| Imagine Dragons for Ukulele Ukulele Hal Leonard
| | |
| Die HAngende Figur is Judas (drei Perspektiven) Violoncelle Schott
Cello - difficult SKU: HL.49018277 For Cello Solo. Composed by Ken...(+)
Cello - difficult SKU:
HL.49018277 For
Cello Solo. Composed
by Kenneth Hesketh. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Composed 1998. 14 pages.
Duration 9'. Schott Music
#ED13176. Published by
Schott Music
(HL.49018277). ISBN
9790220130663. UPC:
884088592172.
9.0x12.0x0.076
inches. 'Die
hangende Figur ist Judas'
(The hanging figure is
Judas) was commissioned
by Dr. Margitta Giera as
a gift for the German
sculptor Michael Langer.
Hesketh's first ideas for
the work came from a
photograph of the Great
Tympanum carving of the
Last Judgement at St. Foy
Cathedral in Conques,
France showing an image
of the hanged Judas
surrounded by mocking
demons. Two violent outer
movements frame a bleak
central section with each
movement of the piece
unfolds a different
perspective of a swinging
motif, be it a chord, a
gesture or a rhythm. This
is a demanding work which
will challenge the very
best players. $17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marche fatale Orchestre Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Best of Pop & Rock for Acoustic Guitar light 2 Edition Dux Verlag
Guitar SKU: M7.DUX-825 Solo Arrangements Noten + TAB + Leadsheet. ...(+)
Guitar SKU:
M7.DUX-825 Solo
Arrangements Noten + TAB
+ Leadsheet. Edited
by Beat Scherler. Sheet
music. Performance book.
68 pages. Edition Dux
Verlag #DUX 825.
Published by Edition Dux
Verlag (M7.DUX-825).
ISBN
9783868493184. Die
neue Serie ist die
leichte Vorstufe zur
Erfolgsreihe »Best of
Pop & Rock for Classical
Guitar«. Alle acht
Songs sind für Gitarre
solo in Notenschrift und
Tabulatur arrangiert.
Zusätzlich gibt es zu
jedem Stück ein
Leadsheet mit Strumming-
und
Picking-Vorschlägen.
p>
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| String Quartet No. 3: Gaia Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11441387S Composed by Stacy Garrop. ...(+)
Chamber Music String
Quartet SKU:
PR.11441387S Composed
by Stacy Garrop.
Classical. Full score.
With Standard notation.
Composed Summer 2008. 56
pages. Duration 31
minutes. Theodore Presser
Company #114-41387S.
Published by Theodore
Presser Company
(PR.11441387S). UPC:
680160585694. Havin
g performed Garrop's
String Quartet No. 2:
Demons and Angels with
much success, it is only
natural that the Biava
Quartet would handle the
premiere of String
Quartet No.3: Gaia. In an
email interview with
Pittsburgh New Music Net,
Biava violist Mary Persin
says, in part, We
received many very
enthusiastic responses
from audience members who
were struck by the
interesting form, as well
as the sonorities created
by using a good deal of
dissonance as well as
harmonics. Watch for a
recording by the Biava
Quartet to be made
available soon. For
advanced performers.
Duration: 32' 30. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chante Harpe - Volume 1 Harpe [Conducteur] Lemoine, Henry
| | |
| String Quartet No. 2 - Demons and Angels Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Theodore Presser Co.
By Stacy Garrop. String quartet. For 2 Violins, Viola, Cello. Score and parts. S...(+)
By Stacy Garrop. String
quartet. For 2 Violins,
Viola, Cello. Score and
parts. Standard notation.
Composed 2004/2005
$63.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Au Zoo Piano seul [Conducteur] Lemoine, Henry
By Lajos Papp (1935-). For piano. Classical. Score. 13 pages. Published by Editi...(+)
By Lajos Papp (1935-).
For piano. Classical.
Score. 13 pages.
Published by Editions
Henry Lemoine
$19.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Four Chord Songs (Deluxe Guitar Play-Along Volume 13) Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
Deluxe Guitar Play-Along Volume 13. By Various. Deluxe Guitar Play-Along. Pop...(+)
Deluxe Guitar Play-Along
Volume 13. By Various.
Deluxe Guitar Play-Along.
