Choral (3-Part Mixed choir)

SKU: HL.373180

Discovery Level 2. Arranged by Emily Crocker. Discovery Choral. Concert, Festival. Octavo. 20 pages. Duration 160 seconds. Published by Hal Leonard (HL.373180).

ISBN 9781705149157. UPC: 196288016120. 6.75x10.5x0.045 inches.

The High Barbary is a sea chantey sung in Britain and America. It tells of a ship that encounters pirates off the Barbary coast. The song, set in 6/8 meter, dances with energy as it brings to life the traditional folk song often heard on merchant sailing vessels.

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Choral (3-Part Mixed choir)

SKU: HL.1718429

Discovery Level 2. By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Audrey Snyder. Discovery Choral. Pop. Octavo. Duration 195 seconds. Published by Hal Leonard (HL.1718429).

UPC: 196288267492. 6.75x10.5 inches.

Such a brilliant Taylor Swift pop classic! Vibrant and accessible for even inexperienced singers, this dynamic song encourages one and all to never stop moving forward leaving distractions and negativity behind.

Discovery Level 2. By BTS. By David Stewart and Jessica Agombar. Arranged by Audrey Snyder. Discovery Choral. Pop, Rock. Octavo. 16 pages. Duration 180 seconds. Published by Hal Leonard

Voices in Harmony. Arranged by Roger Emerson. Voices in Harmony. Concert, Festival. Octavo. Duration 180 seconds. Published by Hal Leonard

Choral (3-Part Mixed choir)

SKU: HL.1123794

Composed by Greg Gilpin. Shawnee Press. Christmas, Concert, Festival, Holiday. Octavo. Duration 150 seconds. Published by Shawnee Press (HL.1123794).

ISBN 9781705181973. UPC: 196288109884. 6.75x10.5x0.036 inches.

Greg Gilpin always brings us festive originals for the holidays and winter. This new work takes us to the sparkle and twinkle of the Christmas tree! Using both minor and major modes, this choral asks us to gather by the most beautiful decoration in the room and share the holiday spirit together as family and friends. Check out the festive track to create even more excitement for your holiday performance.

(from O Magnum Mysterium ). By Thomas Juneau. For SSA choir, keyboard (or harp). Octavo. 12 pages. Duration 3 minutes, 18 seconds. Published by Carl Fischer

Choral (3-Part Mixed choir) By Taylor Swift. Arranged by Mark A. Brymer. Pop Choral Series. Pop. Octavo. Duration 185 seconds. Published by Hal Leonard

By Crosby Stills and Nash. By Stephen Stills. Arranged by Mark A. Brymer. Pop Choral Series. Folk, Oldies, Rock, Show Choir, Sixties. Octavo. 16 pages. Duration 185 seconds. Published by Hal Leonard

Band Concert Band - Grade 3

SKU: CF.CPS217

Composed by Carl Strommen. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+ 8+8+8+4+4+6+6+6+6+8+2+2+4 +8+24+4 pages. Duration 4 minutes, 18 seconds. Carl Fischer Music #CPS217. Published by Carl Fischer Music (CF.CPS217).

ISBN 9781491152430. UPC: 680160909933.

The title, Aerius, is a Latin term meaning “soaring” or “rising aloft”.  This piece is signature Carl Strommen at his best. The piece begins with a lush brass chorale that is developed before leading to an energetic presto section.  The composition comes full circle and finishes with a majestic return of the chorale material from the opening.  A welcome addition to the repertoire.
The title Aerius is a Latin term meaning “soaring” or “rising aloft.” The students chose this title to signify the forward momentum and overall journey of their time in the high school band program. With new events and performances, and a first time commissioning a work, this piece signifies the great strides the band has made in recent years.The opening brass chorale section should be played very connected, observing the two-measure phrasing and breathing as one cohesive unit. The Presto section at m. 25 should be taken between 165-170 bpm. the vibraphone soloist should use medium-hard mallets with the pedal on. The sustained notes at m. 41 should be played way under the upper woodwinds to get the greatest effect as it builds in volume and intensity in m. 49, and again into m. 57.At m. 69, the percussion must sustain the pulse to the conductor’s tempo, careful not to add accents they’re hearing among the other sections. After the ritardando in m. 83, push the tempo at m. 85 slightly to where the woodwinds feel comfortable playing the triplet figure with appropriate breathing and phrasing.- Andrew Monsen, Hauppauge High School Band Director, June 2017.

