| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Tenor Aria Album (Version 2.0)
Voix Tenor [CD Sheet Music] Subito Music
For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Pub...(+)
For Vocal. (Voice). CD
Sheet Music (Version
2.0). PDF file on CD. 800
pages. Published by
Subito Music.
(3)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Puccini Opera Vocal Scores (Version 2.0)
Chorale [CD Sheet Music] Subito Music
By Giacomo Puccini. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF...(+)
By Giacomo Puccini. For
Opera. (Vocal Scores). CD
Sheet Music (Version
2.0). PDF file on CD.
2600 pages. Published by
Subito Music.
(5)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Renaissance String Quartets - Parts Quatuor à cordes: 2 violons, alto, violoncelle Greenblatt and Seay
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, c...(+)
Arranged by Deborah
Greenblatt. String
Quartet. For violin 1,
violin 2, viola, cello.
This edition:
spiral-bound. Tunebook.
26 pages (violin 1), 26
pages (violin 2), 26
pages (viola), 26 pages
(cello). Published by
Greenblatt & Seay
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Renaissance String Quartets - Score Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Greenblatt and Seay
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, c...(+)
Arranged by Deborah
Greenblatt. String
Quartet. For violin 1,
violin 2, viola, cello.
This edition:
spiral-bound. Tunebook.
63 pages. Published by
Greenblatt & Seay
$15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Josquiniana (2001) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Peters
By Charles Wuorinen. For string quartet (2 violins, viola, cello). Works of Josq...(+)
By Charles Wuorinen. For
string quartet (2
violins, viola, cello).
Works of Josquin des Prez
recast for string
quartet, for the Brentano
String Quartet. Duration
8'30. Published by C.F.
Peters.
$30.75 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| French Art Songs: The Ultimate Collection (Version 2.0)
Voix seule [CD Sheet Music] Subito Music
By French. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 370...(+)
By French. For Vocal.
(Voice). CD Sheet Music
(Version 2.0). PDF file
on CD. 3700 pages.
Published by Subito
Music.
(4)$28.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Ein Hauch von Unzeit Violoncelle Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| El Grillo Wilhelm Hansen
(Mixed Choir) SKU: HL.14069962 Composed by Josquin Des Prs. Choral. Gener...(+)
(Mixed Choir) SKU:
HL.14069962 Composed
by Josquin Des Prs.
Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #MS26B04-1.
Published by Edition
Wilhelm Hansen
(HL.14069962).
$2.81 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ricordi Opera Anthology Ricordi
Piano Accompaniment; Tenor (Tenor) SKU: HL.50602119 Tenor. Compose...(+)
Piano Accompaniment;
Tenor (Tenor) SKU:
HL.50602119
Tenor. Composed by
Various. Edited by Ilaria
Narici. Vocal Collection.
Opera. Softcover. 218
pages. Ricordi #NR141591.
Published by Ricordi
(HL.50602119). ISBN
9781540064462. UPC:
888680966522.
9.0x12.0x0.668
inches. VINCENZO
BELLINI I Capuleti e i
Montecchi È serbata a
questo acciaro • Il
pirata Nel furor delle
tempeste • I
puritani A te, o cara
• GEORGES BIZET
Carmen La fleur que tu
m'avais jetée •
FRANCESCO CILEA
L'Arlesiana È la
solita storia del
pastore... •
GAETANO DONIZETTI Don
Pasquale Com'è gentil
• L'elisir d'amore
Quanto è bella •
Una furtiva lagrima
• La favorita
Favorita del re! - Spirto
gentil • La fille
du régiment Ah ! mes
amis - Pour mon âme
• Lucia di
Lammermoor Tombe degli
avi miei - Fra poco a me
ricovero • Tu che a
Dio spiegasti l'ali
• UMBERTO GIORDANO
Fedora Amor ti vieta
• CHARLES GOUNOD
Faust Salut ! demeure
chaste et pure •
GEORGE FRIDERIC HANDEL
Alcina È un folle,
è un vile affetto
• EDOUARD LALO Le
roi d'Ys Puisqu'on ne
peut - Vainement, ma bien
aimée • JULES
MASSENET Manon C'est
vrai...- En fermant les
yeux o Je suis seul ! -
Ah ! fuyez, douce image
• Werther Toute mon
âme - Pourquoi me
réveiller •
WOLFGANG AMADEUS MOZART
Così fan tutte Un'aura
amorosa • Don
Giovanni Dalla sua pace
• Il mio tesoro
• Die
Zauberflöte Dies
Bildnis ist bezaubernd
schön • GIACOMO
PUCCINI La bohème Che
gelida manina • La
fanciulla del West
Ch'ella mi creda •
Gianni Schicchi Avete
torto! - Firenze è
comeun albero fiorito
• Madama Butterfly
Amore o grillo o Addio,
fiorito asil •
Manon Lescaut Donna non
vidi mai • Tosca
Recondita armonia •
Turandot Nessun dorma!
