Ensemble SKU: HL.14025896 Composed by Anders Koppel. Music Sales America....(+)
Ensemble
SKU:
HL.14025896
Composed
by Anders Koppel. Music
Sales America. Score
Only. Edition Wilhelm
Hansen #KP00749.
Published by Edition
Wilhelm Hansen
(HL.14025896).
Danish.
Anders
Koppel PORTRAIT'Portrait'
was written in the spring
1998, at a time when I
was a regular visitor in
a rest home in an old
back building in the town
centre of Copenhagen.
There I came to know an
old lady whose daily life
was darkened by despair.
She would stand in the
corridor in the grey
winter light and silently
knock at the window
frames. Or one could hear
her knock at a door at
the distance - almost
furiously. 'It is
screaming inside me', she
said. She then could
change into a little girl
when I went with her into
her room and stayed a
little. This piece is an
attempt to sketch a
portrait of Caya.Anders
Koppel.
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 14 pages. Duration
12'. Breitkopf and
Haertel #OB 5557-16.
Published by Breitkopf
and Haertel
(BR.OB-5557-16).
ISBN
9790004341124. 10 x 12.5
inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Voice and piano SKU: BR.EB-8874 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8874
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8874. Published by
Breitkopf and Haertel
(BR.EB-8874).
ISBN
9790004184646. 9 x 12
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Voice and piano SKU: BR.EB-8876 Repertoire Collection. Edited by P...(+)
Voice and piano
SKU:
BR.EB-8876
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8876. Published by
Breitkopf and Haertel
(BR.EB-8876).
ISBN
9790004184660. 0 x 0
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical. Full
score. 60 pages. Duration
12'. Breitkopf and
Haertel #PB 5557.
Published by Breitkopf
and Haertel (BR.PB-5557).
ISBN 9790004213674. 10
x 12.5 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 16 pages. Duration
12'. Breitkopf and
Haertel #OB 5557-15.
Published by Breitkopf
and Haertel
(BR.OB-5557-15).
ISBN
9790004341117. 10 x 12.5
inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Set of parts. 24 pages.
Duration 12'. Breitkopf
and Haertel #OB 5557-30.
Published by Breitkopf
and Haertel
(BR.OB-5557-30).
ISBN
9790004341155. 10 x 12.5
inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Voice and piano SKU: BR.EB-8870 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8870
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
Wonderful that these
soprano volumes from the
OperAria project are now
available to provide just
the right sort of
assistance we need.
(Juliane Banse, Patron
Soprano)
Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8870.
Published by Breitkopf
and Haertel (BR.EB-8870).
ISBN 9790004184608. 9
x 12 inches. German /
English.
Our goal
is to give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available on CD with
volume 1 and 2, for
download under more
information to volume 3
and 4.
Wonderful
that these soprano
volumes from the OperAria
project are now available
to provide just the right
sort of assistance we
need. (Juliane Banse,
Patron Soprano).
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 14 pages. Duration
12'. Breitkopf and
Haertel #OB 5557-19.
Published by Breitkopf
and Haertel
(BR.OB-5557-19).
ISBN
9790004341131. 10 x 12.5
inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Voice and piano SKU: BR.EB-8875 Repertoire Collection. Edited by P...(+)
Voice and piano
SKU:
BR.EB-8875
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8875. Published by
Breitkopf and Haertel
(BR.EB-8875).
ISBN
9790004184653. 9 x 12
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
Voice and piano SKU: BR.EB-8869 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8869
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 168
pages. Breitkopf and
Haertel #EB 8869.
Published by Breitkopf
and Haertel (BR.EB-8869).
ISBN 9790004184592. 9
x 12 inches. German /
English.
Our goal
is to give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available on CD with
volume 1 and 2, for
download under more
information to volume 3
and 4.
Wonderful
that these soprano
volumes from the OperAria
project are now available
to provide just the right
sort of assistance we
need. (Juliane Banse,
Patron Soprano).
41 Easy Pieces from 4 Centuries. Edited by Monika Twelsiek and Rainer Mohrs....(+)
41 Easy Pieces from 4
Centuries. Edited by
Monika
Twelsiek and Rainer
Mohrs.
Piano. Softcover with CD.
72
pages. Hal Leonard
#ED22549.
Published by Hal Leonard
50 Easy Pieces from 5 Centuries (Book/CD). Edited by Monika Twelsiek and R...(+)
50 Easy Pieces from 5
Centuries (Book/CD).
Edited
by Monika Twelsiek and
Rainer Mohrs. Piano.
Softcover with CD. 56
pages.
Schott Music #ED22547.
Published by Schott Music
Voice and guitar SKU: M7.AV-2329 Berühmte Lieder aus Argentinien, B...(+)
Voice and guitar
SKU:
M7.AV-2329
Berühmte Lieder aus
Argentinien, Brasilien,
Chile, Cuba, Haiti,
Hawaii, Jamaica, Mexiko,
Spanien und Trinidad.
Arranged by Gerhard
Tucholski. Sheet music.
31 pages. MDS (Music
Distribution Services)
#AV 2329. Published by
MDS (Music Distribution
Services) (M7.AV-2329).
Piano SKU: BT.MI0302 Al pianoforte. Composed by Federico Dattino. ...(+)
Piano
SKU:
BT.MI0302
Al
pianoforte. Composed
by Federico Dattino. Pop
& Rock. Book with CD.