Pop, Rock. Softcover
Audio
Online. With guitar
tablature. 122 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spirit Realms Theodore Presser Co.
Chamber Music Flute, Piccolo, alto Flute SKU: PR.164002480 Composed by Da...(+)
Chamber Music Flute,
Piccolo, alto Flute
SKU: PR.164002480
Composed by Dan Welcher.
Set of performance
scores. With Standard
notation. 23 pages.
Duration 14 minutes.
Theodore Presser Company
#164-00248. Published by
Theodore Presser Company
(PR.164002480). UPC:
680160038237. This
work is my second for a
solo woodwind and a solo
percussionist, following
Firewing: The Flame and
the Moth for oboe and
percussion by nine years.
The earlier piece
followed a specific story
line, and pitted the oboe
against the percussionist
as both adversary and
lover. In Spirit Realms,
my aim was not only to
juxtapose the very
different sounds of flute
(plus alto flute and
piccolo) against a large
array of percussion, but
also to attempt three
different meditative
spaces, each named for a
different type of
spiritual practice. The
musical means of
expression is very
different for each of the
three movements (as is
the instrumentation),
although they share a
common scale-source: the
looped pentatonic scale I
have been developing over
the last several years.
The first movement
is called Prayer Tunnel,
and is named for the
Eskimo practice of solo
meditation within a
tunnel of ice blocks.
This is said to be a
means of overcoming
demons within, and in my
musical rendering it
takes the form of an
unaccompanied alto flute
solo. The flute begins
rather angrily, full of
tension, but in the
course of the solo
passage manages to slowly
unwind. The percussionist
then plays the exact same
music the alto flute had
played....on seven tuned
cymbals. Toward the end,
the alto flute re-enters,
its original meditation
having fused with its
mirror. Kiva
represents the circular,
subterranean pit in which
the Anasazi practiced
their religion, a form of
which still can be found
in the Hopi tribes of the
American southwest. These
are not spaces for solo
meditation, but rather a
group meeting place in
which only the sanctified
are permitted. After an
introductory invocation
(dove call), the music
begins. At first, it is
flowing, in a repetitive
double-five meter. It
then traces several
sections, with metric
shifts forcing the pulse
to race faster and
faster, until it halves
itself in the coda and
returns to the exact
pulse of the beginning.
The flutist here uses the
C flute, and the
percussionist plays on
both pitched (marimba)
and unpitched instruments
(various drums and struck
sources). Zendo is
the meditation room used
by Zen Buddhists. My
music begins with another
invocation (wind chimes,
temple cup gongs, and
temple blocks), then
moves on to a slow
subject stated by the
flute. The subject is
taken up by the
vibraphone, and after
several modulations and
tempo changes, the
flutist takes up the
piccolo. The music
continues higher and
higher, and faster and
faster (Zen meditation is
NOT all about becoming
lost!) until it breaks
free at the very end. The
percussionist is put
through his paces in this
movement, having to reach
a staggering number of
instruments in a short
time. Spirit
Realms was commissioned
by, and is dedicated to,
the Armstrong Duo. -- Dan
Welcher. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Of Heroes And Demons Orchestre d'harmonie [Conducteur] C.L. Barnhouse
Composed by Rob Romeyn. Concert Band Series. Extra full score. Duration 0:6:08. ...(+)
Composed by Rob Romeyn.
Concert Band Series.
Extra full score.
Duration 0:6:08.
Published by C.L.
Barnhouse
(CL.012-4434-01).
$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite, For Clarinet And Piano Clarinette et Piano Leduc, Alphonse
Clarinet SKU: HL.48181301 Composed by Paul Bonneau. Leduc. Classical. Sof...(+)
Clarinet SKU:
HL.48181301 Composed
by Paul Bonneau. Leduc.
