Michael Hurd: Adam-In-Eden by Michael Hurd. Music Sales America. Sacred, Musical...(+)
Michael Hurd:
Adam-In-Eden by Michael
Hurd. Music Sales
America. Sacred,
Musicals. 28 pages.
Novello and Co Ltd.
#NOV200194. Published by
Novello and Co Ltd.
SKU: CA.148800 Composed by Michael Praetorius. Edited by Gerhard Trubel. ...(+)
SKU: CA.148800
Composed by Michael
Praetorius. Edited by
Gerhard Trubel. Hymns by
Martin Luther: Verleih
uns Frieden gnadiglich.
German title: Erhalt Uns,
Herr+Verleih Uns Frieden.
Sacred, Motets. Full
score. 20 pages. Carus
Verlag #CV 01.488/00.
Published by Carus Verlag
(CA.148800).
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410).
UPC:
680160687015.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.11442041L
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Large Score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041L.
Published by Theodore
Presser Company
(PR.11442041L).
UPC:
680160687039.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.11442041S
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Full score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041S.
Published by Theodore
Presser Company
(PR.11442041S).
UPC:
680160687022.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
SKU: CA.7020200 Composed by Felix Bartholdy Mendelssohn. Hymns by Martin ...(+)
SKU: CA.7020200
Composed by Felix
Bartholdy Mendelssohn.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich. German title:
Auf Gott Allein/Verleih
Uns Frieden. Sacred vocal
music, Lent and
Passiontide, Peace and
justice, Mourning, death.
Full score. 4 pages.
Carus Verlag #CV
70.202/00. Published by
Carus Verlag
(CA.7020200).
SKU: CA.615400 Composed by Johann Hermann Schein and Johannes Eccard. Hym...(+)
SKU: CA.615400
Composed by Johann
Hermann Schein and
Johannes Eccard. Hymns by
Martin Luther: Verleih
uns Frieden gnadiglich.
German title: Verleih Uns
Frieden Gnadiglich (2).
Sacred vocal music, Peace
and justice. Full score.
Carus Verlag #CV
06.154/00. Published by
Carus Verlag (CA.615400).
SKU: CA.162200 Composed by Various. Hymns by Martin Luther: Verleih uns F...(+)
SKU: CA.162200
Composed by Various.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich. German title:
Verleih Uns Frieden (4).
Sacred, Motets;
Occasions: Peace and
Justice; Use during
church year: Lent and
Passiontide, Ascension,
Holy Week. Full score.
Carus Verlag #CV
01.622/00. Published by
Carus Verlag (CA.162200).
SKU: CA.621900 Composed by Alfred Stier. German title: In Deinem Frieden ...(+)
SKU: CA.621900
Composed by Alfred Stier.
German title: In Deinem
Frieden Still (3). Sacred
vocal music, Hymn
settings, Reformation
day, Morning, midday,
evening. Full score.
Carus Verlag #CV
06.219/00. Published by
Carus Verlag (CA.621900).
SKU: CA.1920700 Composed by Paul Ernst Ruppel and Rolf Schweizer. Edited ...(+)
SKU: CA.1920700
Composed by Paul Ernst
Ruppel and Rolf
Schweizer. Edited by
Joachim Schwarz. Hymns by
Martin Luther: Verleih
uns Frieden gnadiglich.
German title: Zu Gottes
Ehre Mein Saitenspiel
(3). Sacred vocal music,
Hymn settings, Peace and
justice. Full score. 4
pages. Carus Verlag #CV
19.207/00. Published by
Carus Verlag
(CA.1920700).
SKU: CA.1413600 Composed by Helmut Barbe and Joachim Schweppe. Hymns by M...(+)
SKU: CA.1413600
Composed by Helmut Barbe
and Joachim Schweppe.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich. German title:
Christe, Du Lamm Gottes
(2). Sacred vocal music,
Hymn settings, Mass
sections, Lent and
Passiontide, Holy Week.
Full score. 4 pages.
Carus Verlag #CV
14.136/00. Published by
Carus Verlag
(CA.1413600).
SKU: CA.163400 Composed by Felice Anerio and Felix Bartholdy Mendelssohn....(+)
SKU: CA.163400
Composed by Felice Anerio
and Felix Bartholdy
Mendelssohn. Hymns by
Martin Luther: Verleih
uns Frieden gnadiglich.
German title: Jesus
Christus Ward Fur Uns
Gehorsam (2). Sacred,
Motets. Full score. Carus
Verlag #CV 01.634/00.
Published by Carus Verlag
(CA.163400).
SATB Choir a cappella SKU: BT.WH31482 Composed by Per Drud Nielsen. Motet...(+)
SATB Choir a cappella
SKU: BT.WH31482
Composed by Per Drud
Nielsen. Motet. Choral
Score. Composed 2012. 16
pages. Edition Wilhelm
Hansen #WH31482.
Published by Edition
Wilhelm Hansen
(BT.WH31482).
(Includes Best of Creedence Clearwater Revival Book and Creedence Clearwater Rev...(+)
(Includes Best of
Creedence Clearwater
Revival Book and
Creedence Clearwater
Revival DVD). By
Creedence Clearwater
Revival. For Guitar.
Guitar Recorded Version.
