Premieres Etudes Piano seul [Conducteur] - Intermédiaire Van de Velde
Piano - Level 3 SKU: LM.VV142 Composed by Sylvie Decrept. Method, studies...(+)
Piano - Level 3
SKU:
LM.VV142
Composed by
Sylvie Decrept. Method,
studies. Score. Editions
Van de Velde #VV142.
Published by Editions Van
de Velde (LM.VV142).
ISBN
9790560051420.
DECR
EPT Sylvie : Melodie a
deux - Chanson breve -
Reverie - La main gauche
chante - Resonances -
Chanson - Les tierces -
Mode Kafi - La main
gauche accompagne -
Couleurs pour le do - Air
connu - Coucou - Mode
Kafi - Longue pedale -
Escapade - Les
intervalles chantent -
Sympathies - Le petit
train - La main gauche
chante - Mode Kalyana -
Chemins paralleles - La
main gauche - Les mesures
s'opposent - Plainte -
Petit soupir - Melanges -
Hors du ton - La petite
echelle - Jazz - Histoire
breve - Couleurs du temps
- Cloches - Intervalles
changeants - Surprises -
En dansant - Contrastes -
Gaiete - En mineur -
Chanson triste.
Contretemps Guitare [Conducteur] - Intermédiaire Lemoine, Henry
Guitar - Level 3 SKU: LM.27273 Composed by Arthur Thomassin. Junior de Th...(+)
Guitar - Level 3
SKU:
LM.27273
Composed by
Arthur Thomassin. Junior
de Thierry Masson et
Patrick Guillem.
Classical. Score.
Editions Henry Lemoine
#27273. Published by
Editions Henry Lemoine
(LM.27273).
ISBN
9790230972734.
Leve
r de rideau - Premiers
Pas de danse - Le Crabe
qui danse - Miroir -
Contrastes - Toboggan -
Reverie - Danse - Pas
ajoute - Les Deux sens -
Le Chant du planteur de
clous - Resonances -
Geste - En marchant -
Mouvement.
Clarinet SKU: HL.48183370 Composed by Eugene Bozza. Leduc. Classical. Sof...(+)
Clarinet
SKU:
HL.48183370
Composed
by Eugene Bozza. Leduc.
Classical. Softcover. 16
pages. Alphonse Leduc
#AL25443. Published by
Alphonse Leduc
(HL.48183370).
UPC:
888680946364.
9.0x12.0x0.091
inches.
To this
day, Eugene Bozza
(1905-1991) remains one
of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Contrasts
III for Clarinet and
Bassoon is no exception
to the composer's
success. During his
studies at the Paris
Conservatoire, Bozza won
prizes for Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opera-Comique and became
Head of the Conservatoire
in Valenciennes, whilst
remaining a prominent
composer. Composed in
1955, Bozza's Brief Piece
is to be played on the
Alto Saxophone and is a
virtuosic work,
addressing advanced
features including,
complex rhythms,
chromaticism, a wide
range and articulation.
As music educationalist,
Paul Griffiths has
written of Bozza's
compositions, his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities..
3.2.2.2: 4.2.3.0:
Timp.Perc(2): Str
(9-8-7-6-5 in set): [Solo
Piano]
SKU:
AP.36-A219801
Composed by Peter Ilyich
Tchaikovsky. Chamber
Orchestra; Performance
Music Ensemble. Edwin F.
Kalmus. Form: Concerto.
Romantic. Score.
LudwigMasters
Publications #36-A219801.
Published by
LudwigMasters
Publications
(AP.36-A219801).
UPC:
660355013270.
English.
Captivated
by the playing of famed
Franz Liszt pupil Eugen
d'Albert during the
1883-1884 concert season,
Peter Ilyitch Tchaikovsky
(1840-1893) began work on
Concert Fantasia. After
an arduous composition
process, on which the
composer himself
remarked, I stopped
playing around and came
up with something... but
it still sounded too poor
and unoriginal...
Tchaikovsky laid aside
Concert Fantasia and
began sketching out his
Third Orchestral Suite.
He eventually returned to
and finished Concert
Fantasia in June of 1884,
with the surprising
addition of the second
movement Contrastes.
Originally composed as
the first movement of his
Third Orchestral Suite
but ultimately rejected,
Tchaikovsky reservedly
added it as a second
movement to Concert
Fantasia. While
recognizing and wishing
to use the movement for
its own merits, he still
harbored doubts and added
an alternative solo
cadenza to the end of the
first movement in case
Contrastes was to be
omitted. The Russian
Musical Society under the
direction of Max
Erdmannsdörfer
premiered the work in
1855. In the two decades
after its debut, Concert
Fantasia received many
performances but
disappeared from the
repertoire until it
underwent a revival in
the latter part of the
20th century.
