| Warm-Up! Chorale [Partition + CD] Hal Leonard
(20 Purpose Driven Etudes to Develop Essential Choral Skills). For Choral (Book ...(+)
(20 Purpose Driven Etudes
to Develop Essential
Choral Skills). For
Choral (Book and CD pak).
Methodology Chorals.
Softcover with CD. 80
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 6 Little Pieces for Harp Harpe Ut Orpheus
Harp SKU: UT.MAG-266 Composed by Wilhelm Posse. Edited by Anna Pasetti. S...(+)
Harp SKU:
UT.MAG-266 Composed
by Wilhelm Posse. Edited
by Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 266. Published by Ut
Orpheus (UT.MAG-266).
ISBN 9790215326439. 9
x 12
inches. Posseâ€
s compositions for harp
are rich and varied, and
range from the easy
pieces dedicated to his
students to the virtuoso
concert pieces; we must
also remember his
didactic works, in
particular the ‘Six
Small Studies’ and
the universally known
‘Eight Great
Concert
Studies’. It is
not easy to draw a
balance of his legacy in
the harp world. On one
hand his technical vision
of virtuosity combined
with a great stability of
the hand and rigor of the
fingerings certainly
contributed to the
development of the 20th
Century harp technique;
on the other hand, his
use of the pedals, often
driven by two together
with the same foot (a
very old French
technique), has gradually
become more and more
difficult on modern
harps. From the point of
view of his contribution
to the harp repertoire,
the constant run-up to
the piano has heavily
influenced his
compositional production,
making him often
completely miss the
idiomatic effects of 19th
Century harp music
(except for the use of
harmonic sounds), which
were so loved by his
friend Liszt in the
compositions of Parish
Alvars. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Strings Attached Hal Leonard
SKU: HL.124967 One Tough Teacher and the Gift of Great Expectations(+)
SKU: HL.124967
One Tough Teacher and
the Gift of Great
Expectations. Book.
Biography / Music Bisac,
String Reference, Teacher
Resource. Hardcover. 352
pages. Published by Hal
Leonard (HL.124967).
ISBN 9781401324667.
UPC: 884088986100.
6.0x8.5x1.036 inches.
Joanne Lipman and Melanie
Kupchynsky. If
you're lucky, somewhere
in your past is that one
person who changed your
life forever. The one who
pushed you to dream
bigger and to reach
higher, and who set you
straight on what matters
in life. For Joanne
Lipman and Melanie
Kupchynsky, that person
was a public-school music
teacher, Jerry
Kupchynsky, known as Mr.
K - a Ukrainian-born
taskmaster who yelled and
stomped and screamed, and
who drove his students
harder than anyone had
ever driven them before.
Through sheer force of
will, he made them better
than they had any right
to be. Strings Attached
tells the inspiring,
poignant, and powerful
story of this remarkable
man, whose life seemed to
conspire against him at
every turn and yet who
was able to transform his
own heartache into
triumph for his students.
Lyrically recounted by
two former students -
acclaimed journalist
Joanne Lipman and Mr. K's
daughter, Chicago
Symphony Orchestra
violinist Melanie
Kupchynsky - Strings
Attached takes you on a
journey that spans from
his days as a forced Nazi
laborer and his later
home life as a husband to
an invalid wife, to his
heart-breaking search for
his missing daughter,
Melanie's sister. This is
an unforgettable tale - a
captivating narrative
that is as absorbing as
fiction - about the power
of a great teacher, but
also about the legacy
that remains long after
the last note has faded
into silence: lessons in
resilience, excellence,
and tough love. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Our Great God (Bulk Cds) Lillenas Publishing Co.
Choir - Moderate SKU: LP.765762154025 20 Best-selling Anthems for the ...(+)
Choir - Moderate SKU:
LP.765762154025 20
Best-selling Anthems for
the Worshiping Choir.
Arranged by Various.
Choral. Multicultural and
Sacred. Pack of 10
listening CDs. Published
by Lillenas Publishing
Company
(LP.765762154025).
UPC:
765762154025. Our
Great God is a collection
of twenty best-selling
anthems that are dynamic
ministry-driven and will
encourage your
worship-leading choir and
congregation to praise
our great God together.
Featuring a mixture of
well-known songs and
newer favorites this
essential resource offers
a balanced mix of musical
styles and tempos and
highlights various
seasons of the church
year. These well-crafted
and accessible
arrangements come from
some of today's most
respected arrangers and
make Our Great God an
invaluable addition to
your worship library. $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Queen - The Platinum Collection Partitions De Groupes Hal Leonard
Transcribed Scores Bass; Drums; Guitar; Piano/Keyboard; Vocal Complete Scores ...(+)
Transcribed Scores Bass;
Drums; Guitar;
Piano/Keyboard;
Vocal
Complete Scores
Collectors
Edition. By Queen.
