SATB Choir and Piano

SKU: HL.14006694

Composed by Johann Sebastian Bach. Music Sales America. Sacred. Book [Softcover]. 52 pages. Music Sales #NOV070003. Published by Music Sales (HL.14006694).

ISBN 9780853604822. 7.0x10.0x0.428 inches.

Bach's Cantata No. 4 for SATB soli, SATB chorus and orchestra, edited by John E. West. This version is in English (translated by Paul England) and is arranged for all voice parts and piano.

Songbook for voice, piano and guitar chords. 120 pages. Published by Alfred Publishing.

Composed by Johann Sebastian Bach (1685-1750). Edited by Joseph Loux. For SATB recorders (4 recorders). Chorale. Baroque. Easy. 2 performance scores. Published by Loux Music Company

Concert Band; Orchestra 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A196148

Composed by Camille Saint Saens. Full Orchestra, Solo Keyboard with Ensemble, Solo Piano. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A196148. Published by LudwigMasters Publications (AP.36-A196148).

ISBN 9798892702683. UPC: 659359867958. English.

Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Cairo over the period of several months. While he was in Egypt, he composed his fantasia for piano and orchestra, AFRICA, Op. 89. Dedicated to pianist Marie-Aimée Roger-Miclos, it premiered on October 25, 1891, with the dedicatee playing the solo, and the work was an immediate success both at the premiere and after, which pleased Saint-Saëns a great deal to the point that he considered AFRICA a signature work. Borrowing themes and techniques from North African music, the fantasy draws on material he heard in Algeria and Egypt, offering an exotic sound to those listening in the late 19th and early 20th centuries. This concertante is notable also as one of the first works to be recorded with the composer as soloist, with a surviving 1904 recording with Saint-Saëns at the piano. This colorful piece continues to be performed regularly today. Reprint edition. Instrumentation: 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto Voice Solos, 2 soprano voice solos, 2 bass voice solos, Orchestra)

SKU: BA.BA04081

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 20. Complete edition, Score. HWV 23. Duration 3 hours. Baerenreiter Verlag #BA04081_00. Published by Baerenreiter Verlag (BA.BA04081).

ISBN 9790006497782. 33 x 25.8 cm inches.

In his libretto for “ Riccardo primo”, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno ” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro” and “ Admeto ” for them. He began composing “ Riccardo ” in spring 1727, completing the first version on 16 May.
However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears.
From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy.

The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion†¹â€™ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina .

The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Sheet Music Selections from the Original Motion Picture Soundtrack). For Keyboard; Piano; Voice. This edition: Piano/Vocal. Book; Piano/Vocal/Chords; Shows & Movies. Movie. 76 pages. Published by Alfred Music

SATB choir

SKU: CA.965500

Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Corpus Christi, Eucharist, Communion. Full score. Composed 2012. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.655/00. Published by Carus Verlag (CA.965500).

ISBN 9790007164409. Language: Latin.

For faithful Catholics it is the great mystery, and for those who are not Christian believers it is incomprehensible, possibly even off-putting - the mystery of the Eucharist. As far back as the late medieval period, the verse prayer Ave verum inimitably captures the special atmosphere of the contradiction between a terrible death and the redemption of mankind. Matsushita sets an early version of this prayer for the Eucharist in motet-like ABA form. A floating melody, alternating precisely between major and minor and first sung solo by all four voices in transposition, introduces the piece in a contemplative style. The scale is then altered in the counterpoint to a pure Dorian mode, contrasting in the middle section at the text vere passum, where Matsushita accompanies the increasingly wide-ranging melody and its chromatic, augmented intervals, by increasingly dissonant chordal shifts like a fauxbourdon. From this the tonal high point develops into an almost perfect F major, which then finally picks up on the opening motif for the added lines of text O Jesu dulcis, o Jesu pie... before ebbing away in F major. Voice range: S: des' - fis'' / A:gdeg - d'' / T: cdeg - as' / B: F - c'.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102612

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, Violin 2. Composed 1724. BWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.026/12. Published by Carus Verlag (CA.3102612).

ISBN 9790007205270. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

Cello and Harpsichord

SKU: AY.VCP3145PM

Composed by Rafael Cavestany. Strings - Cello. Score & Parts. Duration 15'. Periferia Publishing #VCP3145PM. Published by Periferia Publishing (AY.VCP3145PM).

ISBN 9790543576087.

