Teil 2. 4 zweistimmige Kanons, 2 Spiegelfugen, unvollendete Fuge mit 3 Themen, Orgelchoral "Wenn wir in hochsten Noten (Vor deinen Thron)". By Johann Sebastian Bach. Edited by Schurich, Hans. For Organ. Playing Score (paperbound). BWV 1080. Published by Soeddeutscher Musikverlag (German import).

Books and Journals; Early Music; Music Education

SKU: UT.DM-21

Composed by Vincenzo Corrao. Paperback (Soft Cover). Classical. Books and Journals; Early Music; Music Education. Ut Orpheus #DM 21. Published by Ut Orpheus (UT.DM-21).

ISBN 9788881094523. 6.5 x 9.5 inches.

Nel redigere questi appunti di studio, spero di comunicare la mia ‘curiosità&r squo; verso la prassi compositiva di uno tra i più grandi maestri di tutti i tempi: Johann Sebastian Bach (1685-1750).
Per comprendere (almeno in parte) lo stile bachiano, mi sono basato su alcune strutture armoniche riscontrabili con regolarità in fasi precadenzali.
Ho potuto notare come una di queste strutture da me indagate (nello studio definita formula-tipo) venisse ulteriormente elaborata in tutti i suoi parametri musicali fondamentali (melodia, contrappunto, armonia e ritmo) per dare vita a ‘nuovi’ insiemi armonico-contrappuntistic i. Tali formule derivate dimostrano come lo stile compositivo bachiano poggi soprattutto su tecniche di tipo artigianale.
Ho potuto inoltre ammirare come il Maestro abbia saputo coniugare il contrappunto di origine modale rinascimentale con le proprie (geniali) invenzioni armoniche, basate sul ‘moderno’ funzionalismo tonale (vedi la formula tipo modale).
Perciò è mia convinzione che, nello studio sui corali, per caratterizzare lo stile compositivo del Kantor bisogna innanzi tutto identificare i componenti essenziali del suo linguaggio armonico cadenzale (linguaggio ‘moderno’ ma nello stesso tempo derivato dalla tradizione dei maestri del ’500).
Individua ti gli elementi strutturali peculiari, possiamo riconoscerli, reiterati nei punti ‘chiave’ (cadenze) del discorso musicale tonale; in tal modo, essi concorrono a rendere unitaria ed organica la tipica armonizzazione a quattro voci di una forma musicale così ricca di varianti melodiche come il corale evangelico luterano.
(Vincenzo Corrao).

Orchestra

SKU: HL.50494671

Per Orchestra Sinfonica - Partitura. Composed by Luciano Chailly. MGB. Contemporary Music. Score Only. Composed 1975. Ricordi #NR132207. Published by Ricordi (HL.50494671).

PER ORCHESTRA SINFONICA - PARTITURA.

35 Pieces for Piano Solo on the Quirky Side. By Various. Boosey and Hawkes Piano. 56 pages. Published by Boosey & Hawkes.

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1115235-140

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2011. 84 pages. De Haske Publications #DHP 1115235-140. Published by De Haske Publications (BT.DHP-1115235-140).

9x12 inches. English-German-French-Dut ch.

The Atlas Symphony for symphonic wind band is an impressive and subtle work, thematically complex, with a rich orchestration, but also great beauty. The composer was keen to draw a parallel between an atlas, where all the geographical maps of the world are collected in one book, and his score, which brings together all the facets of his musical style. Despite being written without any breaks, the symphony is structured around three main ideas. It is based upon a series of notes that will become the very essence of the piece, its building blocks. Like the works of composers of serial music, the series appears in different forms - melodic and harmonic, thematic or simply asan accompaniment. With its wealth of rhythms and contrapuntal power, this piece is a compelling concerto for orchestra. The Orchestre de la Police Nationale was the first to be attracted to this work and premiered it with excellence under the baton of composer Thierry Deleruyelle.

