Jam with Six Revolutionary Billy Cobham Charts. By Billy Cobham. Artist/Personality; Bass Guitar Method or Supplement; Play-Along. Ultimate Play-Along. Play along. Book; CD. Alfred Music #00-0454B. Published by Alfred Music

By Billy Cobham. Brass - French Horn Method or Collection; Play-Along. Play along. Book; CD. Alfred Music #00-0581B. Published by Alfred Music

By Robert Sheldon. For Concert Band. Concert Band. Alfred Debut Series. Level: 1.5 (Easy) (grade 1.5). Conductor Score and Parts. 124 pages. Published by Alfred Publishing.

Performed by Billy Cobham. By Billy Cobham. Edited by Ray Brych. Arranged by Scott Stroman. CPP books (guitar). Level: intermediate to advanced. Published by Warner Brothers.

Billy Cobham. For Piano. Piano Collection. Ultimate Play-Along. Play along. Book & 2 CDs. Published by Alfred Publishing.

Chamber Music Bass Clarinet, Clarinet, Flute, Percussion, Piano, Violin, Violoncello, alto Flute

SKU: PR.11441930S

Composed by Stacy Garrop. Full score. With Standard notation. 40 pages. Duration 13:15. Theodore Presser Company #114-41930S. Published by Theodore Presser Company (PR.11441930S).

UPC: 680160673537. 9 x 12 inches.

Written during a residence at an artist community in the isolation of Wyoming, Postcards from Wyoming is an impression of the wilderness and beauty of the surrounding landscape and its inhabitants. Written for Pierre ensemble with percussion, Postcards includes High Plains Prairie (a harsh landscape which reveals glimpses of beauty upon closer examination), Call of the Wild (animals from snakes to horses and cows populate the environment), and The Solitude of Stars (capturing the infinite awe of the night sky).
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work almost continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. Postcards from Wyoming presents three glimpses of what I found to be the most striking aspects of my residence. The first movement, High Plains Prairie, represents the conundrum that is a high elevation landscape: from afar, the eye sees little else than an unending and threadbare horizon. But as one inspects the land up close, the prairie bursts with color provided by sagebrush, grasses, insects, and creeks. The second movement, Call of the Wild, is a tribute to the wide range of animals that reside in the area. Deer, turkeys, and rabbits frequently passed outside of my studio window; cows and sheep lived in fields close by. Snakes, raccoons, and field mice also made guest appearances. While I'm thankful that I didn't see any predators (such as wolves), I became increasingly aware of the wildness of the animal population that surrounded my studio. The Solitude of Stars, the third and final movement, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. Postcards from Wyoming was commissioned by the 2016 Utah Arts Festival. -S.G.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work almost continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife.Postcards from Wyoming presents three glimpses of what I found to be the most striking aspects of my residence. The first movement, High Plains Prairie, represents the conundrum that is a high elevation landscape: from afar, the eye sees little else than an unending and threadbare horizon. But as one inspects the land up close, the prairie bursts with color provided by sagebrush, grasses, insects, and creeks. The second movement, Call of the Wild, is a tribute to the wide range of animals that reside in the area. Deer, turkeys, and rabbits frequently passed outside of my studio window; cows and sheep lived in fields close by. Snakes, raccoons, and field mice also made guest appearances. While I’m thankful that I didn’t see any predators (such as wolves), I became increasingly aware of the wildness of the animal population that surrounded my studio. The Solitude of Stars, the third and final movement, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.Postcards from Wyoming was commissioned by the 2016 Utah Arts Festival.-S.G.

Chamber Music Bass Clarinet, Clarinet, Flute, Percussion, Piano, Violin, Violoncello, alto Flute

SKU: PR.114419300

Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 40+12+12+12+12+12+20 pages. Duration 13:15. Theodore Presser Company #114-41930. Published by Theodore Presser Company (PR.114419300).

UPC: 680160673513. 9 x 12 inches.

Written during a residence at an artist community in the isolation of Wyoming, Postcards from Wyoming is an impression of the wilderness and beauty of the surrounding landscape and its inhabitants. Written for Pierre ensemble with percussion, Postcards includes High Plains Prairie (a harsh landscape which reveals glimpses of beauty upon closer examination), Call of the Wild (animals from snakes to horses and cows populate the environment), and The Solitude of Stars (capturing the infinite awe of the night sky).
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work almost continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. Postcards from Wyoming presents three glimpses of what I found to be the most striking aspects of my residence. The first movement, High Plains Prairie, represents the conundrum that is a high elevation landscape: from afar, the eye sees little else than an unending and threadbare horizon. But as one inspects the land up close, the prairie bursts with color provided by sagebrush, grasses, insects, and creeks. The second movement, Call of the Wild, is a tribute to the wide range of animals that reside in the area. Deer, turkeys, and rabbits frequently passed outside of my studio window; cows and sheep lived in fields close by. Snakes, raccoons, and field mice also made guest appearances. While I'm thankful that I didn't see any predators (such as wolves), I became increasingly aware of the wildness of the animal population that surrounded my studio. The Solitude of Stars, the third and final movement, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. Postcards from Wyoming was commissioned by the 2016 Utah Arts Festival. -S.G.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work almost continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife.Postcards from Wyoming presents three glimpses of what I found to be the most striking aspects of my residence. The first movement, High Plains Prairie, represents the conundrum that is a high elevation landscape: from afar, the eye sees little else than an unending and threadbare horizon. But as one inspects the land up close, the prairie bursts with color provided by sagebrush, grasses, insects, and creeks. The second movement, Call of the Wild, is a tribute to the wide range of animals that reside in the area. Deer, turkeys, and rabbits frequently passed outside of my studio window; cows and sheep lived in fields close by. Snakes, raccoons, and field mice also made guest appearances. While I’m thankful that I didn’t see any predators (such as wolves), I became increasingly aware of the wildness of the animal population that surrounded my studio. The Solitude of Stars, the third and final movement, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.Postcards from Wyoming was commissioned by the 2016 Utah Arts Festival.-S.G.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS157F