The work consists of three movements in which there is a continuous presence of the notes B, A, C and H. In an open way, or sounding at the same time (which creates a strong dissonance of four semitones) the four notes are the composing excuse of the whole work. The first movement is a memory of a non-stop life, that turns frenetic and almost painful. It is a quick movement, with no breaks or relief and even hasty some times. It is a memory of the restless life of Bach. A barrage of music with neither pauses nor rests. The second movement is a chant and a moan to his death. With the harpsichord tempo of a funeral march, the movement is ruled by the sound of the cello that, in occasions, tries to raise its sound to the highs, in a praise attitude but also as a sort of reproach for not reaching it. The last movement, prestissimo, is the continuous repetition of a sequence of seven bars. They will keep on repeating until the exhausted end from the dynamics of p p p until f f f. This is to exploit the different levels of dynamics that music gives us. At the same time we remember that musicians of the baroque only used as musical and stylistic form passing directly from forte to piano, skipping the medium levels. What Bach never did is used in this movement to the extreme.

(Voice and Piano)

SKU: HL.48181756

Composed by Jacques-Francois Ibert. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL21631. Published by Alphonse Leduc (HL.48181756).

UPC: 888680862930. 0.059 inches.

?Song to Ladylove? is the second volume of the Don Quixote songs, a set of four songs by Jacques Ibert. Written for Voice and Piano, on a poem by Alexandra Arnoux, it features two verses and a chorus. The lyrics, in French, are about love, and the chorus explains that a day is like a year when you can?t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte?s departure 2. Chanson a Dulcinee / Song to Ladylove 3. Chanson du Duc / Duke?s song 4. Chanson de la mort de Don Quixotte / Song for Don Quixotte?s death Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera..

By McGah, Thomas J.. For vla.. Duration 6 minutes. Published by Frank E. Warren Music Service

(0.2.0.2/2.0.0.0,org,str, SATB chorus)

SKU: TM.03381SC

Composed by George Frideric Handel. Score. Published by Lucks Music Library (TM.03381SC).

Key of C. Prout edition.

Trauerfeier. By Johann Sebastian Bach. Edited by Leisinger, Ulrich. For SATB Choir, 2 Litui (2 Horn), Cornetto (Violin), 3 Trombones (Violin, Viola, Basso continuo), [2 Oboes, Taille, Bassoon]. BWV 118. Full score available separately - see item CA.3111800. Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Piano/Vocal score. Language: German/English. Composed 1736/37 bzw. 1. Halfte der 1740er Jahre. 8 pages. Duration 7 min. Published by Carus Verlag (German import).

By Gustav Holst. Arranged by Ric Jones. For brass quintet. Level 4. Published by Imagine Music

SKU: CA.1223300

Composed by Gunther Kretzschmar. Children's music and musicals. German title: Gott Ist Mein Hirte. Sacred vocal music, Easter and Eastertide, Psalms, Mourning, death. Full score. 8 pages. Carus Verlag #CV 12.233/00. Published by Carus Verlag (CA.1223300).

ISBN 9790007027346.

SKU: CA.613900

Composed by Christoph Demantius and Johann Sebastian Bach. German title: ES IST GEWIssLICH AN DER ZEIT (2). Sacred vocal music, Hymn settings, End of the church year, Mourning, death. Full score. Carus Verlag #CV 06.139/00. Published by Carus Verlag (CA.613900).

ISBN 9790007010942.

Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 275. Published by Ut Orpheus

SATB choir, piano

SKU: LO.10-5562L

Composed by Lloyd Larson. Choral. Sacred Anthem, General, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/5562L. Published by Lorenz Publishing Company (LO.10-5562L).

ISBN 9780787773731.

Base d on the Appalachian Folk Hymn from Southern Harmony with new music, What Wondrous Love showcases the sacrifice Christ made on the cross. This emotive arrangement features a descending melodic figure in the piano accompaniment that paints the recurring portion of the text When I was sinking down. This anthem is a blend of despair of Christ's death and the hope of the resurrection.

27 Fast-Rising Favorites. By Various. Piano/Vocal/Guitar Songbook. Christian, Worship. Softcover. 160 pages. Published by Hal Leonard

Orchestra AT vocal soli (ATBBB), SATB choir (SATBBB), 2 oboes, 3 trombones, 2 violins, viola, basso continuo - Grade 3

SKU: CA.4006412

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. German title: De profundis. Sacred vocal music, Psalms. Single Part, Violin 2. Composed 1724. ZWV 50. 4 pages. Duration 13 minutes. Carus Verlag #CV 40.064/12. Published by Carus Verlag (CA.4006412).

ISBN 9790007060138. Key: D minor. Language: Latin/English.

The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Zelenka composed this psalm setting De profundis in D minor ZWV 97 in 1724 on the death of his father, including a concluding Requiem verse. This was later replaced by the lesser doxology so that the work can be performed in the office of Christmas week. Both endings are included in this new edition. Three trombones, used as an independent instrumental group, give the work a special tonal color. Score and part available separately - see item CA.4006400.

SKU: LO.99-3344L

Choral, cantatas. Eastertide. Bulk performance CDs. Lorenz Publishing Company #99/3344L. Published by Lorenz Publishing Company (LO.99-3344L).

UPC: 000308140767.

