| Toccata Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043546-010 From the Opera...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1043546-010
From the Opera
L'Orfeo. Composed by
Claudio Monteverdi.
Arranged by Jacob De
Haan. Your Favorite
Classics. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043546-010. Published by
De Haske Publications
(BT.DHP-1043546-010).
Claudio
Monteverdi composed this
toccata as an
instrumental introduction
for the opera
L’Orfeo (1607).
According to the
composer, this
introduction should be
played three times before
the rising of the
curtain. This is actually
the first overture in the
history of opera.)The
story of Orfeo, who
enchanted nature with his
music, is tragic, as he
loses his beloved
Eurydice and decides to
retrieve her from the
underworld. On their
return journey, one
glance back at her is
fatal: he loses her for
the second time.)This
arrangement for wind band
is very suitable as a
concert opener. The
toccata is played three
times just like the
original. The first time
it is played by a
quintetconsisting of two
trumpets and three
trombones.)Various ways
of performing this
toccata are possible. The
tension builds up more
intensely if the quintet
starts off stage.
Eventually, these five
players join the band,
after which the tutti
version follows two
times. You can also have
the brass play from the
gallery during the second
or third time for a
double choir effect.
Claudio
Monteverdi componeerde
deze toccata als
instrumentale inleiding
tot de opera
L’Orfeo
(1607). Dit arrangement
voor harmonieorkest is
dan ook heel geschikt als
openingswerk. De toccata
wordt drie keer gespeeld,
de eerste keer door een
kwintet van twee
trompetten en drie
trombones. De opbouw van
de spanning is intenser
als het kwintet in de
coulissen of achter het
podium begint. Vervolgens
voegen deze vijf
muzikanten zich bij de
rest van het orkest,
waarna de tutti-versie
nog twee keer
klinkt.
Claudio
Monteverdi schrieb diese
Toccata als
instrumentales Vorspiel
zur Oper l'Orfeo.
Sie sollte drei Mal vor
der Hebung des Vorhangs
gespielt werden. Damit
hatte er tatsächlich
die erste Ouvertüre
der Operngeschichte
geschaffen! Wie im
Original, wird auch in
dieser Bearbeitung die
Toccata drei Mal
gespielt: zunächst von
einem Trompeten- und
Posaunenquintett, dann
zwei Mal vom gesamten
Blasorchester. Ein
ideales
Eröffnungswerk!
Claudio Monteverdi
(1567-1643) a composé
cette toccata
instrumentale pour
l’ouverture de son
opéra tragique
L’Orfeo (1607).
Selon le souhait du
compositeur, cette
pièce
d’introduction
doit être jouée
trois fois rideau
baissé. Ce faisant,
Monteverdi a composé
la première ouverture
dans l’histoire de
l’opéra. Cet
arrangement pour
Orchestre
d’Harmonie est
idéal pour débuter
un concert. Fidèle la
version originale, la
Toccata est
interprétée trois
fois dont la première
par un quintette
composé de trois
trombones et de deux
trompettes.
Claudi
o Monteverdi (1567-1643)
compose questa Toccata
strumentale per
l’ouverture
dell’opera tragica
L’Orfeo (1607). Il
compositore desiderava
che questo brano di
apertura fosse eseguito
tre volte a sipario
chiuso. Così facendo,
compose la prima
ouverture nella storia
dell’opera. Questo
arrangiamento per banda
è ideale per iniziare
un concerto. Fedele alla
versione originale, la
Toccata è interpretata
tre volte, di cui la
prima dal quintetto
composto da tre tromboni
e due trombe. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chaconne Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
From 'First Suite in Eb'. Arranged by Stanton. Build-A-Band. Score and pa...(+)
From 'First Suite in
Eb'. Arranged by
Stanton. Build-A-Band.
Score and parts. Duration
0:4:39. Published by C.L.
Barnhouse
(CL.026-4457-00).
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Claude Debussy: Nocturne Violon et Piano Schott
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Double Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Antonio Vivaldi (1678-1741). Arranged by Andrew Glover. Concert Band. Spotlig...(+)
By Antonio Vivaldi
(1678-1741). Arranged by
Andrew Glover. Concert
Band. Spotlight. Grade 3.
Score and set of parts.
Composed 2006. Duration
0:03:06
$72.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Magic of Mozart Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4371-01 Composed by Wolfgang Amadeus M...(+)
Concert band - Grade 3
SKU:
CL.026-4371-01
Composed by Wolfgang
Amadeus Mozart. Arranged
by Huckeby. Concert Band.
Build-A-Band. Extra full
score. Composed 2015.
Duration 4 minutes, 15
seconds. C.L. Barnhouse
#026-4371-01. Published
by C.L. Barnhouse
(CL.026-4371-01).
A unique
collection of great
Mozart themes made
playable for bands with
limited or less than
ideal instrumentation.
From the opening theme of
the Magic Flute to the
rousing conclusion of the
famous Symphony #40 in G
Minor, this lively, yet
very playable,
arrangement will keep
your audience engaged and
give your performers a
real sense of
accomplishment.
Wonderful!
About
Build-A-Band
Series The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.) $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Potential Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4527-01 Composed by Melton. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4527-01
Composed by Melton. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR392). Extra
full score. Composed
2017. Duration 2 minutes,
14 seconds. C.L.
Barnhouse #011-4527-01.
Published by C.L.
Barnhouse
(CL.011-4527-01).