Composed by Nicolás Humberto Repetto. Cas. Full score. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS157F. Published by Carl Fischer Music (CF.CAS157F).

ISBN 9781491165423. UPC: 680160924332. Key: D minor.

Journey back to ancient Rome in this powerful string orchestra work depicting the strength and reach of the Roman armies through the eyes of a weathered centurion (a centurion is the equivalent of an Army captain). The work begins with a full statement of the Centurion motif in the high strings which should be played with power and strength while in the rhythmic marching element (depicting the Roman Army) in the low strings propels us forward. The lyrical sections at measures 13 through 32 in the viola and cello sections should be expressive and maintain that powerful sound first established in the violins at the beginning of the piece. From mm. 32-42, a  torrent of triplets drives toward a grander gesture of the Centurion motif in the violins and viola sections while the low strings maintain momentum and rhythmic precision. The piece continues to a more solemn restatement of the motif, a section which requires a great deal of expressive playing and vibrato, as the centurion reminisces about his accomplishments, before launching into one last battle from m. 59 to the end.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS157

Composed by Nicolás Humberto Repetto. Cas. Set of Score and Parts. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS157. Published by Carl Fischer Music (CF.CAS157).

ISBN 9781491165027. UPC: 680160923939. Key: D minor.

Journey back to ancient Rome in this powerful string orchestra work depicting the strength and reach of the Roman armies through the eyes of a weathered centurion (a centurion is the equivalent of an Army captain). The work begins with a full statement of the Centurion motif in the high strings, which should be played with power and strength while in the rhythmic marching element (depicting the Roman Army) in the low strings propels us forward. The lyrical sections at mm. 13 through 32 in the viola and cello sections should be expressive and maintain that powerful sound first established in the violins at the beginning of the piece. From mm. 32–42, a  torrent of triplets drives toward a grander gesture of the Centurion motif in the violins and viola sections while the low strings maintain momentum and rhythmic precision. The piece continues to a more solemn restatement of the motif, a section which requires a great deal of expressive playing and vibrato, as the centurion reminisces about his accomplishments, before launching into one last battle from m. 59 to the end.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-001-140

Composed by Philip Sparke. Ceremonial Series. March. Score Only. Composed 2001. Anglo Music Press #AMP 001-140. Published by Anglo Music Press (BT.AMP-001-140).

Lively and upbeat in nature, The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Dieser lebendige und flotte Marsch von Philip Sparke steht in der Tradition des typischen englischen Marsches. Obwohl insgesamt technisch nicht allzu anspruchsvoll, hält er dennoch kleine Herausforderungen für jeden Spieler bereit. TheCenturion eignet sich als Eröffnungsstück oder Konzertmarsch auch für Open-Air Veranstaltungen und wird auch Ihrem Publikum gefallen.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-001-010

Composed by Philip Sparke. Ceremonial Series. March. Set (Score & Parts). Composed 2001. Anglo Music Press #AMP 001-010. Published by Anglo Music Press (BT.AMP-001-010).

Lively and upbeat in nature, The Centurion follows the conventional British march format. It is not technically demanding yet a successful performance will need skill and commitment from every player in the band. The Centurion will make an ideal opening piece for any indoor or outdoor concert and will be a popular item with both players and audiences alike.

Dieser lebendige und flotte Marsch von Philip Sparke steht in der Tradition des typischen englischen Marsches. Obwohl insgesamt technisch nicht allzu anspruchsvoll, hält er dennoch kleine Herausforderungen für jeden Spieler bereit. TheCenturion eignet sich als Eröffnungsstück oder Konzertmarsch auch für Open-Air Veranstaltungen und wird auch Ihrem Publikum gefallen.

Bassoon and Piano

SKU: BT.EMBZ7055

Composed by Pal Karolyi. Contemporary Music. Book Only. Composed 1974. Editio Musica Budapest #EMBZ7055. Published by Editio Musica Budapest (BT.EMBZ7055).

