| Flowers Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 3-4 SKU: HL.449308...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 3-4
SKU: HL.4493086 By
Miley Cyrus. By Gregory
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Larry Moore. Pop
Specials for Strings.
Pop. Softcover. Duration
150 seconds. Published by
Hal Leonard (HL.4493086).
UPC: 196288185789.
9.0x12.0x0.183
inches. This
chart-topping 2023 hit by
Miley Cyrus gets a
stunning new arrangement
for string orchestra by
Larry Moore. This vibrant
piece (in A minor, with
keyboard and drum set
accompaniment) captures
the energy and
empowerment of the
original while showcasing
the rich textures and
beautiful sounds of
strings. Perfect for pop
concerts, graduation
ceremonies, or adding a
touch of contemporary
flair to your repertoire,
âFlowersâ will
have your audience
blooming with
delight! $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pioneer Hoedown - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS180
Composed by Matt Turner.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
16+16+4+10+10+10+4+16
pages. Duration 2
minutes, 47 seconds. Carl
Fischer Music #YAS180.
Published by Carl Fischer
Music (CF.YAS180).
ISBN 9781491151457.
UPC: 680160908950. 9 x 12
inches. Key: G
major. Matt Turner
creates a light feel with
catchy melodies in his
composition,?Pioneer
Hoedown.?This?spirited
piece conjures the images
and sounds of barn and
prairie dances of the
yesteryears. Perform
this piece with a great
deal of energy; keep it
light and joyful. The
first four measures set
the stage for the piece
with the passing of the
baton. Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67101 which
is in contrast to the
staccato nature of the
beginning section (mm.
166). Exaggerate the
crescendo in mm. 8391,
and bring out the call
and response in mm.
137144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of the
beginning section (mm.
1-66). Exaggerate the
crescendo in mm. 83-91,
and bring out the call
and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of
the beginning section
(mm. 1-66). Exaggerate
the crescendo in mm.
83-91, and bring out the
call and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the “passing of the
baton.†Measure 2
should be of equal weight
to m. 1, and m. 3 should
be of equal weight to m.
2. Keep the energy
flowing! Accentuate the
legato nature of mm.
67–101 which is in
contrast to the staccato
nature of the beginning
section (mm.
1–66).
 Exaggerate the
crescendo in mm.
83–91, and bring
out the call and response
in mm. 137–144.
 Enjoy!
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pioneer Hoedown [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS180F
Composed by Matt Turner.
Young String Orchestra
(YAS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YAS180F. Published by
Carl Fischer Music
(CF.YAS180F). ISBN
9781491151822. UPC:
680160909322. 9 x 12
inches. Matt Turner
creates a light feel with
catchy melodies in his
composition,?Pioneer
Hoedown.?This?spirited
piece conjures the images
and sounds of barn and
prairie dances of the
yesteryears. Perform
this piece with a great
deal of energy; keep it
light and joyful. The
first four measures set
the stage for the piece
with the passing of the
baton. Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67101 which
is in contrast to the
staccato nature of the
beginning section (mm.
166). Exaggerate the
crescendo in mm. 8391,
and bring out the call
and response in mm.
137144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of the
beginning section (mm.
1-66). Exaggerate the
crescendo in mm. 83-91,
and bring out the call
and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of
the beginning section
(mm. 1-66). Exaggerate
the crescendo in mm.
83-91, and bring out the
call and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the “passing of the
baton.†Measure 2
should be of equal weight
to m. 1, and m. 3 should
be of equal weight to m.
2. Keep the energy
flowing! Accentuate the
legato nature of mm.
67–101 which is in
contrast to the staccato
nature of the beginning
section (mm.
1–66).
 Exaggerate the
crescendo in mm.
83–91, and bring
out the call and response
in mm. 137–144.
 Enjoy!
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wildflowers Flûte, Clarinette, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or
Flute), Clarinet, and
Piano). By Eric Ewazen.
Piano trio. For Piccolo
(or Flute), Clarinet in
Bb, Piano. Contemporary.
Score and part(s).
Standard notation. 40 12
pages. Duration 22
minutes. Published by
Theodore Presser Company
$28.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| J-POP Best Hits - 1990-1999 Piano seul - Intermédiaire Yamaha
Composed by Various. Japanese Anime; J-POP; City Pop. Book. Yamaha Music Media...(+)
Composed by Various.
Japanese
Anime; J-POP; City Pop.
Book.