The Easter Story retells Jesus' suffering, death, resurrection, and exaltation to the right hand of the Father in a simple yet profound story that engages the heart, mind, and imagination. The musical score draws upon folk sources, including The Sacred Harp and The Columbian Harmony, spirituals, carols, and songs from English, Irish, and Hebrew traditions. The choral score is carefully crafted for choirs of all sizes and is enhanced by three solos. Two speakers share Ken Bible's compelling narrative which is beautifully underscored by piano accompaniment or Michael Lawrence's brilliant orchestration.

Solo B, 4 Trb, [2 Vl, 2 Trb], Bc

SKU: CA.2026919

Composed by Heinrich Schutz. Edited by Siegfried Schmalzriedt. Cycles: Schutz: Symphoniae sacrae I SWV 257-276. Stuttgart Urtext Edition: Schutz. Complete orchestral parts. Sacred vocal music, Mourning, death. Set of Orchestra Parts. Composed 1629. SWV 269. Duration 7 minutes. Carus Verlag #CV 20.269/19. Published by Carus Verlag (CA.2026919).

ISBN 9790007245207. Key: G dorian. Language: Latin.

Score and parts available separately - see item CA.2026900.

Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. This edition: urtext. French Sacred Music; Stuttgart Urtext Edition. Score available separately - see item CA.2731500. Requiem, End of the church year, Mourning, death. Choral score. Op. Posth. 16 pages. Duration 35 minutes. Published by Carus Verlag (CA.2731505).

String Quartet

SKU: HL.14028275

Composed by Cyril Scott. Music Sales America. Classical. Score. Music Sales #NOV262530. Published by Music Sales (HL.14028275).

Stri ng Quartet No.2 was written in 1951, and dedicated to Percy and Ella Grainger. It is recognised as one of his least extravagant creations, but is nevertheless a solid work which is continually underappreciated.

< em>Cyril Scott (1879-1970) was a British composer, pianist and poet. His most popular works, which he is largely remembered by today, were written in the years preceding the Second World War, however he continued to compose prolifically, in the face of indifference from the outside world, right up until his death at the age of 91. His music is predominantly in the Romantic style, and serves as a tasteful reminder of a bygoneage.

By Helen Glatz. Winds and Piano. For flute and harpsichord. First Edition.. 20th Century. Score and parts. Published by Rosewood Publications . Score and Parts. 20th Century.

Choir

SKU: CA.891300

Composed by Various. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. Chordienst im Kirchenjahr III. Sacred vocal music, Hymn settings, Whole church year / Omni tempore. Choir Book. Carus Verlag #CV 08.913/00. Published by Carus Verlag (CA.891300).

ISBN 9790007098278.

SATB choir

SKU: CA.9137300

Composed by Bruno Zeller. Coppenrath Series. German title: Zum Letzten Geleite 3008501. Sacred vocal music, Hymn settings, Mourning, death. Full score. 2 pages. Carus Verlag #CV 91.373/00. Published by Carus Verlag (CA.9137300).

ISBN 9790007121402. Language: German.

Concert Band - Grade 2

SKU: AP.39525S

Composed by Roland Barrett. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Fall; Halloween. Score. 32 pages. Belwin Music #00-39525S. Published by Belwin Music (AP.39525S).

UPC: 038081458403. English.

Defined as a reanimated corpse by supernatural means, this original work explores life (or death) through a variety musical scenes both normal and abnormal...even waltzing! With a few special effects to set the mood, dynamic shifts and instantaneous style changes keep the zombies alive. Spooky and engaging, this is a real imagination enhanced by music---and dreaming is out of the question! (4:45) This title is available in MakeMusic Cloud.

Violoncello (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str)

SKU: BR.OB-5654-23

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Late-romantic. Part. 8 pages. Duration 24'. Breitkopf and Haertel #OB 5654-23. Published by Breitkopf and Haertel (BR.OB-5654-23).

ISBN 9790004348451. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

Piano (SATB) - early intermediate

SKU: CR.984283

Composed by David von Kampen. Choral. Sacred. Octavo. With music. Concordia Publishing House #984283. Published by Concordia Publishing House (CR.984283).

ISBN 9780758659088. 7 x 10.25 inches.

David von Kampen masterfully crafts the text of Revelation 21:4 - 5 into an inspiring and striking piece for SATB and piano. A variety of compositional techniques—includin g declamatory writing, polytextuality, and a skillful use of key—connect the biblical text and song powerfully. Smaller choirs can easily adapt this piece for two-part voicing by singing just soprano and tenor in the middle section. Use this piece for Easter Vigil, during the rest of the Easter Season, on All Saints' Day, and for funerals.

Revelation 21:4 - 5 (ESV)

He will wipe away ev'ry tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain anymore, for the former things have passed away.

And He who was seated on the throne said, 'Behold, I am making all things new.'

Alleluia, alleluia, alleluia.

Scripture quotation from the ESV® Bible (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. All rights reserved. Used by permission.