By Victor LÌ_pez. Jazz Ensemble. Jazz Ensemble; Score. Jazz Band Series. Jazz. Grade 3. 24 pages. Published by Alfred Music Publishing

Grade 2

SKU: CL.011-4999-00

Composed by Carl Strommen. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4999-00. Published by C.L. Barnhouse (CL.011-4999-00).

The title says it all! Introduced by a classic roll-off drum cadence, Blues March incorporates the march pulse, with an easy bluesy melodic line and harmonic structure that young musicians are sure to enjoy! A solo section includes written lines for alto sax and trumpet, and can be opened up for more solos if you wish. The rhythm section and feel switch between march and Swing figures, making Blues March an exciting and fun musical experience.

Concert Band Concert Band - Grade 2.5; Grade 3

SKU: FJ.B1462

Composed by William Owens. Concert Band; MakeMusic Cloud. FJH Young Band. Patriotic. Score and Part(s). Duration 3:30. The FJH Music Company Inc #98-B1462. Published by The FJH Music Company Inc (FJ.B1462).

UPC: 674398227983. English.

This heartfelt work was written for a school in Texas and remembers the tragedy at Fort Hood in November 2009. The lyrical lines mix with a whispering military drum cadence and concludes with a haunting version of Echo Taps, which is followed by a sensitive harmonic treatment of the melody. A final dissonant, soft fanfare in the trumpets leaves the audience with a sense of awe. Extremely thought provoking.

P/ACD & Split-Track CD

SKU: HP.C6378C

Arranged by Lloyd Larson. Piano Accompaniment. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6378C. Published by Hope Publishing Company (HP.C6378C).

UPC: 763628963781.

Popul ar praise song This popular contemporary praise song, with its intriguing question and answer format, is set here as an impassioned ballad sure to move the hearts of all who sing or hear it. The imaginative rhythmic accompaniment builds slowly and introduces a distinctive drum cadence supporting the dramatic impact of the final refrain.

Choral Rhythm, Various Instruments

SKU: HP.C6378

Arranged by Lloyd Larson. Piano Accompaniment. Contemporary, General Worship, God - Father, Jesus Christ - Redeemer, Lamb of God, Trinity. Octavo. 16 pages. Hope Publishing Company #C6378. Published by Hope Publishing Company (HP.C6378).

UPC: 763628163785.

Popul ar praise song This popular contemporary praise song, with its intriguing question and answer format, is set here as an impassioned ballad sure to move the hearts of all who sing or hear it. The imaginative rhythmic accompaniment builds slowly and introduces a distinctive drum cadence supporting the dramatic impact of the final refrain.

Grade 2

SKU: CL.011-4999-01

Composed by Carl Strommen. Young Concert Band. Extra full score. C.L. Barnhouse #011-4999-01. Published by C.L. Barnhouse (CL.011-4999-01).

The title says it all! Introduced by a classic roll-off drum cadence, Blues March incorporates the march pulse, with an easy bluesy melodic line and harmonic structure that young musicians are sure to enjoy! A solo section includes written lines for alto sax and trumpet, and can be opened up for more solos if you wish. The rhythm section and feel switch between march and Swing figures, making Blues March an exciting and fun musical experience.

Composed by Gordon Goodwin. Arranged by Ralph Ford. Jazz Ensemble. Jazz Ensemble; Score; SmartMusic. Young Jazz Ensemble. Jazz. Grade 2. Published by Alfred Music

Grade 2

SKU: CL.032-4928-00

Composed by Carl Strommen. Jazz Ensemble. Score and set of parts. C.L. Barnhouse #032-4928-00. Published by C.L. Barnhouse (CL.032-4928-00).

The title says it all! Introduced by a classic roll-off drum cadence, Blues March is an easy big band chart with a hip melody line. Written solo parts, comfortable ranges and rhythms will make Blues March a sure winner for players and audiences alike.

Grade 3

SKU: CL.032-3192-00

Lil' Liza Jane. Composed by Rowe. Jazz Ensemble. Barnhouse Medium Jazz Series. Audio recording available separately (item CL.991-2002-02). Score and set of parts. Composed 2002. Duration 3 minutes, 26 seconds. C.L. Barnhouse #032-3192-00. Published by C.L. Barnhouse (CL.032-3192-00).