A welcome debut
work from composer Andrew
Melton, Potential is a
delightful change of pace
selection for developing
bands. Rhythmic motives
underlay bright melodic
passages which move
throughout the band,
giving every section the
opportunity to show their
Potential. A solid choice
for concert or festival
use, musicians and
audiences will enjoy this
fresh-sounding
contemporary work.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Potential Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4527-00 Composed by Melton. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4527-00
Composed by Melton. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR392). Score
and set of parts.
Composed 2017. Duration 2
minutes, 14 seconds. C.L.
Barnhouse #011-4527-00.
Published by C.L.
Barnhouse
(CL.011-4527-00).
A welcome debut
work from composer Andrew
Melton, Potential is a
delightful change of pace
selection for developing
bands. Rhythmic motives
underlay bright melodic
passages which move
throughout the band,
giving every section the
opportunity to show their
Potential. A solid choice
for concert or festival
use, musicians and
audiences will enjoy this
fresh-sounding
contemporary work.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Bb edition Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 ...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 448 pages.
Published by Hal Leonard.
(3)$49.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chorale From Cantata No79 (nun Danket Alle Gott) Satb Chorus Part [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie (SATB) - Grade 2.5 SKU: HL.44005298 Nun danket a...(+)
Concert Band/Harmonie
(SATB) - Grade 2.5
SKU: HL.44005298
Nun danket alle
Gott. Composed by
Johann Sebastian Bach.
Arranged by Robert van
Beringen. De Haske Choral
Parts. Hymns & Chorals.
Score Only. Composed
2003. De Haske
Publications #1033432.
Published by De Haske
Publications
(HL.44005298). UPC:
073999334722.
8.25x11.75x0.01
inches. In 1725
J.S. Bach composed the
cantata BWV79 'Gott, der
Herr, is Sonn' und Schild
for the celebration of
the Reformation.
Originally written for 3
vocal soloists, choir and
orchestra Cantata
No.79 is partially
based on the well known
hymn Now Thank We All
Our God, the melody
of which is attributed to
Martin Rinckart. This
arrangement for concert
band by Robert van
Beringen combines part of
the first movement (Coro)
with and ensemble from
the third movement
(Choral).
In 2007
is het zogenaamde
Lutherdecennium begonnen,
de tien jaar waarin wordt
voorbereid op het
jubileumjaar 2017. In dat
jaar is het vijfhonderd
geleden dat Luther zijn
95 stellingen
publiceerde. Het jaar
2012 heeft 'Muziek en
Reformatie'als thema.
Naast muziek van Luther
zelf staan componisten
als J. S. Bach en
Heinrich Schutz in het
middelpunt. Met deze
bewerking van de melodie
Nun danket alle
Gott, die Bach als
basis nam voor zijn
cantateGott, der Herr,
ist Sonn' und Schild
(BWV 79), kunt u in 2012
op gepaste wijze
stilstaan bij 'Muziek en
Reformatie'.
Seit
2007 lauft die so
genannte Luther-Dekade,
eine Veranstaltungsreihe,
die auf das
Reformationsjubilaum 2017
vorbereitet. Das Jahr
2012 ist innerhalb dieser
Dekade dem Thema Musik
und Reformation gewidmet.
Neben Musik von Luther
selbst, stehen da
Komponisten wie J. S.
Bach oder Heinrich
Schütz im
Mittelpunkt. Mit dieser
Bearbeitung der Melodie
von Nun danket alle
Gott, die Bach als
Grundlage seiner Kantate
Gott, der Herr, ist
Sonn' und Schild (BWV
79) verwendete, im
Repertoire, konnen Sie
Ihren Beitrag zum Jahr
Musik und Reformation
leisten.
En 1725,
Jean-Sebastien Bach
compose la Cantate BWV 79
Gott, der Herr, ist
Sonn' und Schild. La
En 1725, Jean-Sebastien
Bach compose la Cantate
BWV 79 Gott, der Herr,
ist Sonn' und Schild.
La Cantate 79 est
partiellement basee sur
la celebre hymne
chretienne Nun danket
alle Gott.
L'arrangement realise par
Robert van Beringen
integre une partie du
premier mouvement (Coro)
et l'ensemble du
troisieme mouvement
(Choral) de la cantate.
Choral from Cantata
Ndeg 79 est une piece
instrumentale mais peut
egalement etre
interpretee avec un
choeur mixte. Les parties
pour choeur (en allemand)
sont disponibles
separement.
Nel
1725, J.S. Bach compose
la Cantata BWV79 Gott,
der Herr, ist Sonn' und
Schild. La Cantata 79
e in parte basata sul
popolare inno cristiano
Nun danket Alle
Gott. L'arrangiamento
di Robert van Beringen
incorpora parte del primo
movimento (Coro) e
l'intero terzo movimento
(Choral) della cantata.
Chorale from Cantata
No. 79 e un pezzo
strumentale ma puo anche
essere eseguito con un
coro misto. Le parti per
coro (in tedesco) sono
disponibili
separatamente. $2.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Visit From Saint Nicholas Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3346-01 Composed by Orcino. Young Concert Band. Com...(+)
Grade 2.5 SKU:
CL.011-3346-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR333). Extra
full score. Composed
2004. Duration 4 minutes,
39 seconds. C.L.
Barnhouse #011-3346-01.
Published by C.L.
Barnhouse
(CL.011-3346-01).