Softcover with DVD.
Guitar tablature. 160
pages. Published by Hal
Leonard
(HC) SKU: HL.49020848 Composed by Paul Hindemith. Edited by Giselher Schu...(+)
(HC)
SKU:
HL.49020848
Composed
by Paul Hindemith. Edited
by Giselher Schubert.
This edition:
Hardback/Hard Cover.
Book. Edition Schott. 353
pages. Schott Music #ATL
6190. Published by Schott
Music (HL.49020848).
ISBN 9783254001900.
German.
Paul
Hindemith hat zeit seines
Lebens nicht allein uber
das eigene
kompositorische Schaffen,
sondern ebenso umfassend
und teilweise polemisch
uber die Musik seiner
Zeitgenossen und
Vorganger reflektiert.
Die Widerspruche, die ihm
in der Auseinandersetzung
mit der Vergangenheit und
der Moderne begegneten,
schlagen sich dabei
gleichfalls in allen
seinen Wortausserungen
nieder, deren
Grundlichkeit und
Intensitat auch den
heutigen Leser zu fesseln
vermogen.Mit diesem Band
werden alle erreichbaren
Aufsatze und
ausgearbeiteten Vortrage
und Reden Paul Hindemiths
aus den Jahren 1922 bis
1963, zum Teil erstmalig,
der Offentlichkeit
zuganglich gemacht. Im
Zusammenhang mit der
unablassig betriebenen
Suche nach den
Voraussetzungen des
eigenen Komponierens
dokumentieren sie sein
Verstandnis der
asthetischen,
musiktheoretischen,
stilistischen und
funktionalen
Gegebenheiten von
Musikausubung in
Geschichte und
Gegenwart.
Evigheden Chorale SATB SATB, Piano - Intermédiaire Wilhelm Hansen
SATB Choir and Piano - Grade 3 SKU: BT.WH31356 Composed by Ellen Heiberg ...(+)
SATB Choir and Piano -
Grade 3
SKU:
BT.WH31356
Composed
by Ellen Heiberg and
Michael Bojesen. Hymns &
Chorals. Vocal Score.
Composed 2013. 16 pages.
Edition Wilhelm Hansen
#WH31356. Published by
Edition Wilhelm Hansen
(BT.WH31356).
ISBN
9788759822913.
Evig
heden for Mixed Chorus
SATB and Piano by Michael
Bojesen . This is a
Danish version of
Eternity (2004). Lyrics
by Ellen Heiberg.
Piano (Piano Solo) SKU: HL.48025042 Piano. Composed by Iris ter Sc...(+)
Piano (Piano Solo)
SKU: HL.48025042
Piano. Composed by
Iris ter Schiphorst. BH
Piano. Classical.
Softcover. 20 pages.
Duration 900 seconds.
Bote & Bock #M202521595.
Published by Bote & Bock
(HL.48025042).
ISBN
9781705154212. UPC:
196288021711.
The
work, which the composer
counts among her
favourite pieces, was
inspired by the life and
work of Marguerite Duras.
In her play of the same
name, a Flemish woman
goes to Saigon at the
beginning of the 20th
century, marries a civil
servant and has two
children.After her
husband's death, she also
works as a piano player
at the local 'Eden
Cinema'. Eden Cinema,
which is 'to be played
like a traditional piano
piece from the Romantic
period' according to the
composer, sounds poetic,
but also cool, funny and
extremely modern. Motif
repetitions and ostinatos
play a major role, as
they do with Duras. In
addition, quotations
appear, literal ones from
Beethoven's Hammerklavier
Sonata as well as vague
echoes of dance rhythms
and commonplace music as
used in silent film
theatres. Thepreparation
of the piano strings -
metal parts on the high
ones, rubber pieces on
the low ones - creates a
tonal patina and the
impression of the past -
'in connection with Duras
also recognizable as
traumas sedimented in the
subconscious, whose
indistinct traces
obsessively push to the
surface' (Eckhard
Weber).
Vocal Selections. By Stephen Schwartz. Piano/Vocal/Chords Vocal Selections (Arra...(+)
Vocal Selections. By
Stephen Schwartz.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 88 pages.
Published by Hal Leonard.
Recorded live. By Counterpoint from the Golden Gate Men's Chorus; Mt. Ede...(+)
Recorded live. By
Counterpoint from the
Golden Gate Men's Chorus;
Mt. Eden High School
Chamber Singers & Women's
Choir. Release date:
2014. Mark Records.
Listening CD. Duration
57:20:00. Published by
Mark Custom Music
(MK.51159-MCD).
Choir SKU: HL.14031274 Composed by Charles Villiers Stanford. Music Sales...(+)
Choir
SKU:
HL.14031274
Composed
by Charles Villiers
Stanford. Music Sales
America. Hymns & Chorals.
Book [Softcover]. 40
pages. Music Sales
#NOV951236. Published by
Music Sales
(HL.14031274).
One of
Stanford's larger choral
works, the oratorio Eden
was written to the words
of Bridges in 1891.
Composed by Gunther
Marks. This edition:
Paperbound. German title:
Eden-Gethsemane (Dt).
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week.
Full score. 36 pages.
Carus Verlag #CV
10.138/00. Published by
Carus Verlag
(CA.1013800).