Classical. Softcover. 7
pages. Alphonse Leduc
#AL20708. Published by
Alphonse Leduc
(HL.48181301). UPC:
888680867263. 9x12.25
inches. “Fren
ch composer and
conductor, Paul Bonneau
(1918-1995) published his
Suite for Clarinet and
Piano in 1944, and it
remains popular to this
day. Bonneau's composing
was highly versatile,
ranging from over fifty
film scores, operettas,
songs and other pieces
for woodwind, including a
concerto. His Suite is
highly virtuosic, made up
of four movements; 1)
Improvisation, 2) Dance
of Demons, 3) Complaint,
and 4) Playfulness. The
work contains typically
French characteristics
including chromaticism
and difficult technical
passages. All these
elements combined make
for an enjoyable and
challenging piece for
clarinetists.&rdquo. $28.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Imagine Dragons - Night Visions Guitare notes et tablatures Hal Leonard
By Imagine Dragons. For Guitar. Guitar Recorded Version. Softcover. Guitar tabla...(+)
By Imagine Dragons. For
Guitar. Guitar Recorded
Version. Softcover.
Guitar tablature. 96
pages. Published by Hal
Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Imagine Dragons - Night Visions
Piano, Voix et Guitare [Partition] Hal Leonard
By Imagine Dragons. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. ...(+)
By Imagine Dragons. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 82
pages. Published by Hal
Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Most Popular Songs for Fingerpicking Guitar Guitare notes et tablatures Hal Leonard
Solo Guitar Arrangements in Standard Notation and Tab. By Various. Guitar Solo...(+)
Solo Guitar Arrangements
in
Standard Notation and
Tab.
By Various. Guitar Solo.
Fingerstyle, Pop.
Softcover.
With guitar tablature.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ein Kinderlied (Dämonen) Orchestre d'harmonie Peters
Orchestra 3(1/2/3,Picc).3(1/2/3,Cor A).4(1/2/3,BCl/4,BCl).3(1 /2/3,Cbsn) - 6.3.3...(+)
Orchestra
3(1/2/3,Picc).3(1/2/3,Cor
A).4(1/2/3,BCl/4,BCl).3(1
/2/3,Cbsn) - 6.3.3.1 -
Timp.3Perc -
Str(14.12.10.8.8) SKU:
PE.EP14634 Four
Verses for Orchestra and
Record. Composed by
Arnulf Herrmann.
Performance Music
Ensemble; Single Titles.
Peters Contemporary
Library. Classical.
Score. 64 pages. Edition
Peters #98-EP14634.
Published by Edition
Peters (PE.EP14634).
ISBN 9790014139414.
German. DÃ
monen (Ein
Kinderlied) –
English: Demons (A
Children's Song) –
by Arnulf Herrmann is a
21-minute work for
orchestra and a record
with the children's song
Die Blümelein, sie
schlafen (The little
flowers are sleeping). On
it, white noise and
historical fragments of
this song, preserved in
various versions, can be
heard. The recording is
interwoven with the
orchestra, sets the tempo
and, not least, provides
the timeframe by limiting
it to the duration of one
record side. But the end
is only technical: The
needle lifts, but the
song is not
over. The premiere
took place on 16 October
2022 at the
Donaueschinger Musiktage,
with the SWR Symphony
Orchestra conducted by
Bas Wiegers. The
full score (EP 14634) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired. This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
About Peters
Contemporary
Library Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world. $105.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Spirit Realms Theodore Presser Co.
Flute, Percussion SKU: PR.16400248S Composed by Dan Welcher. With Standar...(+)
Flute, Percussion SKU:
PR.16400248S Composed
by Dan Welcher. With
Standard notation.
Duration 14 minutes.
Theodore Presser Company
#164-00248S. Published by
Theodore Presser Company
(PR.16400248S). UPC:
680160038244. This
work is my second for a
solo woodwind and a solo
percussionist, following
Firewing: The Flame and
the Moth for oboe and
percussion by nine years.
The earlier piece
followed a specific story
line, and pitted the oboe
against the percussionist
as both adversary and
lover. In Spirit Realms,
my aim was not only to
juxtapose the very
different sounds of flute
(plus alto flute and
piccolo) against a large
array of percussion, but
also to attempt three
different meditative
spaces, each named for a
different type of
spiritual practice. The
musical means of
expression is very
different for each of the
three movements (as is
the instrumentation),
although they share a
common scale-source: the
looped pentatonic scale I
have been developing over
the last several years.
The first movement
is called Prayer Tunnel,
and is named for the
Eskimo practice of solo
meditation within a
tunnel of ice blocks.
