Songbook for voice, piano and guitar chords. 224 pages. Published by Hal Leonard.

Composed by Various. Vocal Collection. Broadway, Musicals. Softcover. 376 pages. Published by Hal Leonard

(50 Songs from Shows Since 2000). Composed by Various. For Vocal, Piano Accompaniment. Vocal Collection. Softcover. 368 pages. Published by Hal Leonard

Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Euphonium, Flute, Horn, Keyboard, Oboe, Percussion, Piccolo, Timpani, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone and more.

SKU: PR.11540425S

Composed by Carter Pann. Study Score. 92 pages. Duration 26 minutes. Theodore Presser Company #115-40425S. Published by Theodore Presser Company (PR.11540425S).

UPC: 680160688142.

My� � work Labyrinth for Ithaca College could have easily been titled as my Third Symphony. The work is larger in scope than every other work of mine for winds, save perhaps my first symphony. The piece is cast in two main parts, each consisting of two movements. As it happened I wrote the movements backwards (fitting for something called Labyrinth). The size of the band is on par with that of Karel Husa’s Music for Prague 1968 with one exception, there is an electric keyboard part which lends certain moments in the piece an other-worldly ambience... sounds that are altogether different from anything possible from acoustic instruments. At the risk of sounding obvious or mundane, I had two words floating around my brain during the composing of this work — HUGE and melodic. My predisposition to create inherently melodic music is inescapable at this point in my composing career. This is the kind of music I have gravitated towards since beginning at the piano so long ago. I don’t write ambient or spectral music, nor do I write music replete with extended techniques. The crafting of melodies with gravitas has always made my process of composing the most satisfying. The very last movement of Labyrinth is a gargantuan crescendo the likes of the last movement of Respighi’s The Pines of Rome or Ravel’s Bolero and should leave the audience and players sonically drenched by the end. I’m so honored to have this opportunity to compose for Ithaca College’s 50th Anniversary of that seminal work of Karel Husa’s. I have known Music for Prague 1968 as long as I’ve known serious music for winds. It is my aim that every moment of Labyrinth offers the players as much to bite their teeth on as it leaves the audience in its throng from start to finish. -CP.

Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Euphonium, Flute, Horn, Keyboard, Oboe, Percussion, Piccolo, Timpani, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone and more.

SKU: PR.11540425L

Composed by Carter Pann. Large Score. 92 pages. Duration 26 minutes. Theodore Presser Company #115-40425L. Published by Theodore Presser Company (PR.11540425L).

UPC: 680160688159.

My� � work Labyrinth for Ithaca College could have easily been titled as my Third Symphony. The work is larger in scope than every other work of mine for winds, save perhaps my first symphony. The piece is cast in two main parts, each consisting of two movements. As it happened I wrote the movements backwards (fitting for something called Labyrinth). The size of the band is on par with that of Karel Husa’s Music for Prague 1968 with one exception, there is an electric keyboard part which lends certain moments in the piece an other-worldly ambience... sounds that are altogether different from anything possible from acoustic instruments. At the risk of sounding obvious or mundane, I had two words floating around my brain during the composing of this work — HUGE and melodic. My predisposition to create inherently melodic music is inescapable at this point in my composing career. This is the kind of music I have gravitated towards since beginning at the piano so long ago. I don’t write ambient or spectral music, nor do I write music replete with extended techniques. The crafting of melodies with gravitas has always made my process of composing the most satisfying. The very last movement of Labyrinth is a gargantuan crescendo the likes of the last movement of Respighi’s The Pines of Rome or Ravel’s Bolero and should leave the audience and players sonically drenched by the end. I’m so honored to have this opportunity to compose for Ithaca College’s 50th Anniversary of that seminal work of Karel Husa’s. I have known Music for Prague 1968 as long as I’ve known serious music for winds. It is my aim that every moment of Labyrinth offers the players as much to bite their teeth on as it leaves the audience in its throng from start to finish. -CP.

Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Euphonium, Flute, Horn, Keyboard, Oboe, Percussion, Piccolo, Timpani, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone and more.

SKU: PR.115404250

Composed by Carter Pann. Set of Score and Parts. 92+8+12+12+12+12+8+8+12+1 2+12+12+12+12+12+12+8+12+ 12+12+8+8+8+8+8+8+8+8+8+8 +8+8+8+8+8+8+12+8+8+8+8+8 +8 pages. Duration 26 minutes. Theodore Presser Company #115-40425. Published by Theodore Presser Company (PR.115404250).

UPC: 680160688135.

My� � work Labyrinth for Ithaca College could have easily been titled as my Third Symphony. The work is larger in scope than every other work of mine for winds, save perhaps my first symphony. The piece is cast in two main parts, each consisting of two movements. As it happened I wrote the movements backwards (fitting for something called Labyrinth). The size of the band is on par with that of Karel Husa’s Music for Prague 1968 with one exception, there is an electric keyboard part which lends certain moments in the piece an other-worldly ambience... sounds that are altogether different from anything possible from acoustic instruments. At the risk of sounding obvious or mundane, I had two words floating around my brain during the composing of this work — HUGE and melodic. My predisposition to create inherently melodic music is inescapable at this point in my composing career. This is the kind of music I have gravitated towards since beginning at the piano so long ago. I don’t write ambient or spectral music, nor do I write music replete with extended techniques. The crafting of melodies with gravitas has always made my process of composing the most satisfying. The very last movement of Labyrinth is a gargantuan crescendo the likes of the last movement of Respighi’s The Pines of Rome or Ravel’s Bolero and should leave the audience and players sonically drenched by the end. I’m so honored to have this opportunity to compose for Ithaca College’s 50th Anniversary of that seminal work of Karel Husa’s. I have known Music for Prague 1968 as long as I’ve known serious music for winds. It is my aim that every moment of Labyrinth offers the players as much to bite their teeth on as it leaves the audience in its throng from start to finish. -CP.

(Featuring the Lyrics of Alan and Marilyn Bergman). Arranged by Mary K. Sallee. For Piano. Artist/Personality; Book; Piano - Personality Book; Piano Supplemental. Popular Performer Series. Love; Standard. Advanced. 44 pages. Published by Alfred Music

Composed by Alan Bergman, Marilyn Bergman. Songbook for voice, piano and guitar (chords only). 179 pages. Published by Alfred Publishing.

Composed by Gwyneth W. Walker (1947-). Secular. Published by E.C. Schirmer Publishing (EC.8247).

By Derek Trucks. Play It Like It Is. Softcover. Guitar tablature. 168 pages. Published by Cherry Lane Music

By Janet Vogt. For piano. Educational piano collection. Published by Heritage Music Press. (70/1617H)

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Broadway. 176 pages. 9x12 inches. Published by Hal Leonard.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Standards, Traditional Pop and Vocal Standards. 293 pages. 9x12 inches. Published by Hal Leonard.

By Imagine Dragons. Piano/Vocal/Guitar Artist Songbook. Softcover. 72 pages. Published by Hal Leonard

(A Rock Opera). By Andrew Lloyd Webber and Tim Rice. For Piano/Vocal/Guitar. Vocal Selections. 82 pages. Published by Hal Leonard

Performed by Shannon M. Grama. Arranged by Shannon M. Grama. Pianosoft (Yamaha software for the Disklavier pianos - this is NOT sheet music). Floppy disk. Size 5x5.5 inches. Published by Hal Leonard.