Yamaha Music Media
#GTP01098006. Published
by
Yamaha Music Media
$15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| George Marsh - Inner Drumming Book/Dvd Batterie [Partition + DVD] Sher Music Company
Drumset Exercises for Developing Body/Mind Awareness. Percussion, Methods. In...(+)
Drumset Exercises for
Developing Body/Mind
Awareness. Percussion,
Methods. Inner Drumming.
Softcover Book and DVD.
Sher
Music Company
#9781883217891.
Published by Sher Music
Company
$50.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Inner Drumming Batterie [DVD] Sher Music Company
Drumset Exercises for Developing Body/Mind Awareness. Composed by George ...(+)
Drumset Exercises for
Developing Body/Mind
Awareness. Composed
by George Marsh. Method
book (spiral-bound) and
DVD. 174 pages. Published
by Sher Music Company
(SR.ID).
$32.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Korobushka Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s)...(+)
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin Young
Band. Folk. Grade 2. 184
pages. Published by
Belwin Music
$62.00 $58.9 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blessed Be - Accompaniment Video Chorale SATB Word Music
SATB choir SKU: WD.080689465093 Composed by Robert Sterling. Arranged by ...(+)
SATB choir SKU:
WD.080689465093
Composed by Robert
Sterling. Arranged by
Robert Sterling. Choral.
Sacred Anthem.
Accompaniment video. Word
Music #080689465093.
Published by Word Music
(WD.080689465093).
UPC:
080689465093. A
minor-key, pulsing energy
flows through the heart
of this original offering
for Palm Sunday: Blessed
be the One who comes in
the name of the
Lord!
Solo
feature. From the musical
As sure as My Redeember
Lives. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blessed Be - CD ChoralTrax CD Chorale Word Music
SATB choir SKU: WD.080689846328 Composed by Robert Sterling. Arranged by ...(+)
SATB choir SKU:
WD.080689846328
Composed by Robert
Sterling. Arranged by
Robert Sterling. Choral.
Sacred Anthem. CD
choraltrax. Word Music
#080689846328. Published
by Word Music
(WD.080689846328).
UPC:
080689846328. A
minor-key, pulsing energy
flows through the heart
of this original offering
for Palm Sunday: Blessed
be the One who comes in
the name of the
Lord!
Solo
feature. From the musical
As sure as My Redeember
Lives. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blessed Be - Anthem Chorale SATB Word Music
Solo with SATB Choir SKU: WD.080689088230 Composed by Robert Sterling. Ar...(+)
Solo with SATB Choir
SKU:
WD.080689088230
Composed by Robert
Sterling. Arranged by
Robert Sterling. Choral.
Sacred Anthem,
Eastertide. Octavo.
Duration 3'52. Word Music
#080689088230. Published
by Word Music
(WD.080689088230).
UPC:
080689088230. A
minor-key, pulsing energy
flows through the heart
of this original offering
for Palm Sunday:Blessed
be the One who comes in
the name of the
Lord!
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blessed Be - Orchestration Word Music
Instrumental accompaniment SKU: WD.080689977473 Composed by Robert Sterli...(+)
Instrumental
accompaniment SKU:
WD.080689977473
Composed by Robert
Sterling. Arranged by
Robert Sterling. Choral.
Sacred Anthem.
Orchestration. Word Music
#080689977473. Published
by Word Music
(WD.080689977473).
UPC:
080689977473. A
minor-key, pulsing energy
flows through the heart
of this original offering
for Palm Sunday: Blessed
be the One who comes in
the name of the
Lord!
Solo
feature. From the musical
As sure as My Redeember
Lives. $79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cedar River Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Composed by David Shaffer. Young band. Command Series. Score and parts. Duration...(+)
Composed by David
Shaffer. Young band.
Command Series. Score and
parts. Duration 0:4:23.
Published by C.L.
Barnhouse
(CL.011-4452-00).
$52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cedar River Celebration Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4452-01 Composed by Shaffer. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4452-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 4 minutes, 23
seconds. C.L. Barnhouse
#011-4452-01. Published
by C.L. Barnhouse
(CL.011-4452-01).
This exciting
piece has all of David
Shaffer’s
signature trademarks for
younger bands, including
musical energy, flowing
melodies and beautiful
lush harmonies. Written
in overture form, a
powerful introduction is
the prelude to the main
theme, a whimsical
melody, that is passed
through several choirs of
instruments. The lyrical
middle section, a
variation of the primary
melody, allows for
development of your
musicians' expressive
performance. Scored to
make your band sound
their best, this is a
perfect selection for
concert or festival
use. About
C.L. Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Currents Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin C...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Concert
Band. Level: Medium Easy
(grade 3.5). Conductor
Score & Parts. Duration
4:37:00. Published by
Alfred Publishing.
