Taught by Duck Baker. For Guitar (Fingerpicking). Solos. Grossman-Gtr Workshop. ...(+)
Taught by Duck Baker. For
Guitar (Fingerpicking).
Solos. Grossman-Gtr
Workshop. Gospel-Old
Time. Level:
Intermediate. DVD. Size
5.25x7.5. Duration 82
minutes. Published by
Grossman's Guitar
Workshop. (GW312DVD) DVD
format: Region 1 for use
in the USA and Canada.
Odd Duck 4 Percussions [CD-ROM] - Facile Tapspace Publications
(For Percussion Quartet). By Brian Slawson. For Glockenspiel, xylophone, one sma...(+)
(For Percussion Quartet).
By Brian Slawson. For
Glockenspiel, xylophone,
one small marimba (4
octave), one 4.3 octave
marimba (low A), temple
blocks, triangle (4
players). This edition:
Percussion quartet.
Concert Percussion
Ensembles. NOTE: If
needed, both marimba
parts may be performed by
sharing one 4.3 octave
marimba (low A). Easy.
Folio parts on CD-Rom.
8 pages. Duration 2:00.
Published by Tapspace
Publications
Chamber Music Flute(s) SKU: PR.114423820 Composed by Laurel Zucker. 8 pag...(+)
Chamber Music Flute(s)
SKU: PR.114423820
Composed by Laurel
Zucker. 8 pages. Duration
7 minutes. Theodore
Presser Company
#114-42382. Published by
Theodore Presser Company
(PR.114423820).
ISBN
9781491136263. UPC:
680160688746.
Compo
sed for her own
performances, Laurel
Zucker’s DOG TOYS
SUITE is a short
collection of adorable
and jazzy little concert
etudes which may be
performed as a
fast-slow-fast set, or as
individual movements. I.
Duck Pond is a melody
that flows through
ornamental variations,
II. Moo the Blues is
gutsy and less demanding
on the fingers, and III.
Minimal Donkey is a
dazzling toccata-like
etude. Zucker has
recorded DOG TOYS SUITE
for Cantilena
Records.
Guitar - Level 2 SKU: LM.27671 Composed by Pascal Harrand and Patrick Gui...(+)
Guitar - Level 2
SKU:
LM.27671
Composed by
Pascal Harrand and
Patrick Guillem. Mes
Premiers Pas de T. Masson
et P. Guillem. Pop, jazz.
Score. Editions Henry
Lemoine #27671. Published
by Editions Henry Lemoine
(LM.27671).
ISBN
9790230976718.
Blue
s Burger - Boogalou Blues
- Manhattan - Duck - On a
Blue Day - Blues for
Chloe - Start it now -
Dooley - Pick up the
Blues - Sacre petit doigt
- Pretty Drummer You Know
what I mean ? - Golden
Rag - Blue Cha-Cha.
Piano SKU: HL.14006541 Composed by Carol Barratt. Arranged by Carol Barra...(+)
Piano
SKU:
HL.14006541
Composed
by Carol Barratt.
Arranged by Carol
Barratt. Music Sales
America. Children. Book
[Softcover]. 16 pages.
Chester Music #CH61105.
Published by Chester
Music (HL.14006541).
ISBN 9780711956100.
9.0x12.0x0.088
inches.
Twelve easy
pieces for piano written
and arranged by Carol
Barratt. An entertaining
selection all about
animals: superbly
arranged classics plus
imaginative original
pieces. Includes music
from 'Peter And The
Wolf', 'Carnival Of The
Animals' and Carols
Barratt's 'Giraffes'.
Suitable for players of
grade 1 to grade 2
standard. Contents: Aunty
Lizzie's Old Pig *
Giraffes * Sheep May
Safely Graze * Swan Lake
* The Bear * The Cat From
Peter and the Wolf * The
Cat in the Corner * The
Crow * The Cuckoo
(Muller) * The Duck
(Peter and the Wolf) *
The Elephant (Carnival of
the Animals) * The Pony
(Couppey).
By Duck Baker. For Guitar (Fingerpicking). Solos. Blues. Level: Intermediate-Adv...(+)
By Duck Baker. For Guitar
(Fingerpicking). Solos.
Blues. Level:
Intermediate-Advanced.
Book/CD Set. Size
8.75x11.75. 80 pages.
Published by Mel Bay
Publications, Inc.