Transcribed
Score. Pop, Rock.
Hardcover.
Published by Hal Leonard
$99.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No.3 [Conducteur] Promethean Editions
Orchestra orchestra SKU: PO.UME01 Composed by Anthony Ritchie. This editi...(+)
Orchestra orchestra
SKU: PO.UME01
Composed by Anthony
Ritchie. This edition:
perfect bound, softcover.
Perfect. University Music
Edition. Full score.
Promethean Editions
#UME01. Published by
Promethean Editions
(PO.UME01). ISBN
9780877564000. 305 x
220mm inches. The
driving force and subject
of Anthony Ritchie's
third symphony is the
idea of being human,
which encompasses the
full range of highs and
lows of extreme emotions.
Winner of The Supreme
Achievement Award by The
Listener magazine in New
Zealand (2010) for the
first performance, the
work is bold in colour
and gesture with
challenging
orchestrations that
interweaves soloistic
passages throughout all
sections of the
orchestra. The symphony
portrays two sides of
human personality,
represented by the two
movements of the work: Up
and Down. Ritchie writes:
the music depicts the
constant struggle to find
balance in one's life, in
terms of mood and
relationships with other
people. The work is rich
with layers of textures
and colour, Up
underpinned by continual
momentum forward, driven
by the prominent log drum
and tom toms of the
percussion, bright brass
and the upper registers
of the woodwind. The
second movement, Down,
contrasts markedly with
the first by being
melancholic, slow and
mournful in mood with
interjections of agitated
gestures. The tension
that they create
ultimately subsides as
melodies of the strings
emerge. This work reveals
Ritchie's highly personal
and compelling writing,
and extracts the inner
world of human emotion as
a heightened experience
through the orchestra.
This publication is the
first of the University
Edition New Zealand
Series, which showcases
important works by
leading composers in New
Zealand. $122.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Primeval Stormfront Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Conaway. Concert band. Concert Band Series. Audio recording available separat...(+)
By Conaway. Concert band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR367). Grade 2.5.
Score and parts. Composed
2010. Duration 2 minutes,
31 seconds. Published by
C.L. Barnhouse
$72.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Earth Songs [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band and Vocal Solo - Grade 6 SKU: BT.DHP-1094768-020 For Sopr...(+)
Fanfare Band and Vocal
Solo - Grade 6 SKU:
BT.DHP-1094768-020
For Soprano Solo and
Band. Composed by
Marco Putz. De Haske
Manuscript. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094768-020. Published by
De Haske Publications
(BT.DHP-1094768-020).
9x12 inches.
English-German-French-Dut
ch. The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Wälder, dont la ligne
mélodique fut reprise
par Jean-Sébastien
Bach pour son choral So
sein nun, Seele, deine
(Choral n°6 - Cantate
BWV 13), est le fil
conducteur de cette
oeuvre en quatre
mouvements conçue
comme un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siècles
nous séparent du temps
de Bach. Si les mots sont
restés les mêmes,
leur sens primitif
connaît cependant
quelques nuances. Ainsi,
au XXIe siècle -
considéré comme le
« siècle du
progrès », il
conviendrait de traduire
Nun ruhen alle Wälder
(“les forêts se
reposent “) par
“Les forêts se
meurentâ€. La
mondialisation et
l’industrialisatio
n massiveassociées
l’avidité
prédatrice, la
corruption politique, aux
actions humaines
irrationnelles et au
fossé grandissant
entre riches et pauvres
conduisent notre
planète bleue se
rapprocher chaque jour un
peu plus du point de non
retour. Cette composition
n’est pas une
accusation acerbe, mais
plutôt une exhortation
prendre soin de cette
beauté si harmonieuse
que nous offre la nature.
Et peut-être,
prendrons-nous enfin
conscience de
l’importance
d’une situation de
coexistence avec la
nature, nécessaire
pour la survie de
l’espèce
humaine, et non
d’exploitation qui
conduit la destruction.
Un jour, alors
qu’il naviguait
sur Internet, Marco
Pütz découvrit
l’oeuvre du
poète australien
Graeme King. Fasciné
par la clarté de
l’écriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilités
d’adaptation et de
mise en musique
qu’offrent les
poèmes de King. Il
choisit quatre poèmes
sur la nature pour
créer son oeuvre Four
Earth Songs (Quatre
chants de la terre). 1.
Tears of Nature (Les
larmes de la Nature) 2.
Grrrevolution 3. Stand
up! (Levez-vous !) 4.
Tomorrow (Demain) Four
Earth Songs est
dédié amicalement
l’Orchestre de
Fanfare de Frise (Frysk
Fanfare Orkest) et son
chef, Jouke Hoekstra.