Instrumentation: 3.2.2.2:
4.2.3.0: Timp.Perc(2):
Str (9-8-7-6-5 in set):
[Solo Piano].
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Contrasts [Conducteur] - Intermédiaire De Haske Publications
Brass Band and Trombone Solo - Grade 5 SKU: BT.DHP-1185708-130 For Tro...(+)
Brass Band and Trombone
Solo - Grade 5
SKU:
BT.DHP-1185708-130
For Trombone Solo and
Brass Band. Composed
by Jan Van der Roost.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2019. 82 pages.
De Haske Publications
#DHP 1185708-130.
Published by De Haske
Publications
(BT.DHP-1185708-130).
English-German-French-
Dutch.
Contrasts
was written for, and
dedicated to, trombone
soloist Dr. Brett Baker.
As the titles indicates,
contrasting elements
characterize this
challenging piece. The
slow movement
Sounds has a
somewhat dark and sombre
atmosphere, with complex
harmonies and special
sound effects. However,
the second movement,
Caprice, is
energetic, entertaining,
virtuosic and somewhat
whimsical - quite a
contrast indeed with the
first!
Contrasts
werd geschreven voor en
opgedragen aan
trombonesolist dr. Brett
Baker. Zoals de titel
suggereert, wordt dit
uitdagende stuk
gekenmerkt door
contrasterende elementen.
Het langzame deel,
‘Sounds’,
heeft een enigszins
donkere, sombere sfeer en
bevat complexe
harmonieën en speciale
geluidseffecten. Het
tweede deel,
‘Caprice’,
is energiek en dynamisch,
virtuoos en een tikje
grillig. Inderdaad een
groot contrast met het
eerste deel!
Contrasts
wurde für den
Posaunisten Dr. Brett
Baker geschrieben und ihm
gewidmet. Wie der Titel
schon signalisiert,
kennzeichnen
gegensätzliche
Elemente dieses
anspruchsvolle Stück.
Der langsame Satz
Sounds hat eine
etwas dunkle und
düstere Stimmung und
zeichnet sich durch
komplexe Harmonien und
spezielle Klangeffekte
aus. Der zweite,
technisch anspruchsvolle
Satz Caprice ist
energisch, unterhaltsam,
virtuos und etwas
launisch. In der Tat ein
ziemlicher Kontrast zum
ersten
Satz.
Contrasts [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band and Trombone Solo - Grade 5 SKU: BT.DHP-1185708-030 For Tro...(+)
Brass Band and Trombone
Solo - Grade 5
SKU:
BT.DHP-1185708-030
For Trombone Solo and
Brass Band. Composed
by Jan Van der Roost.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1185708-030. Published by
De Haske Publications
(BT.DHP-1185708-030).
English-German-French-
Dutch.
Contrasts
was written for, and
dedicated to, trombone
soloist Dr. Brett Baker.
As the titles indicates,
contrasting elements
characterize this
challenging piece. The
slow movement
Sounds has a
somewhat dark and sombre
atmosphere, with complex
harmonies and special
sound effects. However,
the second movement,
Caprice, is
energetic, entertaining,
virtuosic and somewhat
whimsical - quite a
contrast indeed with the
first!
Contrasts
werd geschreven voor en
opgedragen aan
trombonesolist dr. Brett
Baker. Zoals de titel
suggereert, wordt dit
uitdagende stuk
gekenmerkt door
contrasterende elementen.
Het langzame deel,
‘Sounds’,
heeft een enigszins
donkere, sombere sfeer en
bevat complexe
harmonieën en speciale
geluidseffecten. Het
tweede deel,
‘Caprice’,
is energiek en dynamisch,
virtuoos en een tikje
grillig. Inderdaad een
groot contrast met het
eerste deel!
Contrasts
wurde für den
Posaunisten Dr. Brett
Baker geschrieben und ihm
gewidmet. Wie der Titel
schon signalisiert,
kennzeichnen
gegensätzliche
Elemente dieses
anspruchsvolle Stück.
Der langsame Satz
Sounds hat eine
etwas dunkle und
düstere Stimmung und
zeichnet sich durch
komplexe Harmonien und
spezielle Klangeffekte
aus. Der zweite,
technisch anspruchsvolle
Satz Caprice ist
energisch, unterhaltsam,
virtuos und etwas
launisch. In der Tat ein
ziemlicher Kontrast zum
ersten
Satz.
Contrasts Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trombone Solo - Grade 5 SKU: BT.DHP-1185708-140 ...(+)
Concert Band/Harmonie and
Trombone Solo - Grade 5
SKU:
BT.DHP-1185708-140
For Trombone Solo and
Concert Band.
Composed by Jan Van der
Roost. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2019. 61
pages. De Haske
Publications #DHP
1185708-140. Published by
De Haske Publications
(BT.DHP-1185708-140).
