(for Horn and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Marco Tamanini. For horn and concert band. Grade 3. Full score. Duration 5:30

Grade 2

SKU: CL.051-2066-00

Composed by Kerchner. Arranged by Tuthill. Marching Band. Score and set of parts. Composed 1988. C.L. Barnhouse #051-2066-00. Published by C.L. Barnhouse (CL.051-2066-00).

A gem of an opener! Opener or Concert/Production.

Arranged by Hoffman/Hanson. For Alto and piano. Vocal Collections, Opera. Published by E.C. Schirmer Publishing.

2 guitars - Intermediate

SKU: DZ.DZ-452

Composed by Norbert Leclercq. Scores (2). Les Productions d'OZ #DZ 452. Published by Les Productions d'OZ (DZ.DZ-452).

ISBN 9782895003380.

Fanfare Band - Grade 3

SKU: BT.GOB-000652-020

Composed by Rieks van der Velde. Set (Score & Parts). 144 pages. Gobelin Music Publications #GOB 000652-020. Published by Gobelin Music Publications (BT.GOB-000652-020).

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge.
The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north of London.

1. The Journey.
Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music.
In the course of the tour, which starts with an Allegro movement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside.
Short themes, swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image.
The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached.

2. Visit to Ely Cathedral.
The famous Norman cathedral church of Ely, which was built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site.
A cornet solo introduces the contemplative mood of the composition at this point.
The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread.

3. The Pub.
The thirst caused by this intensive journey makes a visit to the local pub a definite must.
These “public houses”, which may be open until the early hours of the morning, offer all kinds of entertainment.
Drinks are served liberally and the atmosphere is lively.

4. The Journey Back.
Time has flown: In other words, the moment of departure has come sooner than one would have wished.
In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner.
Two scintillating final measures bring us abruptly back to the present.

In een viertal delen neemt Rieks van der Velde ons mee door de zeer gevarieerde streek rond de universiteitsstad Cambridge.
De Nederlandse componist liet zich inspireren door vooral de sfeer in het graafschap Cambridgeshire tennoorden van Londen.

1. The Journey.
De aankomst in de streek is vriendelijk te noemen doch de grilligheid van de mensen en het landschap heeft een onmiskenbare invloed op de muziek.
De rondreis welke start op hetAllegro laat Cambridgeshire zien als een streek van vitaliteit, energie en frisheid.
Korte thema's, flitsende motiefjes en ritmische patroontjes gesteund door stuwend slagwerk bevestigen dit beeld.
Het eerste gedeelte besluitmet twee 'Calmo' gedeelten waarbij het zicht op de kathedraal van de stad Ely en het naderen ervan wordt aangegeven.

2. Visit to Ely Cathedral.
In 1109 werd de beroemde kathedraal van Ely gebouwd die tot op de dagvan vandaag een grote aantrekkingskracht geniet van niet alleen toeristen.
Het rustpunt van de compositie wordt ingeleid door een cornetsolo.
De mystieke sfeer van de kathedraal is de rode draad in dit lyrische gedeelte.

3. The Pub.
Een intensieve rondreis maakt dorstig en een bezoek aan de pub is uiteraard een must.
Tot 11 uur 's avonds kan men er terecht voor alle vormen van vertier. De drank vloeit rijkelijk en de sfeer is feestelijk.

4. The Journey Back.
Er is een tijd van komen en gaan, en dat moment komt eerder dan je zou willen met andere woorden de tijd is omgevlogen.
Met een flash back naar het eerste deel wordt op passende wijze afscheidgenomen van Cambridgeshire.
Twee flitsende slotmaten zetten ons in één klap weer in het hier en nu.

(from Essercizii musici). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For oboe solo and basso continuo. This edition: Urtext. Score and part. TWV 41:B6, TWV 41:e6. Published by Baerenreiter Verlag

Clarinet - Grade 1

SKU: RM.BAST04588

Composed by Jean Francois Basteau. Clarinet and piano. Instrumental music. Duration 2 minutes, 40 seconds. Editions Robert Martin #BAST04588. Published by Editions Robert Martin (RM.BAST04588).