$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Currents Orchestre d'harmonie [Conducteur] - Intermédiaire Belwin
Concert Band - Grade 3.5 SKU: AP.24757S Composed by Robert W. Smith. Conc...(+)
Concert Band - Grade 3.5
SKU: AP.24757S
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Score. 28 pages. Belwin
Music #00-24757S.
Published by Belwin Music
(AP.24757S). UPC:
038081269276.
English. The term
current is defined as a
steady flow of water, air
or electricity in a
particular direction.
Whatever form the current
takes, it is a
fascinating source of
energy that supports, yet
challenges mankind in
multiple ways. The
composition Currents by
Robert W. Smith takes its
inspiration by the
various forms of energy
used in the art of music
and in music education.
Unpredictable, yet
constantly flowing, the
interacting musical lines
of energy provide a
unique experience for
both performer and
listener alike. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scapulis Suis Carl Fischer
Choral SSAA choir SKU: CF.CM9717 Composed by Mark Burrows. 8 pages. Durat...(+)
Choral SSAA choir SKU:
CF.CM9717 Composed by
Mark Burrows. 8 pages.
Duration 3 minutes, 7
seconds. Carl Fischer
Music #CM9717. Published
by Carl Fischer Music
(CF.CM9717). ISBN
9781491160961. UPC:
680160919567. Psalm
91:4-5. The Lord
will overshadow you with
his pinions, and you will
find refuge under his
wings. His faithfulness
will encompass you with a
shield. Psalm 91:4-5 To
feel safe and to feel
cared for, these are two
of the great yearnings of
the human heart. What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren't alone, that
someone is reaching out
to help us and even hold
us. It could be a family
member or a friend. It
could be a still small
voice whispering, It's
okay. I've got you. It
could even be a loving
community, like a choir,
assuring us that we are
known, that we are loved,
that we belong. The first
word - scapulis - is
translated as pinions. On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section - mm. 1-20 -
encourage phrasing that
is never hurried but
moves with intention to
the last stressed
syllable of each phrase,
before ebbing slightly.
This section is all about
reassurance and comfort.
In mm. 21-30 we have a
new section where
uncertainty grows. At
this point the text - and
you will find refuge
under his wings - is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs: Alto I -
Measure 22 the Ab in
pennis, m. 26 the Bb in
sperabis Soprano II -
Measure 23 the A natural
in pennis, m. 29 the C in
sperabis Soprano I -
Measure 24 the C in
pennis, m. 28 the D in
sperabis The apex of the
piece is at m. 30 where
the yearning for comfort
and assurance reaches its
height, finding that
comfort in the arrival
back at Eb major in m.
39. The phrase veritas
ejus (his faithfulness),
with its triplet figure
should flow gently, like
a musical carress. The
final reassurance occurs
at m. 51 as we return to
the melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase. The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance - Felix
Mendelssohn's Lift Thine
Eyes. The Lord will
overshadow you with his
pinions,and you will find
refuge under his
wings.His faithfulness
will encompass you with a
shield. Psalm
91:4-5Â To feel safe
and to feel cared for,
these are two of the
great yearnings of the
human heart.What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren’t alone,
that someone is reaching
out to help us and even
hold us. It could be a
family member or a
friend. It could be a
still small voice
whispering,
“It’s okay.
I’ve got
you.†It could even
be a loving community,
like a choir, assuring us
that we are known, that
we are loved, that we
belong.The first word
– scapulis
– is translated as
“pinions.†On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section – mm.
1-20 – encourage
phrasing that is never
hurried but moves with
intention to the last
stressed syllable of each
phrase, before ebbing
slightly. This section is
all about reassurance and
comfort.In mm. 21-30 we
have a new section where
uncertainty grows. At
this point the text
– and you will
find refuge under his
wings – is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs:Alto I
– Measure 22 the
Ab in pennis, m. 26 the
Bb in sperabisSoprano II
– Measure 23 the A
natural in pennis, m. 29
the C in sperabisSoprano
I – Measure 24 the
C in pennis, m. 28 the D
in sperabis The apex
of the piece is at m. 30
where the yearning for
comfort and assurance
reaches its height,
finding that comfort in
the arrival back at Eb
major in m. 39. The
phrase veritas ejus (his
faithfulness), with its
triplet figure should
flow gently, like a
musical carress.The final
reassurance occurs at m.