L’oeuvre a
été donnée en
création mondiale par
l’orchestre
dédicataire
l’occasion de la
14ème Convention de la
WASBE Cincinnati aux. $553.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| America...This Is My Country - Choral Book Word Music
Easy SKU: WD.080689494178 Composed by Allan Douglas. Choral, cantatas. Pa...(+)
Easy SKU:
WD.080689494178
Composed by Allan
Douglas. Choral,
cantatas. Patriotic.
Book. Word Music
#080689494178. Published
by Word Music
(WD.080689494178).
UPC:
080689494178. I pledge allegiance
to the flag of the United
States of
America...These words, taken
from the Pledge of
Allegiance, begin one of
the most revered and
important statements in
the collective vocabulary
of our great land. An
integral part of Very
Simply Word's
Unison/2-Part Patriotic
musical,
America...This Is My
Country, the beloved
pledge is highlighted in
the stage-setting opening
song, I Pledge, including
an opportunity for the
congregation and choir to
join together in reciting
the Pledge of Allegiance
as the perfect start to
this inspiring,
easy-to-learn,
easy-to-sing celebration
of liberty and
freedom!
Brillian
t orchestrations enhance
the powerful
Unison/2-Part vocal
writing, designed to
showcase the sound and
energy of your choir
while maximizing
rehearsal and preparation
time. Whether your
repertoire choices are
influenced by the ease
and accessibility of the
arrangements, or driven
by limited rehearsal
time, these signature
arrangements from Very
Simply Word are
guaranteed to meet your
needs. Complemented by a
visually stunning
Accompaniment DVD,
America...This Is My
Country is the perfect
20-minute patriotic
presentation for church
choirs
everywhere!
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Outburst Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 6 SKU: HL.4008988 Concert Band, Grdae 6 3...(+)
Concert Band (Score) -
Grade 6 SKU:
HL.4008988 Concert
Band, Grdae 6 3:08
Score. Composed by
Georges Sadeler.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 188
seconds. Hal Leonard
#SDP285-24-01. Published
by Hal Leonard
(HL.4008988). UPC:
196288283829. “Ou
tburst” is a
spectacular opening for
any concert. The entire
orchestra can showcase
its impressive skills for
over three minutes. The
initial fanfare is
abruptly interrupted by a
pulsating, faster tempo,
driven by powerful drum
beats and orchestral
rhythms. Following this,
the first four notes of
the fanfare resound in
various variations. Each
instrument section has
its glorious moment and
contributes collectively
to the impressive
finale. $33.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Setting Hearts on Fire - Songbook GIA Publications
SKU: GI.G-017012 Composed by Michael Mangan. Sacred. Book. GIA Publicatio...(+)
SKU: GI.G-017012
Composed by Michael
Mangan. Sacred. Book. GIA
Publications #017012.
Published by GIA
Publications
(GI.G-017012).
Songs for
graduation, confirmation,
Eucharist,
evangelization, and
praise. Mangan uses the
power of music to build
up the Body of Christ
through vibrant and
meaningful celebrations,
driven by melodic guitar.
These up-beat sounds with
significant lyrical
content will help
children build communion
with Christ and each
other to set hearts on
fire! $15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
$50.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cowboy Suite Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000807-130 Composed by Alan Laken. Score...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000807-130
Composed by Alan Laken.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000807-130. Published by
Gobelin Music
Publications
(BT.GOB-000807-130).
In the
tripartite 'Cowboy Suite'
Alan Laken takes us to
the Wild West, the domain
of cowboys, indians,
trappers and other
fortune hunters.
Around 1890 the west
coast of America was
reached, which in effect
meant the end of the Wild
West. Its stories,
however, survived and
have been a source of
inspiration for many
books, films, and, of
course, music. Some
characters, such as Jesse
James, Billy the Kid, and
Buffalo Bill are forever
linked to these
tales.
In the
'Cowboy Suite' we first
hear the 'Hoedown'. At
the end of an exhausting
workday the labourers
used to lay down their
tools, among others the
'hoes' and spontaneously
began to play music on
the instruments which
they then possessed
(guitars, fiddles, and
banjos) and to dance.
After being jolted on the
'Wagon Trail' we reach
the third part, the
'Cowboy Roundup'. In this
last part it becomes
clear that as a cattle
driver it is imperative
to stay firmly seated in
the saddle. As the cattle
are rounded up, i.e.
driven together,
spectacular things
happen.
In de
driedelige 'Cowboy Suite'
neemt Alan Laken ons mee
naar het 'Wilde Westen',
het domein van cowboys,
indianen, pelsjagers en
andere gelukzoekers.
