
French diction at the
university level for more
than twenty years.
DOWNLOAD: French Lyric
Diction PDFs. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Clippinger Class-Method of Voice Culture Piano, Voix [Partition] Theodore Presser Co.
By David A. Clippinger. For voice, piano. Published by Theodore Presser Company....(+)
By David A. Clippinger.
For voice, piano.
Published by Theodore
Presser Company.
(2)$31.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dies Irae Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed b...(+)
Choral SSA Choir and
Piano SKU:
CF.CM9716 Day of
Wrath. Composed by
David (D) Smith. 12
pages. Duration 0:01:57.
Carl Fischer Music
#CM9716. Published by
Carl Fischer Music
(CF.CM9716). ISBN
9781491160954. UPC:
680160919550. Key: D
minor. Latin. Early Latin
Text. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a
manic depiction of the
fierce wrath of judgment
day. They should be sung
with fire, crisp
consonants while always
enunciating the accents
in order to realize the
full effect of this
powerful text. The entire
demeanor of the tone and
facial expressions should
change for the B-section,
mm. 30-42 as it is a plea
for mercy. The audience
should realize the change
in this contrasting
section. Translation Dies
irae, dies illa: Day of
wrath, that day Solvet
saeclum in favilla: shall
dissolve the world into
embers Teste David cum
Sibylla: As David
prophesied with the
Sibyl. Voca me cum
benedictis :Call me to be
with the blessed. Salva
me fons pietatis : Save
me, fount of pity. The
Sibyl is a reference from
a Greek word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical scholars.
About the Arranger D.
Farrell Smith is the
Director of Choirs at
Hilldale Middle School,
and Hilldale High School
in Muskogee, Oklahoma. He
holds a B.A. in Music
Education and the M.A. in
Theological Studies.
Currently the Minister of
Music at Eastern Heights
Baptist Church, he has
been a Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a manic
depiction of the fierce
wrath of judgment day.
They should be sung with
fire, crisp consonants
while always enunciating
the accents in order to
realize the full effect
of this powerful text.
The entire demeanor of
the tone and facial
expressions should change
for the B-section, mm.
30-42 as it is a plea for
mercy. The audience
should realize the change
in this contrasting
section.TranslationDies
irae, dies illa: Day of
wrath, that daySolvet
saeclum in favilla: shall
dissolve the world into
embersTeste David cum
Sibylla: As David
prophesied with the
Sibyl.Voca me cum
benedictis :Call me to be
with the blessed.Salva me
fons pietatis : Save me,
fount of pity.The
“Sibyl†is a
reference from a Greek
word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical
scholars.About the
ArrangerD. Farrell Smith
is the Director of Choirs
at Hilldale Middle
School, and Hilldale
High School in Muskogee,
Oklahoma. Â He holds a
B.A. in Music Education
and the M.A. in
Theological Studies.
Currently theÂ
Minister of Music at
Eastern Heights Baptist
Church, he has been a
Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| ...called Dusk Ii For String Quartet Score And Parts Quatuor à cordes: 2 violons, alto, violoncelle Schott
String quartet - difficult SKU: HL.49044143 For string quartet. Co...(+)
String quartet -
difficult SKU:
HL.49044143 For
string quartet.
Composed by Detlev
Mueller-Siemens. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2011.
96 pages. Duration 12'.
Schott Music #ED21351.
Published by Schott Music
(HL.49044143). ISBN
9790001187237. ...c
alled dusk II for string
quartet draws its
inspiration from a line
in Samuel Beckett's short
story Lessness: 'Figment
dawn dispeller of
figments and the other
called dusk'.The work is
a kind of double
Chaconne, each part of
which contains 26 chords
based on specific
permutations of
fundamental notes and
their harmonics. Each of
the parts pass through
alternating, harmonically
contrasted planes,
becoming entwined in the
manner of a chimera
through their rhythmic
structure and dynamics.
This intermittently
produces a sort of 'inner
voice' which runs through
all four instruments. The
fundamental notes and
harmonics separate during
the progress of the
composition, becoming
independent and then
disintegrating. The
consonant harmony
resulting from the
amalgamation of the two
planes ultimately
collapses into a rigid
motor-like linearity.