SKU: AP.0571B Grades 3-6. Composed by Artie Almeida. Classroom/Pre...(+)
SKU: AP.0571B
Grades 3-6.
Composed by Artie
Almeida.
Classroom/Pre-School;
Games; General Music and
Classroom Publications;
Homeschool Resources;
Other Classroom;
Resources. Artie
Almeida's Music Games.
Children. Other. 40
pages. Alfred Music
#00-0571B. Published by
Alfred Music (AP.0571B).
ISBN 9780757980145.
UPC: 654979023098.
English.
All games
in the Artie Almeida
Music Games series were
created by Artie Almeida
for fun reinforcement and
assessment of basic music
concepts in general music
classes. Games are geared
to various elementary
grade levels. In this
exciting musical trivia
game, students compete
for colossal cash by
answering questions about
musical instruments,
music vocabulary, and
music symbols. Terrific
for an end-of-year review
of knowledge! Contents of
game (packaged in a 9 x
12 plastic ziplock
hanging bag): 30 colorful
Daffy Duck Bills (11 x 5)
with music questions in
six different
denominations (the higher
the denomination, the
harder the question),
plus directions/answer
key.
Piano (Piano) SKU: HL.14003445 Composed by Carol Barratt. Music Sales Ame...(+)
Piano (Piano)
SKU:
HL.14003445
Composed
by Carol Barratt. Music
Sales America. Tuition.
Book [Softcover]. 16
pages. Chester Music
#CH55662. Published by
Chester Music
(HL.14003445).
ISBN
9780711936676.
9.0x12.0x0.073 inches.
English.
Pre-Grade
1 to Grade 1. Progressing
from specific hand
positions to wider range
of notes, the 18 pieces
include works by Haydn,
Kabalevsky, and Czerny.
Contents: Black and Blues
(Barratt) * Bugles
(Gurlitt) * Chester Wins
Again (Barratt) * Clowns
(Barratt) * Duck Song
(Folk) * Gavotte * Minuet
* On the Move (Barratt) *
On the Wing * Outdoors
(Kohler) * Presto (Turk)
* Quadrille (Haydn) *
Study (Czerny) * Tara's
Rag (Barratt) * Two
Russian Pieces
(Kabalevsky) * Where Are
You Going, My Pretty Maid
* Whoopee-Ti-Yi-Yo
(Cowboy Song).
As Recorded by Alan Baylock Jazz Orchestra. Composed by Eddie Harris. Arr...(+)
As Recorded by Alan
Baylock Jazz
Orchestra. Composed
by Eddie Harris. Arranged
by Alan Baylock. Jazz
Ensemble; Score;
SmartMusic. Premier Jazz
Series. Jazz. 20 pages.
Published by Alfred Music
(AP.43701S).
Accent on Gillock Volume 1. (Early to Mid-Elementary Level). By William L. Gillo...(+)
Accent on Gillock Volume
1. (Early to
Mid-Elementary Level). By
William L. Gillock.
Willis. Early Elementary.
Book only. 16 pages.
Willis Music #11835.
Published by Willis Music
(HL.405993).
ISBN 0877180768. 9x12
inches.
The Accent on Gillock
series includes all of
William Gillock's
best-loved piano solos.
Volume 1 includes early
to mid-elementary pieces,
all written in the
remarkable Gillock style:
? Fog at Sea ? Prowling
Pussy Cat ? Autumn Is
Here ? Happy Holiday ? My
Toy Duck ? Tom Toms ? Pow
Wow ? Toyland.
((The Duck, The Panther)). Composed by Christine Donkin. SATB. Pavane Choral. 12...(+)
((The Duck, The
Panther)). Composed by
Christine Donkin. SATB.
Pavane Choral. 12 pages.
John Rich Music Press
#JR0102. Published by
John Rich Music Press
SATB Choir a Cappella SKU: HL.14023282 The Disturbing Duckling. Co...(+)
SATB Choir a Cappella
SKU: HL.14023282
The Disturbing
Duckling. Composed by
Adolph Wolfli and Per
Norgard. Music Sales
America. Hymns & Chorals.
Vocal Score. Composed
2002. 38 pages. Edition
Wilhelm Hansen #WH30421.
Published by Edition
Wilhelm Hansen
(HL.14023282).
ISBN
9788759809471. UPC:
884088607319. 12x8.25
inches. International
(more than one
language).
