Composed
by Jeremiah Clarke.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074452.
Published by FLEX
Editions (FL.FX074452).
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings.
Renaissance, baroque,
classical period,
romantic period,
impressionistic and 20th
century. 400 pages. 9x12
inches. Published by
Amsco.
Your favourite ABRSM piano exam pieces. Composed by Karen Marshall. ABRSM Exam P...(+)
Your favourite ABRSM
piano exam pieces.
Composed by Karen
Marshall. ABRSM Exam
Pieces. Collection. 24
pages. Published by ABRSM
(Associated Board of the
Royal Schools of Music)
Brass Ensemble SKU: HL.14042548 Composed by Emil Reesen. Music Sales Amer...(+)
Brass Ensemble
SKU:
HL.14042548
Composed
by Emil Reesen. Music
Sales America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31770. Published by
Edition Wilhelm Hansen
(HL.14042548).
ISBN
9788759827420.
Incl
udes a conductor part.
Version for chamber
orch.: WH24767 Composed
for the film: The King of
Denmark 1912-1937.
Lux Nordica Flûte traversière et Piano [Partition + CD] - Intermédiaire Mitropa Music
Flute and Piano - late intermediate SKU: BT.1946-13-400-M Romantic Pie...(+)
Flute and Piano - late
intermediate
SKU:
BT.1946-13-400-M
Romantic Pieces from
Scandinavia for Flute and
Piano. Composed by
Carl August Nielsen,
Christian Sinding, Edvard
Grieg, Johan Svendsen,
and Niels Wilhelm Gade.
Arranged by Franco
Cesarini. Book with CD.
Composed 2013. 40 pages.
Mitropa Music
#1946-13-400 M. Published
by Mitropa Music
(BT.1946-13-400-M).
ISBN 9789043137317.
9x12 inches.
International.
Unde
r the title LUX NORDICA,
this edition contains a
selection of Romantic
pieces by various
composers of northern
origin. Franco Cesarini
collected seven works
from Niels W. Gade and
Carl Nielsen (Denmark) as
well as Johan Svendsen,
ChristianSinding and
Edvard Grieg (Norway) and
arranged them for flute
and piano. The enclosed
CD provides a
demonstration of each
piece, followed by the
piano accompaniment with
which to play
along.
Contents:
Romance Op. 26
(Svedsen, Johan),
Intermezzo (Grieg,
Edvard), Novellette from
Aquarellen (Water Colors)
Op. 19 N° 9 (Gade,
Niels), Old Melody - Alte
Weise Op. 89 N° 2
(Sinding, Christian),
Humoresque from Fantasy
Pieces Op. 2 N°
2(Nielsen, Carl August)
Romance in E minor Op. 30
(Sinding, Christian) Last
Spring from Elegiac
Melodies Op. 34 N° 2
(Grieg, Edvard).
Deze uitgave
met de titel LUX NORDICA
omvat romantische stukken
van een aantal
Noord-Europese
componisten: Denemarken
wordt vertegenwoordigd
door Niels W. Gade en
Carl Nielsen, terwijl
Johan Svendsen en
Christian Sinding uit
Noorwegen afkomstig zijn
net als Edvard Grieg, die
ongetwijfeld de
beroemdste is van de in
dit album gepresenteerde
componisten. Op de
meegeleverde cd staat van
elk stuk een demoversie,
gevolgd door een
play-alongversie met
alleen de
pianobegeleiding.
Inhou
d: Romance Op. 26
(Svedsen, Johan),
Intermezzo (Grieg,
Edvard), Novellette from
Aquarellen (Water Colors)
Op. 19 N° 9 (Gade,
Niels), Old Melody - Alte
Weise Op. 89 N° 2
(Sinding, Christian),
Humoresque from Fantasy
Pieces Op. 2 N°
2(Nielsen, Carl August),
Romance in E minor Op. 30
(Sinding, Christian),
Last Spring from Elegiac
Melodies Op. 34 N° 2
(Grieg, Edvard).
Unter dem
Titel LUX NORDICA sind
sieben von Franco
Cesarini ausgewählte und
arrangierte Werke
skandinavischer
Komponisten versammelt.
Der Ausgabe beiliegend
ist eine CD, auf der die
Stücke von Cesarini
vorgespielt werden.
Außerdem enthält die CD
dieKlavierbegleitungen
zum Mitspielen.