Detlev
Muller-Siemens. $74.00 - Voir plus => Acheter | | |
| Jazz Piano Chords Piano seul [Partition] - Intermédiaire Mel Bay
by Misha V Stefanuk. For Piano. theory and harmony. Jazz. Level: Beginning-Inter...(+)
by Misha V Stefanuk. For
Piano. theory and
harmony. Jazz. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
128 pages. Published by
Mel Bay Publications,
Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shiki Chorale SATB Fennica Gehrman
Mixed choir SKU: FG.55011-348-0 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir SKU:
FG.55011-348-0
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-348-0.
Published by Fennica
Gehrman (FG.55011-348-0).
ISBN
9790550113480. Shik
i began as a request for
a short winter-themed
piece for the
Hamalais-Osakunnan
Laulajat choir in
Helsinki. It eventually
grew into a four
seasons-type cycle on
haiku by a 20th century
Japanese monk Santoka
Taneda. The music of
Shiki is a progression
through various states of
near-stasis. The main
impression the composer
wished to convey was the
one of absolute stillness
at the heart of each
scene, of communion with
the outer world, as if
the viewer were drawing
the landscape into him,
and at the same time
dissolving himself into
it. The voices are
treated texturally, as
well as textually, moving
on slow masses, with the
soft but precisecely
colored vowels of
Japanese creating the
basic sounds, and the
sharper consonants giving
them shape and
definition. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Aletheia for Mixed Choir Fennica Gehrman
A cappella Choral (SATB divisi a cappella) SKU: HL.48025274 A Cappella...(+)
A cappella Choral (SATB
divisi a cappella)
SKU: HL.48025274
A Cappella Vocal
Score. Composed by
Zibuokle Martinaityte. BH
Large Choral. Choral,
Contemporary. Softcover.
36 pages. Duration 900
seconds. Fennica Gehrman
#M550118577. Published by
Fennica Gehrman
(HL.48025274). ISBN
9798350101249. UPC:
196288157748. Zibuo
kle Martinaityte tells
about the background of
Aletheia (2022) for mixed
choir
(SSSSAAAATTTTBBBB):â€
Aletheia is variously
translated from Greek as
'unconcealedness',
'revealing' or
'unclosedness'. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience. The work is
commissioned by the
Lithuanian National Radio
(LRT Klasika) The war in
Ukraine in spring of 2022
had an impact on all of
us and shattered my
deeply rooted Lithuanian
identity. When the
freedomis threatened and
innocent people are
dying, it is hard to make
sense out of the
reality.Yet there is
poetry even in the worst
nightmares. I was
imagining that the only
instrument people have
even in situations of
destruction, in the midst
of the war, is their
VOICE. It brought back
memories of my youth when
'Singing revolution' was
taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.†Duration
c. 15' The works of New
York -based Lithuanian
composer Zibuokle
Martinaityte (b. 1973)
have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls botha guiding
principle and an
aesthetic measure for
sonic quality. $30.00 - Voir plus => Acheter | | |
| Ask, Seek, Knock Chorale Unison Unison, Piano [Octavo] Choristers Guild
Composed by Nancy Raabe. For Unison choir with piano. Sacred Anthem. General. Oc...(+)
Composed by Nancy Raabe.
For Unison choir with
piano. Sacred Anthem.
General. Octavo.
Published by Chorister's
Guild
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Voice Placing and Training Exercises Contralto and Baritone Voix basse [Vocal Score] Oxford University Press
| | |
| Airdrummers of Tombalesi Chorale SATB Universal Edition
Choral SATB Choir SKU: PR.UE034186 Composed by Richard Filz. Rhythm Voice...(+)
Choral SATB Choir SKU:
PR.UE034186 Composed
by Richard Filz. Rhythm
Voices. Part. With
Standard notation.
Composed 2008. Universal
Edition #UE034186.
Published by Universal
Edition (PR.UE034186).