For band with
narrator. Len Orcino's
delightful and
entertaining new
arrangement of The Night
Before Christmas for
narrator and developing
bands that is destined to
become the highlight of
many holiday
performances. A wonderful
way to involve your
Principal or any local
celebrity in your band's
concert. Band parts are
very effective and
playable! A timeless
Classic that just can't
be beat!
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Selections from Boris Godunov Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’oeuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from Boris Godunov Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’oeuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $211.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from Boris Godunov Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch. Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Com
positeur essentiellement
autodidacte, Modest
Moussorgski (1839-1881)
descend d’une
famille aisée de la
noblesse russe. Son
chef-d’œuvre
lyrique Boris Godounov
est basé sur la
tragédie
d’Alexandre
Pouchkine, dans laquelle
Boris Godounov, tsar
autoproclamé et
soutenu par le peuple
faillit son rôle. En
1896, l’opéra
connaît le succès
dans une version
retouchée par
Rimski-Korsakov. La
version originale de
Moussorgski contient
cependant des idées
uniques, des détails
harmoniques,
mélodiques et
instrumentaux
innovateurs. Pour
réaliser cette
pièce captivante pour
Orchestre
d’Harmonie, Tohru
Takahashi a rassemblé
les superbes thèmes
musicaux de
l’opéra.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera. $211.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Book of Urizen - Symphony No. 1 (CD incl.) Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
$533.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Songs from Across the Water Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-454-140 A Suite of British...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.AMP-454-140 A
Suite of British and
Irish Folk Songs.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2017. 32
pages. Anglo Music Press
#AMP 454-140. Published
by Anglo Music Press
(BT.AMP-454-140).
English-German-French-
Dutch. Songs
from Across the Water
was commissioned by
Pennsylvania Symphonic
Winds - Phil Evans,
Founder and Director.
Phil Evans hails from the
UK and served for 25
years in the Band of HM
Royal Marines. Now
resident in the USA he
founded Pennsylvania
Symphonic Winds in 2008,
giving them the tag line
‘An American Band
with a British
Accent’, as he
wanted to combine the
best of both
countries’ band
traditions. With this in
mind, composer Philip
Sparke decided to create
a suite of British folk
songs, scored with an
American influence to
fulfil the philosophy of
the band’s tag
line. The three
movements, which are
played without a break,
are based on the
following folk
songs,which come from all
corners of the British
Isles: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air and
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water werd
geschreven in opdracht
van de Pennsylvania
Symphonic Winds, waarvan
Phil Evans de oprichter
en tevens de dirigent is.
Phil Evans is geboren en
getogen in het Verenigd
Koninkrijk, hij was 25
jaar lang lid van de Band
of HM Royal Marines.
Tegenwoordig woont hij in
de VS, waar hij in 2008
de Pennsylvania Symphonic
Winds oprichtte, met als
motto ‘An American
band with a British
Accent’ (Een
Amerikaans blaasorkest
met een Brits accent),
aangezien hij de
blaasmuziektradities uit
beide landen wilde
combineren. Met dit
gegeven in zijn
achterhoofd creëerde
componist Philip Sparke
een suite van Britse
folksongs, georkestreerd
met een Amerikaanse
invloedom de filosofie
achter het eerdergenoemde
motto eer aan te doen. De
drie delen, die zonder
onderbreking worden
gespeeld, zijn gebaseerd
op de volgende folksongs,
die afkomstig zijn uit
alle hoeken van de Britse
Eilanden: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air en
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water
wurde von den
Pennsylvania Symphonic
Winds in Auftrag gegeben,
deren Gründer und
Leiter Phil Evans ist.
Phil Evans stammt aus dem
Vereinigten Königreich
und spielte 25 Jahre lang
im Blasorchester der HM
Royal Marines. Inzwischen
lebt er in den USA und
gründete 2008 die
Pennsylvania Symphonic
Winds, denen er den
Beinamen An American band
with a British
Accent“ (Ein
amerikanisches
Blasorchester mit einem
britischen Akzent“)
gab, da er das Beste aus
der
Blasorchester-Tradition
beider Länder
miteinander vereinen
wollte. Aus diesem Grund
hat der Komponist Philip
Sparke eine Suite aus
britischen Volksliedern
komponiert, wobei
dieInstrumentierung einen
amerikanischen Einfluss
hat, um so die
Philosophie des
Orchesterbeinamens zu
verwirklichen. Die drei
Sätze, die ohne Pause
gespielt werden, basieren
auf den folgenden
Volksliedern, die aus
allen Gegenden der
britischen Inseln
stammen: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air sowie
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water est
une commande du
Pennsylvania Symphonic
Winds et de Phil Evans,
fondateur et directeur.
Phil Evans est originaire
du Royaume-Uni où il a
joué dans
l’orchestre des HM
Royal Marines pendant 25
ans. Vivant désormais
aux Etats-Unis, il y a
fondé le Pennsylvania
Symphonic Winds en 2008
et lui a donné le
slogan « un orchestre
américain
l’accent
britannique »,
aspirant combiner les
meilleures traditions
d’harmonies des
deux pays. Avec cette
idée l’esprit,
le compositeur Philip
Sparke a décidé de
créer une suite de
chansons folkloriques
britanniques,
orchestrées
l’influence
américaine en rapport
avec la philosophie du
groupe. Les
troismouvements qui
s’enchaînent
reposent sur les trois
chansons folkloriques
suivantes, qui viennent
de tous les coins des
ÃŽles Britanniques :
The Three Ravens & The
Cruiskeen Lawn,
The Lark in the Clear
Air et The Piper
o’ Dundee & Men of
Harlech. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Real Book Volume III - Second Edition - CD-ROM Tous Les Instruments [CD-ROM] Hal Leonard
| | |
| The Real Book - Volume 3 Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11...(+)
Bb Edition. By Various.