Inhalt:
Romance Op. 26
(Svedsen, Johan),
Intermezzo (Grieg,
Edvard), Novellette from
Aquarellen (Water Colors)
Op. 19 N° 9 (Gade,
Niels), Old Melody - Alte
Weise Op. 89 N° 2
(Sinding, Christian),
Humoresque from Fantasy
Pieces Op. 2 N°
2(Nielsen, Carl August),
Romance in E minor Op. 30
(Sinding, Christian),
Last Spring from Elegiac
Melodies Op. 34 N° 2
(Grieg, Edvard).
Sommaire:
Romance Op. 26
(Svedsen, Johan)
Intermezzo (Grieg,
Edvard) Novellette from
Aquarellen (Water Colors)
Op. 19 N° 9 (Gade,
Niels) Old Melody - Alte
Weise Op. 89 N° 2
(Sinding, Christian)
Humoresque from Fantasy
Pieces Op. 2 N°
2(Nielsen, Carl August),
Romance in E minor Op. 30
(Sinding, Christian) Last
Spring from Elegiac
Melodies Op. 34 N° 2
(Grieg, Edvard).
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
Composed
by Jeremiah Clarke.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074455.
Published by FLEX
Editions (FL.FX074455).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (T (ALTSCHL)
SKU: HL.49030289
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
16 pages. Schott Music
#ED 12141-05. Published
by Schott Music
(HL.49030289).
ISBN
9790220123504. UPC:
196288077527.
9.0x12.0x0.056
inches.
Recorder Ensemble SKU: HL.49002868 Performance Score. Composed by ...(+)
Recorder Ensemble
SKU:
HL.49002868
Performance Score.
Composed by John Dowland.
Edited by Edgar Hubert
Hunt. This edition:
Folding. Sheet music.
Edition Schott.
Classical. Playing score.
6 pages. Schott Music #ED
11560. Published by
Schott Music
(HL.49002868).
ISBN
9790220111365. UPC:
073999254877.
9.0x12.0x0.06
inches.
Mixed Ensemble SKU: HL.14030284 Composed by Bent Sorensen. Music Sales Am...(+)
Mixed Ensemble
SKU:
HL.14030284
Composed
by Bent Sorensen. Music
Sales America. Classical.
Score. Music Sales
#KP00715. Published by
Music Sales
(HL.14030284).
ISBN
9788759861110.
Danish.
Bent
Sorensen SINFUL SONGSThe
first ideas for this
piece came to me during a
train journey through
Denmark. It was summer
and I was looking out of
the window; I heard some
fast jig-like dance
rhythms. These appear
early in the work -
hushed and hidden like
almost all the music,
apart from the roaring
horns in the beginning!As
is always the case for
me, the title was there
at once - and as always
it is difficult for me to
explain it! The work is
filled with little songs
and fragments of melodies
- some of them distinct,
most of them hidden - but
whether they have ended
up becoming particularly
sinful, I don't know.The
musicians are positioned
in a circle around the
audience, so the music
will not sound the same
at any two different
points in the hall. The
music moves at varying
speeds both around the
circle, and backwards and
forwards between
different instrumental
groupings.SINFUL SONGS
was commissioned by and
dedicated to the
Birmingham Contemporary
Music Group.Bent
Sorensen.
SKU: HL.51482502 International Inventory of Musical Sources Vol. 3, #1...(+)
SKU: HL.51482502
International
Inventory of Musical
Sources Vol. 3, #1
Clothbound. Edited by
Christian Maas, Joseph
Smits van Waesberghe, and
Pieter Fischer. Book.
Clothbound. Henle Books.
Classical Reference. Book
(clothbound). 156 pages.
G. Henle #HN2502.
Published by G. Henle
(HL.51482502).
ISBN
9790201825021. UPC:
884088180188. 7x10
inches.
Descriptive
Catalogue of Manuscripts
(Parts Austria, Belgium,
Switzerland, Denmark,
France, Luxembourg,
Netherlands).
SKU: CA.210400 Composed by Anonymus and John Hoybye. Edited by Volker Hem...(+)
SKU: CA.210400
Composed by Anonymus and
John Hoybye. Edited by
Volker Hempfling, Stanley
Engebretson. Choral
collections. Conductor's
score, with CD. Sacred
vocal music. Choir Book.
104 pages. Carus Verlag
#CV 02.104/00. Published
by Carus Verlag
(CA.210400).
ISBN
9790007187651.
The
choral collection
Hallelujah. Gospels and
Spirituals transports us
into the fascinating
world of African American
folk songs. 30 gospels
and spirituals have been
arranged for mixed choir,
unaccompanied or with
piano. The choral parts
sometimes divide, and
occasionally solo parts
(or even a small choral
group) are required. The
arrangements with their
catchy rhythms, groove,
their blue notes and
other elements from Jazz
and Blues and the
principles of
call-and-response will
move performers and
audiences in equal
measure. As well as
American classics (e.g.