Rond 1890, werd de
westkust van Amerika
bereikt, dit betekende
het eindevan het Wilde
Westen. Maar de
verhalen bleven en waren
een bron voor vele
boeken, films en
natuurlijk muziek. Enkele
personages die
onlosmakelijk verbonden
zijn met deze verhalen
zijn: Jesse James, Billy
the Kid, en
BuffaloBill.
In
de 'Cowboy Suite' horen
we eerst de
‘Hoedown’. Aan het
einde van een zware
werkdag legden de
landarbeiders hun
werktuig, o.a. de 'Hoe'
(schoffel) neer en
begonnen met de dan
beschikbare instrumenten
(Gitaar, Fiddleen Banjo)
spontaan te musiceren en
te dansen. In de
‘Wagon Trial’
hobbelen we naar het
derde deel, de ‘Cowboy
Roundup’. Dat je als
veedrijver goed in je
zadel moet zitten blijkt
wel in het laatste deel.
Tijdens de 'Roundup'(het
bijeendrijven van het
vee) gaat het er
spectaculair aan toe. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ Is Risen - Accompaniment Video Chorale Unison Unison/2-parties, Piano - Débutant Word Music
Unison/2-part choir - Very Easy SKU: WD.080689521096 A 20-Minute Easte...(+)
Unison/2-part choir -
Very Easy SKU:
WD.080689521096 A
20-Minute Easter
Celebration. Composed
by Sarah Huffman.
Arranged by Sarah
Huffman. Choral,
cantatas. Very Simply
Word. Accompaniment
video. Duration 20
minutes. Word Music
#080689521096. Published
by Word Music
(WD.080689521096).
UPC:
080689521096. Chris
t Is Risen, the new Very
Simply Word musical for
Easter, continues a
tradition of
easy-learn-easy-sing
musicals (no solos!) that
offer high-end,
production-quality tracks
and powerful
ministry-driven content,
with a musical and
artistic integrity rarely
experienced in a
Unison/2-Part choral
series. Easter is one
of the most important
services on your church
calendar. If your choir
operates under limited
rehearsal time, few
resources, or
ease-of-performance
needs, then Christ Is
Risen is the perfect
choice for your next
Easter choir offering. At
20 minutes in length, it
is also an exceptional
choice for those churches
who want to present a
full Easter musical and
still leave time in the
service for the Pastor's
sermon. This musical
is sure to touch hearts
and minds alike...from
the opening prayer
leading into a powerful
Matt Maher/Mia Fieldes
title song, Christ Is
Risen; to the classic,
poetic Easter hymn, When
I Survey the Wondrous
Cross; and finally with
the Praise & Worship
powerhouse, I Will Rise.
With every word and
nuance of the heartfelt
narration, Christ Is
Risen delivers maximum
ministry impact with
minimal preparation time.
Incorporate the stunning
DVD Accompaniment Track
into your presentation
for the ultimate Easter
choir event! $159.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Forever King! (SATB) Chorale SATB SATB, Piano [Octavo] Beckenhorst Press
By Dan Forrest. For SATB choir and piano accompaniment. Octavo. Published by Bec...(+)
By Dan Forrest. For SATB
choir and piano
accompaniment. Octavo.
Published by Beckenhorst
Press
$2.15 $2.0425 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cowboy Suite Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000806-020 Composed by Alan Laken. Set...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000806-020
Composed by Alan Laken.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000806-020. Published by
Gobelin Music
Publications
(BT.GOB-000806-020).
In the
tripartite 'Cowboy Suite'
Alan Laken takes us to
the Wild West, the domain
of cowboys, indians,
trappers and other
fortune hunters.
Around 1890 the west
coast of America was
reached, which in effect
meant the end of the Wild
West. Its stories,
however, survived and
have been a source of
inspiration for many
books, films, and, of
course, music. Some
characters, such as Jesse
James, Billy the Kid, and
Buffalo Bill are forever
linked to these
tales.
In the
'Cowboy Suite' we first
hear the 'Hoedown'. At
the end of an exhausting
workday the labourers
used to lay down their
tools, among others the
'hoes' and spontaneously
began to play music on
the instruments which
they then possessed
(guitars, fiddles, and
banjos) and to dance.
After being jolted on the
'Wagon Trail' we reach
the third part, the
'Cowboy Roundup'. In this
last part it becomes
clear that as a cattle
driver it is imperative
to stay firmly seated in
the saddle. As the cattle
are rounded up, i.e.
driven together,
spectacular things
happen.
In de
driedelige 'Cowboy Suite'
neemt Alan Laken ons mee
naar het 'Wilde Westen',
het domein van cowboys,
indianen, pelsjagers en
andere gelukzoekers.
Rond 1890, werd de
westkust van Amerika
bereikt, dit betekende
het eindevan het Wilde
Westen. Maar de
verhalen bleven en waren
een bron voor vele
boeken, films en
natuurlijk muziek. Enkele
personages die
onlosmakelijk verbonden
zijn met deze verhalen
zijn: Jesse James, Billy
the Kid, en
BuffaloBill.
