100 Ultimes Riffs Blues for Clarinet, la série débutant par le musicien, pédagogue et auteur de renommée mondiale Andrew Gordon D. est un guide exhaustif pour introduire les étudiants débutants aux différentes phrases ou des 'riffs' qui composent le jeu de clarinette Blues, tant sur le rythme et solo point de vue.En raison de la poursuite du succès de son livre plus avancé 100 Ultimes Riffs Blues pour Andrew a décidé à l'auteur d'un livre du même type pour les étudiants débutants. Ce livre est idéal pour le débutant à intermédiaire étudiant en musique avec la plupart des exemples notées en touches plus faciles. En plus d'apprendre à jouer des riffs blues le livre est un outil utile pour la lecture à vue avec de nombreux exercices de rythmes différents.La progression 12 bar blues et le blues échelle, de l'avis d'André, les deux aspects les plus importants de jouer le Blues est expliqué en détail ainsi que 'droite' et de 'swing' rythmes. Il ya cinq sections aux riffs dans le livre, l'article 1 contient des riffs de blues de base, section 2 contient Rhythm and Blues riffs influencés, section 3 contient Blues / Boogie Woogie riffs, article 4 contient des riffs blues rock influencé et à l'article 5 contient Evangile Blues influencé riffs. Inclus avec ce livre est un CD audio qui contient tous les riffs, enregistrée deux fois: d'abord, la mélodie de clarinette, piano, guitare, basse et batterie et la seconde juste la piste rythmique de piano, guitare basse et de la batterie afin que vous puissiez jouer-a-long . / Clarinette

Boogie-Woogie Et Le Blues est dédié à tous les grands et les Blues Boogie-Woogie pianistes qui Andrew a eu le privilège d'écouter au cours des 40 dernières années. Son premier souvenir d'être inspiré pour apprendre le piano blues était en 1968 quand il a entendu le solo de piano Blues par Nicky Hopkins sur la chanson 'Blues Deluxe' de Jeff Beck, l'album 'Vérité' premier Tout comme ce solo de piano lui a inspiré, à son tour, il espère ces chansons vous inspirer de la même manière. La chanson 'Boogie avec Nicky' est dédié à Nicky Hopkins. Il espère que vous avez le même plaisir apprendre et de jouer ces chansons comme il ne leur création.Il ya neuf chansons dans ce livre qui compose Andrew allant des Blues lents de Blues RH à l'up-tempo Boogie-Woogie de Boogie Holly et Ben, ainsi que le Ragtime se sentent de Blues Raggedy. Outre l'apprentissage de ce livre, il est important d'écouter les maîtres du blues et des styles de piano boogie-woogie, une discographie à la page 2 vous permettra de démarrer. / Piano

Un recueil soigneusement groovy de plus de 50 ans les riffs de 12-bar qui couvrent les styles de la gamme complète de Blues de ballades aux Blues Honky-Tonk, funky et jazzy. Chaque riff est accompagnée d'une démonstration des pistes du CD, avec sept pistes de confiture complet 3 minutes à la fin du disque de fournir beaucoup d'improviser des options de la pratique. Il y a une foule de détails stylistiques pour vous aider à capturer les rainures droite - avant que vous le connaissez vous le brouillage et improviser votre propres solos de Blues ! / Piano (Ou Clavier) / 76 pages / niveau : Débutant / Partition Cd

Méthode pour les guitaristes de Blues ou de Rock débutant. Vous trouverez dans ce livre une initiation à la théorie du Blues et une présentation des techniques de main gauche. Vous découvrirez aussi l'accompagnement Texas swing, les blues lents ou mineurs et les styles des grands maîtres tels que Muddy Waters, Buddy Guy et beaucoup d'autres. Le phrasé en question-réponse, les intros, les turnarounds et l'improvisation sont aussi traités. C'est la meilleure méthode progressive de guitare pour aborder l'esprit et les techniques du blues.Inclus un CD avec beaucoup d'exemples. / Guitare

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

For Bb (Tenor) Sax - Beginner Series. Par GORDON ANDREW D.. Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your ownimprovisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. / Niveau : 1 / Recueil / Saxophone Ténor

