A Step-by-Step Breakdown of Metallica's Guitar Styles and Techniques. Performed by Metallica. By Doug Boduch. Video. DVD (Digital Video Disc). Size 5.3x7.5 inches. Published by Cherry Lane Music.

Performed by Metallica. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Metal and hard rock. 88 pages. 9x12 inches. Published by Cherry Lane Music.

By Felix Bartholdy Mendelssohn. Teaching Singer: Don Wilkinson. For Bass voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:28:11. Published by Rehearsal Arts, LLC.

Band concert band - Grade 3

SKU: KJ.WB188

Composed by Quincy C. Hilliard. Bandworks. Score and set of parts. Neil A. Kjos Music Company #WB188. Published by Neil A. Kjos Music Company (KJ.WB188).

This Multi-Movement Programmatic Work Is Based Upon the Legend of Acapulco. The Five Movements Are Entitled the Warrior. Grade 3.

By Steven R. Janco. Mass. Includes guitar chord names. Sacred. Level: easy. 52 pages. Published by GIA Publications.

By Mack Wilberg. For Satb And Piano Four-hands Or Orchestra. Published by Oxford University Press.

Choir

SKU: CA.2708305

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Chorus 1 and 4. Sacred vocal music, Masses, Latin. Choral Score. FWV. Duration 23 minutes. Carus Verlag #CV 27.083/05. Published by Carus Verlag (CA.2708305).

ISBN 9790007164171. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

An Inside Look at the Bass Styles of Metallica. Performed by Metallica. By James A. Rota. Hal Leonard Guitar Method. Book and CD package. With notes and tablature. Size 9x12 inches. 64 pages

Viola (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str)

SKU: BR.OB-5328-19

Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Part. 16 pages. Duration 37'. Breitkopf and Haertel #OB 5328-19. Published by Breitkopf and Haertel (BR.OB-5328-19).

ISBN 9790004333846. 10 x 12.5 inches.

Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.

A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1186064-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2018. 19 pages. De Haske Publications #DHP 1186064-140. Published by De Haske Publications (BT.DHP-1186064-140).

English-German-French- Dutch.

Filadelfia is a small town in the province of Vibo Valentia in the southern Italian region of Calabria. In 1783 the town suffered a devastating earthquake. This work depicts the events before and after the disaster, and starts peacefully, with dance-like music sounding in the streets. After this the earthquake destroys everything, causing deep despair. In the end, the town is being rebuilt, which calls for a festive celebration!

Filadelfia is een klein stadje in de provincie Vibo Valentia in de Zuid-Italiaanse regio Calabrië. In 1783 vond hier een verwoestende aardbeving plaats. Dit werk beschrijft de situatie voor en na deze ramp: eerst horen we dansrijke melodieën in de straten, maar daarna vaagt de aardbeving alles weg en klinkt er wanhoop door in de muziek. Uiteindelijk wordt het plaatsje herbouwd en dat is dan weer reden voor feestelijke klanken!

Filadelfia ist eine kleine Stadt in der Provinz Vibo Valentia in der süditalienischen Region Kalabrien. 1783 gab es in der Stadt ein verheerendes Erdbeben. Das Werk beschreibt die Ereignisse vor und nach der Katastrophe. Es beginnt mit einer tanzartigen Musik, die in den Straßen dieses friedlichen Ortes erklingen. Das Erdbeben zerstört alles und verursacht eine große Verzweiflung. Schließlich wird die Stadt wiederaufgebaut und feiert ein fröhliches Fest!

Filadelfia est une petite ville dans la province de Vibo Valentia dans la région de Calabre en Italie méridionale. En 1783 un séisme dévastateur frappe la ville. Cette œuvre met en musique les différences de la ville avant et après le désastre, en commençant par une musique dansante que l’on entendait dans les rues de cet endroit paisible, suivi du tremblement de terre destructif qui entraîne un sentiment de désespoir. Pour finir, la reconstruction de la ville donne une raison pour célébrer !

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

And His No-Good, Nefarious Plot to Destroy L.A.. Composed by J.H. Bell. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR395). Score and set of parts. Composed 2018. Duration 2 minutes, 19 seconds. Published by C.L. Barnhouse

(solos: SMezTBarB - choir: SATTBB - 3(picc).2(cor ang).2.2(dble bsn) - 4.2.3.1. - timp.perc(2) - hp - cel - str)

SKU: BR.BES-3091

Kaschtschei bessmerntnyi - Opera in 1 Act. Composed by Nikolaj A Rimskij-Korsakow. Softcover. Bessel, London. Opera; Music theatre; Romantic. Libretto. 20 pages. Duration 75'. Breitkopf and Haertel #BES 3091. Published by Breitkopf and Haertel (BR.BES-3091).

ISBN 9790004610046. 11.5 x 16.5 inches. German.