English-German-French-
Dutch.
Contrasts
was written for, and
dedicated to, trombone
soloist Dr. Brett Baker.
As the titles indicates,
contrasting elements
characterize this
challenging piece. The
slow movement
Sounds has a
somewhat dark and sombre
atmosphere, with complex
harmonies and special
sound effects. However,
the second movement,
Caprice, is
energetic, entertaining,
virtuosic and somewhat
whimsical - quite a
contrast indeed with the
first!
Contrasts
werd geschreven voor en
opgedragen aan
trombonesolist dr. Brett
Baker. Zoals de titel
suggereert, wordt dit
uitdagende stuk
gekenmerkt door
contrasterende elementen.
Het langzame deel,
‘Sounds’,
heeft een enigszins
donkere, sombere sfeer en
bevat complexe
harmonieën en speciale
geluidseffecten. Het
tweede deel,
‘Caprice’,
is energiek en dynamisch,
virtuoos en een tikje
grillig. Inderdaad een
groot contrast met het
eerste deel!
Contrasts
wurde für den
Posaunisten Dr. Brett
Baker geschrieben und ihm
gewidmet. Wie der Titel
schon signalisiert,
kennzeichnen
gegensätzliche
Elemente dieses
anspruchsvolle Stück.
Der langsame Satz
Sounds hat eine
etwas dunkle und
düstere Stimmung und
zeichnet sich durch
komplexe Harmonien und
spezielle Klangeffekte
aus. Der zweite,
technisch anspruchsvolle
Satz Caprice ist
energisch, unterhaltsam,
virtuos und etwas
launisch. In der Tat ein
ziemlicher Kontrast zum
ersten
Satz.
Contrasts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trombone Solo - Grade 5 SKU: BT.DHP-1185708-010 ...(+)
Concert Band/Harmonie and
Trombone Solo - Grade 5
SKU:
BT.DHP-1185708-010
For Trombone Solo and
Concert Band.
Composed by Jan Van der
Roost. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2019. De Haske
Publications #DHP
1185708-010. Published by
De Haske Publications
(BT.DHP-1185708-010).
English-German-French-
Dutch.
Contrasts
was written for, and
dedicated to, trombone
soloist Dr. Brett Baker.
As the titles indicates,
contrasting elements
characterize this
challenging piece. The
slow movement
Sounds has a
somewhat dark and sombre
atmosphere, with complex
harmonies and special
sound effects. However,
the second movement,
Caprice, is
energetic, entertaining,
virtuosic and somewhat
whimsical - quite a
contrast indeed with the
first!
Contrasts
werd geschreven voor en
opgedragen aan
trombonesolist dr. Brett
Baker. Zoals de titel
suggereert, wordt dit
uitdagende stuk
gekenmerkt door
contrasterende elementen.
Het langzame deel,
‘Sounds’,
heeft een enigszins
donkere, sombere sfeer en
bevat complexe
harmonieën en speciale
geluidseffecten. Het
tweede deel,
‘Caprice’,
is energiek en dynamisch,
virtuoos en een tikje
grillig. Inderdaad een
groot contrast met het
eerste deel!
Contrasts
wurde für den
Posaunisten Dr. Brett
Baker geschrieben und ihm
gewidmet. Wie der Titel
schon signalisiert,
kennzeichnen
gegensätzliche
Elemente dieses
anspruchsvolle Stück.
Der langsame Satz
Sounds hat eine
etwas dunkle und
düstere Stimmung und
zeichnet sich durch
komplexe Harmonien und
spezielle Klangeffekte
aus. Der zweite,
technisch anspruchsvolle
Satz Caprice ist
energisch, unterhaltsam,
virtuos und etwas
launisch. In der Tat ein
ziemlicher Kontrast zum
ersten
Satz.
Organ SKU: SU.80101452 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101452
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101452.
Published by Zimbel Press
(SU.80101452).
Two Contrasts
(2018) is dedicated to
Timothy Miller. The two
movements (which may be
performed together or
separately) form
contrasts to each other
in a number of musical
ways. However, in
addition to the
differences, there are
also connections of
motivic material that
link the two movements
together. Sharagan refers
to a style of monodic
hymn in the Armenian
Orthodox Church. Madrigal
alternates between
declamatory, expressive
music and buoyant,
dance-like music.
Instrumentation: Organ
Duration: 8' Composed:
2018 Published by: Zimbel
Press.
Ensemble Mix.
Composed by Mike Rossi. 5
or More; Mixed
Instruments - Flexible
Instrumentation; Solo
Small Ensembles. Advance
Music. Blues; Jazz. Score
and Part(s). Advance
Music #01-ADV17053.
Published by Advance
Music (AP.1-ADV17053).
UPC: 805095170535.
English.