Fake Book (Includes
melody line and chords).
Size 8.5x11 inches. 464
pages. Published by Hal
Leonard.
(1)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concert and Contest Collections (solo C Flute)
Flûte traversière [Partie seule] Rubank Publications
Compiled by Himie Voxman. Instrumental solo book for Flute. Series: Solo Collect...(+)
Compiled by Himie Voxman.
Instrumental solo book
for Flute. Series: Solo
Collection (Rubank). 24
pages. Published by
Rubank Publications.
(4)$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Contemplation Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 5 SKU: BT.DHP-1175741-140 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 5
SKU:
BT.DHP-1175741-140
Doloroso e
Contemplativo.
Composed by Jan Van der
Roost. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2017. De
Haske Publications #DHP
1175741-140. Published by
De Haske Publications
(BT.DHP-1175741-140).
English-German-French-
Dutch. Contempla
tion is the first
movement from the
Clarinet Concerto
by Jan Van der Roost,
which was commissioned by
Musica Reservata VOF,
Belgium, and is dedicated
to the famous clarinet
soloist Eddy
Vanoosthuyse. A
slightly mysterious intro
leads to an orchestral
climax with ascending
melodies and the entrance
of the soloist. This
occurs at first with
fragmentary musical
ideas, and then with
longer melodic lines. The
orchestra delivers the
dialogue withthe soloist,
and creates a fitting
musical frame with a
delicate and colourful
instrumentation. Towards
the end of the music, the
atmosphere from the
beginning is restored,
and the soloist finishes
on the same note that he
started the piece on.
The concerto is also
available as a piano
reduction.
Contemplation<
/I> is het eerste deel
uit het Clarinet
Concerto van Jan Van
der Roost. Het werd
geschreven in opdracht
van Musica Reservata VOF
(B) en is opgedragen aan
Eddy Vanoosthuyse.
Een ietwat mysterieuze
intro leidt via stijgende
melodieën tot een
eerste orkestrale climax,
waarna de solist zijn
intrede doet, eerst met
vooral fragmentarische
muzikale gegevens, dan
met langere melodische
lijnen. Het orkest voert
een muzikaledialoog met
de solist en creëert
een gepaste omkadering
door middel van een
ragfijne en kleurrijke
instrumentatie. Naar het
slot toe wordt de
beginsfeer weer
opgezocht, en de solist
eindigt helemaal alleen
met dezelfde noot als die
waarmeehij begon. Het
concert is tevens als
pianoreductie
beschikbaar.
Contemplation<
/I> ist der 1. Satz aus
Jan van der Roosts
Clarinet Concerto,
das von Musica Reservata
VOF aus Belgien in
Auftrag gegeben wurde und
dem berühmten
Klarinettisten Eddy
Vanoosthuyse gewidmet
ist. Eine etwas
geheimnisvolle Einleitung
führt über
aufsteigende Passagen zu
einem musikalischen
Höhepunkt des
Orchesters; darauf folgt
der Einsatz des Solisten,
anfangs überwiegend
mit fragmentarischen
musikalischen Ideen, dann
mit
längerenMelodielinien.
Das Orchester führt
einen Dialog mit dem
Solisten und schafft mit
einer zarten und
lebendigen
Instrumentation einen
passenden musikalischen
Rahmen. Gegen Ende wird
die Anfangsstimmung
wieder aufgegriffen und
das Solo endet
mitderselben Note, mit
der das Stück begonnen
hat. Es ist auch ein
Klavierauszug des
Konzertes erhältlich.
Contemplation<
/I> est le premier
mouvement du Clarinet
Concerto de Jan Van
der Roost. Commandé
par Musica Reservata VOF
de Belgique, il est
dédié au
célèbre soliste
clarinettiste Eddy
Vanoosthuyse. Une
introduction orchestrale
mystérieuse conduit
avec les mélodies
ascendantes
l’entrée du
soliste. Les idées
musicales fragmentaires
du début cèdent
petit petit la place des
lignes mélodiques plus
longues et
l’orchestre entre
en dialogueavec le
soliste avec une
instrumentation
délicate et
colorée.
L’atmosphère
mystérieuse du
début revient et le
soliste conclut
l’œuvre par la
même note avec
laquelle il
l’avait
commencé. Le
concerto est également
disponible en
réduction pour
piano. $62.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contemplation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 5 SKU: BT.DHP-1175741-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 5
SKU:
BT.DHP-1175741-010
Doloroso e
Contemplativo.
Composed by Jan Van der
Roost. Solo Spectrum.
Concert Piece. Set (Score
& Parts). Composed 2017.
De Haske Publications
#DHP 1175741-010.
Published by De Haske
Publications
(BT.DHP-1175741-010).