This is said to be a
means of overcoming
demons within, and in my
musical rendering it
takes the form of an
unaccompanied alto flute
solo. The flute begins
rather angrily, full of
tension, but in the
course of the solo
passage manages to slowly
unwind. The percussionist
then plays the exact same
music the alto flute had
played....on seven tuned
cymbals. Toward the end,
the alto flute re-enters,
its original meditation
having fused with its
mirror. Kiva
represents the circular,
subterranean pit in which
the Anasazi practiced
their religion, a form of
which still can be found
in the Hopi tribes of the
American southwest. These
are not spaces for solo
meditation, but rather a
group meeting place in
which only the sanctified
are permitted. After an
introductory invocation
(dove call), the music
begins. At first, it is
flowing, in a repetitive
double-five meter. It
then traces several
sections, with metric
shifts forcing the pulse
to race faster and
faster, until it halves
itself in the coda and
returns to the exact
pulse of the beginning.
The flutist here uses the
C flute, and the
percussionist plays on
both pitched (marimba)
and unpitched instruments
(various drums and struck
sources). Zendo is
the meditation room used
by Zen Buddhists. My
music begins with another
invocation (wind chimes,
temple cup gongs, and
temple blocks), then
moves on to a slow
subject stated by the
flute. The subject is
taken up by the
vibraphone, and after
several modulations and
tempo changes, the
flutist takes up the
piccolo. The music
continues higher and
higher, and faster and
faster (Zen meditation is
NOT all about becoming
lost!) until it breaks
free at the very end. The
percussionist is put
through his paces in this
movement, having to reach
a staggering number of
instruments in a short
time. Spirit
Realms was commissioned
by, and is dedicated to,
the Armstrong Duo. -- Dan
Welcher. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| MIM Performer The 2 Piano seul Heritage Music Press
By Walter Noona. For piano. Piano method. Published by Heritage Music Press. (+)
By Walter Noona. For
piano. Piano method.
Published by Heritage
Music Press. Level:
Level 2.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Hans Zimmer Collection Piano, Voix - Facile Alfred Publishing
(Piano Solo and Piano/Vocal). Composed by Hans Zimmer (1957-). For Keyboard; Pia...(+)
(Piano Solo and
Piano/Vocal). Composed by
Hans Zimmer (1957-). For
Keyboard; Piano; Voice.
This edition: Piano Solo
and Piano/Vocal.
Artist/Personality; Book;
Piano - Personality Book;
Piano Supplemental;
Piano/Vocal/Chords.
Movie. 144 pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Twentieth Century Keyboard Masters Piano seul - Intermédiaire Schirmer
Piano Solo. By Various. Arranged by Mark Nevin. Piano Collection. Size 9x12 inch...(+)
Piano Solo. By Various.
Arranged by Mark Nevin.
Piano Collection. Size
9x12 inches. 40 pages.
Published by Schirmer.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gregg Allman Sheet Music Anthology Piano, Voix et Guitare Hal Leonard
By Gregg Allman. Piano/Vocal/Guitar Artist Songbook. Rock. Softcover. Publish...(+)
By Gregg Allman.
Piano/Vocal/Guitar Artist
Songbook. Rock.
Softcover.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Les Plaisirs de la harpe Vol. 2 Harpe [Conducteur] Lemoine, Henry
By Huguette Geliot. For harp. Classical. Score. 61 + 7 pages. Published by Editi...(+)
By Huguette Geliot. For
harp. Classical. Score.
61 + 7 pages. Published
by Editions Henry Lemoine
$40.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Archangels Theodore Presser Co.
Chamber Music soprano Saxophone 1, soprano Saxophone 2, soprano Saxophone 3 S...(+)
Chamber Music soprano
Saxophone 1, soprano
Saxophone 2, soprano
Saxophone 3 SKU:
PR.114419960 Composed
by Stacy Garrop. Set of
Score and Parts. 20+8+8+8
pages. Duration 12
minutes. Theodore Presser
Company #114-41996.
Published by Theodore
Presser Company
(PR.114419960). ISBN
9781491135037. UPC:
680160683130. I
have always been
fascinated with the
concept of archangels -
huge, supernatural beings
with gigantic wings who
visit earth to carry out
their heavenly tasks.
Archangels are the chief
angels in Judeo-Christian
and Islamic religions.