This
festive piece in blues
form features melodic
ideas that are contrasted
over changing rhythmic
feels. It begins with a
familiar Cape Town groove
known as Cape Goema,
which reflects the happy
atmosphere found in Cape
Town when the New Year
rolls around. This is the
time of year when major
dance and carnival-like
competitions take place,
and energetic dance
troupes in colorful dress
dance and march through
the streets. An
improvised solo section
is included.
By Marlene Sugarman-Scherk. For Piano. Spotlight Solo Sheets. These Halloween pi...(+)
By Marlene
Sugarman-Scherk. For
Piano. Spotlight Solo
Sheets. These Halloween
pieces promote dynamic
contrasts and crisp
articulation. Halloween.
Level: Early Elementary.
Solo Sheet. Published by
The FJH Music Company,
Inc.
Concert Band/Harmonie - Grade 5 SKU: HL.44010957 Composed by Philip Spark...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44010957
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #AMP294.
Published by Hal Leonard
(HL.44010957).
As
a native Londoner,
composer Philip Sparke
has always been attracted
to the great cities of
the world, fascinated by
their varied moods and
human diversity. London,
Chicago, Tokyo, Paris,
Rome and New York all
have their own characters
but also share much in
common. This overture is
a salute to the energy
and grandeur of such
cities. A fantastic new
concert work for
moderately advanced
bands.
Als echte
Londenaar is Philip
Sparke altijd al
gefascineerd door de
metropolen van de wereld
en de verschillende
sferen en diversiteit aan
mensen die wereldsteden
eigen zijn. Deze
ouverture is een hommage
aan de energie en
prachtvan zulke grote
steden. Hun talrijke
contrasterende
eigenschappen
weerspiegelen zich in
wisselende stemmingen.
Het zijn deze stemmingen
die de bedrijvigheid, de
majestueuze architectuur
en de prettige maar ook
minder prettige
aspectenvan een leven in
de stad
belichten.
Als
Londoner war Philip
Sparke schon immer
fasziniert von den
Metropolen dieser Welt,
den diversen Stimmungen
und der Vielfaltigkeit
menschlichen Lebens.
Diese Ouvertüre ist
ein Salut an die Energie
und die Pracht solcher
Grossstadte. Ihre
kontrastierenden
Eigenschaften spiegeln
sich in wechselnden
Stimmungen wider, welche
die Betriebsamkeit der
Grossstadt, die
majestatische Architektur
sowie die eleganten und
weniger vornehmen Aspekte
des stadtischen Lebens
beleuchten.
Cette
ouverture rend hommage a
la grandeur et a
l'energie des plus
grandes villes du monde.
Philip Sparke y depeint
les contrastes de
caractere a travers des
atmospheres sans cesse
changeantes. Les couleurs
sonores et les chiff
rages de mesure
multicontrastes decrivent
les avantages et les
inconvenients de la vie
dans une metropole.
Questa ouverture
rende omaggio alla
grandezza e all'energia
delle piu grandi ed
importanti citta del
mondo. Philip Sparke
dipinge le diversita
delle citta e dei loro
abitanti attraverso
atmosfere che cambiano
per rappresentare e
descrivere al meglio le
mille diversita che
caratterizzano ogni
metropoli.
Concert Band (Score) - Grade 5 SKU: HL.44010958 Composed by Philip Sparke...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.44010958
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2010. Anglo
Music Press #AMP294.
Published by Anglo Music
Press (HL.44010958).
As a native
Londoner, composer Philip
Sparke has always been
attracted to the great
cities of the world,
fascinated by their
varied moods and human
diversity. London,
Chicago, Tokyo, Paris,
Rome and New York all
have their own characters
but also share much in
common. This overture is
a salute to the energy
and grandeur of such
cities. A fantastic new
concert work for
moderately advanced
bands.
Als echte
Londenaar is Philip
Sparke altijd al
gefascineerd door de
metropolen van de wereld
en de verschillende
sferen en diversiteit aan
mensen die wereldsteden
eigen zijn. Deze
ouverture is een hommage
aan de energie en
prachtvan zulke grote
steden. Hun talrijke
contrasterende
eigenschappen
weerspiegelen zich in
wisselende stemmingen.
Het zijn deze stemmingen
die de bedrijvigheid, de
majestueuze architectuur
en de prettige maar ook
minder prettige
aspectenvan een leven in
de stad
belichten.
Als
Londoner war Philip
Sparke schon immer
fasziniert von den
Metropolen dieser Welt,
den diversen Stimmungen
und der Vielfaltigkeit
menschlichen Lebens.