ISBN 9790231045888.

20 iconic pieces of British classical music specially arranged for intermediate piano solo, plus a pull-out print of the striking cover artwork. Graded Standard Repertoire; Piano Collection. The Piano Player Series. Classical; Masterwork Arrangement; Traditional. Book. Faber Music #12- 0571541690. Published by Faber Music

[G] Libretto

SKU: HL.48015215

Opera Libretto/German. Composed by Boris Blacher. Boosey & Hawkes Miscellaneous. Opera. Bote & Bock #M202521977. Published by Bote & Bock (HL.48015215).

UPC: 073999576658.

Piano Quintet

SKU: BR.DV-8555

Composed by Siegfried Thiele. Chamber music; Softcover. Deutscher Verlag. World premiere Paris, April 28, 1987. Music post-1945. Score and parts. Composed 1987. 68 pages. Duration 12'. Deutscher Verlag fur Musik #DV 8555. Published by Deutscher Verlag fur Musik (BR.DV-8555).

ISBN 9790200482331. 9 x 12 inches.

World première Paris, April 28, 1987
CD
CD Wergo 286 295 - 2 Die musikalische Gebarde ist hymnisch bewegt deklamierend sowie - am Schluss - andachtig und verhalten. Gemass der Intention ein Werk fur den Thomanerchor mithin fur einen Knabenchor - einen freilich hochqualifizierten - zu schreiben strebte ich gespannt singbare fassliche Tonbewegungen an
(Siegfried Thiele)

Soli SATBB, SATB Choir, 3 Ctr, Timp, 2 Vl, Va, Bc

SKU: CA.3914309

Composed by Georg Philipp Telemann. Edited by Arne Thielemann. 4x 39.143/31 trumpet/timpani. Stuttgart Urtext Edition: Telemann-Archiv. Harmony parts. Sacred vocal music, Magnificats, Praise and thanks. Set of Orchestra Parts. TVWV 9:17. Duration 19 minutes. Carus Verlag #CV 39.143/09. Published by Carus Verlag (CA.3914309).

ISBN 9790007216320. Language: Latin.

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church works setting Latin texts. In addition to works for smaller ensembles there is presently only one larger psalm setting, Deus judicium tuum, that is available in a new edition. This is now joined by the first ever scholarly, critical edition of his Magnificat in C major. Telemann probably composed this impressive work for the dedication of the organ in the Leipzig Neukirche in 1704. Like Bach's well-known Magnificat, it is scored for three trumpets and timpani. For ambitious church choirs, the work is really worthwhile, and is also a most effective piece for audiences to enjoy. Score and parts available separately - see item CA.3914300.

From My Life. By Bedrich Smetana. (Study Score). Schott. Size 5.25x7.5 inches. 51 pages. Published by Eulenburg Germany (Schott).

Orchestra (Full Score) - Grade 4

SKU: HL.14032192

Full Score. Composed by Per Norgard. Music Sales America. 20Th Century, Classical. Softcover. 188 pages. Edition Wilhelm Hansen #KP00865. Published by Edition Wilhelm Hansen (HL.14032192).

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

Vla & Orch: 2(2Picc).2.1+BCl.1+CBsn/2 200/1Perc/Str

SKU: UM.33239

Composed by Diana Burrell. Facsimile score. United Music Publishing #33239. Published by United Music Publishing (UM.33239).

ISBN 9790224414981. A3 inches.

(A Complete Guide to the Basics) Instructional book and accompaniment CD for flute. With instructional text, glossary of musical terms, fingering chart, illustrations and introductory text. 48 pages. Published by Hal Leonard.

By Michel Sardou. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine (LM.PB1320).

SKU: GI.G-5356

Implications for Music Education. Composed by Larry Blocher and Richard Miles. Music Education. Book. 200 pages. GIA Publications #5356. Published by GIA Publications (GI.G-5356).