In
de 'Cowboy Suite' horen
we eerst de
‘Hoedown’. Aan het
einde van een zware
werkdag legden de
landarbeiders hun
werktuig, o.a. de 'Hoe'
(schoffel) neer en
begonnen met de dan
beschikbare instrumenten
(Gitaar, Fiddleen Banjo)
spontaan te musiceren en
te dansen. In de
‘Wagon Trial’
hobbelen we naar het
derde deel, de ‘Cowboy
Roundup’. Dat je als
veedrijver goed in je
zadel moet zitten blijkt
wel in het laatste deel.
Tijdens de 'Roundup'(het
bijeendrijven van het
vee) gaat het er
spectaculair aan toe. $90.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Malibu CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.244507 By Miley Cyrus. Arranged by Mac Huff....(+)
Choral (ShowTrax CD)
SKU: HL.244507 By
Miley Cyrus. Arranged by
Mac Huff. Pop Choral
Series. Pop. CD. Duration
250 seconds. Published by
Hal Leonard (HL.244507).
UPC: 888680708337.
5.0x5.0x0.19
inches. Here is a
guitar driven pop song
from pop icon Miley
Cyrus. In a musical style
that celebrates the new
direction in her life and
in her music she says I'm
giving the world a hug
and saying, Hey, look.
We're good - I love you.
And I hope that you can
love me back. A beautiful
message for your singers
to express. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intrigue [Conducteur] - Facile Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 3 SKU:
CF.CAS97F Composed by
Sean O'Loughlin. Carl
Fischer Concert String
Orchestra Series. Full
score. With Standard
notation. 12 pages.
Duration 3 minutes, 25
seconds. Carl Fischer
Music #CAS97F. Published
by Carl Fischer Music
(CF.CAS97F). ISBN
9781491142196. UPC:
680160630257. Just
as the title suggests,
this piece is intriguing
from start to finish. It
contains all of the
signature Sean
O'Loughling touches for
which his compositions
have become so popular:
pulsating rhythms, fresh
harmonies, and
interesting motivicly
driven melodic fragments.
This piece is fun to play
and audiences will love
it. About
Carl Fischer Concert
String Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Celtic Choir Shawnee Press
Choral (celtic consort orch) SKU: HL.35029339 Consort Orchestra (CD-RO...(+)
Choral (celtic consort
orch) SKU:
HL.35029339
Consort Orchestra
(CD-ROM). Composed by
Joseph M. Martin. Shawnee
Sacred. Celtic, Sacred.
CD-ROM, Score and Parts.
Published by Shawnee
Press (HL.35029339).
UPC: 884088955519. 5x5
inches. Consort
Orchestra
(CD-ROM/includes score
and parts for flute
(penny whistle), violin,
cello, guitar, piano and
percussion): The
soaring beauty of
traditional folk music
and Gaelic-inspired
original songs permeates
this collection with
fresh sounds and
expressive words. From
lilting dance-like songs
of praise to noble hymn
tunes that encourage and
motivate, this gathering
of sacred songs provides
a great variety of
styles, tempos and
usages. Decorated with
optional acoustic
instruments and driven by
well-crafted piano parts,
these anthems are
designed to work for
choirs of any size. Catch
the wave of enthusiasm
for this ancient, musical
culture and bring a
refreshing spirit of
worship into your
ministry! Songs include:
Celtic Praise Song
• In the Valley
Flows a River • The
Master Has Come • A
Celtic Hosanna •
Come to the Upper Room
• Here is Love
• Celtic Alleluia
• Not I, But Christ
• A Celtic
Blessing. Score and
parts for flute (penny
whistle), violin, cello,
guitar, piano and
percussion. $69.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Treasures in Heaven Peters
Choir Secular SKU: PE.EP73595 For SATB Choir and Organ. Composed b...(+)
Choir Secular SKU:
PE.EP73595 For
SATB Choir and Organ.
Composed by Jonathan
Dove. Edition Peters.
Choral Octavo. 32 pages.
Edition Peters
#98-EP73595. Published by
Edition Peters
(PE.EP73595). ISBN
9790577021775.
English. Jonatha
n Dove's Treasures in
Heaven is a 6.5
minute work for organ and
SATB choir which sets
Matthew 6:19–21
from the Bible, a text
that exhorts the reader
to gather treasures in
heaven rather than on
earth since where the
treasure is, there will
also be our hearts. The
energetic piece is driven
from the organ part with
the choir singing in
rhythmic but homophonic
blocks. It was
commissioned by Lord
Crewe's Charity on the
occasion of its
tercentenary, in memory
of the life and
charitable foundation of
Nathanial, Lord Crewe and
premiered by the Choir of
Durham Cathedral on 18
September
2021. This edition
(EP 73595) is the choral
leaflet, which includes
the organ part. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Engravings [Conducteur] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570366019 Composed by Evis Sammoutis. Classi...(+)
Chamber Ensemble SKU:
BT.MUSM570366019
Composed by Evis
Sammoutis. Classical.