Diese Ouvertüre ist
ein Salut an die Energie
und die Pracht solcher
Grossstadte. Ihre
kontrastierenden
Eigenschaften spiegeln
sich in wechselnden
Stimmungen wider, welche
die Betriebsamkeit der
Grossstadt, die
majestatische Architektur
sowie die eleganten und
weniger vornehmen Aspekte
des stadtischen Lebens
beleuchten.
Cette
ouverture rend hommage a
la grandeur et a
l'energie des plus
grandes villes du monde.
Philip Sparke y depeint
les contrastes de
caractere a travers des
atmospheres sans cesse
changeantes. Les couleurs
sonores et les chiff
rages de mesure
multicontrastes decrivent
les avantages et les
inconvenients de la vie
dans une metropole.
Questa ouverture
rende omaggio alla
grandezza e all'energia
delle piu grandi ed
importanti citta del
mondo. Philip Sparke
dipinge le diversita
delle citta e dei loro
abitanti attraverso
atmosfere che cambiano
per rappresentare e
descrivere al meglio le
mille diversita che
caratterizzano ogni
metropoli.
Composed by Stijn Roels.
De Haske Concert Band.
Concert Piece. Softcover.
Composed 2011. De Haske
Publications #1115065010.
Published by De Haske
Publications
(HL.44011672).
In The
Essence of Youth the
composer gives an insight
into childhood and youth
— inspired by his
own daughter. The opening
of sparking rhythms,
dynamic contrasts and
changes of time signature
paint a vivid picture of
the unpredictability of
children. The first and
second movements recount
the love — and also
tension and the worries
— in the
adult-child bond, through
dissonant harmonies but
also pretty melodies. The
fugue-like ending leads
to a final splendid
chorale: a picture of
proud parents with their
child!
In The
Essence of Youth
geeft de componist zijn
visie op de kindertijd en
de jeugd. Zijn eigen
dochter vormde hierbij
een belangrijke
inspiratiebron. De
opening staat met
opgewekte ritmes,
dynamische contrasten en
maatsoortwisselingenvoor
de spontaniteit van
kinderen. Het eerste en
tweede deel vertellen
over de liefde, zorg en
toewijding die horen bij
een ouder-kindrelatie.
Met dissonante
harmonieen, maar ook met
mooie melodieen weet de
componist ditprachtig te
verbeelden. Een fuga
leidt ten slotte naar een
prachtig koraal: de
trotse ouders met hun
kind
verbeeldend.
In
The Essence of
Youth beschreibt der
Komponist sein Bild von
Kindheit und Jugend -
inspiriert von seiner
eigenen Tochter. Die
Eroffnung steht mit
aufgeweckten Rhythmen,
dynamischen Kontrasten,
Taktartwechseln für
die Unberechenbarkeit von
Kindern. Der erste und
zweite Satz erzahlen mit
dissonanten Harmonien,
aber auch mit schonen
Melodien von Spannungen,
Liebe und Sorge in der
Eltern-Kind-Beziehung.
Den Schluss bildet eine
Fuge, die zu einem
prachtvollen Choral
führt: ein Bild
stolzer Eltern mit ihrem
Kind!
Cette
composition reflete ce
que le compositeur
considere comme les
caracteristiques typiques
de la jeunesse : une
melodie eclatante pleine
de rythmes vifs, des
contrastes dynamiques et
des changements de tempi
qui se combinent pour
symboliser l'energie
debordante des enfants,
ainsi que la tension
entre parents et enfant.
Un passage lyrique
exprime l'amour parental
par des lignes melodiques
tres subtiles. Les notes
s'egrenent, le charme
opere !
The
Essence of Youth e un
brano che riflette cio
che il compositore,
ispirato da sua figlia,
considera come le
caratteristiche tipiche
della gioventu.
Un'ouverture spettacolare
nella quale contrasti
dinamici e dai ritmi
vivaci si susseguono come
a simboleggiare la
straordinaria energia dei
bambini. Il primo
movimento, sulla scia
dell'introduzione,
anticipa una parte di
solo che accompagna al
secondo movimento,
testimonianza dell'amore
infinito dei genitori nei
confronti dei figli. Una
fuga basata sul tema
iniziale contraddistingue
il terzo movimento che
conduce all'apoteosi
finale.
Orequesta sinfonica,
Orquesta camara, voces y
coro (Symphony Orchestra,
Chamber Orchestra, Solo
Voices and Choir)
SKU:
BO.B.3472
A la
memoria de Salvador
Espriu. Composed by
Xavier Benguerel. Vocal
Music. Choir. Duration
85:00. Published by
Editorial de Musica
Boileau (BO.B.3472).
ISBN
9788480208130.
