By Barry Kopetz. Concert/Contest. Grade 3. Score and parts. Published by Wingert-Jones Publications

Composed by Mark Hayes (1953-). Choral. Sacred Anthem, Concert, Festival, General. Lorenz Publishing Company #10/5724L. Published by Lorenz Publishing Company

Orchestra - Grade 1.5

SKU: AP.45823S

Composed by Michael Kamuf. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Score. 12 pages. Duration 2:00. Belwin Music #00-45823S. Published by Belwin Music (AP.45823S).

UPC: 038081529196. English.

Perfect for concerts and festivals, Dayspring by Michael Kamuf is an ideal piece for reinforcing both dotted-quarter/eighth note and syncopation rhythms with your beginning string orchestra. In this driving new work by Michael Kamuf, the lyrical melodies and driving motifs are passed around the entire ensemble, supported by rich harmonies. (2:00).

Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2

SKU: CF.CM9634

Composed by Traditional Christmas Spiritual. Arranged by Ken Berg. Sws. Performance Score. 16 pages. Duration 3 minutes, 40 seconds. Carl Fischer Music #CM9634. Published by Carl Fischer Music (CF.CM9634).

ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.

Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part” henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio part”, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position” cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio” role and actually become a “Men’s Choral Ensemble”. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vamp”. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp” and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.

Jazz Ensemble standard jazz ensemble - Grade 3

SKU: KN.61165

Composed by Jeff Jarvis. Jazz Journey. 12/8 Funk. Score and parts. Kendor Music Inc #61165. Published by Kendor Music Inc (KN.61165).

UPC: 822795611655.

This chart conjures up mental images of driving on a curvy mountain road overlooking a picturesque desert valley. This exciting chart for advancing groups has a driving 12/8 funk feel that is sure to engage your band and audiences with its relentless intensity - but without excessive brass range demands (trumpet: D6 and trombone: G4). The harmonies are sturdy and the melodies are memorable. All instrumental sections have interesting, well-articulated parts and solo space is provide for guitar and piano. A guitar chord chard by Jim Greeson is included in each set. Duration 5:55.

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266F

Composed by Mark Lortz. Cps. Full score. 28 pages. Carl Fischer Music #CPS266F. Published by Carl Fischer Music (CF.CPS266F).

ISBN 9781491161760. UPC: 680160920457.

Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266

Composed by Mark Lortz. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+6+6+4+8+2+6+ 2+4+10+28 pages. Carl Fischer Music #CPS266. Published by Carl Fischer Music (CF.CPS266).

ISBN 9781491161296. UPC: 680160919888.

Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Composed by Paul David Thomas. Sws. Octavo. 16 pages. Duration 3 minutes, 8 seconds. Carl Fischer Music #CM9647. Published by Carl Fischer Music

Composed by Larry Neeck. For young concert band. Command Series. Grade 3. Score and set of parts. Duration 4 minutes, 22 seconds. Published by C.L. Barnhouse

Handbell choir handbell (3-6 octaves handbell choir) - Grade 3

SKU: BP.HB632

Composed by Jason W. Krug. Arranged by Jason W. Krug. Handbell choir music. Handbell score. Beckenhorst Press #HB632. Published by Beckenhorst Press (BP.HB632).

Arranged for 3 to 6 octave handbell choir with optional 2 octaves of handchimes and optional tambourine. Level 3. Bold, open harmonies dominate Jason Krug's arrangement of the hymn BEACH SPRING. Set in a lilting 6/8, the opening verses offer a laid-back treatment, which becomes jubilant and driving as the piece accelerates into a driving 4/4 for the final verse, before a brief return to the dancing 6/8 at the end. The optional tambourine provides extra support on the rhythm and additional aural interest.

Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Young Band. Part(s); Score. 260 pages. Duration 3:45. Belwin Music #00-BD9962. Published by Belwin Music

Score and Parts flute (also Piccolo), oboe, clarinet in Bb, horn, bassoon and piano - advanced

SKU: HL.49045997

For Woodwind Quintet and Piano Score and Parts. Composed by Pierre Jalbert. Sheet music. Edition Schott. Softcover. Composed 2018. 92 pages. Duration 21'. Schott Music #ED30173. Published by Schott Music (HL.49045997).

ISBN 9781540033918. UPC: 888680787004. 9.5x12.0x0.681 inches.

Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano.The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added.- Pierre Jalbert.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle, Trombone and more. - Grade 2

SKU: CF.YPS234F

Composed by Mark Lortz. Sws. Yps. Full score. 12 pages. Duration 1 minute, 50 seconds. Carl Fischer Music #YPS234F. Published by Carl Fischer Music (CF.YPS234F).

