From The Creation. Composed by Franz Joseph Haydn (1732-1809) and English transl...(+)
From The Creation.
Composed by Franz Joseph
Haydn (1732-1809) and
English translation by
Baron van Swieten.
Arranged by Earlene
Rentz. Masterworks;
Performance Music
Ensemble; Single Titles.
Alfred Archive Edition:
Belwin Festival Series.
Classical; Masterwork
Arrangement; Sacred.
Choral Octavo. 12 pages.
Belwin Music
#00-OCTM05012. Published
by Belwin Music
Mass of Creation - Vocal Edition. (SATB Vocal Edition). By Marty Haugen. For SAT...(+)
Mass of Creation - Vocal
Edition. (SATB Vocal
Edition). By Marty
Haugen. For SATB Choir
and Keyboard
accompaniment. Mass.
Sacred. Choral parts
only. Text language:
English. 20 pages.
Published by GIA
Publications
Composed by Jeremy J. Bankson. Building Dedication, 21st Century, Creation/Nat...(+)
Composed by Jeremy J.
Bankson. Building
Dedication, 21st
Century,
Creation/Nature, Music.
Full score. Published by
MorningStar Music
Publishers (MN.60-9761).
Here is an
anthem with fresh
perspective and
innovative musical
elements. Unfolding
slowly, this
impressionistic tone poem
marries text and music
with great care and
elegance. The lyric
comparison of creation to
a sanctuary is unique
but, when joined with the
composer's palette of
compositional colors, the
result is an anthem of
great scope and beauty.
Praiseworthy!
SKU: HL.48181899 Composed by Pierre Gabaye. Leduc. Classical. Alphonse Le...(+)
SKU: HL.48181899
Composed by Pierre
Gabaye. Leduc. Classical.
Alphonse Leduc #AL21908.
Published by Alphonse
Leduc (HL.48181899).
UPC: 888680954697.
9.0x12.0x0.165
inches.
Recreation
(1958) by Pierre Gabaye
is a piece for Brass
Quartet including a
Piano: Trumpet, Horn,
Trombone and Piano. Ideal
for concert and recitals,
this very melodious and
light-hearted work lasts
12?30 minutes. The Piano
part is as difficult as
the Brasses, which are
also really harmonious
together. It is divided
into three movements: I.
Allegretto II. Largo III.
Presto Pierre Gabaye
(1930-2000) was a French
musician who composed
both Classical and Jazz
music and won the Prix de
Rome in 1956..
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-15. Published by
Breitkopf and Haertel
(BR.OB-4381-15).
ISBN
9790004306802. 10 x 12.5
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Choir SKU: HP.C6114C Composed by Keith Getty, Kristyn Getty, and Stuart T...(+)
Choir
SKU:
HP.C6114C
Composed by
Keith Getty, Kristyn
Getty, and Stuart
Townend. Arranged by
Lloyd Larson. Piano with
Optional Cello, Flute,
Oboe, Violin. General
Worship, God, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6114C.
Published by Hope
Publishing Company
(HP.C6114C).
UPC:
763628961145. By Keith
Getty, Kristyn Getty &
Stuart
Townend.
Familiar
anthem by Keith
Getty, Kristyn
Getty & Stuart
Townend This stirring
anthem celebrates the
wonders of God's creation
and reminds us that all
of creation sings
Hallelujah! and that we
must tell the wonders of
creation's King.
Compelling vocal parts
are supported by a solid
rhythmic accompaniment
with options to add
violin, cello and
percussion. Instrumental
parts: Conductor's Score,
Violin, Cello, Acoustic
Guitar, Upright Bass,
Percussion & Piano.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Sacred
vocal music, Masses,
Latin. Choral Score.
Duration 35 minutes.
Carus Verlag #CV
27.053/05. Published by
Carus Verlag
(CA.2705305).
ISBN
9790007113520. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score available
separately - see item
CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/14. Published by
Carus Verlag
(CA.2705314).
ISBN
9790007199593. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Composed
by Franz Joseph Haydn.
Edited by Armin Kircher.
Arranged by Luigi Gatti.
Sacred music from
Salzburg. German title:
Schopfungsmesse. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 35
minutes. Carus Verlag #CV
27.053/19. Published by
Carus Verlag
(CA.2705319).
ISBN
9790007133887. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 24 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/49. Published by
Carus Verlag
(CA.2705349).
ISBN
9790007199616. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Eusebius
Mandyczewski. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
In
the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Full score.
232 pages. Duration 120'.
Breitkopf and Haertel #PB
4381. Published by
Breitkopf and Haertel
(BR.PB-4381).
ISBN
9790004203002. 9 x 12
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 28
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-19. Published by
Breitkopf and Haertel
(BR.OB-4381-19).