Engl
ish comments: The Requiem
in memory of Salvador
Espriu by Xavier
Benguerel was
commissioned by the
Torroella de Montgri
International Music
Festival for a double
commemoration: on the one
hand, to celebrate the
tenth anniversary of the
Festival, and on the
other, in remembrance of
Catalan poet Salvador
Espriu in the fifth year
after his death. This
concert, which was held
on 5 October, was a
brilliant closing gala
performance and it was
repeated twice on 6 and 7
October at the Palau de
la Musica Catalana in
Barcelona. It was
performed by the
Orchestra and Choir of
the Gran Teatro del
Liceo, with soloists
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo soprano;
Eduard Gimenez, tenor;
and Carlos Chausson,
baritone, with the
additional collaboration
of baritone Lluis Llach,
conducted by Romano
Gandolfi.
In my
opinion, this work by
Benguerel is a piece that
was written with passion
and sincerity, with great
strength and depth, and
it contains some very
beautiful passages. It is
written in a language
through which, without
abandoning his current
musical thoughts,
Benguerel manages to
communicate with the
audience in a dense work
that lasts for an hour
and a half. It is
interspersed with seven
poems by Espriu on the
subject of death, some
sung and others recited,
which gives the Requiem
great contrasts from a
musical and linguistic
point of view -in
comparison with the Latin
texts normally used in a
requiem mass-, but within
a successful and coherent
unity. The performers
certainly proved their
worth, but much of the
hard work that went into
preparing the piece can
be attributed not only to
the performers, the
composer and the poet in
tribute to whom the work
was written, but also to
the conductor Romano
Gandolfi, who is largely
responsible for the
success of the three
performances of this
Requiem. Benguerel
himself says of the work:
This Requiem is linked to
my previous work, the
Llibre Vermell, and it
has been written without
making any concessions,
but with a true wish to
communicate with the
audience. I've got past
the stage of musical
experiments and I'm now
working on bridging the
gap between composer and
audience, which I'm sure
will be good for
both. --Comments
written by Jordi Codina
in the December 1990
issue of Nexus
magazine
Comentario
s del Espanol: El Requiem
a la memoria de Salvador
Espriu de Xavier
Benguerel ha sido
compuesto por encargo del
Festival Internacional de
Musica de Torroella de
Montgri para una doble
conmemoracion: por una
parte, el decimo
aniversario del Festival;
por otra, el recuerdo de
la figura del poeta
catalan Salvador Espriu
en el quinto ano de su
fallecimiento. Este
concierto, celebrado el
dia 5 de octubre,
constituyo una sesion de
gala y de clausura
brillante y tuvo una
doble repeticion los dias
6 y 7en el Palau de la
Musica Catalana de
Barcelona. Fueron sus
interpretes la Orquesta y
el Coro del Gran Teatro
del Liceo, con los
solistas vocales
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo; Eduard
Gimenez, tenor; y Carlos
Chausson, baritono, con
la colaboracion del
tambien baritono Lluis
Llach. Todos bajo la
direccion de Romano
Gandolfi.
A mi
entender, la obra de
Benguerel es una
partitura escrita con
pasion y sinceridad,
posee una gran solidez,
es profunda y contiene
pasajes de una gran
belleza. Esta escrita en
un lenguaje con el que
Benguerel, sin renunciar
a su actual pensamiento
musical, alcanza la
comunicacion con el
publico en una obra densa
que dura una hora y
media. La intercalacion
de siete poemas de Espriu
relacionados con el tema
de la muerte, en una
interpretacion cantada o
recitada, segun los
casos, otorga al Requiem
grandes contrastes desde
un punto de vista musical
y lingŸistico à en
contraposicion con los
textos latinos propios de
una misa de requiem Ã,
pero dentro de una unidad
conseguida y coherente.
La labor de los
interpretes demostro su
categoria y el trabajo
exhaustivo en la
preparacion de la obra,
que, ademas de los
interpretes, el
compositor y el poeta
homenajeado, tuvo otro
gran protagonista en la
persona del director
Romano Gandolfi, a quien
se debe una gran parte
del exito obtenido en las
tres audiciones de este
Requiem. El propio
Benguerel ha dicho de la
obra: Este Requiem
entronca con mi obra
anterior, el Llibre
Vermell, y ha sido
escrito sin concesiones,
pero con una voluntad
real de comunicacion con
el publico. La epoca de
los experimentos
musicales ya se me paso y
he entrado en una nueva
etapa de acercamiento
entre el compositor y el
publico que, estoy
convencido, beneficiara a
ambos. --Comentario
escrito por Jordi Codina
en la revista Nexus en
diciembre de 1990
The Essence of Youth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1115065-010 Composed by Stijn...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1115065-010
Composed by Stijn Roels.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1115065-010. Published by
De Haske Publications
(BT.DHP-1115065-010).
9x12 inches.
English-German-French-Dut
ch.