ISBN 9783702466800.
UPC:
803452063995. As
part of the Rhythm Voices
series, German
drummer/composer Richard
Filz gives us Airdrummers
of Tombalesi, a lively
piece for choir or
four-part voices written
in a percussive style.
Each voice part imitates
the drum with consonant
and vowel sounds,
resulting in unique and
tangible tone color. For
intermediate to advanced
singers. $9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wenn Die Rose Sich Selbst Orchestre Music Sales
Orchestra SKU: HL.14035756 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra SKU:
HL.14035756 Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. 16
pages. Music Sales
#KP00298. Published by
Music Sales
(HL.14035756). ISBN
9788759868294.
English. Wenn Die Rose Sich
Selbst Schmückt,
Schmückt Sie Auch
Den Garten (When
The Rose Beautifies
Itself, It Beautifies The
Garden ) was composed by
Per
Nørgård
in 1971. Chamber
Cantata for four
performers Scored
for Soprano, Alto Flute,
Double Bass and
Percussion (all playing
also Crotales).
Composed for and
dedicated to Dorothy
Dorrow. Parts
available: KP01092
Preface /
Programme
Note
The title of the
work is borrowed from a
fragment by the German
poet Friedrich
Rückert. This
fragment, this short
sentence (which
Rückert apparently
neverelaborated upon) is
the entire basis of the
work. I was inspired by
the meaning as well as
the sound of these
words. I perceive the
meaning of the sentence
as being a defence for
the refinement of an
individual’s
personal gifts - far from
the present hostility
toward individuality and
the senseless praise of
impersonal success in
society. Personal
refinement can, so the
fragment in my
interpretation, at its
best be accompanied by a
deep sense of
responsibility, and
become an active and
positive influence in
society. The sound,
the timbre, of the
individual words and
characters is employed
both
in straightforward
text-sequences, as well
as in the exploration of
individual vowels and
consonants as pure
sounds. The soprano is
often used purely
instrumentally, echoing
and pre-echoing
discreetly the notes of
the flute and the
harmonics of the double
bass, often imperceptably
stealing their notes and
altering them into human
sounds, which then
yet again are
absorbed into the
instrumental
tapestry.
Per
Nørgård,
1971
p> $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salut fur Caudwell 2 Guitares (duo) Breitkopf & Härtel
Music for Two Guitarists - Revised New Edition 2020. Composed by Helmut Lache...(+)
Music for Two Guitarists
-
Revised New Edition 2020.
Composed by Helmut
Lachenmann. World
premiere:
Baden-Baden, December 3,
1977. Breitkopf and
Haertel
#EB 9389. Published by
Breitkopf and Haertel
$87.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Pat Pattison's Songwriting: Essential Guide to Rhyming - 2nd Edition Berklee
(A Step-by-Step Guide to Better Rhyming for Poets and Lyricists). Berklee Press....(+)
(A Step-by-Step Guide to
Better Rhyming for Poets
and Lyricists). Berklee
Press. Softcover. 136
pages. Published by
Berklee Press
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| i am a little church Chorale SATB [Octavo] Oxford University Press
Composed by Libby Larsen (1950-). Choral octavo. 16 pages. Duration 4'. Publishe...(+)
Composed by Libby Larsen
(1950-). Choral octavo.
16 pages. Duration 4'.
Published by Oxford
University Press
(OU.9780193868885).
$4.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Infant Holy, Infant Lowly (Choral Score) Chorale 2 parties SA - Débutant MorningStar Music Publishers
SA choir, organ, flute/C instrument/B-flat instrument - Beginning SKU: MN.50-...(+)
SA choir, organ, flute/C
instrument/B-flat
instrument - Beginning
SKU: MN.50-1402
Composed by Dale
Grotenhuis. Christmas.
Choral score. MorningStar
Music Publishers
#50-1402. Published by
MorningStar Music
Publishers (MN.50-1402).
UPC:
688670514029. Conso
nant, functional setting
of Polish carol, W ZLOBIE
LEZY. Charming Flute
obbligato. $2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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