ISBN 9781491158210. UPC: 680160916818. 9 x 12 inches.

Flight of the Eagle is a driving fanfare highlighting all sections of the band. Written in a mature style, brass and saxophones begin the piece in a half-time feel with accentuated percussion interjections. Rehearsal 16, the flutes, oboes, and percussion are the driving pulse, while the other voices have the melodic content. The style is noticeably different at Rehearsal 28 with accented notes throughout. Rehearsal 35 introduces the new rhythmic ostinato, which should diminuendo so the melody can be heard. Rehearsal 67 is similar to Rehearsal 28 to the end, and percussion should dampen on the final note of the piece.

Grade 3

SKU: AP.98-RWS222600

Composed by Hoefle. Concert Band. Score and set of parts. Composed 2022. RWS Music Company #RWS-2226-00. Published by RWS Music Company (AP.98-RWS222600).

Tenacity is an aggressive, passionate piece that allows the musicians to express themselves. This driving piece features aggressive, colorful percussion writing that accompanies a driving bass line and pleading melodies. Does your band have Tenacity?

(As recorded by The Who (Featuring Tuba/Bass)). Composed by Peter Townshend [The Who]. Arranged by Doug Adams. Marching Band. Marching Band; Score. Easy Pops for Marching Band. Rock. Grade 2. 8 pages. Published by Alfred Music

Jazz Ensemble - Grade 3

SKU: KN.61165S

Composed by Jeff Jarvis. Jazz Journey. Kendor Music Inc #61165S. Published by Kendor Music Inc (KN.61165S).

UPC: 822795611655.

This chart conjures up mental images of driving on a curvy mountain road overlooking a picturesque desert valley. This exciting chart for advancing groups has a driving 12/8 funk feel that is sure to engage your band and audiences with its relentless intensity - but without excessive brass range demands (trumpet: D6 and trombone: G4). The harmonies are sturdy and the melodies are memorable. All instrumental sections have interesting, well-articulated parts and solo space is provide for guitar and piano. A guitar chord chard by Jim Greeson is included in each set. Duration 5:55.

Chamber Music Piano, Piccolo 1, Piccolo 2, Piccolo 3

SKU: PR.114422970

Composed by Amanda Harberg. Set of Score and Parts. 16+4+4+4 pages. Duration 4:30. Theodore Presser Company #114-42297. Published by Theodore Presser Company (PR.114422970).

ISBN 9781491135259. UPC: 680160685431.

The opening section of Fever Dreams is a sultry conversation between three melodramatic characters. The exchange becomes increasingly heated until a sudden climactic break leads into a driving and playful scherzo, full of humor and dialogue. This tour de force marks a notable contribution to the piccolo repertoire.
The process of composing FEVER DREAMS for Three Piccolos and Piano uplifted my spirits through human connection, levity, and humor, just as the world was beginning to confront the frightening reality of Covid-19. The piece was commissioned and inspired by Marta Rossi, Pamela Stahel, and Nicola Mazzanti, and reflects their friendship as well as their virtuosity.The opening section is a sultry conversation between three melodramatic characters. The exchange becomes increasingly heated until a sudden climactic break leads into a driving and playful scherzo, full of humor and dialogue.Rossi, Stahel, and Mazzanti presented the virtual world premiere of FEVER DREAMS at the 2021 NFA Convention.

Band jazz ensemble - Grade 2

SKU: KJ.ZB332F

Composed by Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score. Neil A. Kjos Music Company #ZB332F. Published by Neil A. Kjos Music Company (KJ.ZB332F).

A driving rock style with excellent horn writing and imaginative rhythm breaks. The Carpetbaggers is a straight-ahead rock chart featuring excellent horn writing as well as imaginative rhythm breaks. A terrific introduction to the driving rock style, students will love this chart.

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

Chamber Music String Quartet

SKU: PR.14440505S

Composed by Sydney F. Hodkinson. Full score. With Standard notation. 37 pages. Duration 17 minutes. Theodore Presser Company #144-40505S. Published by Theodore Presser Company (PR.14440505S).

UPC: 680160594603.