Text by the composer after a folk FairytaleTranslation: German (A. Bernhard), French (L. Laloy), Ital. (E. Magni)Place: In the evil realmCharacters: Kashchey (tenor) - Princess Tausendschon (soprano) - Ivan Korolyevich (baritone) - Kaschtscheewna (mezzo-soprano) - Hero Sturmwind (bass)Kashchey holds the Princess captive in his kingdom, which is besieged by a snowstorm. His daughter, who is helping her father defend his realm, ensures Kashcheys immortality as long as her heart remains unmoved. In search of his beloved Princess, Ivan Korolyevich enters the evil realm. But instead of killing him, Kashcheys daughter falls in love with the young man. Unfortunately, she cannot destroy the love between Ivan and the Princess, and becomes despondent. When the compassionate Princess kisses her rival on her brow, Kashcheys daughter begins to weep. Her tears transform her into a weeping willow and Kashchey dies.

By Steven R. Janco. For Voices: SAB, assembly, presider. Instruments: (see 4442-FS etc.) (instruments optional). Keyboard accompaniment. Liturgical Sacred. 14 pages. Published by GIA Publications.
Level: easy.

By Dvorak Antonin. Czech title: Smy covy kvartet 4 e moll (B 19). Published by Praha (Czech import).

Soli ST, SATB Choir/SATB/SATB/SATB, organ

SKU: CA.2708349

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. FWV. 20 pages. Duration 23 minutes. Carus Verlag #CV 27.083/49. Published by Carus Verlag (CA.2708349).

ISBN 9790007164195. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score and part available separately - see item CA.2708300.

12 Solo Arrangements with Audio Accompaniment. By Metallica. Instrumental Play-Along. Heavy Metal, Rock. Softcover Audio Online. 16 pages. Published by Cherry Lane Music

Orchestra and Cobla

SKU: BO.B.3260

Composed by Josep Ma Ruera. Instrumental Sets. Duration 40:52. Published by Editorial de Musica Boileau (BO.B.3260).

ISBN 9788480207584.

Engl ish comments:
Empuries is the result of the interest Ruera showed throughout his life for the culture and music of ancient Greece. As he himself writes in the introduction to the composition: The motives behind this work were inspired by contemplating and analysing the melos of ancient Greece. The few melodies that have been discovered from those far-off times inspired the composer of Empuries to create this work, conceived with the Greek modal system in mind, and adapted to modern instruments and tastes. The tetrachord and pentachords of these forms are the very bases of this work. The descending drift of the cadence, the harmonic priority of the upper and lower notes of the tetrachords and the displacement of these chords to different acoustic levels, make it impossible to specify the classic concept of a set tonality which, within the improvised musical working of the piece, leads to a naturally intertonal or atonal piece of music. Empuries came to light in 1971, when it won group A of the Ciutat de Barcelona prize. But one must, in fact, go back to the 1930s to find its true origins. Ruera made his first foray into the theme of ancient Greece with the sardana, Empuries, la grega, with which he won first prize in the Jocs Florals in Girona, in 1931. Shortly afterwards, he wrote a piece of organ music entitled Bucolics, in the Greek modal style, which was destroyed during the Spanish civil war. Ruera continued to work on the theme and in 1936 he presented his work Tres moviments simfonics, for a big band, inspired by the ancient Greek modes, at the XIV International Festival of the ISCM held in Barcelona. The work was chosen to debut in the festival's opening concert on 19 April 1936 at Palacio de Bellas Artes in Barcelona. In 1959, Ruera won the Pau Casals Prize at the Jocs Florals de la Llengua Catalana, held at the Sorbonne in Paris, for his work, Empuries: poema per a cobla i orquestra, which would later become the fourth movement of Empuries. Nine years later, in 1968, Barcelona City Orchestra, conducted by Antoni Ros Marba, gave the first ever performance of the symphonic poem Pastoral, written to be the first movement of Empuries, in Granollers. The final step was when he finally completed the work, won the Ciutat de Barcelona prize, opened in Granollers on 2 May 1976 and recorded it for the Columbia de Barcelona label in 1977. Anna Maria Piera

Comentario s del Espanol:
La obra Empuries es fruto del interes que el maestro Ruera demostro a lo largo de su vida por la cultura y la musica de la antigua Grecia. Como el mismo escribe en la cabecera de la composicion: Los motivos generadores de esta obra estan inspirados en la contemplacion y en el analisis del melos de la antigua Grecia. Las pocas melodias que hasta el momento se han podido descubrir de aquellos tiempos remotos sugieren al autor de Empuries la realizacion de esta obra, concebida pensando en el sistema modal griego, adaptado a los instrumentos y gustos modernos. Los tetracordes y pentacordes de dichas modalidades son las celulas en las que se basa la obra. El sentido descendiente de la cadencia, la prioridad armonica de la notas extremas de los tetracordes y el desplazamiento de estos acordes a varias alturas acusticas, hacen que no sea posible precisar el clasico concepto de una tonalidad determinada y que lleven, dentro del funcionamiento contrapuntistico, a una musica naturalmente intertonal o atonal. Empuries vio la luz en el ano 1971, ganando el Premio Ciutat de Barcelona, grupo A, pero en realidad tenemos que retroceder hasta los anos 30 para encontrar sus verdaderos origenes. La primera incursion en el tema de la antigua Gracia la hizo con la sardana Empuries, la grega, con la que gano el primer premio en los Jocs Florals de Gerona del ano 1931. Poco despues escribio una pieza para organo titulada Bucolics, en el estilo modal griego, que fue destruida durante la Guerra Civil espanola. Ruera continuo trabajando en el tema y en el ano 1936 presento su obra Tres moviments simfonics, en version para gran banda, inspirada en las antiguas modalidades griegas, en el XIV Festival Internacional de la SIMC que se celebro en Barcelona. La obra fue escogida para ser estrenada en el concierto inaugural de dicho festival, el 19 de abril de 1936, en el Palacio de Bellas Artes de Barcelona. En el 1959, Ruera gano el Premio Pau Casals en los Jocs Florals de la Llengua Catalana celebrados en la Sorbona de Paris con la obra Empuries: poema per a cobla i orquestra, que sera con el paso del tiempo el cuarto movimiento de Empuries. Nueve anos mas tarde, en 1968, la Orquestra Ciutat de Barcelona, bajo la direccion de Antoni Ros Marba, interpreto en Granollers la primera audicion del poema sinfonico Pastoral, pensado como primer movimiento de Empuries. El ultimo eslabon fue terminar definitivamente la obra, ganar el Premio Ciutat de Barcelona, estrenarla en Granollers el 2 de mayo de 1976 y grabarla para la casa discografica Columbia de Barcelona, en 1977.