Contorni, written in 1970, comes from the experimental period of Pál Károlyi (1934-2015). 'Outlines, contours' suggests the title, and accordingly the duo of bassoon and piano experience different modes of sounding the instruments, often putting extreme contrasts side by side in tempo and dynamics. The work is dedicated to József Vajda and Zoltán Kontra.

2-3 Part Mixed Choir a Cappella

SKU: BT.EMBZ7505

By Akos Fodor. Hymns & Chorals. Book Only. Composed 1975. 32 pages. Editio Musica Budapest #EMBZ7505. Published by Editio Musica Budapest (BT.EMBZ7505).

Die dreizehn Hefte der Serie Schola Cantorum enthalten zwei- und dreistimmige Vokalstücke der Meister des 13-16. (17.) Jahrhunderts. Unter ihnen befinden sich Komponisten, deren Namen ganze Epochen bedeuten und andere, die nur Fachleuten bekannt sind, die sich vertieft mit dieser Epoche befassen, und schließlich Unbekannte, deren Namen in Vergessenheit geraten sind, obwohl ihre Werke heute noch weiterleben.In Bezug auf ihre Bestimmung sind diese Gesänge Motetten, Kanons, Chorallieder, Chansons, Tanzmelodien mit englischem, flämischem, französischem, lateinischem, deutschem, italienischem und spanischem, mit liturgischem und auch profanem Text: ferner gibt es unter ihnen einigetextlose, zeitgenössische Gesangsübungen.

Motetten

SKU: BT.EMBZ7948

Zwei- und dreistimmige Motetten. By Fodor Akos. Hymns & Chorals. Book Only. Composed 1976. 20 pages. Editio Musica Budapest #EMBZ7948. Published by Editio Musica Budapest (BT.EMBZ7948).

Die dreizehn Hefte der Serie Schola Cantorum enthalten zwei- und dreistimmige Vokalstücke der Meister des 13-16. (17.) Jahrhunderts. Unter ihnen befinden sich Komponisten, deren Namen ganze Epochen bedeuten und andere, die nur Fachleuten bekannt sind, die sich vertieft mit dieser Epoche befassen, und schließlich Unbekannte, deren Namen in Vergessenheit geraten sind, obwohl ihre Werke heute noch weiterleben.In Bezug auf ihre Bestimmung sind diese Gesänge Motetten, Kanons, Chorallieder, Chansons, Tanzmelodien mit englischem, flämischem, französischem, lateinischem, deutschem, italienischem und spanischem, mit liturgischem und auch profanem Text: ferner gibt es unter ihnen einigetextlose, zeitgenössische Gesangsübungen.

Motetten

SKU: BT.EMBZ7827

Zwei- und dreistimmige Motetten. By Fodor Akos. Hymns & Chorals. Book Only. Composed 1976. 32 pages. Editio Musica Budapest #EMBZ7827. Published by Editio Musica Budapest (BT.EMBZ7827).

Die dreizehn Hefte der Serie Schola Cantorum enthalten zwei- und dreistimmige Vokalstücke der Meister des 13-16. (17.) Jahrhunderts. Unter ihnen befinden sich Komponisten, deren Namen ganze Epochen bedeuten und andere, die nur Fachleuten bekannt sind, die sich vertieft mit dieser Epoche befassen, und schließlich Unbekannte, deren Namen in Vergessenheit geraten sind, obwohl ihre Werke heute noch weiterleben.In Bezug auf ihre Bestimmung sind diese Gesänge Motetten, Kanons, Chorallieder, Chansons, Tanzmelodien mit englischem, flämischem, französischem, lateinischem, deutschem, italienischem und spanischem, mit liturgischem und auch profanem Text: ferner gibt es unter ihnen einigetextlose, zeitgenössische Gesangsübungen.

Motetten

SKU: BT.EMBZ7290

Zwei- und dreistimmige Motetten. By Fodor Akos. Hymns & Chorals. Book Only. Composed 1974. 20 pages. Editio Musica Budapest #EMBZ7290. Published by Editio Musica Budapest (BT.EMBZ7290).

Die dreizehn Hefte der Serie Schola Cantorum enthalten zwei- und dreistimmige Vokalstücke der Meister des 13-16. (17.) Jahrhunderts. Unter ihnen befinden sich Komponisten, deren Namen ganze Epochen bedeuten und andere, die nur Fachleuten bekannt sind, die sich vertieft mit dieser Epoche befassen, und schließlich Unbekannte, deren Namen in Vergessenheit geraten sind, obwohl ihre Werke heute noch weiterleben.In Bezug auf ihre Bestimmung sind diese Gesänge Motetten, Kanons, Chorallieder, Chansons, Tanzmelodien mit englischem, flämischem, französischem, lateinischem, deutschem, italienischem und spanischem, mit liturgischem und auch profanem Text: ferner gibt es unter ihnen einigetextlose, zeitgenössische Gesangsübungen.

Surely This Jesus. Composed by Ed Rush. Arranged by Douglas Nolan. Brookfield Easter Choral. Holy Week, Sacred, Easter. Octavo. 16 pages. Published by Brookfield Press