Piano - Intermediate

SKU: JK.02039

Composed by Various. Arranged by Tom Edward Clark. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02039. Published by Jackman Music Corporation (JK.02039).

UPC: 093285020399.

Faith is the first of three books in an inspirational series for intermediate pianists. The 10 arrangements in this volume are approachable, fresh, and simply beautiful. Each arrangement was crafted to uphold a reverent, contemplative spirit and is suitable for prelude, postlude, special musical numbers, and, of course, home enjoyment.


Thi s book includes:
Abide with Me; 'Tis Eventide
As Now We Take the Sacrament
Faith
I Feel My Savior's Love
I Know That My Redeemer Lives
I Need Thee Every Hour
Jesus, Once of Humble Birth
My Heavenly Father Loves Me
Nearer, My God, to Thee
Sweet Hour of Prayer
Composer: Various
Arranger: Tom Edward Clark
Difficulty: Intermediate

Refer ence: Hebrews 11:1, Alma 32:21.

(Violin Part Only). By Various. Arranged by Edward Huws Jones. For Violin (Violin). Boosey & Hawkes Chamber Music. Softcover with CD. 36 pages. Boosey & Hawkes #M060123979. Published by Boosey & Hawkes

Organ

SKU: HL.14033537

Composed by Edward H. Thorne. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV580306. Published by Music Sales (HL.14033537).

Edited by Edward Huws Jones. For Piano. Collection. Accompaniment book. Published by ABRSM (Associated Board of the Royal Schools of Music)

Edited by Edward Huws Jones. Collection. Student book and play-along CD. Published by ABRSM (Associated Board of the Royal Schools of Music)

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Feat ured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

In Color. Composed by Edward Lugo. Edited by Edward Lugo / Larry Clark. Arranged by Larry Clark. Book (spiral-bound). With Standard notation. 172 pages. Carl Fischer #GT00212. Published by Carl Fischer (CF.GT212).

20 iconic pieces of British classical music specially arranged for intermediate piano solo, plus a pull-out print of the striking cover artwork. Graded Standard Repertoire; Piano Collection. The Piano Player Series. Classical; Masterwork Arrangement; Traditional. Book. Faber Music #12- 0571541690. Published by Faber Music

Concert band

SKU: CF.CFD1

Compact Disc - the Washington Winds. Composed by Daron Hagen, Elliot Del Borgo, Franz von Suppe, Henry Fillmore, Larry Clark, Nikolay Andreyevich Rimsky-Korsakov, Peter Mennin, Quincy C. Hilliard, Warren Benson, and Zo Elliott. Carl Fischer Concert Band Recordings. Audio CD. With Standard notation. Composed February 20 2000. Duration 51:55:00. Carl Fischer Music #CFD1. Published by Carl Fischer Music (CF.CFD1).

ISBN 9780825840357. UPC: 798408040352.

The Carl Fischer heritage of publishing fine band music has been a fact of music publishing almost since the firm's founding in 1872. With a huge and expanding repertoire to draw on, it is a logical step for Fischer to issue a series of compact discs of band music for sale. With this release, the Carl Fischer Media Group begins what we intend to be the annual release of a recording devoted to classic band music. Bleecker Street Records is the name of the label developed for this purpose and A Perfect Union is our first commercial CD. It contains first-rate performances of classic original works for upper grade band such as Canzona by Peter Mennin, editions of celebrated transcriptions such as Procession of the Nobles in an edition by Van Ragsdale of the classic Eric Leidzen arrangement of Rimsky Korsakov's original and Robert Foster's edition of Henry Fillmore's celebrated transcription of Von Suppé's Light Cavalry Overture. Also included are terrific pieces by Daron Aric Hagen, Larry Clark, Quincy C. Hilliard and Elliot Del Borgo. The performances by the Washington and show the music and the players to best advantage. This will be a recording to own and treasure. Winds under the inspired direction of Edward Petersen, are invigorating.

The Washington Winds, Edward S. Petersen, conductor Young musicians enjoy hearing the music they perform and there is no better musical model than The Washington Winds. The music is technically less difficult but these selections are rich in harmony and filled with wonderful melodies. Should be in the library of every young musician and their band director. Stargazer, Shaffer Of Courage and Valor, Huckeby Bravura!, Neeck Atop A Scotish Highland, Neeck Now The Winters Come To Stay, Shaffer The Secrets of McDougal's Cave, Huckeby Bluin' The Blues, Arr. A. Clark Aspen Overture, Earl El Toro Rojo Grande, Orcino Panther In The Sky, Swearingen Fanfare For A New World, Neeck Let Freedom Ring!, Huckeby Ancient Echoes, Huckeby Surprises, Parish An Angelic Christmas, Rowe Away In A Manger, Arr. Huckeby Discover America March, Harris A Visit From St.Nicholas, Orcino A Crazy Mixed Up Christmas Concert, Shaffer Song of the Telegraph, Shaffer And To All A Good Night!, A.Clark Spring Fever, Shaffer SuperMom Symphony, Huckeby Jerusalem, Parry-Arr. Glover

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Men's choir

SKU: BR.SON-624

Werke f. Mannerchor a cap.. Composed by Jean Sibelius. Edited by Sakari Ylivuori. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 216 pages. Breitkopf and Haertel #SON 624. Published by Breitkopf and Haertel (BR.SON-624).

ISBN 9790004803264. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Piano Quintet

SKU: BR.SON-637

Composed by Jean Sibelius. Edited by Anna Pulkkis. Chamber music. Complete Works. Late-romantic; Early modern. Complete Works. Breitkopf and Haertel #SON 637. Published by Breitkopf and Haertel (BR.SON-637).

ISBN 9790004803929. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

By Jeremiah Clarke And Edward Elgar. Arranged by John O'reilly. Music by Jeremiah Clarke, Edward Elgar, and John O'Reilly [XXX O'Reilly is arranger instead of composer?]. For Concert Band. Concert Band. Yamaha Band Series. Level: 1 (Very Easy) (grade 1). Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Composed by Edward Lugo. Arranged by Larry Clark. For guitar. Score. Standard Notation. 140 pages. Published by Carl Fischer

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Composed by Various Various. For all recorders, solo and ensemble. Moderate to Advanced. Published by Forsyth Publications

Keyboard

SKU: HL.14007346

Music Sales America. Classical. Book [Softcover]. Music Sales #AM67661. Published by Music Sales (HL.14007346).

ISBN 9780711912885.

S imple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.

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Composed by Felix Mendelssohn, Gustav Holst, G. F. Handel, J. S. Bach, Johannes Brahms, Richard Wagner, Edward Elgar, Benedetto Marcello, Jeremiah Clarke, Michael Burkhardt, Leon Boellmann, Jean-Joseph Mouret. Arranged by Michael Burkhardt. Non Hymn-Based, Classical Transcription. Building Dedication, Church Anniversary, Marriage, 21st Century, Benediction/Sending, Gathering/Processional, Music, Praise/Thanksgiving. Published by MorningStar Music Publishers

Wedding Classics for Piano by Thomas Chesterton. For piano. Sacred, Wedding. Moderately difficult. Published by Lorenz Publishing Company