Beginner Series. Par GORDON ANDREW D.. Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google+ Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google+ / Niveau : Facile à Intermédiaire / Etude / Trombone

Cette méthode va vous enseigner les bases du blues à la basse, par l'apprentissage et la pratique de lignes et grooves spécifiques. Ainsi, au fil des 7 chapitres qui la composent, vous découvrirez la structure typique du blues, mais aussi comment l'accompagner, que ce soit du point de vue rythmique (ternaire ou binaire) ou harmonique (notes des accords, sixte, chromatismes, gammes pentatoniques...). Chacune de ces notions est bien sûr abondamment mise en pratique, avec une multitude de grilles inspirées des plus grands maîtres du style. Des standards du blues que vous aurez beaucoup de plaisir à jouer, et qui, parallèlement, élargiront votre culture musicale, tout en vous faisant progresser dans la pratique de la basse. Bien évidemment, tout ce que vous aurez appris ici vous servira également ailleurs, c'est-à-dire dans d'autres styles musicaux (rock, pop, métal, jazz...).?Car, en musique, le blues est à la base de bien des choses ! Sur le disque joint à la méthode, vous trouverez plusieurs fichiers audios et vidéos. Les vidéos (mp4) présentent en images les multiples lignes de basse telles qu'elles doivent être jouées, à vitesse normale puis au ralenti. Les enregistrements audios (mp3), pour leur part, proposent les playbacks correspondants, là encore à deux tempi différents.?Vous pourrez donc y jouer à votre tour les lignes proposées, et dans un deuxième temps développer librement vos propres accompagnements, à l'aide des apprentissages divulgués. / Guitare Basse

Buster B. Jones est une fingerpicker hot-rod dont les principales influences sont Merle Travis, Jerry Reed, Chet Atkins et Thom Bresh. Sur cette session en direct, Buster gère certains des instrumentaux de guitare sauvage et laineux qui ont vendangeurs en herbe en secouant la tête avec étonnement! Jouer son en nylon Godin cordes guitare électrique et son Drednaught acoustique, le natif de Virginie mène une démonstration fascinante de la guitare fingerpicking styles de ses héros. (A un moment, il joue dans les styles de Travis, Atkins et Reed - le tout dans une chanson) En utilisant le synthétiseur intégré à son Godin, il traverse une étonnante diversité de sons - sifflets, chanteuses, banjo, trompette, etc - chacun avec un morceau musical approprié.Jeu Buster a la sensation d'une session informelle de back-porche, offrant une heure de conversation amusante et guitare picking dynamique. Chansons comprennent Buster B. Boogie, Live At Five, Linus et Lucy, jus d'orange, Fingers In Flight, Wild Turkey, Doigts de Funky et deux duos chaud et lourd avec son mentor et ami, Thom Bresh. / Guitare

Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my ?100 Ultimate Blues Riffs? book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. / Date parution : 2022-09-07/ Etude / Piano

Méthode pour débutant : livre CD harmonica. Apprenez à jouer de l'harmonica blues rapidement en écoutant le CD et en suivant le livre. De Amazing Grace et Oh Susanna aux techniques de bends, aux riffs de blues et aux effets wah wah, et pleins de grands solos de blues...plus les bends d'un ton, les bends soufflés, les trilles de langue et les secrets du bon Vibrato et des sauts de note...

Jouez avec un accompagnement d'orchestre: Ces incontournables du jazz, de la variété française et internationale sont proposés avec un accompagnement orchestré, réalisé par des musiciens professionnels. Un vrai plaisir de jouer ces classiques dans leur version originale avec le CD. / Guitare / Partition Cd

100 riffs de Blues pour instruments cuivres. Inclus un CD audio avec une piste démo et une piste playback pour chaque riff. / Trompette

Eric Kriss. Format clairement étape par étape, assez simple pour le débutant, enseigne les principaux styles et techniques essentielles. Structure de la corde, les lignes de basse, les diapositives et les syncopes etc. sont tout expliqués. / Piano / 64 pages / Partition