Composed by Johann Sebastian Bach (1685-1750). For Piano. Masterworks; Piano Sol...(+)
Composed by Johann
Sebastian Bach
(1685-1750). For Piano.
Masterworks; Piano Solo;
Solo. Kalmus Edition.
Baroque; Masterwork. 8
pages. Published by
Kalmus Classic Edition
String Parts (Strings) SKU: HL.14063989 For Violin, Viola, Cello, Bass...(+)
String Parts (Strings)
SKU: HL.14063989
For Violin, Viola,
Cello, Bass, and Piano
String Parts.
Composed by Judith Weir.
Instrumental. General
Merchandise. Duration 240
seconds. Chester Music
#CH87494-01. Published by
Chester Music
(HL.14063989).
UPC:
196288022190.
9.0x12.0x0.055
inches.
Composed
for the Schubert
Ensemble's farewell tour
and modelled on
'Abschied' from
Schubert's
Schwanengesang, this
four-minute piece gives
each player a brief solo
before the work's close.
A light-hearted piece
that is ideal for the end
of a concert programme or
as an encore.
4-Part Flexible Band and Opt. Piano - Grade 1.5 SKU: BT.DHP-1185885-215 C...(+)
4-Part Flexible Band and
Opt. Piano - Grade 1.5
SKU:
BT.DHP-1185885-215
Composed by Jacob De
Haan. De Haske Flexible
Series. Original Light
Music. Score Only.
Composed 2018. 27 pages.
De Haske Publications
#DHP 1185885-215.
Published by De Haske
Publications
(BT.DHP-1185885-215).
English-German-French-
Dutch.
Let your
musicians experience a
day at the farm with the
animals with this great
new piece by Jacob de
Haan. The Beasty
Band is a collection
of nine short, catchy
pieces, each featuring
animal sounds made by the
players! The pieces are:
1. Arrival, 2.
Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats and 9.
Departure. On this CD
you will hear a
selection.
The
Beasty Band klinkt
bij Jacob de Haan als een
dag vol plezier voor
muzikanten en publiek!
Deze verzameling van
negen korte, tot de
verbeelding sprekende
stukken met
dierengeluiden bestaat
uit: 1. Arrival,
2. Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats en 9.
Departure.
The Beasty
Band klingt bei Jacob
de Haan in einer
vierstimmig variablen
Besetzung nach viel
Spaß fu r Musiker und
Zuhörer! Dies ist eine
Sammlung von neun kurzen,
eingängigen Stücken
mit Tierlauten, die von
den Spielern erzeugt
werden können: 1.
Arrival, 2.
Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats und 9.
Departure. Auf dieser
CD können Sie eine
Auswahl daraus hören.
Concert Band - Grade 5 SKU: ML.013759100 The Complete Trilogy. Com...(+)
Concert Band - Grade 5
SKU: ML.013759100
The Complete
Trilogy. Composed by
Sergei Prokofiev.
Arranged by Johan De
Meij. Full set. Molenaar
Edition #013759100.
Published by Molenaar
Edition (ML.013759100).
In this suite
for symphonic band the
arranger did not use the
existing orchestral
suites, but composed
another suite of his own
with those parts of the
ballet music that suited
well for a transcription.
Romeo &
Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In deze suite voor
harmonieorkest is Johan
de Meij niet uitgegaan
van de bestaande
orkestsuites maar heeft
hij een eigen suite
samengesteld uit delen
van het ballet die zich
goed lenen voor een
bewerking.
Ro
meo & Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
Pour cette suite pour
orchestre d'harmonie,
l'arrangeur Johan de Meij
ne s'est pas basé sur
les suites d'orchestres
existantes, mais il a
composé une nouvelle
suite en choisissant ces
morceaux du ballet qui se
prêtent bien à la
transcription.
<
b>Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In dieser Suite für
Blasorchester ist Johan
de Meij nicht von den
bestehenden
Orchestersuiten
ausgegangen, sondern hat
er mit welchen Teilen des
Balletts, die für ein
Arrangement gut geeignet
sind, eine eigene Suite
zusammengestellt.
Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
4-Part Flexible Band and Opt. Piano - Grade 1.5 SKU: BT.DHP-1185885-015 C...(+)
4-Part Flexible Band and
Opt. Piano - Grade 1.5
SKU:
BT.DHP-1185885-015
Composed by Jacob De
Haan. De Haske Flexible
Series. Original Light
Music. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185885-015. Published by
De Haske Publications
(BT.DHP-1185885-015).
English-German-French-
Dutch.
Let your
musicians experience a
day at the farm with the
animals with this great
new piece by Jacob de
Haan. The Beasty
Band is a collection
of nine short, catchy
pieces, each featuring
animal sounds made by the
players! The pieces are:
1. Arrival, 2.
Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats and 9.
Departure. On this CD
you will hear a
selection.
The
Beasty Band klinkt
bij Jacob de Haan als een
dag vol plezier voor
muzikanten en publiek!
Deze verzameling van
negen korte, tot de
verbeelding sprekende
stukken met
dierengeluiden bestaat
uit: 1. Arrival,
2. Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats en 9.
Departure.
The Beasty
Band klingt bei Jacob
de Haan in einer
vierstimmig variablen
Besetzung nach viel
Spaß fu r Musiker und
Zuhörer! Dies ist eine
Sammlung von neun kurzen,
eingängigen Stücken
mit Tierlauten, die von
den Spielern erzeugt
werden können: 1.
Arrival, 2.
Cows, 3.
Horses, 4.
Cats, 5. Dogs,
6. Pigs, 7.
Chickens, 8. Sheep
and Goats und 9.
Departure. Auf dieser
CD können Sie eine
Auswahl daraus hören.
String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet
SKU:
CF.BE24
The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24).
ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La.
Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table.
Choral SATB Choir SKU: CF.CM9654 Composed by Mark Burrows. Fold. Performa...(+)
Choral SATB Choir
SKU:
CF.CM9654
Composed by
Mark Burrows. Fold.
Performance Score. 12
pages. Duration 4:15.
Carl Fischer Music
#CM9654. Published by
Carl Fischer Music
(CF.CM9654).
ISBN
9781491157268. UPC:
680160915828. 6.875 x
10.5 inches. Key: Ab
major. English, English.
Julian of Norwich
(1342-1416).
Burrow
s's setting of words of
assurance from the
English mystic Julian of
Norwich (1342-1416) is as
relevant today as ever.
For the advanced mixed
ensemble, the powerful
lyrics coupled with
gorgeous harmonies make
this an optimistic song
of hope appropriate
throughout the
year. All shall be
well, And all shall be
well, And all manner of
thing shall be well.
These words of assurance
from the English mystic
Julian of Norwich
(1342-1416) are as
relevant today as ever.
During her life, Julian
saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text. One of the
most striking features is
how this short text
incorporates so much
repetition. It's as if
the writer knew she must
be gently persistent in
order for her optimistic
message to truly sink in.
The opening section tries
to capture musically some
of that persistent
optimism. Then there is a
departure from this
optimistic tone (measure
26) The feel becomes more
desperate, building to an
anguished cry (measure
38), acknowledging the
reality that, while all
shall be well, things are
very much NOT well right
now. Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well. All shall be
well,And all shall be
well,And all manner of
thing shall be well.These
words of assurance from
the English mystic Julian
of Norwich (1342-1416)
are as relevant today as
ever. During her life,
Julian saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text.One of the
most striking features is
how this short text
incorporates so much
repetition. It’s
as if the writer knew she
must be gently persistent
in order for her
optimistic message to
truly sink in.The opening
section tries to capture
musically some of that
persistent optimism.Then
there is a departure from
this optimistic tone
(measure 26) The feel
becomes more desperate,
building to an anguished
cry (measure 38),
acknowledging the reality
that, while all shall be
well, things are very
much NOT well right
now.Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well.
Concert Band SKU: YM.GTW01101395 NSB: New Sounds in Brass for Concert ...(+)
Concert Band
SKU:
YM.GTW01101395
NSB: New Sounds in
Brass for Concert
Bands. Composed by
Joe Hisaishi. Studio
Ghibli. Anime Song;
J-Pop. Book. Yamaha Music
Media #GTW01101395.
Published by Yamaha Music
Media (YM.GTW01101395).
ISBN 9784636110524.
8.25 x 11.75
inches.
