Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

Par NAGATOMI. Trois Esquisses is a series of three pieces for Piano named after the elements. Composed by Masayuki Nagatomi, it is quite a difficult series to play and it requires some advanced skills and abilities. The total duration of the set is 5'30 minutes. The pieces are: 1. Wind - which main theme represents a soft and quiet breeze, 1'30 2. Fire - fast and violent, which can destroy everything, and which depicts the flames sometimes big and sometimes smaller, 1'30 3. Water and Earth - really slow to start with, this part sounds like a river flowing quietly, with some part of acceleration The most difficultaspect of this series will probably be to give the correct execution for the audience to recognise each element./ Répertoire / Piano

Par HARTKE STEPHEN. This three-movement work was written for the piano duet team of Anna Polonsky and Orion Weiss. The work has a rather symphonic character with contrasting sonorities spanning the entire range of the instrument. Movement titles: 1. Intrada: Un poco inquieto, 2. Buck and Wing: Allegro vivace, 3. Pastorale: Molto semplice. Duration ca. 14' / Date parution : 2021-12-09/ Répertoire / Piano 4 Mains

Par PART ARVO. Arvo Part's composition for violin and piano with a duration time of approx. 10 minutes./ Répertoire / Violon et Piano

Par BENJAMIN GEORGE. Shadowlines is a set of six canonic preludes for Piano by George Benjamin. The work was concieved as a continous cumulative structure and is approximately 15 minutes in duration. / Niveau : Elémentaire / Répertoire / Piano

With his cantata 'Meine Seel erhebt den Herren? which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition?.- Festive cantata based on the Urtext of the 'New Bach Edition?- With a duration of 20-25 minutes / Conducteur De Poche

This one-movement piece with a duration of 11 minutes stems from the estate of Giselher Klebe who died in 2009. The work is delightful to play, rich in gesture, easy on the ear and ideal for private music making. Moreover it constitutes a valuable addition to the repertoire for violin, clarinet and piano, an appealing combination of instruments, for which composers such as Ives, Bartók, A. Berg und Krenek composed works of standing during the 20th century. / Clarinette, Violon Et Piano

Edition : set of parts
Instrumentation : flute, Piccolo, 2 oboes, clarinet, bass clarinet, bassoon, contrabassoon, 2 horns, trumpet (C)
Date of Composition: 1978
Duration : 1' 30''
Date of Publications : 18/11/1983
Number of Pages : 48

Par MARTIN JUAN. Juan Martin's internationally-acclaimed series which reveals the art of playing the flamenco Guitar. A video series of six lessons is now presented on two DVDs with a total duration of three hours. Juan Martin explains and demonstrates the essential techniques and rhythmic forms of flamenco Guiar playing in six lessons, designed for all players from beginning to advanced. The lessons show you in detail many varieties of basic rhythms which form the foundation of flamenco Guitar styles. They also give a wealth of traditional and modern flamenco solos, accurately transcribed into music notation and easy-to-follow 'cifra' tablature, all presented in a video series of six lessons. In this way you learn not only how to play but also what to play, as the lessons build into a substantial repertoire of flamenco music. Juan Martin is a Guitarist in the great tradition of flamenco. From early beginnings immersed in the flamenco culture of Andalucia, he mastered the skills of accompanying flamenco singers and dancers before his emergence as an innovative soloist, who is now an internationally-celebrated concert and recording artist with many albums to his credit. / Niveau : Débutant à Intermédiaire / Date parution : 2008-10-27/ Méthode / Guitare Classique