| 113. Country Gospel USA Piano Facile [Partition] - Facile Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 120 pages.
Published by Hal Leonard.
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Joy Of Children's Favorites Piano, Voix et Guitare [Partition] - Facile Music Sales
With activities by Joy Yelin. Book. Published by Music Sales. (YK21392) Sevent...(+)
With activities by Joy
Yelin. Book. Published by
Music Sales. (YK21392)
Seventy best loved songs,
nursery rhymes, play
tunes, and singing games
with activities. Easy
piano arrangements with
words and chord names.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| DJM-A9 Mixer Aucune valeur Hal Leonard
SKU: HL.1215597 Pioneer DJ. DJ Gear. Duration 153 seconds. Hal Leonard #D...(+)
SKU: HL.1215597
Pioneer DJ. DJ Gear.
Duration 153 seconds. Hal
Leonard #DJM-A9.
Published by Hal Leonard
(HL.1215597). UPC:
841300102281.
19.0x23.0x9.0
inches. The DJM-A9
raises the bar for club
standard, professional
mixers with stunningly
clear sound quality,
enhanced playability and
connectivity, and a host
of new features to take
performances to the next
level. The DJM-A9's new
layout design makes it
more instinctive and
comfortable to play.
Spacing was added around
the EQ knobs. The channel
faders and the MAGVEL
FADER crossfader are
slicker than those on the
DJM-900NXS2, to enable
performers to mix and
scratch more efficiently.
And the Sound Color FX
include the world's first
Center Lock feature, to
ensure artists don't
accidentally cross over
between the hi/low
parameters. Beat FX are
more instinctive to use
on the DJM-A9 thanks to
the new color display and
revamped X-Pad, which is
now arranged horizontally
for simple, sideways
finger sliding. The Beat
FX channel selector is
now a dedicated button,
enabling quicker effect
routing, and the Multi
I/O section has been
upgraded to offer true
send capabilities. In
total, there are 14 Beat
FX to play with,
including 3 new ones.
Through fine-tuning and
improved construction
with carefully selected
components, the
microphone section of the
DJM-A9brings new
possibilities when
streaming or MCing.
Artists can connect a
condenser mic directly to
the DJM-A9 for the best
possible vocal sound
quality thanks to the
phantom power supply to
the mic input, which is
an industry-first feature
on a DJ mixer. To
dynamically change the
sound of the artist's
voice, there are 3
different mic effects
plus a dedicated reverb
to play with. Changing
DJs or playing
back-to-back is a breeze
on the DJM-A9 thanks to
the dual sets of USB
Type-B and Type-C ports,
which enable artists to
connect two PCs/Macs
running either
rekordboxor Serato DJ
Pro. And the mixer's
expanded connectivity
opens up new
possibilities for artists
performances. If an
artist wants to play
tracks from a mobile
device,
Bluetooth®/MDinput makes
it easy on the DJM-A9.
The audio can be routed
to any channel, and an
artist can use all the
mixer's effects to change
the sound. $2699.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| An American Spectacular: A Musical History of the United States Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
Arranged by Chris Sharp. For concert band. FJH Concert Band. Full set (score and...(+)
Arranged by Chris Sharp.
For concert band. FJH
Concert Band. Full set
(score and parts). Score
only also available:
B1486S. Grade 3.5. Score
and parts. Duration 6
minutes, 30 seconds.
Published by The FJH
Music Company Inc
$80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...(+)
By Various. For C
Instruments. Fake Book.
Softcover. 560 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Path to the Cross Piano seul Lorenz Publishing Company
| | |
| Southern Sundays - CD Preview Pak CD Chorale Word Music
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689588365 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate SKU:
WD.080689588365
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Christmas. CD
preview pak. Word Music
#080689588365. Published
by Word Music
(WD.080689588365).
UPC:
080689588365. Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best! Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Southern Sundays - Practice Trax Chorale SATB SATB, Piano Word Music
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689705021 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate SKU:
WD.080689705021
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Christmas. Practice
trax. Word Music
#080689705021. Published
by Word Music
(WD.080689705021).
UPC:
080689705021. Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best! Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Southern Sundays - Orchestration Chorale SATB SATB, Piano Word Music
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689505676 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate SKU:
WD.080689505676
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Southern Gospel.
Orchestration. Word Music
#080689505676. Published
by Word Music
(WD.080689505676).