English-German-French-
Dutch. Contempla
tion is the first
movement from the
Clarinet Concerto
by Jan Van der Roost,
which was commissioned by
Musica Reservata VOF,
Belgium, and is dedicated
to the famous clarinet
soloist Eddy
Vanoosthuyse. A
slightly mysterious intro
leads to an orchestral
climax with ascending
melodies and the entrance
of the soloist. This
occurs at first with
fragmentary musical
ideas, and then with
longer melodic lines. The
orchestra delivers the
dialogue withthe soloist,
and creates a fitting
musical frame with a
delicate and colourful
instrumentation. Towards
the end of the music, the
atmosphere from the
beginning is restored,
and the soloist finishes
on the same note that he
started the piece on.
The concerto is also
available as a piano
reduction.
Contemplation<
/I> is het eerste deel
uit het Clarinet
Concerto van Jan Van
der Roost. Het werd
geschreven in opdracht
van Musica Reservata VOF
(B) en is opgedragen aan
Eddy Vanoosthuyse.
Een ietwat
mysterieuze intro leidt
via stijgende
melodieën tot een
eerste orkestrale climax,
waarna de solist zijn
intrede doet, eerst met
vooral fragmentarische
muzikale gegevens, dan
met langere melodische
lijnen. Het orkest voert
een muzikaledialoog met
de solist en creëert
een gepaste omkadering
door middel van een
ragfijne en kleurrijke
instrumentatie. Naar het
slot toe wordt de
beginsfeer weer
opgezocht, en de solist
eindigt helemaal alleen
met dezelfde noot als die
waarmeehij begon. Het
concert is tevens als
pianoreductie
beschikbaar.
Contemplation<
/I> ist der 1. Satz aus
Jan van der Roosts
Clarinet Concerto,
das von Musica Reservata
VOF aus Belgien in
Auftrag gegeben wurde und
dem berühmten
Klarinettisten Eddy
Vanoosthuyse gewidmet
ist. Eine etwas
geheimnisvolle Einleitung
führt über
aufsteigende Passagen zu
einem musikalischen
Höhepunkt des
Orchesters; darauf folgt
der Einsatz des Solisten,
anfangs überwiegend
mit fragmentarischen
musikalischen Ideen, dann
mit
längerenMelodielinien.
Das Orchester führt
einen Dialog mit dem
Solisten und schafft mit
einer zarten und
lebendigen
Instrumentation einen
passenden musikalischen
Rahmen. Gegen Ende wird
die Anfangsstimmung
wieder aufgegriffen und
das Solo endet
mitderselben Note, mit
der es begonnen hat.
Es ist auch ein
Klavierauszug des
Konzertes erhältlich.
Contemplation<
/I> est le premier
mouvement du Clarinet
Concerto de Jan Van
der Roost. Commandé
par Musica Reservata VOF
de Belgique, il est
dédié au
célèbre soliste
clarinettiste Eddy
Vanoosthuyse. Une
introduction orchestrale
mystérieuse conduit
avec les mélodies
ascendantes
l’entrée du
soliste. Les idées
musicales fragmentaires
du début cèdent
petit petit la place des
lignes mélodiques plus
longues et
l’orchestre entre
en dialogueavec le
soliste avec une
instrumentation
délicate et
colorée.
L’atmosphère
mystérieuse du
début revient et le
soliste conclut
l’œuvre par la
même note avec
laquelle il
l’avait
commencé. Le
concerto est également
disponible en
réduction pour
piano. $314.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lira Orfeo Vol. 15 - Intermédiaire Music Distribution Services
Orchester of plucked instruments - intermediate to advanced SKU: M7.GHE-915(+)
Orchester of plucked
instruments -
intermediate to advanced
SKU: M7.GHE-915
The Complete
Repertoire composed and
arranged for Lira
Orfeo. Edited by
Stefano Grondona.
Arranged by Miguel
Llobet. This edition:
Saddle-wire stitching.
Sheet music. 112 pages.
MDS (Music Distribution
Services) #GHE 915.
Published by MDS (Music
Distribution Services)
(M7.GHE-915). ISBN
9783890449159.
English. Miguel
Llobet's famous Catalan
plucked string orchestra
called the 'Lira Orfeo'
was active in Barcelona
from 1899-1906. Here we
present a new engraving
of all the surviving
original scores, set in
the same performing score
format in which they were
originally used 120 years
ago. The Lira Orfeo
quickly became an
important part of
Barcelona's cultural
scene; with Tárrega as
its honorary president
the Lira Orfeo society
was founded in 1898 and
an official inaugural
concert, shared between
Manuel Burgés (pno)
and Miguel Llobet (gtr)
took place in Barcelona
in 1898. The aim of the
society was to offer a
full musical education,
both theoretical and
instrumental, for
guitarists and players of
other plucked instrument
family, with eventually
with a place in its
Catalan plucked
instrument orchestra of
the same name. The
teachers for guitar were
Miguel Llobet, Pedro
Lloret and Domingo Prat.
Prominent musicians such
as Manuel Burgés and
Baldomera Cateura were
also on the teaching
staff. Classes were given
three times a week, and
as the players were
mainly amateurs with day
jobs, these took place in
the evening and often
went on until 2 o'clock
in the morning. The debut
of the orchestra took
place in 1903 and it gave
regular concerts at top
venues right up to the
society's dissolution in
1907, mainly due to lack
of funding. For the
instruments used see the
list of works below. The
repertoire is varied,
selected, arranged by
Miguel Llobet it was
mainly drawn from
traditional and
impressionist Iberian
music, as well as the
German classics, it
includes a specially
commissioned work
Triomphe d'Orphée' by
the famous Catalán
pianist Manuel Burgés.