The precise number of
these high-ranking
celestial beings varies
from one religious source
to another (typically
from four to seven). The
three movements of
Archangels depict
Michael, Raphael, and
Gabriel - the three
archangels most commonly
referenced. Michael is a
warrior who is ever
vigilant to march into
battle against forces of
evil. In art, he is often
portrayed with his wings
spread open in mid-flight
and wielding a large
sword that is raised into
an attack position. The
first movement begins in
darkness with the
foreboding sound of his
large, beating wings.
Suddenly, Michael appears
in all of his terrible
glory and wreaks havoc on
an army of demons.
Raphael is a Hebraic name
that translates to God
heals, and he is in
charge of all manners of
healing. Artwork of
Raphael typically shows
him holding a staff, and
he is often pictured with
the round cheeks
associated with a young
cherub. In this quiet
middle movement, Raphael
gently makes his rounds
to tend to the sick.
Gabriel is the heralder
of news. In Christianity,
Gabriel's purpose is
quite significant: he
appears to Zechariah to
announce the forthcoming
birth of John the
Baptist, and to Mary to
announce the forthcoming
birth of Jesus. Gabriel
is often depicted holding
a scepter, a stem of
lilies, or an unfurled
scroll. In this final
movement of the piece,
Gabriel trumpets his news
for all to hear.
-S.G. $28.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Brother's Brain Theodore Presser Co.
Band 2 Bassoons, 2 Eup, 2 Oboes, 3 Trombones, 6 Clarinets in Bb, 6 Flutes, 6 Hor...(+)
Band 2 Bassoons, 2 Eup, 2
Oboes, 3 Trombones, 6
Clarinets in Bb, 6
Flutes, 6 Horns in F, 6
Trumpets in Bb, Alto Sax,
Baritone Sax, Bass
Clarinet (with low
C-ext.), Bass Trombone,
Contrabass Clarinet,
Contrabassoon, English
Horn, Piccolo, Soprano
Sax, Tenor Sax SKU:
PR.41541141L A
Symphony for Winds.
Composed by Carter Pann.
Spiral. Contemporary.
Large Score. With
Standard notation.
Composed 2011. 120 pages.
Duration 29 minutes.
Theodore Presser Company
#415-41141L. Published by
Theodore Presser Company
(PR.41541141L). ISBN
9781598064476. UPC:
680160610983. 11 x 17
inches. On the
heels of his Slalom,
which has enjoyed
numerous performances as
a new staple for bands,
Pann has created a major
three-movement magnum
opus, a triptych of sound
paintings, as he would
describe it. My Brother's
Brain encapsulates a
lifetime appreciation of
both uniqueness and
similarity in a younger
brother, through three
stages of growth (child,
facing demons, grace).
Symphony for Winds My
Brother's Brain was a
joint commission by more
than two dozen wind
ensembles throughout the
United States. For
advanced ensembles. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aulos Volume I Piano seul - Avancé EMB (Editio Musica Budapest)
Piano - advanced SKU: BT.EMBZ14887 Piano pieces for practising polypho...(+)
Piano - advanced SKU:
BT.EMBZ14887 Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 72
pages. Editio Musica
Budapest #EMBZ14887.
Published by Editio
Musica Budapest
(BT.EMBZ14887).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition.The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Aulos to
a certain degree
continues Orbáns easy
piano pieces for
children, which he
composed for Ãgnes
Lakoss piano tutor and
which Editio Musica
Budapest published in a
separate volume entitled
Enchanted Forest in 2011
(Z. 14742). Yet on
thisoccasion the composer
took on something which
was both significantly
different and more than
his earlier pieces for
children. On the one
hand, he did not compose
for beginners but for
more advanced students
who have studied piano
for at least threeyears.
On the other, he did not
set developing the
technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures (imitation,
fugue, stretto,
inversion, augmentation
and diminution,double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
The educational use of
the series is
significantly increased
by the fact that before
each piece the composer
presents and clarifies
with demonstrative
illustrations the
polyphonic procedure he
introduces. Orbáns
explanations are not
text-book-like atall, but
are deliberately personal
and subjective, full of
lessons and individual
associations taken from
his practice as a
composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purposethey
are equally individual,
witty and inspired pieces
of music that are a joy
to play. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Aulos Volume II Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14888 Piano pieces for practising polyphony. Com...(+)
Piano SKU:
BT.EMBZ14888 Piano
pieces for practising
polyphony. Composed
by Gyorgy Orban.
