Michael Hurd: Adam-In-Eden by Michael Hurd. Music Sales America. Sacred, Musicals. 28 pages. Novello and Co Ltd. #NOV200194. Published by Novello and Co Ltd.

SKU: CA.148800

Composed by Michael Praetorius. Edited by Gerhard Trubel. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Erhalt Uns, Herr+Verleih Uns Frieden. Sacred, Motets. Full score. 20 pages. Carus Verlag #CV 01.488/00. Published by Carus Verlag (CA.148800).

ISBN 9790007004385.

Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello

SKU: PR.114420410

Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Set of Score and Parts. 30+10+8+10+12+10+10+10 pages. Duration 20 minutes. Theodore Presser Company #114-42041. Published by Theodore Presser Company (PR.114420410).

UPC: 680160687015.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello

SKU: PR.11442041L

Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Large Score. 30 pages. Duration 20 minutes. Theodore Presser Company #114-42041L. Published by Theodore Presser Company (PR.11442041L).

UPC: 680160687039.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello

SKU: PR.11442041S

Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Full score. 30 pages. Duration 20 minutes. Theodore Presser Company #114-42041S. Published by Theodore Presser Company (PR.11442041S).

UPC: 680160687022.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: CA.7020200

Composed by Felix Bartholdy Mendelssohn. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Auf Gott Allein/Verleih Uns Frieden. Sacred vocal music, Lent and Passiontide, Peace and justice, Mourning, death. Full score. 4 pages. Carus Verlag #CV 70.202/00. Published by Carus Verlag (CA.7020200).

ISBN 9790007108021.

SKU: CA.615400

Composed by Johann Hermann Schein and Johannes Eccard. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Verleih Uns Frieden Gnadiglich (2). Sacred vocal music, Peace and justice. Full score. Carus Verlag #CV 06.154/00. Published by Carus Verlag (CA.615400).

ISBN 9790007011093.

SKU: CA.162200

Composed by Various. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Verleih Uns Frieden (4). Sacred, Motets; Occasions: Peace and Justice; Use during church year: Lent and Passiontide, Ascension, Holy Week. Full score. Carus Verlag #CV 01.622/00. Published by Carus Verlag (CA.162200).

ISBN 9790007005528.

SKU: CA.621900

Composed by Alfred Stier. German title: In Deinem Frieden Still (3). Sacred vocal music, Hymn settings, Reformation day, Morning, midday, evening. Full score. Carus Verlag #CV 06.219/00. Published by Carus Verlag (CA.621900).

ISBN 9790007011710.

SKU: CA.1920700

Composed by Paul Ernst Ruppel and Rolf Schweizer. Edited by Joachim Schwarz. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Zu Gottes Ehre Mein Saitenspiel (3). Sacred vocal music, Hymn settings, Peace and justice. Full score. 4 pages. Carus Verlag #CV 19.207/00. Published by Carus Verlag (CA.1920700).

ISBN 9790007032210.

SKU: CA.1413600

Composed by Helmut Barbe and Joachim Schweppe. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Christe, Du Lamm Gottes (2). Sacred vocal music, Hymn settings, Mass sections, Lent and Passiontide, Holy Week. Full score. 4 pages. Carus Verlag #CV 14.136/00. Published by Carus Verlag (CA.1413600).

ISBN 9790007031183.

SKU: CA.163400

Composed by Felice Anerio and Felix Bartholdy Mendelssohn. Hymns by Martin Luther: Verleih uns Frieden gnadiglich. German title: Jesus Christus Ward Fur Uns Gehorsam (2). Sacred, Motets. Full score. Carus Verlag #CV 01.634/00. Published by Carus Verlag (CA.163400).

ISBN 9790007005641.

SATB Choir a cappella

SKU: BT.WH31482

Composed by Per Drud Nielsen. Motet. Choral Score. Composed 2012. 16 pages. Edition Wilhelm Hansen #WH31482. Published by Edition Wilhelm Hansen (BT.WH31482).

ISBN 9788759824412.

For blandet kor a cappellabaseret på Paulus’ Første Brev til KorintherneKapitel 13 om KærlighedenOm jeg så taler med menneskers og engles tunger s. 3Kærligheden er tålmodig s. 8Størst er kærligheden s. 11Når én mann kan forårsake så mye ondt tenk hvor mye kjærlighet vi kan skape sammen.Helle Gannestad, Oslo på Twitter den 23. juli 2011 For mixed chorus a cappella. Based on Paul's First Letter to the Corinthians, Chapter 13 on Charity. Though I speak with the tongues of men and of angels Love is patient The greatest is love.

(Includes Best of Creedence Clearwater Revival Book and Creedence Clearwater Revival DVD). By Creedence Clearwater Revival. For Guitar. Guitar Recorded Version. Softcover with DVD. Guitar tablature. 160 pages. Published by Hal Leonard

(HC)

SKU: HL.49020848

Composed by Paul Hindemith. Edited by Giselher Schubert. This edition: Hardback/Hard Cover. Book. Edition Schott. 353 pages. Schott Music #ATL 6190. Published by Schott Music (HL.49020848).