ISBN
9790004306826. 10 x 12.5
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 28
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-27. Published by
Breitkopf and Haertel
(BR.OB-4381-27).
ISBN
9790004306840. 10 x 12.5
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. 1x 27.053/21
flute 1, 1x 27.053/22
flute 2, 1x 27.053/31
horn 1, 1x 27.053/32 horn
2, 1x 27.053/33 trumpet
1, 1x 27.053/34 trumpet
2, 1x 27.053/41 timpani.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. 60
pages. Duration 35
minutes. Carus Verlag #CV
27.053/09. Published by
Carus Verlag
(CA.2705309).
ISBN
9790007199555. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and parts
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Viola.
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/13. Published by
Carus Verlag
(CA.2705313).
ISBN
9790007199586. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.053/15. Published by
Carus Verlag
(CA.2705315).
ISBN
9790007199609. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Oratorio. Composed
by Franz Joseph Haydn.
Folder.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Set of parts.
174 pages. Duration 120'.
Breitkopf and Haertel #OB
4381-30. Published by
Breitkopf and Haertel
(BR.OB-4381-30).
ISBN
9790004306857. 9 x 12
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 1.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/11. Published by
Carus Verlag
(CA.2705311).
ISBN
9790007199562. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-16. Published by
Breitkopf and Haertel
(BR.OB-4381-16).
ISBN
9790004306819. 10 x 12.5
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312).
ISBN
9790007199579. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Choral SATB voices with piano SKU: PR.712409270 Christmas Anthem for S...(+)
Choral SATB voices with
piano
SKU:
PR.712409270
Christmas Anthem for
SATB Voices and
Piano. Composed by
Vicki Tucker Courtney.
Christmas and Holiday.
Christmas; Sacred. With
Standard notation.
Abingdon Press
#712-40927. Published by
Abingdon Press
(PR.712409270).
UPC:
843504000851. Text: Herb
Frombach. Herb
Frombach.
A lovely
Christmas anthem,
Christmas Creation
celebrates God's act of
creation as found in
Genesis and the Birth of
Jesus. Optional solos are
available, and a flute
would also greatly
enhance the impact of
this octavo. This piece
is ideal for Christmas
Eve and Christmas Day
services. For advanced
church choir.
Choral (SATB Choir) SKU: HL.35026093 Composed by Mark Patterson and Trilb...(+)
Choral (SATB Choir)
SKU: HL.35026093
Composed by Mark
Patterson and Trilby
Jordan. Shawnee Sacred.
General Worship,
Thanksgiving. Octavo. 12
pages. Shawnee Press
#A7926. Published by
Shawnee Press
(HL.35026093).
As the
title suggests, the text
of this dynamic choral
explores the awesome
wonder of God's creation.
Energy and excitement
drive this rhythmic
musical description of
the beauty and
magnificence of our
world. “The Wonder
of Creation” is a
joyful song of praise for
Thanksgiving or
anytime.
Revised
Order of Mass 2010.
Composed by Marty Haugen.
Mass. Mass. Sacred.
Handbell score. With
guitar chord names. 24
pages. GIA Publications
#9252. Published by GIA
Publications (GI.G-9252).
UPC: 785147925293.
English. Text Source:
Eucharistic Prayer for
Masses with Children
II, Revised Order of
Mass 2010.
In 1984,
Marty Haugen released his
Mass of Creation. For the
next thirty years it
enjoyed the distinction
of being perhaps the most
performed mass setting in
Roman Catholic worship.
Now, more than five years
after the release of the
revised Order of Mass
2010, the revised edition
of Mass of Creation has
once again surfaced as
the most popular setting
in the GIA catalog. In
response to its
popularity, Marty has
crafted two eucharistic
prayer settings:
Eucharistic Prayer III
(with five varied
prefaces) and Eucharistic
Prayer II for Children,
complete with all the
additional
acclamations.
Composed by Newton.
Concert Band. RWS
Symphony Band Series.
Score and set of parts.
Composed 2020. Duration 4
minutes, 38 seconds. RWS
Music Company
#RWS-2021-00. Published
by RWS Music Company
(CL.RWS-2021-00).
Depicting the
creative work of American
inventor Charles F.
Kettering, Bryce
Newton’s Spark of
Creation portrays the
relentlessly inventive
nature of
Kettering’s mind.
After a bold and driving
introduction, the piece
gives way to a lush
chorale, symbolic of the
success and extreme merit
of Kettering’s
contributions to our
modern society. Spark of
Creation merges history,
music and the curiosity
of the human mind into a
setting that your
students and audiences
will thoroughly enjoy. An
outstanding selection for
festivals and
contests!