Band concert band - Grade 4.5

SKU: CF.SPS71

Composed by Carl Strommen. Set of Score and Parts. With Standard notation. 2+16+4+8+8+8+4+4+2+4+4+4+ 4+6+6+6+4+4+4+4+6+6+6+6+4 +8+3+2+12+2+4+28 pages. Duration 6 minutes, 26 seconds. Carl Fischer Music #SPS71. Published by Carl Fischer Music (CF.SPS71).

ISBN 9781491143544. UPC: 680160901043. Key: G minor.

Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles.
Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,” Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind” blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship” or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower” sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska” is a partner dance where the dancers spin each other (släng in Swedish “to sling or toss”) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska” dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak .

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. Arranged by August Ferdinand Hermann Kretzschmar. For 2 Soprano voices, 2 Alto voices, Tenor voice, and 2 Bass voices (Soli), SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1846. 200 pages. Duration 131 minutes

Choral (3-Part Mixed choir)

SKU: HL.1334467

By Brian Setzer. Arranged by Roger Emerson. Secular Christmas Choral. Big Band, Christmas, Holiday, Swing. Octavo. Duration 155 seconds. Published by Hal Leonard (HL.1334467).

UPC: 196288186854. 6.75x10.5 inches.

Swing into the season with this toe-tapping, big-band styled holiday song! A perfect concert opener for pop and show groups, complete with a rhythm and horn section.

Choral (SAB Choir)

SKU: HL.8202778

By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by Kirby Shaw. Pop Choral Series. Graduation, Pop, Rock, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.8202778).

UPC: 884088544089. 6.75x10.5 inches.

From the Bon Jovi album The Circle, this 2009 single evokes themes of working people “picking themselves up by their bootstraps in hard times.” This uplifting message and full voiced choral arrangement will be an outstanding choice for graduation or as a concert closer. Available separately: SATB, SAB, SSA, ShowTrax CD. Combo parts (tpt 1-2, tsx, tbn, gtr, b, dm) available as a digital download. Duration: ca. 3:20.

(Celebrating the Risen Christ). Composed by Thomas Fettke. Arranged by Thomas Grassi. For SAB choir and piano. Cantatas. Eastertide. Choral score. Duration 30 minutes. Lorenz Publishing Company #55/1182L. Published by Lorenz Publishing Company

SSA choir, percussion (2 players)

SKU: CA.2707300

Composed by Jurgen Essl. German title: Missa alta. Sacred vocal music, Masses, Latin. Full score. Op. 28. 24 pages. Duration 14 minutes. Carus Verlag #CV 27.073/00. Published by Carus Verlag (CA.2707300).

ISBN 9790007130947. Language: Latin.

The 15 minute Missa alta, a High Mass, is not referred to by this name simply due to its scoring for women's voices and two percussionists, whose instrumentarium produces a crystalline and dreamlike sound. The solemnity of the music, whose compositional compactness and sensual sound elicit a transcendent effect, also reaches heights. Missa alta is a rewarding challenge for all ambitious girls and women's choirs or vocal ensembles, and a true enrichment of the repertoire for services and concerts.

Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 3

SKU: CF.CPS215

Too-Ra-Loo-Ra-Loo-Ral< /i>. Composed by James Royce Shannon. Arranged by Carl Strommen. Concert Band (CPS). Set of Score and Parts. With Standard notation. 4+4+2+4+8+8+2+2+2+2+2+2+4 +4+4+2+2+3+3+3+3+4+1+1+2+ 12+2 pages. Duration 3 minutes, 37 seconds. Carl Fischer Music #CPS215. Published by Carl Fischer Music (CF.CPS215).

ISBN 9781491152416. UPC: 680160909919.

Irish Lullaby is based on the song Too-Ra-Loo-Ra-Loo-Ral  (That's an Irish Lullaby).  Carl Strommen does what he does best in creating a beautifully orchestrated piece with diverse harmonies that will be the highlight of your next concert. It will be a great piece to teach phrasing and musicianship.
Too-Ra-L oo-Ra-Loo-Ral (“That’s An Irish Lullaby” ) was written in 1913 by composer James Royce Shannon (1881–1946) for the Tin Pan Alley musical, Shameen Dhu. The original recording by Chauncy Olcott became No. 1 on the music charts. The song was then brought back to prominence by Bing Crosby’s performance in the film Going My Way (1944). Crosby’s solo sold over one million copies.The University of Notre Dame Band, started in 1845, is the oldest college band (in continuous existence) in the United States. The band played as students left to join the armies during the Civil War, World War 1 and 2, Korea and Vietnam. In 1871, the band played a benefit concert for the victims of the Great Chicago Fire. The bands performances in countless settings and venues include the Sydney Opera House, Bejing Concert Hall, Carnegie Hall, and, in 2011, was awarded the prestigious Sudler Trophy, considered the “Heisman Trophy” of Collegiate bands.The Bands Director, Ken Dye, is only the sixth director in its long history. Dr. Dye served as composer/arranger for the Sydney 2000 Olympic band, and has produced over 1800 works for band and orchestra.