Composed 2019. Play Music
Italy #MI0302. Published
by Play Music Italy
(BT.MI0302).
Italian.
Quest'o
pera presenta una serie
di accompagnamenti ed
assoli di pianoforte
nello stile Rock
’n’ Roll.
Scoprirete quindi delle
ritmiche nel più puro
stile Rock
‘n’ Roll
dell’epoca. Si
tratta di veri standards,
decisamente
intramontabili, in cui
sono esposti i diversi
procedimenti armonici e
ritmici propri di questo
stile. Suonerete poi
degli assoli indiavolati,
con tutte le
caratteri-stiche proprie
del Rock ‘n’
Roll: timing, velocit ,
energia, punti di
tensione e di stasi,
intervalli ripetuti,
acciaccature… Il
tutto nello spirito di
Jerry Lee Lewis o Little
Richard passando per Ray
Charles… e tanti
altri ancora! Per ogni
accompagnamento ed
assolo, troverete
5registrazioni diverse
sul CD MP3 allegato,
distribuite nel modo
seguente: il pianoforte
da solo, a velocit
normale poi ridotta, la
stessa parte di
pianoforte suonata
però sulla sua base
musicale ed infine la
sola base musicale, prima
a velocit normale, poi
ridotta... per permettere
ad ognuno di suonare
secondo il proprio ritmo,
il proprio livello e le
proprie capacit . Ossia
più di 4 ore di musica
in tutto!
Concert Band - Grade 4 SKU: RU.RBCB2404FS Daily Exercises Based on the...(+)
Concert Band - Grade 4
SKU: RU.RBCB2404FS
Daily Exercises Based
on the State
Sight-Reading
Criteria. Composed by
Carol Brittin Chambers.
Score. RBC Publications
#RBCB2404FS. Published by
RBC Publications
(RU.RBCB2404FS).
9 x
12 inches.
The
Texas Prep series is the
quintessential daily
exercise collection
specifically designed to
increase sight reading
performance and skill!
Written by experienced
Texas Educators and
Composers, this series
covers every Key, Rhythm,
and Time Signature that
you may encounter while
sightreading under the
state sight reading
criteria. Each level in
the series is based on
the University of Texas
at Austin's University
Interscholastic League
(UIL) sight-reading
criteria for band, and
follows a progressive,
pedagogic sequence -
making Texas Prep the
ultimate tool in
preparing for sight
reading!
Concert Band - Grade 3 SKU: RU.RBCB2403 Daily Exercises Based on the S...(+)
Concert Band - Grade 3
SKU: RU.RBCB2403
Daily Exercises Based
on the State
Sight-Reading
Criteria. Composed by
Jason Nitsch. Score and
Parts. RBC Publications
#RBCB2403. Published by
RBC Publications
(RU.RBCB2403).
9 x 12
inches.
The Texas
Prep series is the
quintessential daily
exercise collection
specifically designed to
increase sight reading
performance and skill!
Written by experienced
Texas Educators and
Composers, this series
covers every Key, Rhythm,
and Time Signature that
you may encounter while
sightreading under the
state sight reading
criteria. Each level in
the series is based on
the University of Texas
at Austin's University
Interscholastic League
(UIL) sight-reading
criteria for band, and
follows a progressive,
pedagogic sequence -
making Texas Prep the
ultimate tool in
preparing for sight
reading!
Concert Band - Grade 4 SKU: RU.RBCB2404 Daily Exercises Based on the S...(+)
Concert Band - Grade 4
SKU: RU.RBCB2404
Daily Exercises Based
on the State
Sight-Reading
Criteria. Composed by
Carol Brittin Chambers.
Score and Parts. RBC
Publications #RBCB2404.
Published by RBC
Publications
(RU.RBCB2404).
9 x 12
inches.
The Texas
Prep series is the
quintessential daily
exercise collection
specifically designed to
increase sight reading
performance and skill!
Written by experienced
Texas Educators and
Composers, this series
covers every Key, Rhythm,
and Time Signature that
you may encounter while
sightreading under the
state sight reading
criteria. Each level in
the series is based on
the University of Texas
at Austin's University
Interscholastic League
(UIL) sight-reading
criteria for band, and
follows a progressive,
pedagogic sequence -
making Texas Prep the
ultimate tool in
preparing for sight
reading!
Concert Band - Grade 5 SKU: RU.RBCB2405 Daily Exercises Based on the S...(+)
Concert Band - Grade 5
SKU: RU.RBCB2405
Daily Exercises Based
on the State
Sight-Reading
Criteria. Composed by
William Owens. Score and
Parts. RBC Publications
#RBCB2405. Published by
RBC Publications
(RU.RBCB2405).
9 x 12
inches.
The Texas
Prep series is the
quintessential daily
exercise collection
specifically designed to
increase sight reading
performance and skill!
Written by experienced
Texas Educators and
Composers, this series
covers every Key, Rhythm,
and Time Signature that
you may encounter while
sightreading under the
state sight reading
criteria. Each level in
the series is based on
the University of Texas
at Austin's University
Interscholastic League
(UIL) sight-reading
criteria for band, and
follows a progressive,
pedagogic sequence -
making Texas Prep the
ultimate tool in
preparing for sight
reading!
![Horn Concerto [No. 1] K. 412 (386b)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw0c95df5e/images/3670/19923670_cover-large_file.png)
![Horn Concerto [No. 1] K. 412 (386b)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw8b2af77b/images/3649/19923649_cover-large_file.png)
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