Alternat
ive Title: The Alarm
Duckling (Den
Foruroligende Aelling).
Work for Mixed Chorus and
Bird Song. A CD of Bird
Song is available
separately - use product
code KP00830.
Electronics SKU: HL.14023281 Performance CD. Composed by Per Norga...(+)
Electronics
SKU:
HL.14023281
Performance CD.
Composed by Per Norgard.
Music Sales America.
Tuition. CD. Music Sales
#KP00830. Published by
Music Sales
(HL.14023281).
ISBN
9788759889718.
Danish-Swedish.
The
CD of bird voices to
accompany Norgard's
choral work: D'Monstrantz
Voogli (The Disturbing
Duckling). Alternative
Title: Den Foruroligende
Aelling (The Alarm
Duckling). Work for Mixed
Chorus and Bird Song. The
vocal score is available
separately - product code
WH30421.
Voice SKU: BT.MUSAM993817 Hardback. By Ann Barkway. Book with CD. ...(+)
Voice
SKU:
BT.MUSAM993817
Hardback. By Ann
Barkway. Book with CD.
Wise Publications
#MUSAM993817. Published
by Wise Publications
(BT.MUSAM993817).
ISBN
9781847725783.
A
beautifully presented and
colourful collection of
songs, poems and stories
that celebrate the
natural world, and all
creatures great and
small.
Read
about the adventures of
the Ugly Duckling, or the
tales of TheTownMouse And
The Country Mouse. Inside
you will find lyrics to
more than twenty-five
songs that explore the
worlds of our furry,
feathered or slimy
friends.
The
included CD contains
performances of every
song byachildren's choir
and also contains stories
and poems featured in the
book.
Rubber Duckie CD Chorale [CD d'accompagnement] Hal Leonard
Performed by Ernie. By Jeff Moss. Arranged by Roger Emerson. (Showtrax Cd). You...(+)
Performed by Ernie. By
Jeff Moss. Arranged by
Roger Emerson. (Showtrax
Cd). Youth Sing Out
(Choral). CD only. Size
5x5 inches. Published by
Hal Leonard.
3 to 5 flutes - Level 2 SKU: LM.VV250 Composed by Isabelle Ory. Musique d...(+)
3 to 5 flutes - Level 2
SKU: LM.VV250
Composed by Isabelle Ory.
Musique d'Ensembles.
Classical. Score.
Editions Van de Velde
#VV250. Published by
Editions Van de Velde
(LM.VV250).
ISBN
9790560052502.
ANON
YME : Heiduckentanz
(quatuor) - Death and the
lady (quatuor) -
BEETHOVEN : Andante
(quatuor) - CORELLI :
Concerto pour la nuit de
Noel (quatuor) - MOZART :
Divertimento (trio) -
Adagio (trio avec flute
alto) - Menuet (trio avec
flute alto) - GURLITT :
Les chasseurs (trio avec
flute alto) - HAUSSMANN :
Intrada (trio) - Danse
(quintette) - LULLY :
Menuet extr. Bourgeois
gentilhomme (quintette) -
PEZEL : Intrada (trio) -
GRETRY : Marche des
Janissaires (trio) -
TRADITIONNEL : House of
the rising sun (trio) -
Quand le marin (trio) -
Dans les gardes
francaises (trio) - Chant
bohemien (trio) - Nobody
knows the trouble l've
seen (quartuor).
Rubber Duckie Chorale 2 parties 2 parties Hal Leonard
Performed by Ernie. By Jeff Moss. Arranged by Roger Emerson. (2 part). Youth Si...(+)
Performed by Ernie. By
Jeff Moss. Arranged by
Roger Emerson. (2 part).
Youth Sing Out (Choral).
Size 6.75x10.5 inches. 8
pages. Published by Hal
Leonard.
Composed
by Chris Campbell. Full
score. 21 pages. Carl
Fischer Music #CPS256F.
Published by Carl Fischer
Music (CF.CPS256F).
ISBN 9781491159729.
UPC:
680160918317.
As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!
Composed by
Chris Campbell. Set of
Score and Parts.
21+8+8+4+8+8+4+4+10+4+4+1
6+8+12+6+4+8+2+4+14
pages. Duration 2
minutes, 36 seconds. Carl
Fischer Music #CPS256.
Published by Carl Fischer
Music (CF.CPS256).
ISBN 9781491159712.
UPC:
680160918300.
As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!