Score Only. 37 pages.
University of York Music
Press #MUSM570366019.
Published by University
of York Music Press
(BT.MUSM570366019).
English. Engravi
ngs for Large Ensemble:
i) Chalcography ii)
Pantograph / Etching iii)
Xylography / Lithography
Engravings was composed
for the Ensemble Modern
as part of the 2013
International Ensemble
Modern Academy and it is
dedicated in admiration
to this iconic group of
soloists. Whilst many art
forms largely depend on
space, music has a
thrilling relationship
with time. Time serves as
a canvas for composers,
and compositions can in
many ways also be
described as sculpted
time. Ancient Greeks had
two words for time,
Chronos (time in the
traditional sense) and
Kairos (the opportune
moment). The former is
quantitative and the
latter, qualitative. This
distinction is very
important as welive our
lives in chronos but
experience most of the
important events of our
lives in kairos. For me,
the art of music
composition highlights
this relationship;
whereas music cannot
exist without chronos, it
is the kairos that makes
it worthwhile—the
pursuit of supreme
moments. As an art form,
engraving is very lengthy
and painstakingly
process-driven, not
unlike composing, and
techniques, instruments
and types of engraving
directly inspired this
three-movement
composition. At times,
the inspiration lies in
the engraved artefact
itself. At others, I am
interested in the
technical process or the
instruments utilized.
Methods of production
depend on the materials
used: Chalcography,
xylography and
lithography are
engravings on copper,
wood and stone,
respectively, and these
are represented both
literally and
conceptually by the
ensemble, either in
colour or scope.
Pantograph is an
engraving machine based
on parallelograms where
the movement of one point
in tracing an image is
produced identically in
other points, and etching
refers to the method of
making prints from a
metal plate. Whilst
beauty is found in the
finished engraving, there
are also moments of
beauty in the process of
creation itself.
Therefore, Engravings
uses this art form to
explore both the
uniqueness of these
concepts but also how
they merge during the
creative process. $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Kum Ba Yah Cloches [Partition] - Intermédiaire Lorenz Publishing Company
By Jason W. Krug. For handbells (3-6 octaves) (with optional Shaker, djembe). Co...(+)
By Jason W. Krug. For
handbells (3-6 octaves)
(with optional Shaker,
djembe). Concert,
General, Sacred. Level 3.
Sheet music. Published by
Lorenz Publishing Company
. Sheet music. Concert,
General, Sacred.
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Voice Within Chorale 3 parties SAB Hal Leonard
Choral (SAB Choir) SKU: HL.126805 By Christina Aguilera. By Christina Agu...(+)
Choral (SAB Choir)
SKU: HL.126805 By
Christina Aguilera. By
Christina Aguilera and
Glen Ballard. Arranged by
Mac Huff. Pop Choral
Series. Ballad, Concert,
Graduation,
Inspirational, Pop, Rock,
Show Choir. Octavo. 16
pages. Published by Hal
Leonard (HL.126805).
UPC: 888680005450.
6.75x10.5
inches. This
beautiful piano-driven
ballad by Christina
Aguilera encourages us to
trust the voice within.
This positive message
will inspire teen singers
at a challenging time in
their lives and provide
an emotional moment in
concert! $2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Four Earth Songs Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band and Vocal Solo - Grade 5 SKU: BT.DHP-1094768-140 Poems by...(+)
Concert Band and Vocal
Solo - Grade 5 SKU:
BT.DHP-1094768-140
Poems by Graeme
King. Composed by
Marco Putz. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 84
pages. De Haske
Publications #DHP
1094768-140. Published by
De Haske Publications
(BT.DHP-1094768-140).
9x12 inches.
English-German-French-Dut
ch. The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Wälder, dont la ligne
mélodique fut reprise
par Jean-Sébastien
Bach pour son choral So
sein nun, Seele, deine
(Choral n°6 - Cantate
BWV 13), est le fil
conducteur de cette
oeuvre en quatre
mouvements conçue
comme un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siècles
nous séparent du temps
de Bach. Si les mots sont
restés les mêmes,
leur sens primitif
connaît cependant
quelques nuances. Ainsi,
au XXIe siècle -
considéré comme le
« siècle du
progrès », il
conviendrait de traduire
Nun ruhen alle Wälder
(“les forêts se
reposent “) par
“Les forêts se
meurentâ€. La
mondialisation et
l’industrialisatio
n massiveassociées
l’avidité
prédatrice, la
corruption politique, aux
actions humaines
irrationnelles et au
fossé grandissant
entre riches et pauvres
conduisent notre
planète bleue se
rapprocher chaque jour un
peu plus du point de non
retour. Cette composition
n’est pas une
accusation acerbe, mais
plutôt une exhortation
prendre soin de cette
beauté si harmonieuse
que nous offre la nature.