New Sounds
in Brass is a series for
concert bands that
collects arrangements of
various musical genres,
including Studio Ghibli,
Disney, anime titles, and
J-Pop, arranged by the
best ensemble arrangers
in Japan. This
collection features four
particularly popular
pieces composed for Hayao
Miyazaki's animated films
from the works of
renowned Japanese
composer and maestro Joe
Hisaishi. The first half
opens with the delightful
and lively The Village in
May and the charming
stroll of Hey Let's Go
from My Neighbor Totoro.
The second half
transitions into the
melancholy and leisurely
sounds of Day of the
River from Spirited Away
and the wistful Departure
from Kiki's Delivery
Service. Arranged by
Kazuhiro Morita
Duration: 7 minutes and
30 seconds
Difficulty:
★★★
Solos: Oboe, Flute
Ensemble: 1st Flute (1),
2nd Flute & Piccolo (1),
Oboe (1), Bassoon (1),
Clarinet in E-flat (1),
1st Clarinet in
B-flat(3), 2nd Clarinet
in B-flat(3), Bass
Clarinet in B-flat(1),
1st Alto Saxophone in
E-flat(1), 2nd Alto
Saxophone in E-flat(1),
Tenor Saxophone in
B-flat(1), Baritone
Saxophone in E-flat(1),
1st Trumpet in B-flat(1),
2nd Trumpet in B-flat(1),
1st Horn in F (1), 2nd
Horn in F (1), 1st
Trombone (1), 2nd
Trombone (1), Euphonium
(1), Bass in C (1),
String Bass (1), Drums
(1), Glockenspiel (1),
Vibraphone & Xylophone
(1) Medley: The
Village in May, Hey Let's
Go, Day of the River, and
Departure.
(Voice and Piano) SKU: HL.48181755 Composed by Jacques-Francois Ibert. Le...(+)
(Voice and Piano)
SKU:
HL.48181755
Composed
by Jacques-Francois
Ibert. Leduc. Classical.
Softcover. 4 pages.
Alphonse Leduc #AL21630.
Published by Alphonse
Leduc (HL.48181755).
UPC: 888680862909.
9x12.25
inches.
“Jacq
ues Ibert (1890-1962)
studied at the Paris
Conservatoire before
embarking upon a
successful composing
career. The film Don
Quichotte increased his
popularity when he
composed the musical
score in 1933.
Controversially, the
producers of Don
Quichotte asked five
composers separately to
compose songs for the
film. Each composer
thought only he had been
approached, and when
Ibert's music was
eventually chosen for the
film, it caused him some
embarrassment as Maurice
Ravel, who had also been
approached, was a close
friend of his. Song of
Departure comes toward
the beginning of the
film, sung by the the
main character, Don
Quichotte. Addressing a
variety of musical
aspects and techniques,
Ibert's Song of Departure
is a challenging yet
evocative addition to the
Bass
repertoire.&rdquo.
("Das Lebewohl"). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon...(+)
("Das Lebewohl"). By
Ludwig van Beethoven
(1770-1827). Edited by
Stewart Gordon. For
Piano. Book; Masterworks;
Piano Solo. Alfred
Masterwork Edition. Form:
Sonata. Classical;
Masterwork; Recital;
Romantic. Early Advanced.
28 pages. Published by
Alfred Music Publishing
Les Adieux Sonata * Complete Original * with Performance CD composed by Ludwig v...(+)
Les Adieux Sonata *
Complete Original * with
Performance CD composed
by Ludwig van Beethoven
(1770-1827). For piano
solo. This edition:
Paperback. Solo.
Classical. Book and CD.
Text Language: English.
48 pages. Published by
Santorella Publications
Last Run Orchestre d'harmonie - Intermédiaire/avancé Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-4901-00 Commemorating the Demise of an Ugly Duckli...(+)
Grade 4
SKU:
CL.012-4901-00
Commemorating the
Demise of an Ugly
Duckling Diesel
Locomotive. Composed
by Holsinger. Concert
Band. Concert Band
Series. Score and set of
parts. Composed 2020.
Duration 7 minutes, 35
seconds. Opus III Wind
Orchestra Publications
#012-4901-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4901-00).