We at Guitar Heritage are
proud to present the
first publication of this
huge cultural
contribution to music in
its original form and
prepared from the source
manuscripts which were
the work of Miguel
Llobet. The edition has
many illustrations, rare
documents and photographs
as well as a
comprehensive critical
commentary by Stefano
Grondona - whose
knowledge of Miguel
Llobet, as well as of
Catalonian culture, has
made an edition of this
scope possible. These
arrangements are superb
and presented as they
originally were in the
same score form. The now
relatively rare
instruments called for
can be replaced by
suitable alternatives -
this is ideal and
interesting material for
adapting to guitar
orchestra/ensemble or
mandolin orchestra, or
similar. $53.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Élégie Guitare Guitare classique [Conducteur] - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Teaching Instrumental Music (Second Edition) GIA Publications
SKU: GI.G-10377 Developing the Complete Band Program. Composed by ...(+)
SKU: GI.G-10377
Developing the
Complete Band
Program. Composed by
Shelley Jagow. Music
Education. GIA
Publications #10377.
Published by GIA
Publications
(GI.G-10377). ISBN
9781574635324. A
unique resource for both
novice and experienced
band directors gathering
effective teaching tools
from the best in the
field including more than
40 chapters dealing with
every aspect of teaching
instrumental music from
curriculum to valuable
websites. This
best-selling and highly
praised text has become
the method of choice for
university methods
courses throughout the
United States and Canada.
What's New in the Revised
Edition?
Curriculum—updated
to 2014 National Music
Education Standards,
including relevant
learning theories,
modalities, and music
instruction theories.
Resources—for
concert band, marching
band, pep band, jazz
ensemble, and chamber
groups School
Law—learn more
about the
teacher’s Code of
Ethics, music copyright
law, and examine common
ethical teaching
scenarios. Anatomy of
Music-Making—prese
nts effective methods for
teaching tone quality,
balance, blend,
intonation, pulse,
rhythm, technique, style,
articulation, phrasing,
interpretation, and
expression. STEPS©
Method—for
creating rehearsal plans
and providing a
theoretical approach to
understanding the
ensemble to improve score
study and objective
assessment.
Motivation—surveys
current intrinsic and
extrinsic methods, and
explores the development
of leadership and
character in the
instrumental program,
including Social
Emotional Learning (SEL).
Job Readiness—new
teacher assessment and
certification
requirements, as well as
valuable information
guiding the new teacher
throughout the music
practicum and the job
interview.
Intonation—expande
d tools for training the
ear in both the
individual student and
full ensemble. Program
Administration—
the “nuts and
bolts†of managing
the instrumental program
have been updated with
topics on assessment,
evaluation, rehearsal
planning, score study,
repertoire selection,
programming, rehearsal
facilities, auditions,
seating, recruiting and
retention, budget
planning, music library
management, basic
instrument repair,
booster groups, advocacy,
time management,
practicing tips, and
classroom management and
discipline. Mind Your
P’s and
Q’s—conside
rs the implications and
relationships of
Professional Growth,
Personal Growth,
Intelligence Quotient,
and Emotional Quotient.
Supplementary
Website—numerous
charts, figures,
templates, a balanced
instrumentation
calculator, teaching
tools, recruiting
materials, assessment
rubrics, various learning
activities. Learn more
about this new resouce in
this short video below:
Click here to download
Lesson Plan Forms. Â A
wonderful resource for
all music educators! Dr.
Jagow’s book is
comprehensive and
impressive in scope. An
excellent book! Bravo!
—Frank L. Battisti
Finally, an exceptional
text that offers the
depth of understanding
our students need in
critically important
topic areas. Bravo!
—Don Harris So
many important facets are
uncovered and solutions
revealed. It’s a
must for the library of
any serious music
educator. —H.
Robert Reynolds There are
a growing number of fine
books dealing with
different aspects of the
wind band and ensemble,
none cover so many
essential aspects in so
much detail. —Tim
Reynish Dr. Jagow's book
is a fantastic resource
for instrumental
conductors, both the
young and the more
experienced!
—George Edge . . .
a book which contains a
wonderfully diverse
wealth of knowledge that
is 'hands on' for the
informed music educator.
. . . an excellent
resource for both
beginning teachers and
veteran music educators.
—Dr. Linda R.
Moorhouse From creating
artistic musical
experiences to
establishing a
first-class organization
blueprint, there is no
stone left unturned. This
is not a book to be
recommended, but a book
to be REQUIRED.
—Tim
Lautzenheiser. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Style Studies (Eb or Bb Bass BC/TC) Euphonium [Partition + CD] - Intermédiaire De Haske Publications
Eb/Bb Bass TC/BC - intermediate SKU: BT.DHP-1043600-400 Patrick Sheridan ...(+)
Eb/Bb Bass TC/BC -
intermediate SKU:
BT.DHP-1043600-400
Patrick Sheridan
presents. Studies and
Exercises. Book with CD.
Composed 2004. 72 pages.
De Haske Publications
#DHP 1043600-400.
Published by De Haske
Publications
(BT.DHP-1043600-400).
ISBN 9789043119832.
9x12 inches.
International. This
new book from De Haske
helps fill the need for
melodic unaccompanied
solos for the tuba. It
contains 16 wonderful
concert studies that
develop sound and
technique while providing
a rich environment for
the study of style. The
accompanying demo CD,
performed by Patrick
Sheridan, gives you an
idea of how it should be
done. This book is a must
for all developing tuba
players.