Die Atlas Symphony für symphonisches Blasorchester ist ein eindrucksvolles, feinsinniges Werk, mit einer komplexen Thematik und einer reichhaltigen Orchestrierung, aber dennoch anmutig. Der Komponist beabsichtigte, eine Parallele zwischen einem Atlas, der geografische Karten der ganzen Welt enthält, und seiner Partitur zu ziehen, die alle Facetten seines persönlichen Musikstils enthält. Obwohl sie ohne Unterbrechung geschrieben ist, ist diese Symphonie doch auf drei Hauptachsen aufgebaut. Sie basiert auf einer Reihe von Noten, welche die Quintessenz, das Material des gesamten Stückes bilden. Wie bei den Komponisten serieller Musik tritt diese Reihe in verschiedenenGestalten auf - melodisch oder harmonisch, thematisch oder einfach als Begleitung. Mit seinem Reichtum an Rhythmen und der kontrapunktischen Brillanz ist die Atlas Symphony ein wahrhaftes Konzert für Orchester. Das Orchestre de la Police Nationale (Frankreich) war das erste Orchester, das sich von diesem Werk verführen ließ und spielte eine brillante Uraufführung unter der Leitung des Komponisten Thierry Deleruyelle.

La Symphonie Atlas pour grand orchestre d’harmonie est une œuvre imposante et subtile, l’orchestration riche et la thématique complexe mais néanmoins gracieuse. Le compositeur a tenu faire un parallèle entre l’Atlas, ce livre où toutes les cartes géographiques du monde sont répertoriées et sa partition, qui possède toutes les caractéristiques de son style musical. Volontairement écrite d’un seul tenant, elle s’articule néanmoins en trois axes. Sa construction est basée sur une série de notes qui deviendront l’essence même de la pièce, son matériau. Tel le travail des compositeurs de musique sérielle, « la série » apparaitra sous différentes formes, mélodiqueet harmonique, thématique ou simplement d’accompagnement. Sa richesse rythmique et son pouvoir contrapuntique fait de cette pièce un véritable concerto pour orchestre. C’est l’Orchestre de la Police Nationale qui a le premier été séduit par l’œuvre et qui en a fait la brillante création sous la direction du compositeur Thierry Deleruyelle.

Atlas Symphony è un brano grandioso, di enorme bellezza, pieno di sfumature, tematicamente complesso, con una ricca orchestrazione. La sinfonia è scritta senza interruzioni e basata su una serie di note che vengono proposte nella melodia, nell’armonia e nel tema. La ricchezza di ritmi e la brillantezza dei contrappunti, fanno di Atlas Symphony un brano da concerto perfetto.

Guitar - Intermediate

SKU: OT.26114

Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114).

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twiss. Squareback saddle stitch, Solos and Duets, Banjo: 5-String. Book and online audio. 120 pages. Mel Bay Publications, Inc #30718M. Published by Mel Bay Publications, Inc

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Elena Abend. Schirmer Performance Editions. Classical. Softcover Audio Online. 48 pages. Published by G. Schirmer

Edited by Nancy Bachus. perf. Daniel Glover. For Piano. Piano Collection. Spirit Series. Masterwork. Level: Early Intermediate / Intermediate (grade 3/4/5). Book and CD. 64 pages. Published by Alfred Publishing.

SKU: HL.50580422

Ricordi Germany. Hal Leonard #MMV5436. Published by Hal Leonard (HL.50580422).

Saxophone

SKU: HL.48183848

Composed by Jacques Casterede. Leduc. Classical. Softcover. 44 pages. Alphonse Leduc #AL26088. Published by Alphonse Leduc (HL.48183848).

UPC: 888680860233. 9.0x12.0x0.167 inches.

1.Ouverture ; 2.Moto perpetuo; 3.Aria; 4.Contrapunti (for alto saxophone and percussion).

SKU: HL.14046160

CARISCH - MUSIC SALES. General Merchandise. Hal Leonard #MK29. Published by Hal Leonard (HL.14046160).

ISBN 9788850711512.

Alto Saxophone and Piano

SKU: BT.PL1188

Book and Part(s). Pierre Lafitan Editions #PL1188. Published by Pierre Lafitan Editions (BT.PL1188).

Organ

SKU: HL.48184749

Composed by Jean Langlais. Leduc. Classical. Softcover. 46 pages. Alphonse Leduc #AL27897. Published by Alphonse Leduc (HL.48184749).

UPC: 888680842598. 0.171 inches.

French Suite for Organ by Jean Langlais is a set of ten French pieces for Organ. Of increasing difficulty, these pieces require an advanced knowledge of the instrument, its technique and of the use of pedals. The book is divided in the following pieces: I. Prelude sur les grands jeux - Allegro II. Nazard - Moderato III. Contrepoint sur des jeux d?anche ? Espressivo IV. Francaise - Allegro V. Choral sur la voix humaine - Andantino VI. Arabesque sur les flutes - Vivace VII. Meditation sur les jeux de fonds - Largo VIII. Trio - Moderato IX. Voix celeste ? Vivo/Lento X. Final Rhapsodique - Vivo Jean Langlais was a French composer who contributed greatly to the Organ repertoire..