ISBN 9783254001900. German.

Paul Hindemith hat zeit seines Lebens nicht allein uber das eigene kompositorische Schaffen, sondern ebenso umfassend und teilweise polemisch uber die Musik seiner Zeitgenossen und Vorganger reflektiert. Die Widerspruche, die ihm in der Auseinandersetzung mit der Vergangenheit und der Moderne begegneten, schlagen sich dabei gleichfalls in allen seinen Wortausserungen nieder, deren Grundlichkeit und Intensitat auch den heutigen Leser zu fesseln vermogen.Mit diesem Band werden alle erreichbaren Aufsatze und ausgearbeiteten Vortrage und Reden Paul Hindemiths aus den Jahren 1922 bis 1963, zum Teil erstmalig, der Offentlichkeit zuganglich gemacht. Im Zusammenhang mit der unablassig betriebenen Suche nach den Voraussetzungen des eigenen Komponierens dokumentieren sie sein Verstandnis der asthetischen, musiktheoretischen, stilistischen und funktionalen Gegebenheiten von Musikausubung in Geschichte und Gegenwart.

By Anders Edenroth. For SATB choir, tenor voice solo. Language: Swedish. 16 pages. Published by Gehrmans Musikforlag

SATB Choir and Piano - Grade 3

SKU: BT.WH31356

Composed by Ellen Heiberg and Michael Bojesen. Hymns & Chorals. Vocal Score. Composed 2013. 16 pages. Edition Wilhelm Hansen #WH31356. Published by Edition Wilhelm Hansen (BT.WH31356).

ISBN 9788759822913.

Evig heden for Mixed Chorus SATB and Piano by Michael Bojesen . This is a Danish version of Eternity (2004). Lyrics by Ellen Heiberg.

Piano (Piano Solo)

SKU: HL.48025042

Piano. Composed by Iris ter Schiphorst. BH Piano. Classical. Softcover. 20 pages. Duration 900 seconds. Bote & Bock #M202521595. Published by Bote & Bock (HL.48025042).

ISBN 9781705154212. UPC: 196288021711.

The work, which the composer counts among her favourite pieces, was inspired by the life and work of Marguerite Duras. In her play of the same name, a Flemish woman goes to Saigon at the beginning of the 20th century, marries a civil servant and has two children.After her husband's death, she also works as a piano player at the local 'Eden Cinema'. Eden Cinema, which is 'to be played like a traditional piano piece from the Romantic period' according to the composer, sounds poetic, but also cool, funny and extremely modern. Motif repetitions and ostinatos play a major role, as they do with Duras. In addition, quotations appear, literal ones from Beethoven's Hammerklavier Sonata as well as vague echoes of dance rhythms and commonplace music as used in silent film theatres. Thepreparation of the piano strings - metal parts on the high ones, rubber pieces on the low ones - creates a tonal patina and the impression of the past - 'in connection with Duras also recognizable as traumas sedimented in the subconscious, whose indistinct traces obsessively push to the surface' (Eckhard Weber).

By Stephen Schwartz. Arranged by Audrey Snyder. (SATB). Broadway Choral. 11 pages. Published by Hal Leonard.

By Stephen Schwartz. Arranged by Audrey Snyder. (Showtrax CD). Broadway Choral. CD only. Published by Hal Leonard.

Vocal Selections. By Stephen Schwartz. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Softcover. Size 9x12 inches. 88 pages. Published by Hal Leonard.

Eagles. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Pop/Rock. Book. 140 pages. Published by Alfred Publishing.

Recorded live. By Counterpoint from the Golden Gate Men's Chorus; Mt. Eden High School Chamber Singers & Women's Choir. Release date: 2014. Mark Records. Listening CD. Duration 57:20:00. Published by Mark Custom Music (MK.51159-MCD).

Four Rags for Two Pianos. By William Bolcom. Marks. Softcover. Size 9x12 inches. 48 pages. Published by Edward B. Marks Music Company.

By Dennis Norwood. For Piano Accompaniment. Sheet Music. 4 pages. Published by Music Sales.

Choir

SKU: HL.14031274

Composed by Charles Villiers Stanford. Music Sales America. Hymns & Chorals. Book [Softcover]. 40 pages. Music Sales #NOV951236. Published by Music Sales (HL.14031274).

One of Stanford's larger choral works, the oratorio Eden was written to the words of Bridges in 1891.

SATBB vocal soli, SATB choir, organ, [flute]

SKU: CA.1013800

Composed by Gunther Marks. This edition: Paperbound. German title: Eden-Gethsemane (Dt). Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week. Full score. 36 pages. Carus Verlag #CV 10.138/00. Published by Carus Verlag (CA.1013800).

ISBN 9790007019792. Language: German.