ISBN 9780965580809. English.

Block Scheduling: Implications for Music Education is the result of a research survey of “block scheduled” schools in Kentucky, Indiana, Wisconsin, and Michigan conducted by the authors. Statistics on school music programs are included, as are valuable comments by music educators working in these small, medium, and large schools. Percentages and other research findings are followed by information on the advantages and disadvantages of different types of scheduling in sample schools throughout the country. Also included are suggestions on becoming involved and building networks for sharing information. Contents include: Making Block Schedules Work: Sample Schedules, Suggestions for Becoming Informed, Involved, and Building Networks for Sharing Information, Block Scheduling and School Music Programs Larry R. Blocheris Director of Music Education at Wichita State University in Wichita, Kansas. Richard B. Miles is Director of Bands at Morehead State University in Kentucky and holds a PhD from Florida State University.

Soprano voice and orchestra (3(3.pic).1.ca.3.2.cbsn-4 .3.3.1-timp.2perc(crot, vib, xyl, mar, bells, tri, 4sus cym, sizz cym, tam-t, h.h, 2 s.d, b.d, tamb, 4templebl)-cel.hp-str(12. 12.10.8.6 or 14.14.12.10.8))

SKU: HL.49018365

For soprano and orchestra. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. Edition Schott. Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premiered by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Time. Study score. Composed 2009. 56 pages. Duration 15'. Schott Music #ED13367. Published by Schott Music (HL.49018365).

ISBN 9790220132407. UPC: 884088601270. 8.25x11.75x0.241 inches. English - French - German.

Recently awarded a British Composer Award, Ryan Wigglesworth's orchestral song cycle 'Augenlieder' is now available as a study score. Setting poems by Robert Browning, Egon Schiele, Arthur Rimbaud and John Berryman, Augenlieder or Eye Songs was described as 'glittering with skill' by Geoff Brown in the Times. Masterfully orchestrated and with beautiful vocal writing, Wigglesworth is a composer to watch out for in the future.

Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premiered by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Times describes Ryan Wigglesworth as having a 'bright ear for glinting textures, [a] flair for taut motivic interplay [and] his conjuror's ability to cast a spell. This is a strong new work.' The Sonnet depicts a five month love affair and is set alongside a little known poem by Egon Schiele Visionen and poems by Robert Browning and Arthur Rimbaud.

Concert Choir & symphony Orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2horn, 2 trumpets, 2 trombones, tuba; timpani, 4 percussion; strings)

SKU: SU.90810191

For concert Choir & symphony Orchestra. Composed by Nancy Galbraith. Orchestra. Sacred. Choral Score. Composed 2004. Subito Music Corporation #90810191. Published by Subito Music Corporation (SU.90810191).

SATB chorus (divisi); picc, 2fl, 2ob, 2cl, 2bn; 2hn, 2tpt, 2tbn, tba; timp, 4perc; strings Duration: 55' Study Score: available for sale (#90810190) Full Score & Parts: available on rental Composed: 2004 Published by: Subito Music Publishing Galbraith's Requiem is a masterpiece that had the audience members on their feet at the end, cheering with tears in their eyes. —Pittsburgh Tribune-Review ...a piece with universal appeal. Its seven sections included the powerful chords of the Tuba Mirum and a tender Lacrimosa, indicating the scope and breadth of Galbraith's vision in a work that built, movement by movement, a contemporary spiritual connection. —Pittsburgh Post-Gazette.

Piano

SKU: HL.14028008

Composed by Poul Ruders. Music Sales America. Classical. Book [Softcover]. 36 pages. Edition Wilhelm Hansen #WH29703. Published by Edition Wilhelm Hansen (HL.14028008).

ISBN 9788759852521. English.