Celebrated
composer and long-time
railroad aficionado David
Holsinger captures in
music the romance and
power of a favorite
diesel locomotive in this
descriptive musical
portrait. The birth,
life, and demise of one
of the first departures
of the steam generation
is depicted in this
picturesque and
invigorating work. Mature
bands will enjoy the
challenge of telling the
story of the Last
Run!.
By Bruce Emery. For Guitar. Arpeggios and Travis-Style patterns to accompany the...(+)
By Bruce Emery. For
Guitar. Arpeggios and
Travis-Style patterns to
accompany the voice.
Level: beginning.
Coil-bound book. 145
pages. Published by
Skeptical Guitarist
Publications.
Last Run Orchestre d'harmonie - Intermédiaire/avancé Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-4901-75 Commemorating the Demise of an Ugly Duckli...(+)
Grade 4
SKU:
CL.012-4901-75
Commemorating the
Demise of an Ugly
Duckling Diesel
Locomotive. Composed
by Holsinger. Concert
Band. Oversized,
spiral-bound score.
Composed 2020. Opus III
Wind Orchestra
Publications
#012-4901-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4901-75).
Celebrated
composer and long-time
railroad aficionado David
Holsinger captures in
music the romance and
power of a favorite
diesel locomotive in this
descriptive musical
portrait. The birth,
life, and demise of one
of the first departures
of the steam generation
is depicted in this
picturesque and
invigorating work. Mature
bands will enjoy the
challenge of telling the
story of the Last
Run!.
Holiday Notes Trompette, Piano [Partition + Accès audio] Boosey and Hawkes
Book with Audio Online Piano Accompaniment; Trumpet (trumpet and piano) SKU: ...(+)
Book with Audio Online
Piano Accompaniment;
Trumpet (trumpet and
piano)
SKU:
HL.48025424
Eight
Attractive Pieces for
Developing Players
Trumpet and Piano.
Composed by Paul Harris.
Boosey and Hawkes Chamber
Music. Classical,
Educational, Performance.
Softcover Audio Online.
Boosey and Hawkes
#M060140679. Published by
Boosey and Hawkes
(HL.48025424).
UPC:
196288207535.
From
the acclaimed
educationalist and
composer Paul Harris,
Holiday Notes is a
collection of delightful
miniatures that evoke
getaway adventures â??
capturing the
anticipation of a
departures, the exciting
buzz of sightseeing in a
new city, and picnics in
the park. These
characterful pieces are
ideally suited for
teaching and would be a
rewarding addition to any
developing trumpeter's
repertoire.
Volume
2, Nos. 23-40 - Cello
Solo. Composed by
Sebastian Lee. Edited by
Holger Best. This
edition: Ring/Spiral
binding. Sheet music.
String. Neuausgabe der
bereits im 19.
Jahrhundert am Pariser
Konservatorium bewahrten
Etudensammlung: Die
Fingersatze wurden
behutsam nach modernen
Gesichtspunkten
bearbeitet und die
Abweichungen zum Urtext
kenntlich gemacht. Mit
Hinweisen und Vorschlagen
zum Ube. Classical.
Softcover. Op. 31. 54
pages. Schott Music
#ED21492. Published by
Schott Music
(HL.49044879).
ISBN
9790001190916. UPC:
841886019522.
9.0x12.0x0.173
inches.
This
collection was used as a
standard work for cello
lessons at the Paris
Conservatoire in the 19th
century. This new edition
marks any departures from
the original edition and
useful tips and practice
suggestions.
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...(+)
By Antonio Vivaldi.
Edited by Hoffmann,
Bettina. For Violoncello,
Basso continuo. Score;
Set of Parts
(paperbound). RV 39-47.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006520596.
The Movie Soundtrack Featuring the Songs of ABBA. By ABBA. Piano/Vocal/Guitar ...(+)
The Movie Soundtrack
Featuring the Songs of
ABBA.
By ABBA.
Piano/Vocal/Guitar
Songbook. Movies, Pop,
Disco. Softcover. 98
pages.
Published by Hal Leonard
From Hamilton. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpai...(+)
From Hamilton. Composed
by
Lin-Manuel Miranda
(1980-).
Arranged by Lisa DeSpain.
Choral Octavo. Alfred Pop
Series. Broadway; Pop;
Secular. 12 pages.
Published
by Alfred Music