Educational Tool. Book
Only. Composed 2014. 80
pages. Editio Musica
Budapest #EMBZ14888.
Published by Editio
Musica Budapest
(BT.EMBZ14888).
English-Hungarian.
Aulos to a certain
degree continues
Orbán's easy piano
pieces for children,
which he composed for
Ãgnes Lakos's piano
tutor and which Editio
Musica Budapest published
in a separate volume
entitled Enchanted Forest
in 2011 (Z. 14742). Yet
on this occasion the
composer took on
something which was both
significantly different
and more than his earlier
pieces for children. On
the one hand, he did not
compose for beginners but
for more advanced
students who have studied
piano for at least three
years. On the other, he
did not set developing
the technique of piano
playing as an aim, rather
a systematic presentation
of different polyphonic
genres and compositional
procedures(imitation,
fugue, stretto,
inversion, augmentation
and diminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
Orbán introduces his
students to the mysteries
of polyphony in a direct
and practical manner, and
thus actually makes them
familiar with the art of
composition.The
educational use of the
series is significantly
increased by the fact
that before each piece
the composer presents and
clarifies with
demonstrative
illustrations the
polyphonic procedure he
introduces. Orbán's
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - while they
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play.
Aulos is
composed for more
advanced students who
have studied piano for at
least three years. Aim is
a systematic presentation
of different polyphonic
genres and compositional
procedures (imitation,
fugue, stretto,
inversion, augmentation
anddiminution, double
counterpoint, latent
polyphony, double and
triple fugue, cantus
firmus technique, etc.).
The educational use of
the series is
significantly increased
by the fact that before
each piece the composer
presents and clarifies
withdemonstrative
illustrations the
polyphonic procedure he
introduces. Orbáns
explanations are not
text-book-like at all,
but are deliberately
personal and subjective,
full of lessons and
individual associations
taken from his practice
as a composer. They were
written in the same
spirit as the works
themselves - whilethey
perfectly fulfil their
educational purpose they
are equally individual,
witty and inspired pieces
of music that are a joy
to play. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Do-It-Yourself Guitar Guitare [Partition + Accès audio] Hal Leonard
Book with Online Audio & Video Guitar SKU: HL.346730 The Best Step-by-...(+)
Book with Online Audio &
Video Guitar SKU:
HL.346730 The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Method.
Softcover Media Online.
136 pages. Published by
Hal Leonard (HL.346730).
ISBN 9781540094797.
UPC: 840126925111.
9.0x12.0x0.329
inches. Do-It-Yours
elf Guitar is a fun way
to get started playing on
your own. Using over 90
well-known pop and rock
tunes, you will be given
step-by-step instructions
on what you need to know
to get started and
sounding like a pro in no
time. Includes over 150
audio tracks for
demonstration and
play-along, plus video
instruction that covers
all concepts within!
Covers: Guitar
fundamentals; reading
guitar tablature;
fret-hand and pick-hand
techniques; chords &
chord progressions;
scales; techniques for
acoustic and electric
guitar; lead guitar;
fingerstyle guitar;
playing styles of famous
guitarists; demonstraton
and play-along audio
tracks; video instruction
and demonstration; and
more! The price of this
book includes access to
audio and video online,
for download or
streaming, using the
unique code found inside.
Includes PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or
right–available
exclusively from Hal
Leonard. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Routes For Clarinet Clarinette [Partition + CD]
Clarinet and Piano SKU: BT.CAMCM236 Composed by Malcolm Miles. Jazz. Book...(+)
Clarinet and Piano
SKU: BT.CAMCM236
Composed by Malcolm
Miles. Jazz. Book with
CD. 38 pages. Camden
Music #CAMCM236.
Published by Camden Music
(BT.CAMCM236).
Jazz
Routes is a
stimulating and practical
collection of progressive
jazz pieces for Clarinet,
by Malcolm Miles. The
nine terrific
compositions cover a wide
range of rhythmic and
harmonic styles. Includes
a CD
containingdemonstration
tracks as well as
recorded piano
accompaniments. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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