Par DIIANNI ALDO. Les danses folkloriques italien pour accordéon se concentre sur dix de la plupart des styles de danse connus et populaires. Ces morceaux de début-intermédiaire en vedette la polka, Tarentelle, mazurka et plusieurs styles de danse plus qui offre un ajout de nice à tout répertoire de joueurs. Ces pièces sont intéressants pour le matériel en solo ou considérant pour tout joueur d'accordéon. / Niveau : Débutant à Intermédiaire / Italian - Solos / Recueil / Accordéon ou Clavier

Contient: Allegro (Haydn) - Allegro Giusto (Gluck) - Andantino (Haydn) - Aria (Willst Du Dein Herz Mir Schenken) - The Ash Grove - Beautiful Dreamer - Camptown Races - Can't You Dance the Polka? - Choros (Gordon) - Come Where My Love Lies Dreaming - The Dusky Night - Finale (Haydn) - Gavotte - Gavotte from Don Juan (Gluck) - Italian Song - March (Mozart) - March in D Major - Minuet (Haydn) - Minuet I (Bach) - Minuet II (Bach) - Morning Prayer - The Red River Valley - Rosin the Beau - Samba (Gordon) - Sicilienne (Gluck) - Streets of Laredo - Tambourin - Waltz - Ye Belles and Ye Flirts. / Alto / 32 pages / Partition

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano

32 Masterworks For Solo Guitar. Aria - Goldberg variations BWV988 Toccata in D Minor Una limosna por el amor de Dios Casta Diva from Norma Fantasia no. 7 Land of Hope and Glory Salut d'Amour Wedding March Dedicatoria Alla Hornpipe Aria from Rinaldo Ombra mai fu I Vow to Thee My Country Alman Adagio from Oboe Concerto Abide with Me Ave verum corpus Duet Sull'aria… Che soave zeffiretto Fantasia no. 10 Amazing Grace Un bel di vedremo Rhapsody on a Theme of Paganini Vocalise Canarios Serenade - Swan Song no. 4 Of Foreign Lands and People The Liberty Bell March Capricho Arabe Pavana Dance of the Little Swans Dance of the Reed Pipes Hearts and Flowers/ Recueil / Guitare

Dites 'Bongiorno!' à ces 15 classiques italiens magistralement arrangés pour piano solo par Phillip Keveren. / Piano

For Horn and String Orchestra. Par ZEBELJAN I.. Italian / Musique contemporaine / Date parution : 1905-07-01/ Répertoire / Cor et Orchestre à Cordes

Complete collection of all the music for piano from Giovanni Allevi's 2005 album No Concept. It includes many of the best known songs of the Italian pianist and composer. / Piano/Vocal/Guitare (PVG)

Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem. The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem. The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Gluck, Christoph Willibald Orpheus and Eurydice Opera in three actsVienna Version 1762 Details Edition no.: BA 5845-90 ISMN: 9790006558735 Editor: Abert, Anna Amalie / Finscher, Ludwig Arranger: Moehn, Heinz Language(s) of work: Italian, German Language(s) of text: German, English, Italian Product format: Piano reduction, Urtext edition Comments: Replaces BA 2294-90 Binding: Paperback Pages / Format: XVI, 164 S. - 27,0 x 19,0 cm The premiere of the Azione teatrale ?Orfeo ed Euridice? took place in Vienna in 1762 and plays a significant role in the history of the music theatre. With this work, the composer for the first time rejected the rigid conventions of the Italian opera seria and made an important first contribution towards the renewal of opera genre. In collaboration with his librettist Calzabigi, Gluck reduced the plot to its essentials and freed it from the typical political and romantic intrigues which prevailed at that time. The choir takes on a larger role and the ballet is integrated into the plot. Solo and choral parts, instrumental music as well as pantomime and dance are closely connected. The style of singing has a natural simplicity and coloratura is largely abandoned. This stands in stark contrast to the vocal acrobatics of opera seria. · Urtext edition based on the ?Gluck Complete Works? · Revised and newly set · Italian libretto with singable German translation · Comprehensive foreword (Ger/Eng/Ital) on the genesis of the work and its reception as well as on the plot · Clear, idiomatic piano reduction

Finest single-volume edition includes authoritative scores of The Seasons, Op. 37. Album for the Young, Op. 39. 10 Characteristic Pieces, Op. 72. Dumka, Op. 59. Valse sentimentale, Op. 51, No. 6. 4 Pieces, Op. 40. Theme and Variations, Op. 19, No. 6. plus 5 early pieces. Content :
Five early pieces
Romance (Op. 5)
Valse-scherzo ' Waltz-scherzo (Op. 7)
Capriccio (Op. 8)
Polka de salon (Op. 9, No. 2)
Nocturne (Op. 10, No. 1)
Thème original et variations ' Original theme and variations (Op. 19, No. 6)
From Twelve Pieces (Op. 40)
No. 2 Chanson triste ' Sad song
6. Chant sans paroles ' Song without words
9. Valse ' Waltz
10. Danse russe ' Russian dance
Valse sentimentale ' Sentimental waltz (Op. 51, No. 6)
Doumka (Scène rustique russe) ' Dumka (Russian village scene) (Op. 59)
From Eighteen Characteristic Pieces (Op. 72)
No. 1 Impromptu
2. Berceuse ' Lullaby
3. Tendres reproches ' Gentle reproaches
4. Danse caractéristique ' Characteristic dance
8. Dialogue
9. Un poco di Schumann ' A bit of Schumann
12. L'espiègle ' The rascal
13. Echo rustique ' Countryside echo
15. Un poco di Chopin ' A bit of Chopin
16. Valse à cinq temps ' Waltz in five-beat time
Album for the Young (after Schumann) (Op. 39) [Restored to Tchaikovsky's original sequence]
Note
No. 1. Prière de matin ' Morning prayer
2. Le matin en hiver ' Winter morning
3. Maman ' Mama
4. Le petit cavalier ' The little horseman
5. Marches des soldats de bois ' Marches of the wooden soldiers
6. La nouvelle poupée ' The new doll
7. La poupée malade ' The sick doll
8. Enterrement de la poupée ' The doll's burial
9. Valse ' Waltz
10. Polka
11. Mazurka
12. Chanson russe ' Russian song
13. Le paysan prélude ' The peasant plays an introduction
14. Chanson populaire (Kamarinskaya) ' Folk Song
15. Chanson intalienne ' Italian song
16. Mélodie antique française ' Old French melody
17. Chanson allemande ' German song
18. Chanson napolitaine ' Neapolitan song
19. Conte de la vieille bonne ' The old maid-servant's tale
20. La sorciére (Baba-Yaga) ' The witch
21. Douce rêverie ' Sweet reverie
22. Chant de l'alouette 'Song of the lark
23. A l'église ' In church
24. L'orgue de barbarie ' The hurdy-gurdy
The Seasons (Op. 37bis)
Note and epigraphs
1. Janvier: Au coin du feu ' January By the fireside
2. Février: Carnaval ' February: Carnival
3. Mars: Chant de l'alouette ' March Song of the lark
4. Avril: Perce-neige ' April: Snowdrop
5. Mai: Les nuits de mai ' May: May nights [ White nights ]
6. Juin: Barcarolle ' June: Barcar
7. Juillet: Chant du faucheur ' July: The reaper's song
8. Août: La moisson ' August: The harvest
9. Septembre: La chasse ' September: The hunt
10. Octobre: Chant d'automne ' October: Autumn song
11. Novembre: En troïka ' November: In the troika
12. Decembre: Noël ' December: Christmas