Piano

SKU: BT.MMV-5436

Composed by Michael Denhoff. Book Only. Composed 2007. Mannheimer Musikverlag #MMV 5436. Published by Mannheimer Musikverlag (BT.MMV-5436).

For Violin, Viola and Violoncello. By Darius Milhaud. String trio. For Violin, Viola, Cello. Classical. Score and parts. 8 pages. Published by Theodore Presser Company.

Harmonica

SKU: CU.EC11475

Da Josquin a Stravinsky. Composed by Harold Owen. Published by Edizioni Curci (CU.EC11475).

ISBN 9788863950595.

Composed by Johann Joseph Fux (1660-1741). Method / Etudes. Book and CD. 97 pages pages. Published by Editions Henry Lemoine (LM.28933).

Musical Education

SKU: HL.50579455

Composed by Christian Manen. Max Eschig. Harmony. Book Only. Composed 2001. Hal Leonard #ME7973. Published by Hal Leonard (HL.50579455).

By Johann Sebastian Bach. Edited by Forbes. For Violin, Violoncello. Canon alla duodecima (in contrapunto alla quinta) and 2 Canons per augmentationem (in contrario motu); BWV 1080. Published by C.F. Peters.

SKU: HL.14079546

Heugel. General Merchandise. Duration 240 seconds. Heugel & Cie #HE32646. Published by Heugel & Cie (HL.14079546).

Brass quintet

SKU: RM.SL10156

Composed by Jean Michel Defaye. Quintet of brass. Chamber music. Duration 12 minutes. Editions Robert Martin #SL10156. Published by Editions Robert Martin (RM.SL10156).

ISBN 9790231091564.

SKU: HL.50495392

Ed. It. L. Azzaroni. By L. Azzaroni. By De La Motte D. MGB. Books on Music. Book [Softcover]. Composed 1991. Ricordi #NR135332. Published by Ricordi (HL.50495392).

ISBN 9788875920944. Italian.

ED. IT. L. AZZARONI.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0981369-010

Composed by Piet Swerts. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981369-010. Published by De Haske Publications (BT.DHP-0981369-010).

Lorsque Piet Swerts eut l’idée de composer une œuvre basée sur la musique klezmer, il se soumit en premier lieu un véritable travail de détective, recherchant la fois, les mélodies originales qui seraient les plus aptes correspondre une utilisation sous forme de thème, ou bien l’inverse, des mélodies susceptibles de créer un contraste approprié. Après une ouverture sombre et mystérieuse, il introduit plusieurs mélodies mélancoliques aux couleurs orientales, dont l’air Zemer Atik. La mélodie d’un autre chant traditionnel juif est ensuite exposée. En juxtaposant cette ligne mélodique un contrepoint aux accents des musiques d’Europe de l’Est, Piet Swertsréussit créer un espace sonore orchestral intriguant et créatif. Shirim poursuit son développement sur une succession de mélodies très enlevées, et particulièrement colorées : Uri Tzion, Sher et Ki Mitziyon mènent l’œuvre vers un finale pétillant et éclatant. Shirim (mot hébreu signifiant « chansons ») est une rhapsodie klezmer qui illustre la perfection la diversité et la richesse de la musique traditionnelle juive.

Concert Band/Harmonie (Score & Parts) - Grade 4

SKU: HL.44011417

Composed by Franco Cesarini. Mitropa Music Concert Band. Concert Piece. Score Only. Composed 1992. Hal Leonard #M007492. Published by Hal Leonard (HL.44011417).

UPC: 884088893057.

A Festival Anthem developpe deux motifs : l'un ecrit sous la forme d'une fanfare (introduction), l'autre reprenant le celebre carillon londonien de Big Ben. De ce second motif derive le theme principal, associe avec une structure en contrepoint. La deuxieme partie de l'œuvre est constituee d'inversions et de renversements des motifs et themes initiaux. Le motif Big Ben est un motif en ostinato. La reprise du theme premier mene l'œuvre vers une conclusion majestueuse.

Orchestra - Grade 4

SKU: HL.14042981

Composed by Ib Norholm. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31851. Published by Edition Wilhelm Hansen (HL.14042981).

ISBN 9788759828304.

Symp hony No. 13 was composed in 2013 by Danish composer and organist Ib Norholm . Symphony No. 13 has been composed for full orchestra.