Eindelijk is er
een studieboek met muziek
in een verscheidenheid
van stijlen - speciaal
geschreven voor
tubaspelers door moderne
componisten, onder wie
André Waignein, Thomas
Doss, Ferrer Ferran,
Philip Sparke en Roland
Kernen. Dezeconcertetudes
zijn bedoeld voor het
ontwikkelen van de klank
en techniek, met oog voor
de kwaliteit van de
muzikale inhoud binnen
een scala van stijlen.De
wereldberoemde tubasolist
Patrick Sheridan heeft de
stukken op de
bijgevoegdecd
voorgespeeld.
Nun
gibt es endlich ein Buch
voll Konzertetüden mit
Musik in einer Vielzahl
von Stilen, von modernen
Komponisten speziell
für die Tuba
geschrieben! Dieses Buch
enthält sechzehn
groÃ?artige
Konzertetüden zur
Entwicklung von Ton und
Technik und ist
darüber hinaus reich
an Material für
Stilstudien. Auf der
Demo-CD ist eine
Interpretation der
Studien von Patrick
Sheridan zu hören. Die
Bass-Stimme in B wurde in
der für das Instrument
optimalen Transposition
geschrieben. Das bedeutet
jedoch, dass die CD nur
als Hörbeispiel
verwendet werden kann,
Mittspielen zur CD ist
nicht
möglich.
Pendan
t longtemps, les tubistes
nâ??ont eu quâ??un
choix limité de
recueils dâ??études
leur permettant de
travailler le son et la
technique. Certes, les
précédents recueils
constituent un excellent
moyen de développer
ces deux éléments,
mais la qualité du
contenu musical de
certaines études fait
défaut et ce quel que
soit le style et en
dépit de
lâ??intérêt
quâ??elles présentent
en tant quâ??approche
des différentes
tonalités et
intervalles
spécifiques. Câ??est
donc avec joie que nous
accueillons enfin un
recueil dâ??études de
concert de styles
variés, écrites
spécialement pour le
tuba par de talentueux
compositeurs
dâ??aujourdâ??hui. <
br>Approfondite le
tecniche più avanzate
richeste ai suonatori di
tuba per essere dei veri
solisti all'interno di un
gruppo da camera come di
una grande orchestra.
Intervalli, intonazione e
fraseggio sono gli
elementi più
ricorrenti nelle pagine
di questa raccolta di
studi. Il CD propone la
demo di ogni brano. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral from Cantata No. 79 Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1033432-120 Nun danket alle Gott<...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1033432-120
Nun danket alle
Gott. Composed by
Johann Sebastian Bach.
Arranged by Robert van
Beringen. Musica Sacra.
Hymns & Chorals. Score
Only. Composed 2003. De
Haske Publications #DHP
1033432-120. Published by
De Haske Publications
(BT.DHP-1033432-120).
In 1725 J.S.
Bach composed the cantata
BWV79 ‘Gott, der
Herr, is Sonn’ und
Schild for the celebIn
1725 J.S. Bach composed
the cantata BWV79
‘Gott, der Herr, is
Sonn’ und Schild
for the celebration of
the Reformation.
Originally written for 3
vocal soloists, choir and
orchestra Cantata
No.79 is partially
based on the well known
hymn Now Thank We All
Our God, the melody
of which is attributed to
Martin Rinckart. This
arrangement for concert
band by Robert van
Beringen combines part of
the first movement (Coro)
with and ensemble from
the third movement
(Choral).
In 2007
is het zogenaamde
Lutherdecennium begonnen,
de tien jaar waarin wordt
voorbereid op het
jubileumjaar 2017. In dat
jaar is het vijfhonderd
geleden dat Luther zijn
95 stellingen
publiceerde. Het jaar
2012 heeft ‘Muziek
en Reformatie’als
thema. Naast muziek van
Luther zelf staan
componisten als J. S.
Bach en Heinrich
Schütz in het
middelpunt. Met deze
bewerking van de melodie
Nun danket alle
Gott, die Bach als
basis nam voor zijn
cantateGott, der Herr,
ist Sonn’ und
Schild (BWV 79), kunt
u in 2012 op gepaste
wijze stilstaan bij
‘Muziek en
Reformatie’. Seit 2007 läuft die
so genannte
Luther-Dekade“,
eine Veranstaltungsreihe,
die auf das
Reformationsjubiläum
2017 vorbereitet. Das
Jahr 2012 ist innerhalb
dieser Dekade dem Thema
Musik und
Reformation“
gewidmet. Neben Musik von
Luther selbst, stehen da
Komponisten wie J. S.
Bach oder Heinrich
Schütz im Mittelpunkt.
Mit dieser Bearbeitung
der Melodie von Nun
danket alle Gott, die
Bach als Grundlage seiner
Kantate Gott, der
Herr, ist Sonn’
und Schild (BWV 79)
verwendete, im
Repertoire, können Sie
Ihren Beitrag zum Jahr
Musik und
Reformation“
leisten.
En 1725,
Jean-Sébastien Bach
compose la Cantate BWV 79
Gott, der Herr, ist
Sonn’ und
Schild. La Cantate 79
est partiellement
basée sur la
célèbre hymne
chrétienne Nun
danket alle Gott.