In The
Essence of Youth the
composer gives an insight
into childhood and youth
— inspired by his
own daughter. The opening
of sparking rhythms,
dynamic contrasts and
changes of time signature
paint a vivid picture of
the unpredictability of
children. The first and
second movements recount
the love — and also
tension and the worries
— in the
adult-child bond, through
dissonant harmonies but
also pretty melodies. The
fugue-like ending leads
to a final splendid
chorale: a picture of
proud parents with their
child!
In The
Essence of Youth
geeft de componist zijn
visie op de kindertijd en
de jeugd. Zijn eigen
dochter vormde hierbij
een belangrijke
inspiratiebron. De
opening staat met
opgewekte ritmes,
dynamische contrasten en
maatsoortwisselingenvoor
de spontaniteit van
kinderen. Het eerste en
tweede deel vertellen
over de liefde, zorg en
toewijding die horen bij
een ouder-kindrelatie.
Met dissonante
harmonieën, maar ook
met mooie melodieën
weet de componist
ditprachtig te
verbeelden. Een fuga
leidt ten slotte naar een
prachtig koraal: de
trotse ouders met hun
kind
verbeeldend.
In
The Essence of
Youth beschreibt der
Komponist sein Bild von
Kindheit und Jugend -
inspiriert von seiner
eigenen Tochter. Die
Eröffnung steht mit
aufgeweckten Rhythmen,
dynamischen Kontrasten,
Taktartwechseln für
die Unberechenbarkeit von
Kindern. Der erste und
zweite Satz erzählen
mit dissonanten
Harmonien, aber auch mit
schönen Melodien von
Spannungen, Liebe und
Sorge in der
Eltern-Kind-Beziehung.
Den Schluss bildet eine
Fuge, die zu einem
prachtvollen Choral
führt: ein Bild
stolzer Eltern mit ihrem
Kind!
The Essence of
Youth è un brano
che riflette ciò che
il compositore, ispirato
da sua figlia, considera
come le caratteristiche
tipiche della
gioventù.
Un’ouverture
spettacolare nella quale
contrasti dinamici e dai
ritmi vivaci si
susseguono come a
simboleggiare la
straordinaria energia dei
bambini. Il primo
movimento, sulla scia
dell’introduzione,
anticipa una parte di
solo che accompagna al
secondo movimento,
testimonianza
dell’amore
infinito dei genitori nei
confronti dei figli. Una
fuga basata sul tema
iniziale contraddistingue
il terzo movimento che
conduce
all’apoteosi
finale.
Bandshop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1145613-010 Composed by Pet...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1145613-010
Composed by Peter
Riedemann. On Parade! Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145613-010. Published by
De Haske Publications
(BT.DHP-1145613-010).
English-German-French-
Dutch.
The main
role in this attractive
march is played by the
harmonic elements of
minor and major. These
ingredients are supported
by a solid bass passage,
various dynamic contrasts
and a lovely
cantabile trio
theme. Bandshop is
a wonderfulmarch that
brings pleasure to
performer and listener
alike-and is ideal for
any concert
program.
In deze
attractieve mars spelen
de harmonische
componenten mineur en
majeur de hoofdrol. Deze
elementen worden
aangevuld door een
stevige baspassage,
verschillende dynamische
contrastwerkingen en een
fraai zangrijk triothema.
Bandshop is
eenprachtige mars die
veel luister- en
speelplezier biedt en die
geschikt is voor elk
concertprogramma!
In diesem attraktiven
Marsch spielen die
harmonischen Komponenten
Moll und Dur die
Hauptrolle. Diese
Elemente werden durch
eine solide Passage im
Bass, verschiedene
dynamische Kontraste und
ein liebliches
Cantabile-Triothema
ergänzt.
Bandshopist ein
wundervoller Marsch, der
viel Spiel- und
Hörspaß bietet und
sich für jedes
Konzertprogramm
eignet!
In
questa accattivante
marcia, gli elementi
armonici in tonalit
maggiore e minore
rivestono un ruolo
principale. Questi motivi
sono completati da una
solida linea del basso,
mentre i differenti
contrasti di dinamiche
sostengono un piacevole
triocantabile.
Bandshop è una
splendida marcia che
oltre ad essere
emozionante da eseguire,
offre momenti di puro
piacere musicale a chi
ascolta!
Lux et Umbra Orchestre à Cordes Editorial de Musica Boileau
String orchestra SKU: BO.B.3292 Composed by Jordi Cervello. Instrumental ...(+)
String orchestra
SKU:
BO.B.3292
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 17:35. Published
by Editorial de Musica
Boileau (BO.B.3292).