51 as we return to the
melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase.The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance – Felix
Mendelssohn’s Lift
Thine Eyes. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stream Theodore Presser Co.
Chamber Music Clarinet, Viola, Violin 1, Violin 2, Violoncello SKU: PR.114417...(+)
Chamber Music Clarinet,
Viola, Violin 1, Violin
2, Violoncello SKU:
PR.114417500 For
Clarinet And String
Quartet. Composed by
Shulamit Ran. Premiered
by Anthony McGill,
clarinet, and Brentano
String Quartet; Kimmel
Center, Philadelphia, PA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2016.
32+12+12+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41750. Published by
Theodore Presser Company
(PR.114417500). UPC:
680160634910. 9.5 x 13
inches. Stream for
Clarinet and String
Quartet (2015) was
commissioned by the
Philadelphia Chamber
Music Society in
celebration of its 30th
Anniversary Season,
through support of The
William Penn Foundation.
The first performance was
in April 2016 at the
Kimmel Center in
Philadelphia. Notes from
the composer: The 'line'
in Stream is often
threaded together into a
chain made up of separate
'points' played by the
strings, and sometimes by
the string and the
clarinet. An analogy
might be that each
instrument, at times,
produces a single 'ray of
light' from within the
larger light source.
Moreover, there are many
passages where the
intended effect is that
of the strings providing
a 'halo' surrounding the
solo clarinet. Similarly,
the clarinet often
dovetails with, as well
as emerges or submerges
in and out of, a strand
in the string
music.. What's in a
name? Â Â In my
titles, I generally aim
to capture something that
I believe to be essential
about the particular
work. Â At some level
this is to offer an
entry-point for the
listener, a glimpse of
the composition in its
totality. Â STREAM as a
title came to be when
much of the music was
already fully composed,
and it encapsulates much
of what I wish to say in
words about this work: it
suggests flow - whether
gentle or forceful; it
implies a journey, one
that could take us onto
unexpected terrains yet
is always moving forward;
embedded into this word
is also the idea of
stream of consciousness,
and with it, free
association and
unexpected twists of
fancy. Approximately
16 minutes in duration,
STREAM is to be played
without a break, yet
there are strong elements
of a three-movement
structure here. An
expository
quasi-first-movement lays
out important materials
of varying character; the
middle part, suggesting
contrast and repose, is
initially slow and
reflective, but then
embarks on new
explorations of the
notion of stasis, while
the final movement is
dominated by fast-moving
music of high energy that
consolidates the previous
materials. Important
throughout is the way in
which seemingly
transitional stretches of
music emerge and propel
the music onward in ways
that are at once
unexpected and
fantastical. A
composer's statement
about this work would not
be complete without
acknowledging the degree
to which the work was
inspired by the awareness
that it was being created
for a quintet of
extraordinary performers
of the most beautiful and
flowing musicianship -
clarinet virtuoso Anthony
McGill and the intrepid
Brentano
Quartet. Shulamit
Ran . $63.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stream [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Viola, Violin 1, Violin 2, Violoncello SKU: PR.114417...(+)
Chamber Music Clarinet,
Viola, Violin 1, Violin
2, Violoncello SKU:
PR.11441750S For
Clarinet And String
Quartet. Composed by
Shulamit Ran. Premiered
by Anthony McGill,
clarinet, and Brentano
String Quartet; Kimmel
Center, Philadelphia, PA.
Contemporary. Full score.
With Standard notation.
Composed 2016. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41750S. Published by
Theodore Presser Company
(PR.11441750S). UPC:
680160634934. 9.5 x 13
inches. Stream for
Clarinet and String
Quartet (2015) was
commissioned by the
Philadelphia Chamber
Music Society in
celebration of its 30th
Anniversary Season,
through support of The
William Penn Foundation.
The first performance was
in April 2016 at the
Kimmel Center in
Philadelphia. Notes from
the composer: The 'line'
in Stream is often
threaded together into a
chain made up of separate
'points' played by the
strings, and sometimes by
the string and the
clarinet. An analogy
might be that each
instrument, at times,
produces a single 'ray of
light' from within the
larger light source.