UPC:
080689505676. Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best! Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time. $399.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Southern Sundays - Bulk CD (10-pak) Chorale SATB SATB, Piano Word Music
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689801723 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate SKU:
WD.080689801723
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Eastertide. Bulk CD
(10-pak). Word Music
#080689801723. Published
by Word Music
(WD.080689801723).
UPC:
080689801723. Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best! Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time. $69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| San Pedro de Alcântara Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres. $209.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
(3)$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sing & Praise Piano seul Music Sales
| | |
| Lift Up the Cross Chorale SATB - Facile Lillenas Publishing Co.
SATB choir - Easy SKU: LP.765762078321 Composed by Dennis Allen & Nan All...(+)
SATB choir - Easy SKU:
LP.765762078321
Composed by Dennis Allen
& Nan Allen. Musical.
Excel Series. Easter,
Sacred and Choral.
Rehearsal CDs. Duration
35m. Published by
Lillenas Publishing
Company
(LP.765762078321).
UPC:
765762078321. Rehea
rsal tapes and CDs are an
excellent tool to help
choir singers learn their
parts for musicals. Each
set contains four
recording masters - one
for each part (soprano,
alto, tenor, bass). The
entire choir and the
accompaniment can be
heard on each tape;
however, one part
(soprano, for instance)
is dominant. There is a
moderate charge to make
copies for choir members
which you report on the
Rehearsal Agreement which
comes with your order for
Rehearsal Masters. This
charge covers only the
cost of royalties.
Payment must be returned
with the completed
Rehearsal Agreement
form. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Get Set! Piano My First Piano Book Piano seul Chester
Piano SKU: BT.9780008353230 By Em Wilson. By Karen Marshall. Get Set! Pia...(+)
Piano SKU:
BT.9780008353230 By
Em Wilson. By Karen
Marshall. Get Set! Piano.
Tuition. Book Only.
Composed 2020. 64 pages.
Collins Music Publishing
#9780008353230. Published
by Collins Music
Publishing
(BT.9780008353230).
ISBN 9780008353230.
English. My First
Piano Book introduces
young children to the
piano and music-making
through fun activities,
rhymes, songs and pieces.
The author’s
tried-and-tested
progression covers note
learning, theory, aural
and composing through
acreative and holistic
approach. Many pieces
have simple teacher duet
parts to encourage
ensemble playing from the
start, and the book is
illustrated throughout in
the charming Get Set!
style. This carefully
designed tutor
willinspire, entertain
and, most importantly,
nurture a love of music
that can last a lifetime.
Suitable for children
aged 5+. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Daily Ukulele: Leap Year Edition for Baritone Ukulele Ukulele Baryton Hal Leonard
366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Belof...(+)
366 More Great Songs
for Better Living.
Arranged by Jim Beloff,
Liz Beloff. Fake Book.
Country, Pop,
Standards. Softcover. 416
pages. Published by Hal
Leonard (HL.212971).
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Daily Ukulele - Leap Year Edition Ukulele [Fake Book] Hal Leonard
(366 More Songs for Better Living). By Various. Arranged by Jim Beloff and Liz B...(+)
(366 More Songs for
Better Living). By
Various. Arranged by Jim
Beloff and Liz Beloff.
Fake Book. Softcover. 416
pages. Published by Hal
Leonard
$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Gospel Songs and Hymns for Violin and Guitar Violon, Guitare (duo) - Intermédiaire Mel Bay
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guita...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan.
Violin,Guitar:
Gospel and
Sacred,Style,Gospel/Sacre
d,Du
ets and
Ensembles,Solos,Duets
and Ensemble,Solos. 100
Hymns. Book. 120 pages.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Gospel Songs and Hymns for Cello and Guitar Violoncelle , Guitare (duo) - Intermédiaire Mel Bay
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Cello,Guitar...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan.
Cello,Guitar:
Gospel and
Sacred,Style,Gospel/Sacre
d,Du
et/Ensemble,Solos,Duets
and
Ensemble,Solos. 100
Hymns.
Book. 120 pages.
Published by
Mel Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Group 1 **pop** Schott
SKU: HL.49014419 Composed by John Horton. Edited by John Horton. This edi...(+)
SKU: HL.49014419
Composed by John Horton.
Edited by John Horton.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Student book. 58 pages.
Schott Music #ED
11068-01. Published by
Schott Music
(HL.49014419). ISBN
9780901938183.
English. $5.95 - Voir plus => Acheter | | |
1 31 Page suivante 61 91 ... 331 |