The Dante-Sonata was composed in 1970, inspired by two quotations from Dante's La Divina Comedia, Inferno, each in its turn forming the program of the two movements. Movement 1: Wandering through Inferno Dante sees all those who during their life on earth were ill-tempered and discontented, and who are now doomed for all eternity to stand in mud up to their necks, fighting each other, tearing and scratching each other's flesh. Movement 2: Here the doomed wretches recollect life on earth - the blessed sun and the green meadows; but it is too late to repent. Apart from having this connection with La Divina Comedia the title: Dante-Sonata has a dialectical and music-historical reference, a reference to Franz Liszt's Dante Sonata, without quoting from it in any way. An elusive air of the music of bygone days can be percieved in the second movement, which with its many types of graces is reminiscent of a slow movement of a Baroque dance. Dante-Sonata is dedicated to Elisabeth Klein.

Brass ensemble

SKU: RM.SL10214

Composed by Jerome Naulais. Ensemble de brass. Chamber music. Duration 10 minutes. Editions Robert Martin #SL10214. Published by Editions Robert Martin (RM.SL10214).

ISBN 9790231092141.

Piano

SKU: DY.DO-1534

Composed by Dusan Bogdanovic. Score. Les Editions Doberman-Yppan #DO 1534. Published by Les Editions Doberman-Yppan (DY.DO-1534).

ISBN 9782897963149.

Violin - early intermediate

SKU: BT.DOW-04801-400

Kompendium. Educational Tool. Book with CD. Composed 2006. 56 pages. Dowani #DOW 04801-400. Published by Dowani (BT.DOW-04801-400).

ISBN 9783905477375. French.

Apprendre, c’est répéter sans jamais s’ennuyer : voil ce que propose ce Compendium pour Violon en soulignant la polysémie du verbe « jouer » : titres et illustrations humoristiques pour apprendre jouer musicalement,“mini- études” pour aiguiser la curiosité et exercer l’agilité, gammes et arpèges, autocollants pour récompenser les progrès, morceaux deux voix pour aborder le jeu en ensemble, diversité des possibilités du compact disc - l’ensemble du contenu concourt la motivation de l’élève. Chaque chapitre traite d’une seule difficulté nouvelle la fois, car il est essentiel de travailler les paramètres musicaux et/ou techniques séparément pour mieuxles intégrer dans le processus global. Fips, Faps et Fops, les trois assistants hauts en couleurs, veillent sur l’élève tout au long de la méthode.L’appre ntissage artistique combine un processus raisonné et structuré avec une liberté de création. Compendium pour Violon est un vaste espace de jeu !

Choir

SKU: CA.960905

Composed by Felix Bartholdy Mendelssohn. Edited by Martina Rebmann. German title: Vier Mannerquartette 1837, Faksimil. Secular choral music. Choral Score. Carus Verlag #CV 09.609/05. Published by Carus Verlag (CA.960905).

ISBN 9790007132248.

Scor e available separately - see item CA.960900.

Flute, Clarinet and Oboe

SKU: HL.14043011

Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. Composed 2014. Edition Wilhelm Hansen #WH31940A. Published by Edition Wilhelm Hansen (HL.14043011).

ISBN 9788759829288. 9.7x14.0x0.079 inches.

Hans Abrahamsen 's Flowersongs (2012 version) for Flute, Oboe and Clarinet. Parts. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of thenew simplicity, minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word, but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

Flutes

SKU: HL.50497353

Composed by Saverio Mercadante. MGB. Score Only. Composed 1992. Libreria Musicale G. Zanibon #ZAN6155. Published by Libreria Musicale G. Zanibon (HL.50497353).

Concert Band Concert Band - Grade 4

SKU: FJ.B1550S

Score Only. Composed by Brian Balmages. Concert Band. FJH Concert Band. Light Concert; Novelty. Score. Duration 4:00. The FJH Music Company Inc #98-B1550S. Published by The FJH Music Company Inc (FJ.B1550S).

English.

Based entirely on the concept of grooves and rhythmic ideas, this barnburner features colorful percussion writing intertwined with infectious melodies. Musicians hit the ground running from the very first note and don't let up until the final fermata. Powerful music with a relentless drive and fierce attitude!

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5