Amazing grace, Go down
Moses, Kumbaya, Deep
river, Down by the
riverside, Good News, O
when the saints, Nobody
knows, Joshua fit the
battle of Jericho), the
collection also contains
some discoveries from the
beginnings of the genre.
Just under half the
arrangements were
specially commissioned
for the collection. Young
composers from the USA
(such as Courtney Carey,
Marques Garrett) and
arrangers from Canada,
Denmark, and Germany
(including Mark Sirett,
John Hoybye, Thomas
Gabriel, Carsten Gerlitz,
Gunther Martin Gottsche,
and Hans Ludemann) have
contributed to this
stylistically extremely
varied choral collection.
The medium difficulty
level will enable many
choirs to get to grips
with the gospel style,
something which perhaps
few of them are very
familiar with. Tips from
the editors on
performance, and a CD
recording with a
selection of the
arrangements will help
with learning the pieces.
With their deep and
emotional symbolism of
captivity and repression
on the one hand and
redemption and freedom on
the other hand, these
Gospel settings are
well-suited for many uses
in concerts and church
services. arrangements of
around 30 spirituals and
gospels for four-part
mixed choir a cappella or
with keyboard
accompaniment medium
difficulty level a good
introduction for choirs
with little previous
experience of this
repertoire includes
popular classics such as
Amazing grace, Deep
river, Go down Moses,
Good News, Nobody knows,
Joshua fit the battle of
Jericho wide variety of
styles with many new
arrangements conductor's
score with CD
Introductory price: 29.90
Euro, from 01.12.2019:
34.90 Euro.
By Jeremiah Clarke (1674-1707). Arranged by Richard Sandals. For Brass Quartet &...(+)
By Jeremiah Clarke
(1674-1707). Arranged by
Richard Sandals. For
Brass Quartet & Organ.
Brass Ensemble - Quartet;
Masterworks; Quartet.
Eighth Note Publications.
Baroque. Duration
00:02:20. Published by
Eighth Note Publications
Trumpet - intermediate SKU: HL.49003109 Trumpet and Piano. Edited ...(+)
Trumpet - intermediate
SKU: HL.49003109
Trumpet and Piano.
Edited by Gwilym Beechey.
Arranged by Gwilym
Beechey. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 34 pages.
Schott Music #ED12312.
Published by Schott Music
(HL.49003109).
ISBN
9790220115080. UPC:
073999867374.
9.0x12.0x0.128
inches.
Alto Saxophone and Piano - very easy, easy SKU: BT.DHP-1185923-404 Alt...(+)
Alto Saxophone and Piano
- very easy, easy
SKU:
BT.DHP-1185923-404
Alto Saxophone.
Arranged by Markus
Schenk. Look, Listen and
Learn. Classical. Book
with Part and
Audio-Online. Composed
2018. 36 pages. De Haske
Publications #DHP
1185923-404. Published by
De Haske Publications
(BT.DHP-1185923-404).
ISBN 9789043155038.
English.
Look,
Listen & Learn sets
the bar for brass and
woodwind teaching
nowadays. These exciting
method book/CD packs for
beginners contain songs,
music puzzles and games
to increase the pupils’
understanding of music,
information about their
instrument, and lots of
fun pieces to play. The
three volumes of the
method that form the
basis of this series are
enhanced by several books
with supplementary
material designed to
correspond with the
progress of the
method.
In Meet the
Masters, the melodies
are arranged in
increasing order of
difficulty and can be
used in conjunction with
all three volumes of the
Look, Listen &
Learn method series.
Pupils takea journey
through music history and
meet the most important
composers of classical
music, from Tielman
Susato to Anton n Dvo
ák, together with
pertinent historical
commentary. The present
edition includes printed
music for piano
accompaniments, expertly
arranged at a moderate
level of difficulty,
which are also available
in recorded versions
online to stream or
download.
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (LT)
SKU:
HL.49030293
Pieces
for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
24 pages. Schott Music
#ED 12141-09. Published
by Schott Music
(HL.49030293).
40 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenber...(+)
40 Pieces for Recorder
Consort. By Various
Composers. Arranged by
Steve Rosenberg.
(Recorder). Boosey and
Hawkes Chamber Music.
Size 8.5x11 inches. 73
pages. Published by
Boosey & Hawkes.
SKU: CA.210405 Composed by Anonymus and John Hoybye. Edited by Volker Hem...(+)
SKU: CA.210405
Composed by Anonymus and
John Hoybye. Edited by
Volker Hempfling, Stanley
Engebretson. Choral
collections. Editionchor.