Et peut-être,
prendrons-nous enfin
conscience de
l’importance
d’une situation de
coexistence avec la
nature, nécessaire
pour la survie de
l’espèce
humaine, et non
d’exploitation qui
conduit la destruction.
Un jour, alors
qu’il naviguait
sur Internet, Marco
Pütz découvrit
l’oeuvre du
poète australien
Graeme King. Fasciné
par la clarté de
l’écriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilités
d’adaptation et de
mise en musique
qu’offrent les
poèmes de King. Il
choisit quatre poèmes
sur la nature pour
créer son oeuvre Four
Earth Songs (Quatre
chants de la terre). 1.
Tears of Nature (Les
larmes de la Nature) 2.
Grrrevolution 3. Stand
up! (Levez-vous !) 4.
Tomorrow (Demain) Four
Earth Songs est
dédié amicalement
l’Orchestre de
Fanfare de Frise (Frysk
Fanfare Orkest) et son
chef, Jouke Hoekstra.
L’oeuvre a
été donnée en
création mondiale par
l’orchestre
dédicataire
l’occasion de la
14ème Convention de la
WASBE Cincinnati aux. $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Musicianship: Composing in Choir GIA Publications
SKU: GI.G-9082 Edited by Jody Kerchner. Music Education. Choir part. 350 ...(+)
SKU: GI.G-9082
Edited by Jody Kerchner.
Music Education. Choir
part. 350 pages. GIA
Publications #9082.
Published by GIA
Publications (GI.G-9082).
ISBN 9781622771752.
English. Contributo
rs:Â Sandra Babb,
Bronwen Fox, Talia
Greenberg, Stuart Chapman
Hill, Tara Sievers-Hunt,
Michele Kaschub, Mary
Copland, Kennedy Chi-hin
Leung, Tom Lopez, Wendy
Northrup, Stephen A.
Paparo, Sarah Price,
Carlos
Xavier Rodriguez,
Julia Shaw, Philip
Silvey, Janice Smith,
Brent C. Talbot, Raymond
Wise, Paulina Wai-Ying
Wong. Â By seeking to
open the act of composing
to students of all ages,
colors, classes, and
backgrounds, Strand and
Kerchner seek to
demystify the act of
composition itself. . .
. The chorus is the
ideal place to affect
this kind of change.
—Dominick DiOrio
  From the
Foreword Musicianship:
Composing in Choir is a
pioneering and practical
answer to one of the
great music education
mysteries: how to
effectively bring music
composition to the choir
room at all levels, in
alignment with the
National Core Arts
Standards. Written and
edited by Jody Kerchner
and Katherine Strand
together with a team of
18 nationally recognized
teachers, researchers,
and musicians, this book
is truly a landmark
publication. Central to
this book are engaging
project-based activities
for individuals, small
groups, and full
ensembles. The
authors’ goal is
to provide singers with
exciting new tools for
exploring music. By
promoting comprehensive
choral musicianship,
teachers will celebrate
their students’
creativity, and their
own. Section 1,
Principles and
Foundations, provides a
rationale for the
critical importance of
including composition in
the choral classroom,
pedagogical principles
upon which to base
composition activities,
and practical examples
that can be taken
directly from the page
into the classroom.
Section 2, Looking in on
Composing in Choir,
shares the latest the
latest in practices and
research related to
teaching arranging and
composing at a variety of
levels and choral styles,
with practical ideas
suitable for a wide range
of choral programs,
student ages, ability
levels, and interests.
Section 3, Composition
Projects for Choir,
includes lesson plans
with goals, outcomes, and
procedures for
page-to-classroom
activities. Examples
include composing
ostinatos, rounds,
partner songs, and songs
over a bass line, lessons
on arranging, leveraging
technology, and using
composition to teach
sight singing. These
lessons are a gold mine
of ideas for choral
educators and students
alike. Every lesson has
been
“test-drivenâ€
with diverse student
populations. Ultimately,
Kerchner, Strand, and
their team show that
composing and arranging
are not superhuman gifts,
activities, or
experiences that need to
occur in solitude:
Creativity and
composition should be for
everyone. With
Musicianship: Composing
in Choir, teachers and
their students have
access to tools and ideas
that have the potential
to transform their music
making. Jody L. Kerchner
is Professor & Director
of Music Education at the
Oberlin Conservatory of
Music, where she is the
secondary-school music
and choral music
education specialist. She
is also founder and
conductor of the Oberlin
College Women’s
Chorale and the Oberlin
Music at Grafton Prison
Choir. Her research
interests include music
listening, choral
pedagogy, reflective
praxis, empathetic
leadership, and music
teacher preparation.