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

Performed by Metallica. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Metal and hard rock. 48 pages. 9x12 inches. Published by Cherry Lane Music.

Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass

SKU: PR.416414950

For String Orchestra. Composed by Stacy Garrop. String Quartet No. 2, Demons and Angels. String Quartet No. 2. Contemporary. Full score. With Standard notation. Composed Summer 2005. 34 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #416-41495. Published by Theodore Presser Company (PR.416414950).

UPC: 680160617784. 8.5 x 11 inches.

Inner Demons depicts a man as he loses his mind. This piece contains four themes: a tarantella, a demented waltz, a scherzo, and the Appalachian folk hymn “The Wayfaring Stranger.” The themes are stated quite briskly until arriving at the hymn. This theme consumes the man; it destroys his mind and he melts down. As his mind is slowly rebuilt, his thoughts become increasingly chaotic, until elements of all four themes are heard simultaneously. Inner Demons is an arrangement of movements III and II (in that order) of Garrop’s String Quartet No. 2: Demons and Angels .

By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: Tri hora iz tragedii A. K. Tolstogo "Tsar' Feodor Ivanovich". Published by Musica Russica. (CMR 001)

Soprano voice, mezzo voice, two tenor voices, orchestra

SKU: HH.HH405-FSC

Composed by Franz Joseph Haydn. Edited by Johannes Stoltz. Soprano, Mezzo, Two Tenors, Orchestra. Full score. Edition HH Music Publishers #HH405-FSC. Published by Edition HH Music Publishers (HH.HH405-FSC).

ISBN 9790708059110.

Foll owing on from the successful revival of Haydn’s most popular opera, Lo Speziale, at the Haydn Festival in Eisenstadt in 2001, this revised and completed version, in three acts, has been prepared by consulting the surviving fragments of Haydn’s manuscript, which was partly destroyed by a fire at the Esterháza Palace theatre in 1779.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1186064-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1186064-010. Published by De Haske Publications (BT.DHP-1186064-010).

English-German-French- Dutch.

Filadelfia is a small town in the province of Vibo Valentia in the southern Italian region of Calabria. In 1783 the town suffered a devastating earthquake. This work depicts the events before and after the disaster, and starts peacefully, with dance-like music sounding in the streets. After this the earthquake destroys everything, causing deep despair. In the end, the town is being rebuilt, which calls for a festive celebration!

Filadelfia is een klein stadje in de provincie Vibo Valentia in de Zuid-Italiaanse regio Calabrië. In 1783 vond hier een verwoestende aardbeving plaats. Dit werk beschrijft de situatie voor en na deze ramp: eerst horen we dansrijke melodieën in de straten, maar daarna vaagt de aardbeving alles weg en klinkt er wanhoop door in de muziek. Uiteindelijk wordt het plaatsje herbouwd en dat is dan weer reden voor feestelijke klanken!

Filadelfia ist eine kleine Stadt in der Provinz Vibo Valentia in der süditalienischen Region Kalabrien. 1783 gab es in der Stadt ein verheerendes Erdbeben. Das Werk beschreibt die Ereignisse vor und nach der Katastrophe. Es beginnt mit einer tanzartigen Musik, die in den Straßen dieses friedlichen Ortes erklingen. Das Erdbeben zerstört alles und verursacht eine große Verzweiflung. Schließlich wird die Stadt wiederaufgebaut und feiert ein fröhliches Fest!

Filadelfia est une petite ville dans la province de Vibo Valentia dans la région de Calabre en Italie méridionale. En 1783 un séisme dévastateur frappe la ville. Cette œuvre met en musique les différences de la ville avant et après le désastre, en commençant par une musique dansante que l’on entendait dans les rues de cet endroit paisible, suivi du tremblement de terre destructif qui entraîne un sentiment de désespoir. Pour finir, la reconstruction de la ville donne une raison pour célébrer !