Sacred vocal music. Choir
Book. 96 pages. Carus
Verlag #CV 02.104/05.
Published by Carus Verlag
(CA.210405).
ISBN
9790007187668.
The
choral collection Gospels
and Spirituals transports
us into the fascinating
world of African American
folk songs. Around 30
gospels and spirituals
have been arranged for
mixed choir,
unaccompanied or with
piano. The choral parts
sometimes divide, and
occasionally solo parts
(or even a small choral
group) are required. As
well as American classics
(e.g. Amazing grace, Go
down Moses, Kumbaya, Deep
river, Down by the
riverside, Good News, O
when the saints, Nobody
knows, Joshua fit the
battle of Jericho), the
collection also contains
some discoveries from the
beginnings of the genre.
Just under half the
arrangements were
specially commissioned
for the collection. Young
composers from the USA
(such as Courtney Carey,
Marques Garrett) and
arrangers from Canada,
Denmark, and Germany
(including Mark Sirett,
John Hoybye, Thomas
Gabriel, Carsten Gerlitz,
Gunther Martin Gottsche,
and Hans Ludemann) have
contributed to this
stylistically extremely
varied choral collection.
The medium difficulty
level will enable many
choirs to get to grips
with the gospel style,
something which perhaps
few of them are very
familiar with. Tips from
the editors on
performance, and a CD
recording with a
selection of the
arrangements will help
with learning the pieces.
With their deep and
emotional symbolism of
captivity and repression
on the one hand and
redemption and freedom on
the other hand, these
Gospel settings are
well-suited for many uses
in concerts and church
services. The
arrangements with their
catchy rhythms, groove,
their blue notes and
other elements from Jazz
and Blues and the
principles of
call-and-response will
move performers and
audiences in equal
measure. * arrangements
of around 30 spirituals
and gospels for four-part
mixed choir * a cappella
or with keyboard
accompaniment * medium
difficulty level * a good
introduction for choirs
with little previous
experience of this
repertoire * includes
popular classics such as
Amazing grace, Deep
river, Go down Moses,
Good News, Nobody knows,
Joshua fit the battle of
Jericho * wide variety of
styles with many new
arrangements * CD
recordings helps with
learning and rehearsing
the pieces. Score
available separately -
see item CA.210400.
Chamber Music, Quintette 2 Bb Trumpets 1 F Horn 1 Trombone 1 C Tuba - Grade 3 (+)
Chamber Music, Quintette
2 Bb Trumpets 1 F Horn 1
Trombone 1 C Tuba - Grade
3
SKU: FL.FX074451
Composed by Jeremiah
Clarke. Arranged by Eric
Vireton. Arrangement.
Classical. Score and Set
of Parts. FLEX Editions
#FX074451. Published by
FLEX Editions
(FL.FX074451).
English Consort Music Flûte à bec Soprano [Partition + Accès audio] Music Minus One
Music Minus One Recorder. Composed by Various. Sheet music with CD. Music Minus ...(+)
Music Minus One Recorder.
Composed by Various.
Sheet music with CD.
Music Minus One.
Classical. Softcover
Audio Online. 56 pages.
Music Minus One #MMO3359.
Published by Music Minus
One
(SA WITH PIANO ACCOMPANIMENT) SKU: HL.348579 SA Choir and Piano/Organ<...(+)
(SA WITH PIANO
ACCOMPANIMENT)
SKU:
HL.348579
SA Choir
and Piano/Organ.
Composed by Jakob
Lorentzen. Choral.
Octavo. Edition Wilhelm
Hansen #WH33282.
Published by Edition
Wilhelm Hansen
(HL.348579).
UPC:
840126931228.
A
cantata for upper voices
to mark the liberation of
Denmark in 1945. With
text by Danish author
Iben Krogsdal. Premiered
in Holmens Kirke,
Copenhagen in May
2019.
1 Solo F Horn - Grade 3 SKU: FL.FX073298 Composed by Jeremiah Clarke. Arr...(+)
1 Solo F Horn - Grade 3
SKU: FL.FX073298
Composed by Jeremiah
Clarke. Arranged by Eric
Vireton. Arrangement,
Republished Master Piece.
Classical, Educational.
Solo Part. FLEX Editions
#FX073298. Published by
FLEX Editions
(FL.FX073298).
Instruments: 1
Solo F Horn; Difficuly
Level: Grade 3; Duration:
3 mn 55 s; Musical Style:
Classical, Educational;
Category: Arrangement,
Republished Master Piece;
Composer: Jeremiah
CLARKE; Arranger: Eric
VIRETON.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.