English
comments: This is
the definitive version of
Biogenesis, a piece that
Cervello had written in
1976, together with his
friend Jorge Wagensberg,
and which was awarded the
First Prize at the
Spanish Ministry for
Education and Science's
Permanent Composition and
Musical Research
Competition. The new
version was made at
1984-85 Lux et umbra is
written for a string
group consisting of four
first and four second
violins, three violas,
three cellos and a double
bass. The conceptual
battle between darkness
and light is represented
by the instability
between the notes B and
C, and by the
compartmentation of the
group of fifteen strings
into divisi that provide
an independent
arrangement for each
instrument, thus
bestowing great substance
upon the texture of the
music. A cello cadence
emerges from a slow and
straightforward
beginning. A process of
contrasts then begins,
culminating in a molto
vivace passage of a
scherzando nature, which
alludes to the Baroque
concerti grossi. The
music once again plays
with chiaroscuro until
reaching its climax, from
which point the
conclusion slowly begins,
establishing itself in
the high register until
fading away. The work was
first performed at
Barcelona's Palau de la
Musica by the English
Chamber Orchestra,
directed by Enrique
Garcia Asensio, in 1987.
That same year, in the
newspaper El Pais, the
observations of the
composer and critic
Francesc Taverna-Bech
paid tribute to the
work's intelligence as
regards the use of and
search for instrumental
resources (in this case,
string instruments, about
which Cervello knows a
great deal), the skill
involved in endowing the
lyrical line with
tension, and a singular
touch that confers formal
essence upon the musical
discourse. In La
Vanguardia, Jordi Llovet
wrote that this is a work
in which, as is the case
with most of Cervello's
compositions, the
listener finds something
covertly religious, a
mysterious secret, a
transcendence linked to
the origins of
communication requiring
more than a single being,
which provides
excitement. In 1990, when
the Orquesta de Granada
(Orchestra of Granada)
performed the work at
Barcelona's Grec
festival, the critic
Cesar Calmell opined, in
the same newspaper, that
inch by inch, surely and
imperturbably, Cervello
built up a perfect world
that reflects the image
of the craftsman who, so
astonished at the
delights of his trade, is
unable to do anything but
turn the very backdrop of
tragedy into something
pleasant. Lux et umbra
was recorded by the
Orchestra Estatal of the
Hermitage, conducted by
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Music
critic
Comentari
os del Espanol: Se
trata de la version
definitiva de Biogenesis,
obra que habia escrito en
1976 en colaboracion con
su amigo Jorge Wagensberg
y que obtuvo el Primer
Premio, en el ano de su
creacion, en el Concurso
Permanente de Composicion
e Investigacion Musical
del Ministerio de
Educacion y Ciencia. La
nueva version fue
realizada en 1984-85. Lux
et umbra esta escrita
para un grupo de cuerda
integrado por cuatro
primeros violines, cuatro
segundos, tres violas,
tres violoncelos y un
contrabajo. El combate
filosofico entre la
oscuridad y la luz lo
lleva a cabo la
inestabilidad entre las
notas si y do y la
compartimentacion del
grupo de quince cuerdas
en unos divisi que llegan
a una escritura
independiente para cada
instrumento, otorgando
una gran importancia a la
textura sonora. De un
principio lento y
descarnado emerge una
cadencia del violonchelo.
A continuacion da
comienzo un proceso de
contrastes que culmina en
un pasaje molto vivace de
caracter scherzando que
alude a los concerti
grossi del barroco. La
musica juega de nuevo con
el claroscuro hasta
llegar a la cumbre sonora
iniciando el final
lentamente que se instala
en el registro agudo
hasta desvanecerse. La
estreno en el Palau de la
Musica de Barcelona la
English Chamber Orchestra
en el ano 1987 bajo la
direccion de Enrique
Garcia Asensio. Ese mismo
ano, en el periodico El
Pais, el compositor y
critico Francesc
Taverna-Bech reconocia en
sus comentarios la
inteligencia en el uso y
la busqueda de los
recursos instrumentales
-en este caso la cuerda,
de la que Cervello es
profundo conocedor-, la
destreza para revestir de
tension la linea lirica y
un tacto particular para
conferir entidad formal
al discurso sonoro. Jordi
Llovet, en La Vanguardia,
escribia que en esta
obra, se encuentra, como
en la mayor parte de la
produccion de Cervello,
algo secretamente
religioso, un arcano
misterioso, una
trascendencia vinculada a
los origenes de la
comunicacion
impracticable con el ser
unico que resulta
apasionante. En el ano
1990, cuando la Orquesta
de Granada la toco en el
Grec de Barcelona, era el
critico Cesar Calmell
quien, en el mismo
periodico consideraba que
Cervello construyo palmo
a palmo, segura e
imperturbablemente, un
mundo perfecto que
refleja la imagen del
artesano que, de tan
admirado con las delicias
de su oficio, no puede
hacer otra cosa que
convertir en agradable el
fondo mismo de la
tragedia. Lux et umbra
esta grabada por la
Orquesta Estatal del
Hermitage, dirigida por
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Critico musical.