The perfect something special for contest or concert. The down yonder feel of a New Orleans street band is captured with a great bass line and drum cadence. An optional tuba part and a guitar performance help sheet are also provided.

Arranged by Alan Keown. Marching Band. Matrix Marching Band. Grade 2 (Easy). Score and set of parts. Composed 2006. Published by Matrix Publishing

Arranged by Alan Keown. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 2 (Easy). Score and set of parts. Composed 2005. Published by Matrix Publishing

Arranged by Carl Major. Marching Band. Percussion Cadences. Easy. Score and set of parts. Published by Jalen Publishing

By Crockarell, Brooks, Jebe, DeLucia, Whitlock, Freytag. For percussion ensemble (3, 4, or 5 bass drums). Cadence(s). Grade 4. Parts & CD. Published by Row-Loff Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 2

SKU: CF.YPS249F

Three Persian Folk Songs. Composed by Michael J. Miller. Yps. Full score. 20 pages. Duration 3 minutes, 29 seconds. Carl Fischer Music #YPS249F. Published by Carl Fischer Music (CF.YPS249F).

ISBN 9781491161883. UPC: 680160920563.

By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern’s Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild’s goal was to capture the spirit and ambiance of Persia’s music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 2

SKU: CF.YPS249

Three Persian Folk Songs. Composed by Michael J. Miller. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+3 +3+2+3+2+1+2+6+24 pages. Duration 3 minutes, 29 seconds. Carl Fischer Music #YPS249. Published by Carl Fischer Music (CF.YPS249).

ISBN 9781491161326. UPC: 680160919918.

By Lantern's Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his Twelve Persian Folk Songs published by Novello and Company, London, 1904. Fairchild's goal was to capture the spirit and ambiance of Persia's music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.
By Lantern’s Light is a medley of Persian folk songs. The songs come from a collection for voice and piano by Clair Fairchild in his “Twelve Persian Folk Songs” published by Novello and Company, London, 1904. Fairchild’s goal was to capture the spirit and ambiance of Persia’s music and musicians. Fairchild took special care to preserve their authenticity by limiting western harmony. Such is also the case in this setting for concert band. Special attention should be given to replicate songlike phrasing of the melodic lines and the rhythmic integrity and style of the accompaniment. Conductors are encouraged to take liberties with dynamics and articulations to help performers play expressively. There are many inflections that exist beyond what is printed on the page. For example, the reeds might subtly shape the rhythmic accompaniment in m. 6-7, as might the trumpets with the melody in m. 18. In. m. 23, the wind musicians other than the trumpets are a part of the rhythm section with the percussion. These rhythms should fit together nicely to create a steady cadence. The melodic statements beginning at m. 35 should be carefully balanced to speak evenly throughout the various voices. If an oboist is not available, the solo in m. 57 has been cued in the alto saxophone.

By Chris Crockarell & Chris Brooks. For bass drum (includes parts for 2, 3, or 4 bass drums plus CD). Cadence(s). Published by Row-Loff Publications.
Level: 1.

By John Wooton. For bass drum (includes parts for 3, 4, or 5 bass drums plus CD). Cadence(s). 4

By Sam Grondale. For Snare Drum, Multi Tenors, Cymbals, Tonal Bass Drums. Marching Percussion Series/Cadences. Cadence. Medium/Advanced. Score and set of parts

Arranged by Carl Major. Percussion cadences. Jalen Marching Band. Easy. Score and parts

Arranged by Matt Savage. For Marching Band. Matrix Marching Band. Percussion Cadences. Grade 4 (Medium). Score and parts. Published by Matrix Publishing

Arranged by Andy Clark. Young Concert Band. Command. Full score and set of parts. Composed 2006. Duration 0:02:23. Published by C.L. Barnhouse.
Level: Grade 2.

Arranged by Matt Savage. For percussion. Percussion Cadences. Medium easy. Published by Matrix Publishing