Katherine Strand is
Associate Professor of
Music and Chair of the
Music Education
Department in the Jacobs
School of Music at
Indiana University, where
she teaches classes in
participatory music
practices, curriculum,
and qualitative research
methods. She taught
K–12 choral and
general music in rural
and urban settings and
served as choral director
for the Virginia
Governor’s School
for the Visual and
Performing Arts and
Humanities. Her research
interests include
teaching for creativity,
multicultural music
pedagogy, and curriculum.
Clint Randles, Series
Editor, is Assistant
Professor and Coordinator
of Music Education at the
University of South
Florida School of Music
in Tampa, Florida. $36.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Per Norgard: Poeme - Facile Music Sales
Marimba - Grade 3 SKU: HL.14025782 Composed by Per Norgard. Music Sales A...(+)
Marimba - Grade 3 SKU:
HL.14025782 Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. 10
pages. Music Sales
#KP00025. Published by
Music Sales
(HL.14025782). ISBN
9788759850626.
9.5x14.25x0.06 inches.
English. Per
Norgard's fantastic 1987
work, Poeme for Marimba
and other accompanying
Percussion instruments.
Norgard is one of the
most influential
contemporary Danish
composers and this piece
features elements of
improvisation and the
driven tones and abruptly
changing textures which
characterise the majority
of his work from
1980. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| And Sweet Singing in the Choir - Performance/Accompaniment CD Heritage Music Press
SKU: LO.99-3557H Composed by Douglas E. Wagner. Secular Christmas. Perfor...(+)
SKU: LO.99-3557H
Composed by Douglas E.
Wagner. Secular
Christmas.
Performance/accompaniment
CD. Heritage Music Press
#99/3557H. Published by
Heritage Music Press
(LO.99-3557H). UPC:
000308142723. Dougl
as Wagner's rhythmically
driven treatment of the
beloved carol The Holly
and the Ivy offers a
fantastic opener or
closer for your holiday
concert. Persistent
eighth notes in the piano
maintain excitement
throughout, and a dynamic
choral pyramid ending
adds to the festive
atmosphere. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Summer Holiday Ensemble de cuivres [Conducteur] - Débutant Gobelin Music Publications
Brass Band - Grade 1.5 SKU: BT.GOB-000725-130 Composed by Patrick Millsto...(+)
Brass Band - Grade 1.5
SKU:
BT.GOB-000725-130
Composed by Patrick
Millstone. Score Only.
Gobelin Music
Publications #GOB
000725-130. Published by
Gobelin Music
Publications
(BT.GOB-000725-130).
In ‘A Summer
Holiday’ Patrick
Millstone takes us with
him on a journey. After a
year’s hard work we may
finally enjoy a
well-earned holiday. The
first part of this
three-part composition
has the appropriate title
‘On Tour’. When we
chose our holiday
destination, the brochure
said that it would be
bathed in sunlight every
day. Unfortunately, this
turns out not to be the
case. Somewhat
melancholically, we play
round games in our summer
house on a ‘Rainy
Day’. However, the next
day, when the sun again
has driven away all the
clouds, we naturally
visit the ‘Crowded
Beach’, where we enjoy
both sun, sea and beach
once again.
In
‘A Summer Holiday’
neemt Patrick Millstone
ons mee op reis. Na een
jaar hard werken kunnen
we van een welverdiende
vakantie genieten. Het
eerste deel van deze
driedelige compositie
heeft de toepasselijke
titel ‘On Tour’.
Bijhet uitzoeken van de
vakantie, stond in de
folder dat onze
bestemming zonovergoten
zou zijn. Dit blijkt
helaas niet alle dagen zo
te zijn. Met enige
weemoed zitten we in ons
huisje wat
gezelschapsspelletjes te
doen op deze
‘RainyDay’. Maar als
de zon de wolken
verdreven heeft, en dat
is de volgende dag zo,
gaan we natuurlijk met
z’n allen naar de
‘Crowded Beach’, waar
we genieten van zon, zee
en strand. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Modern Jazz Theory and Practice Théorie de la musique [Partition + Accès audio] Berklee
The Post-Bop Era. Berklee Guide. Jazz Instruction, Theory. Softcover Audio On...(+)
The Post-Bop Era. Berklee
Guide. Jazz Instruction,
Theory. Softcover Audio
Online. 80 pages.
Published by
Berklee Press
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 6 [Conducteur] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU:
PR.16500104F Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F). ISBN
9781491132159. UPC:
680160681082. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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