L’arrangement
réalisé par Robert
van Beringen intègre
une partie du premier
mouvement (Coro) et
l’ensemble du
troisième mouvement
(Choral) de la cantate.
Choral from Cantata
N° 79 est une
pièce instrumentale
mais peut également
être interprétée
avec un choeur mixte. Les
parties pour choeur (en
allemand) sont
disponibles
séparément.
Nel 1725, J.S. Bach
compose la Cantata BWV79
Gott, der Herr, ist
Sonn’ und
Schild. La Cantata 79
è in parte basata sul
popolare inno cristiano
Nun danket Alle
Gott.
L’arrangiamento di
Robert van Beringen
incorpora parte del primo
movimento (Coro) e
l’intero terzo
movimento (Choral) della
cantata. Chorale from
Cantata No. 79 è
un pezzo strumentale ma
può anche essere
eseguito con un coro
misto. Le parti per coro
(in tedesco) sono
disponibili
separatamente. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The First Breath Of Spring Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3973-01 Composed by Huckeby. Young Concert Band. Comm...(+)
Grade 2 SKU:
CL.011-3973-01
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR369). Extra full
score. Composed 2010.
Duration 2 minutes, 36
seconds. C.L. Barnhouse
#011-3973-01. Published
by C.L. Barnhouse
(CL.011-3973-01).
Adapted from
one of his most
outstanding symphonic
works, this selection
showcases the beautiful
lyrical style of Ed
Huckeby in a feature for
solo instrument with band
accompaniment. This
outstanding piece
provides a great
opportunity to showcase
one of your outstanding
musicians on a
beautifully sensitive
selection which is sure
to be a hit with both
musicians and
audiences.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Level Trios / Mittelschwere Trios [Conducteur et Parties séparées] - Intermédiaire EMB (Editio Musica Budapest)
Flexible Ensemble - late intermediate SKU: BT.EMBZ14861 Kammermusikser...(+)
Flexible Ensemble - late
intermediate SKU:
BT.EMBZ14861
Kammermusikserie mit
variabler Besetzung.
EMB Ad Libitum.
Educational Tool. Set
(Score & Parts). Composed
2013. 60 pages. Editio
Musica Budapest
#EMBZ14861. Published by
Editio Musica Budapest
(BT.EMBZ14861).
The volumes in
this new series contain
duos, trios and quartets,
their degree of
difficulty ranging from
easy through intermediate
to advanced. Every piece
is a transcription or an
arrangement, since in
editing the volumes our
primary concern was to
provide a collection of
valuable and interesting
compositions, as freely
variable as possible as
regards instrumentation,
for music school students
and also for adults who
make music for their own
pleasure. The range and
pitch of the parts enable
the works to be performed
on any required or
possible combination of
the given instruments.
With its opportunities
for a wealth of
instruments the volume of
trios for intermediate
studentsprovides joyful
playing for a great
variety of
instrumentalists. The
broad range of movements
that can be played in
numerous combinations of
string, wind and
percussion instruments
spans from a Renaissance
hit (Nola: Chi la
gagliarda) through a
cycle assembled from
dance movements (Gavotte,
Menuett, Bourrée,
Passepied) of J. S.
Bach's suites and
classical favourites
(Mozart and Beethoven) to
19th-century
arrangements. This volume
is recommended for more
experienced music
students and amateur
instrumental players due
to the range and pitch,
as well as the degree of
difficulty.
Die
Bände der neuen Serie
beinhalten leichte,
mittelschwere oder
fortgeschrittene Duos,
Trios und Quartette.
Bei der
Zusammenstellung lag das
Hauptaugenmerk auf der
höchstmöglichen
Freiheit in der
Kombinierbarkeit der
Instrumente sowie darauf,
dass die Kompositionen
für Musikschuler und
Hobbymusiker musikalisch
interessant und wertvoll
sind. Aus diesemGrund
handelt es sich bei allen
Stücken um
Transkriptionen. Lage und
Tonumfang der Stimmen
sind so gesetzt, dass
sich die Werke allen
denkbaren Umständen
und Anspruchen anpassen
und entsprechend in jeder
Kombination der
angegebenen
Musikinstrumentevorgetrag
en werden
können. Instrumente:
1: Violine /
Querflöte / Oboe /
Vibraphon 2: Violine
/ Viola / Vibraphon /
Klarinette 3:
Violoncello /
Fagott
Les
différents volumes de
la série Ad
Libitum contiennent
des transcriptions ou des
adaptations
d´œuvres pour
trios ou quatuors de
niveau facile,
intermédiaire et
avancé.
L´étendue et le
registre des parties
permettent à
cespièces de
s´adapter à
toutes les exigences et
toutes les
possibilités, et
d嫐tre jou̩es
quelle que soit la
combinaison
d´instruments.
Instrumentation :
Trios I : Violon/Fl
te/Htbois/Vibra •
II:Violon/Alto/Cla.
Si/Vibra • III:
Violoncelle/Basson
I volumi della
serie Ad Libitum
propongono trascrizioni o
arangiamenti di opere per
trio e quartetto di
livello facile,
intermedio e avanzato.
L´estensione e il
registro delle parti
permettono a questi brani
di adattarsi a tutte le
esigenze edi essere
eseguiti da ogni
combinazione di
strumenti.
Strumentazione: Trios:
I:
Violino/Flauto/Oboe/Vibra
•
II:Violino/Viola/Clar.
Si/Vibr • III:
Violoncello/Fagotto. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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