• GIOACHINO ROSSINI
Il barbiere di Siviglia
Ecco ridente in cielo o
ente in cielo • La
Cenerentola Sì,
ritrovarla io giuro
• Guglielmo Tell O
muto asil del pianto
• PYOTR IL'YICH
TCHAIKOVSKY Eugene Onegin
Kuda, kuda, kuda vy
udalilis • GIUSEPPE
VERDI Un ballo in
maschera Di' tu se fedele
• Rigoletto Questa
o quella • Ella mi
fu rapita! - Parmi veder
le lagrime • La
donna è mobile •
La traviata Lunge da lei
- Dei miei bollenti
spiriti. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| El Grillo Heritage Music Press
3-part mixed choir (a cappella) SKU: LO.15-3465H Composed by Josquin des ...(+)
3-part mixed choir (a
cappella) SKU:
LO.15-3465H Composed
by Josquin des Prez.
Arranged by Russell L.
Robinson. Choral. Octavo.
Heritage Music Press
#15/3465H. Published by
Heritage Music Press
(LO.15-3465H). ISBN
9780787755324. Josq
uin's tongue-in-cheek day
in the life of a cricket
offers a unique
programming opportunity.
Mostly homophonic
throughout, with several
effective
call-and-response
moments, this delightful
arrangement may be sung a
cappella or with the
provided piano part.
Italian and English texts
are included, as is a
pronunciation guide. $2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More European Madrigals Mixed Voices Eng And It/Sp/Gr/Fr Voix, Chorale Schirmer
By Various. Arranged by E Kraus. (5 Part). Choral Collection. Size 6x9 inches. ...(+)
By Various. Arranged by E
Kraus. (5 Part). Choral
Collection. Size 6x9
inches. 80 pages.
Published by G Schirmer,
Inc.
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 2014 American Choral Directors Association, Western Division (ACDA): Junior High School Honor Choir & Children's Honor Choir CD Chorale [CD d'écoute] Mark Custom Music
Recorded live. By ACDA Western Division Junior High School Honor Choir; A...(+)
Recorded live. By
ACDA Western Division
Junior High School Honor
Choir; ACDA Western
Division Children's Honor
Choir. Release date:
2014. Mark Records.
Listening CD. Duration
43:28:00. Published by
Mark Custom Music
(MK.51152-MCD).
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ein Hauch von Unzeit Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018. $39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf. You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Breitkopf & Härtel
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). C...(+)
SKU: BR.EB-9397
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9397.
Published by Breitkopf
and Haertel (BR.EB-9397).
ISBN 9790004188712. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Breitkopf & Härtel
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion...(+)
Trombone(s) solo SKU:
BR.EB-9160
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Andrew Digby. Arranged by
Andrew Digby. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9160.
Published by Breitkopf
and Haertel (BR.EB-9160).
ISBN 9790004181966. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Modern Tenor Operatic Album Voix Ricordi
35 Arias from Famous Operas. By Various. Vocal Collection. Size 9x12 inches. 178...(+)
35 Arias from Famous
Operas. By Various. Vocal
Collection. Size 9x12
inches. 178 pages.
Published by Ricordi.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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