William WaltonEdited by Steuart BedfordBelshazzar's FeastVocal score136 pages 279x216mm for SATB, baritone solo & orchestraA newly engraved edition of this vibrant choral work and fully compatible with the Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original.Forces or CategorySATB, baritone solo & orchestraDuration35 minutesDifficultyDifficultOrchestrationpiccolo, 2 flutes, 2 oboes, cor anglais (optional), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, piano, organ, 2 harps, strings, mixed chorus, baritone solo, 2 brass bands (optional), each consisting of 3 trumpets, 3 trombones, and tuba

Instrumentation: violinEdition: scoreItem no.: fue 4150Duration: (17?30)Difficulty: mediumISMN: 979-0-50012-915-8Corail describes the call of the depth that feels the diver, DĂ©dale refers through counterpoints and canons to the labyrinthine world of the city, Passacaille has been written as a tribute to J. S. Bach.

Un pococomposer: Barbara HellerCommissioned work: Auftragswerk des SFB und SDRPremiere: November 23, 1991 Berlin (D) · Marianne Schröder, KlavierInstrumentation: pianoPublisher: Schott MusicDuration: 20' 0''Year of composition: 1991Difficulty: Intermediate24 PagesISMN: 979-0-001-12144-6Order number: ED 8693

Instrumentation: pianoEdition: scoreItem no.: fue 2820Year: 1995Duration: (5'30)Difficulty: advancedISMN: 979-0-50012-082-7This piece stricly obeys to the two-parts structure of the Sonata form of the early XVIIth Century All formal elements, like ritornelli, are in place, only the substance of harmony, melody and rhythm have taken liberty: fluid, and with a reference to viennese pointillism.

Instrumentation: viola and pianoEdition: score and partsItem no.: fue 3720Year: 1999Duration: (15'20)Difficulty: mediumISMN: 979-0-50012-872-4This work pivileges the dialogue between the two instruments although each expresses also separately.

Instrumentation : 4(III&IV=Picc).3.Ca.2.ClEb.B-cl.3.Cbsn - 6.4.4.1 - Timp - 3/4Perc - 2Hp - Cel - Org - StrSymphonic Transcriptions by Leopold Stokowski Editor :StokowskiDuration : 29 min

Arrangeur: Albert Mendoza. Par GRIFFES CHARLES. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. / Niveau : Débutant à Avancé / Etudes et exercices / Répertoire / Piano

Par SALLINEN AULIS. Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano, Baritone and Piano. Composed in 2017. Duration: 12 minutes Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano, Baritone and Piano. Composed in 2017. Duration: 12 minutes/ RĂ©pertoire / Soprano, Baryton et Piano

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Par MACONCHY ELIZABETH. Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes Elizabeth Maconchy's Four Shakespeare Songs written for Baritone and Piano with text taken from Shakespeare's Twelfth Night, Measure for Measure and Othello. Duration: 6 minutes/ RĂ©pertoire / Baryton et Piano

Par PROKOFIEV GABRIEL. Gabriel Prokofiev's Transhuman Etudes for Piano, 4 hands. Commissioned by New Muse Piano Duo. The first performance was given by New Muse Piano Duo (Paola Savvidou and Jonathan Kuuskoski) on April 22, 2016, in the Whitmore Recital Hall, University of Missouri, USA. It has been recorded and released on the New Muse Piano Duo album: 'transhuman', on Blue Griffin Recordings. Duration: 12 minutes Gabriel Prokofiev's Transhuman Etudes for Piano, 4 hands. Commissioned by New Muse Piano Duo. The first performance was given by New Muse Piano Duo (Paola Savvidou and Jonathan Kuuskoski) onApril 22, 2016, in the Whitmore Recital Hall, University of Missouri, USA. It has been recorded and released on the New Muse Piano Duo album: 'transhuman', on Blue Griffin Recordings. Duration: 12 minutes / Etudes et exercices / RĂ©pertoire / Piano 4 Mains

Par WILLIAMS JOHN. I. The Shark Theme (Duration - 3:00) II. Out to Sea/The Shark Cage Fugue (Duration - 4:30) / Niveau : 5-6 / RĂ©p International / Recueil / Scores