SAB Choral (SAB divisi)

SKU: HL.1145665

Composed by Greg Gilpin. Shawnee Press. Concert, Festival, Poetry. Octavo. 12 pages. Duration 220 seconds. Published by Shawnee Press (HL.1145665).

ISBN 9781705185339. UPC: 196288117476. 6.75x10.5x0.029 inches.

This lesser-known poem is intriguing and mysterious, perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling, and are sure to capture your singers' and audience's attention.

Die Geselligkeit. Composed by Franz Schubert (1797-1828). Arranged by Russell L. Robinson. Fold. Octavo. 8 pages. Duration 1 minute, 21 seconds. Carl Fischer Music #CM9645. Published by Carl Fischer Music

Composed by K. Scott Warren. For SATB choir, a cappella. Mixed Voices. Sacred, Choral Leaflet. Level B-C (easy - moderately difficult). Vocal score. 4 pages. Duration 3'. Published by Oxford University Press

Shine in the Darkness. Composed by Paul David Thomas. Fold. OCTAVO. 12 pages. Duration 3 minutes, 13 seconds. Carl Fischer Music #CM9610. Published by Carl Fischer Music

By Kris Berg. By Kris Berg. For Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Conductor Score & Parts. 92 pages. Duration 5:51:00. Published by Alfred Publishing.
Level: 3 (Medium) (grade 3).

Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Level 3

SKU: CA.4007693

Symphony cantata. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Mp3, Practice-CD, tenore. Sacred vocal music. Compact Disc. Composed 1840. MWV A 18, Op. 52. Duration 62 minutes. Carus Verlag #CV 40.076/93. Published by Carus Verlag (CA.4007693).

German/English.

Mendelssohn describes to his friend Klingemann the 1840 work as a 'symphony for chorus and orchestra'... First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words 'Everything which has breath, Praise the Lord'; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices. This work is now available in carus music, the choir app! Score available separately - see item CA.4007600.

Orchestra Soli SST, Coro SSAATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Level 3

SKU: CA.4007691

Symphony cantata. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Mp3, Practice-CD, soprano. Sacred vocal music. Compact Disc. Composed 1840. MWV A 18, Op. 52. Duration 62 minutes. Carus Verlag #CV 40.076/91. Published by Carus Verlag (CA.4007691).

German/English.

Mendelssohn describes to his friend Klingemann the 1840 work as a 'symphony for chorus and orchestra'... First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words 'Everything which has breath, Praise the Lord'; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices. This work is now available in carus music, the choir app! Score available separately - see item CA.4007600.

By Victor C. Johnson. For SAB Choir and Piano. Cantata. Choral: Holy Week. Choral score. Duration 30 minutes. Published by Lorenz Publishing Company

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4

SKU: CF.SPS94F

Composed by Cooper Minnis. Sps. Full score. 24 pages. Duration 7:48. Carl Fischer Music #SPS94F. Published by Carl Fischer Music (CF.SPS94F).

ISBN 9781491161838. UPC: 680160920518.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.

Choral (TTB Choir)

SKU: HL.254667

Composed by Stephen Foster. Arranged by Thomas Juneau. Henry Leck Creating Artistry. Concert, Folk. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.254667).

UPC: 888680721930. 6.75x10.5x0.029 inches.

Asking those who have much to consider those who do not is an important and popular theme today. To realize that this song was first published in 1854 makes the plea even more poignant. The optional violin obligato adds a longing voice to this socially conscious message.

(for percussion ensemble and solo marimba). By Isaac Albeniz (1860-1909). Arranged by Christopher Whyte. Percussion Ensemble. For Small (4-octave) marimba for soloist, glockenspiel, xylophone, vibraphone, chimes, marimba (low A), 3 timpani, castanets, triangle, bass drum, tambourine, suspended cymbal (8 players). Percussion Ensembles. Ensemble: Medium-Easy; Solo: Medium-Advanced. Score and CD-ROM (containing printable parts). 20 pages. Duration 4'00 . Published by Tapspace Publications