The most straightforward and shortest of any of my string quartets to date, the sixth employs only two thematic gestures which are used, perhaps obsessively, throughout: (a) brief melodic lines formed principally of sevenths, and (b) an ascending scale. The formal design is born out of the continual combining, interweaving and juxtaposition of these two elements, which collect themselves into two movements played without pause: the first predominantly slow and pensive, the second rhythmic and driving. Quartet No. 6 is approximately 16 minutes in duration. The score was commissioned by the Los Angeles-based Calder Quartet, four extremely talented young musicians with whom I performed at the Aspen, Colorado, Music Festival, and is dedicated to my wife, Elizabeth on the occasion of our fifty years together. The first movement is written in memory of my father-in-law Howard Deischer (1907 - 2005), who died during the course of composing. The work was completed in April of 2005 in Ormond-by-the-Sea, Florida. -- Sydney Hodkinson.
The most straightforward and shortest of any of my string quartets to date, the sixth employs only two thematic gestures which are used, perhaps obsessively, throughout: (a) brief melodic lines formed principally of sevenths, and (b) an ascending scale.  The formal design is born out of the continual combining, interweaving and juxtaposition of these two elements, which collect themselves into two movements played without pause: the first predominantly slow and pensive, the second rhythmic and driving.Quartet No. 6 is approximately 16 minutes in duration.  The score was commissioned by the Los Angeles-based Calder Quartet, four extremely talented young musicians with whom I performed at the Aspen, Colorado, Music Festival, and is dedicated to my wife, Elizabeth on the occasion of our fifty years together.  The first movement is written in memory of my father-in-law Howard Deischer (1907 – 2005), who died during the course of composing.  The work was completed in April of 2005 in Ormond-by-the-Sea, Florida.— Sydney Hodkinson.

(The Music of James Bond, Part 3). Arranged by Victor L�?³pez, perc. arr. Anthony M. Falcone and Victor López, perc. arr. Anthony M. Falcone. Marching Band. Marching Band; Part(s); Score. Mega Sounds for Marching Band. Form: Medley. Jazz; Movie. Grade 3. 2

Go, Tell It on the Mountain arranged by Susan Geschke. For handbell choir (2-3 octaves). Handbell music. Christmas, Sacred. Grade 2. Handbell score. 6 pages. Published by Hope Publishing Company

Choir; rhythm

SKU: HP.C5233R

Composed by Twila Paris. Arranged by Lloyd Larson. Contemporary, Celebration, General Worship, Confidence, Adoration & Praise, Sacred. Rhythm Parts. Hope Publishing Company #C5233R. Published by Hope Publishing Company (HP.C5233R).

UPC: 763628252335. By Twila Paris. Exodus 15:1,21, Psalms 40:16, Psalms 46:10, Psalms 47:9, Psalms 57:5,11, Psalms 92:8, Psalms 97:9.

Popular praise song by Twila Paris
Twila Paris's exuberant, joyful celebration exalting Christ the King has been given a driving dynamic choral setting by Lloyd Larson for SATB choir. Twila Paris's exuberant, joyful celebration exalting Christ the King has been given a driving dynamic choral setting by Lloyd Larson for SATB choir.

Arranged by Patsy Ford Simms. For Choir. (3-Part). Choral Octavo. Choral Designs. Spiritual. Choral Octavo. 12 pages. Published by Alfred Publishing.

Concert Band - Grade 1.5

SKU: AP.39608S

Composed by Vince Gassi. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Challenger Band Series. Novelty; Rock. Score. 8 pages. Duration 2:10. Alfred Music #00-39608S. Published by Alfred Music (AP.39608S).

UPC: 038081454689. English.

A driving beat, infectious melody and finger snaps make this tune a real toe-tapper. This one will be an instant hit,and there is plenty of fun for all. Each section gets to play the melody ,and the percussionists will delight in providing a driving rock beat throughout (paper and scissors optional). (2:10) This title is available in MakeMusic Cloud.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 3

SKU: CF.CPS174F

Composed by Aaron Blakely. SWS. Full score. 36 pages. Duration 6 minutes, 4 seconds. Carl Fischer Music #CPS174F. Published by Carl Fischer Music (CF.CPS174F).

ISBN 9781491140888. UPC: 680160628940. 9 x 12 inches.

This new concert overture by young composer Aaron Blakely is reminiscent of the great Western movie score genre. It has the bold open intervals of the American sound made famous by Aaron Copland along with a very memorable melody and driving rhythms. The main theme of the piece is contrasted by a lush and lyrical middle section that builds to a wonderful climax before the return of the driving main theme. New Frontiers is a perfect showcase piece for your band to play at contest or festival.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80

Composed by Brant Karrick. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 8+8+4+4+8+16+16+4+4+4+4+4 +4+4+6+12+12+4+4+6+6+6+6+ 8+6+2+4+14+36+4 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #SPS80. Published by Carl Fischer Music (CF.SPS80).

ISBN 9781491152577. UPC: 680160910076. Key: Bb major.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.