Choral

SKU: HL.49003005

Performance Score. Edited by Mervyn Horder. Arranged by Mervyn Horder. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Playing score. 46 pages. Schott Music #ED12072. Published by Schott Music (HL.49003005).

ISBN 9780901938787. UPC: 073999922370. 6.5x10.0x0.214 inches. English.

Alleluia (Mozart) * Alleluia (Boyce) * Cedit Hiems Eminus * Christ is Risen Again * Death and Darkness * Early Morning * Easter Eggs * Easter Morning * Good Christian Men * Good Joseph had a Garden * Hail, Easter Bright * Hilariter * I Danced in the Morning * Jesus Christ is Risen Today * Jesus, Life and Comfort Given * Let the Merry Church Bells Ring * Let the Song be Begun * Let us Sing this Easter Morning * Lord of the Dance * Now the Green Blade Riseth * O Sons and Daughters * Ring the Bell, Ring it Well * Slowly Winter Fades Away * The Angel rolles the Stone away * The Drums of Calvary * The Glory of our King * The Lamb's High Banquet * The Whole Bright World * They were Beating as he dragged himself * The World itself keeps Easter day * This joyful Eastertide * Tomorrow shall be my dancing day * While Christ lay dead * Ye choirs of New Jerusalem.

SATB/opt. Handbells Choral; Handbells (SATB/HANDBLS)

SKU: HL.1108718

Arranged by Stewart Harris. Shawnee Sacred. Easter. Octavo. Duration 170 seconds. Published by Shawnee Press (HL.1108718).

ISBN 9781705177976. UPC: 196288103448. 6.75x10.5x0.036 inches. Acts 4:33, II Corinthians 5:17, John 11:25-26.

One of our most celebrated melodies takes on resurrection clothing in this Easter tour de force! Sturdy harmonies and powerful unison singing dance with a stellar handbell part, which is playable by six ringers.

Composed by Carson Cooman (1982-). For SATB choir and organ accompaniment. Easter Day. Choral score. Published by Paraclete Press

The Spring Garden. By Patricia M. O'Scannell. For Recorder (All). Songbook. Dance. Level: Multiple Levels. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

By Larry L. Fleming. For SATB choir. Easter. National Lutheran Choir Series. Anthem. Published by Augsburg Fortress.

SATB choir, piano - Early Intermediate

SKU: MN.50-2604

Composed by Kinley Lange. St. Luke's United Methodist Choral Series. Year C Easter3. Easter, Children, Praise/Thanksgiving, Music. Octavo. MorningStar Music Publishers #50-2604. Published by MorningStar Music Publishers (MN.50-2604).

Set up by a slow and somber introduction, Dance For the Lord Like Children soon breaks into a very playful and lively piece evoking the free-spirited hopefulness of children. A simple percussion accompaniment can be very effective. Above all, singers should bring their spirit of fun and play to this piece.

Concert Band - Grade 5

SKU: HL.44010964

Grade 5 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2008. Duration 840 seconds. Anglo Music Press #AMP246. Published by Anglo Music Press (HL.44010964).

UPC: 884088615864. 9x12 inches. English(UK)/Deutsch/Franc ais/Nederlands.

Ken tish Dances was commissioned by the Bromley Youth Music Trust for the Bromley Youth Concert Band - Michael Purton, conductor. Bromley is in Kent, the most southeasterly of all the English counties. Kent has a rich folk history and, like many parts of the country, its own home-grown dance tunes. What has become known in England as “country dancing” became popular during the Elizabethan period amongst the middle and upper classes, who preferred the style to the more formal galliards and pavans of the royal court. This suite is based on three dance tunes that originated in Kent; the first is a sort of moto perpetuo based on two lively 6/8 tunes, “Dover Castle” and “The Fair Maid of Wickham.” The middle movement uses the rather sombre “Blackheath,” contrasting it with the charming and apt “Bromley Bells.” The finale uses the sprightly “We Are All Right at Canterbury and Ramsgate Pier,” using the lilting “Northdown Waltz” as a lyrical contrast.

Concert Band - Grade 5

SKU: HL.44010965

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2008. Anglo Music Press #AMP246. Published by Anglo Music Press (HL.44010965).

UPC: 884088615871. 9x12 inches. English-German-French-Dut ch.

Kentish Dances was commissioned by the Bromley Youth Music Trust for the Bromley Youth Concert Band - Michael Purton, conductor. Bromley is in Kent, the most southeasterly of all the English counties. Kent has a rich folk history and, like many parts of the country, its own home-grown dance tunes. What has become known in England as country dancing became popular during the Elizabethan period amongst the middle and upper classes, who preferred the style to the more formal galliards and pavans of the royal court. This suite is based on three dance tunes that originated in Kent; the first is a sort of moto perpetuo based on two lively 6/8 tunes, Dover Castle and The Fair Maid of Wickham. The middle movement uses the rather sombre Blackheath, contrasting it with the charming and apt Bromley Bells. The finale uses the sprightly We Are All Right at Canterbury and Ramsgate Pier, using the lilting Northdown Waltz as a lyrical contrast.

Duet 2 Trombones - 3-4

SKU: KN.17407

Composed by Various. Arranged by Carl Strommen. Duet. Kendor Ensemble Series. Kendor Music Inc #17407. Published by Kendor Music Inc (KN.17407).

UPC: 822795174076.

Featu ring an array of 15 classics for grade 3-4 players, the musical selections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will not be compatible with any other in the series.

Contents:< br>Fanfare (Strommen); Gavotte (Boyce); The Huntsmen's Chorus (Weber); Sonatina (Hook); Kerry Dance (Irish folk song); March (Mozart); Tum Balalaika (Easter-European folk song); Variations On Reverie (Tschaikowsky); Slangpolska (Swedish folk song); Plaisir D'Amour (Martini); Selections From Carmen (Bizet); Mazurka (Chopin); Cradle Song (Kullak); Barn Dance (Strommen); Rondo (Mozart).

Duet Trumpet and Trombone - 3-4

SKU: KN.18228

Composed by Various. Arranged by Carl Strommen. Duet. Kendor Ensemble Series. Kendor Music Inc #18228. Published by Kendor Music Inc (KN.18228).

UPC: 822795182286.

Featu ring an array of 15 classics for grade 3-4 players, the musical selections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will not be compatible with any other in the; series.

Contents:< br>Fanfare (Strommen); Gavotte (Boyce); The Huntsmen's Chorus (Weber); Sonatina (Hook); Kerry Dance (Irish folk song); March (Mozart); Tum Balalaika (Easter-European folk song); Variations On Reverie (Tschaikowsky); Slangpolska (Swedish folk song); Plaisir D'Amour (Martini); Selections From Carmen (Bizet); Mazurka (Chopin); Cradle Song (Kullak); Barn Dance (Strommen); Rondo (Mozart).

Duet 2 French Horns - 3-4

SKU: KN.17314

Composed by Various. Arranged by Carl Strommen. Duet. Kendor Ensemble Series. Kendor Music Inc #17314. Published by Kendor Music Inc (KN.17314).

UPC: 822795173147.

Featu ring an array of 15 classics for grade 3-4 players, the musical selections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will not be compatible with any other in the series.

Contents:< br>Fanfare (Strommen); Gavotte (Boyce); The Huntsmen's Chorus (Weber); Sonatina (Hook); Kerry Dance (Irish folk song); March (Mozart); Tum Balalaika (Easter-European folk song); Variations On Reverie (Tschaikowsky); Slangpolska (Swedish folk song); Plaisir D'Amour (Martini); Selections From Carmen (Bizet); Mazurka (Chopin); Cradle Song (Kullak); Barn Dance (Strommen); Rondo (Mozart).

Duet 2 Bb Trumpets - 3-4

SKU: KN.17087

Composed by Various. Arranged by Carl Strommen. Duet. Kendor Ensemble Series. Kendor Music Inc #17087. Published by Kendor Music Inc (KN.17087).

UPC: 822795170870.

Featu ring an array of 15 classics for grade 3-4 players, the musical selections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will not be compatible with any other in the series.

Contents:< br>Fanfare (Strommen); Gavotte (Boyce); The Huntsmen's Chorus (Weber); Sonatina (Hook); Kerry Dance (Irish folk song); March (Mozart); Tum Balalaika (Easter-European folk song); Variations On Reverie (Tschaikowsky); Slangpolska (Swedish folk song); Plaisir D'Amour (Martini); Selections From Carmen (Bizet); Mazurka (Chopin); Cradle Song (Kullak); Barn Dance (Strommen); Rondo (Mozart).

Piano

SKU: PR.701175060

Arranged by Edison Quintana. Peermusic Classical #70117-506. Published by Peermusic Classical (PR.701175060).

UPC: 888680101268.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

Piano

SKU: PR.701185010

Arranged by Leticia Gómez-Tagle. Peermusic Classical #70118-501. Published by Peermusic Classical (PR.701185010).

UPC: 888680101275.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

Composed by Neil Harmon. Easter, 21st Century. MorningStar Music Publishers #50-4365. Published by MorningStar Music Publishers

By J. Paul Williams. For 2-part Choir. (TB or 2-part). Choral, Easter, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

By Earlene Rentz. For SAT(B) choir and piano. Mixed Voices Series. Published by Chorister's Guild

SATB choir, assembly, piano accompaniment, violin - Early intermediate

SKU: GI.G-9646

Composed by Ephrem Feeley. Eastertide, Easter Vigil, Easter Sunday. Choral. Sacred. Octavo. 12 pages. GIA Publications #9646. Published by GIA Publications (GI.G-9646).

UPC: 785147964605. English. Text Source: 'Now is Christ risen from the dead' by Timothy Dudley-Smith. Text by Timothy Dudley-Smith.

Embra cing the original meaning of the word “carol”� ��a joyful song, also a kind of dance in a ring—this setting of a Dudley-Smith text captures the spirited jubilation of the Easter season. The recommendation to designate verses for women or men is not absolute, as the piece works quite well with equal voices or even just a solo voice. Joyous!

By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, and 70; EG 121-157, Edition in original keys in accordance with Edvard Grieg: Complete Works (volume 14), edited by the Edvard Grieg Committee, Oslo (urtext). Published by C.F. Peters.

Composed by Patti Drennan. For 2-part mixed choir and piano (with optional flute, hand drum, tambourine). Ready to Worship Series. Sacred Anthem, Eastertide. Octavo. Lorenz Publishing Company #10/4720L. Published by Lorenz Publishing Company

SKU: GI.G-006546

Sacred. Book. GIA Publications #006546. Published by GIA Publications (GI.G-006546).

This seasonal Order of Mass booklet is designed specifically for Easter Mass and is an ideal way for your congregation to follow along during the holiest of days. Each booklet contains the complete Order of Mass, the readings for Easter Sunday, and twenty-five Easter hymns and carols. At a thin 6x9 size, these booklets will fit nicely in the pews, especially for Masses with larger than average attendance.