Moreover, there are many
passages where the
intended effect is that
of the strings providing
a 'halo' surrounding the
solo clarinet. Similarly,
the clarinet often
dovetails with, as well
as emerges or submerges
in and out of, a strand
in the string
music.. What's in a
name? Â Â In my
titles, I generally aim
to capture something that
I believe to be essential
about the particular
work. Â At some level
this is to offer an
entry-point for the
listener, a glimpse of
the composition in its
totality. Â STREAM as a
title came to be when
much of the music was
already fully composed,
and it encapsulates much
of what I wish to say in
words about this work: it
suggests flow - whether
gentle or forceful; it
implies a journey, one
that could take us onto
unexpected terrains yet
is always moving forward;
embedded into this word
is also the idea of
stream of consciousness,
and with it, free
association and
unexpected twists of
fancy. Approximately
16 minutes in duration,
STREAM is to be played
without a break, yet
there are strong elements
of a three-movement
structure here. An
expository
quasi-first-movement lays
out important materials
of varying character; the
middle part, suggesting
contrast and repose, is
initially slow and
reflective, but then
embarks on new
explorations of the
notion of stasis, while
the final movement is
dominated by fast-moving
music of high energy that
consolidates the previous
materials. Important
throughout is the way in
which seemingly
transitional stretches of
music emerge and propel
the music onward in ways
that are at once
unexpected and
fantastical. A
composer's statement
about this work would not
be complete without
acknowledging the degree
to which the work was
inspired by the awareness
that it was being created
for a quintet of
extraordinary performers
of the most beautiful and
flowing musicianship -
clarinet virtuoso Anthony
McGill and the intrepid
Brentano
Quartet. Shulamit
Ran . $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dominus Vobiscum Chorale SATB Carl Fischer
Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl ...(+)
Composed by Jacob
Narverud.
Fold. Octavo. 8 pages.
Duration 2 minutes. Carl
Fischer Music #CM9648.
Published by Carl Fischer
Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Winds of Change Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
Composed by Randall D. Standridge. Concert Band; Part(s); Score. Alfred Concert ...(+)
Composed by Randall D.
Standridge. Concert Band;
Part(s); Score. Alfred
Concert Band. 316 pages.
Published by Alfred Music
(AP.45002).
$90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jeita Violoncelle Sikorski
Cello SKU: HL.50601597 Cello Solo Exempla Nova 675. Composed by Mi...(+)
Cello SKU:
HL.50601597 Cello
Solo Exempla Nova
675. Composed by
Michaela Rea Catranis.
String. Classical.
Softcover. 12 pages.
Sikorski #SIK8875.
Published by Sikorski
(HL.50601597).
8.0x11.75
inches. German
text. The title
“Jeita†has a
double meaning. Firstly,
Jeita is the name of a
district in Lebanon,
noted for the karstic
limestone cavernsin the
almost nine-kilometre
wide Nahr a-Kalb Valley.
Secondly, the roots of
the word
“Jeita†are
also found in the Aramaic
word
“GeÂ’ittsâ€
, which means
“roaring†or
“noiseâ€.
Michaela Rea Catranis had
a cave as the symbol of
isolation and creativity
in mind whilst composing
her work for cello solo.
“A quiet, hidden
place of
self-observationâ€,
as the composer says. In
addition, the
“roaring†in
this piece plays an
important role; Catranis
calls it “a
primordial, energising,
deep-bellied and
life-giving roar, notan
aggressive one. It
represents the impulse of
creative energy: both the
instinct to create and
the flow of energy
awakened throughthe
process of
creation.â€. $16.99 - Voir plus => Acheter | | |
| Winds of Change Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 3.5 SKU: AP.45002S Composed by Randall Standridge. C...(+)
Concert Band - Grade 3.5
SKU: AP.45002S
Composed by Randall
Standridge. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Score. 36 pages. Duration
5:30. Alfred Music
#00-45002S. Published by
Alfred Music (AP.45002S).
ISBN 9781470653330.
UPC: 038081519722.
English. In recent
years, Oklahoma has seen
a great increase in the
development of wind
energy. This development
in sustainable energy
sources and the winds
that flow across the
great state serve as the
inspiration for this
composition. The piece
begins by depicting the
great open spaces that
stretch for miles across
the Oklahoma landscape.
Small gusts of wind
(represented by scalar
and arpeggiated passages
in the mallets and
woodwinds) dance across
the landscape. The piece
picks up pace as the wind
races across the land,
turning the turbines and
charging towards the
future. (5:30). $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Carl Fischer
Choral SA choir and piano SKU: CF.CM9707 Composed by Austin Hunt. 8 pages...(+)
Choral SA choir and piano
SKU: CF.CM9707
Composed by Austin Hunt.
8 pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9707.
Published by Carl Fischer
Music (CF.CM9707).
ISBN 9781491160121.
UPC: 680160918720. Key:
Db major. John Gillespie
Magee. Poem by John
Gillespie Magee,
Jr. Just weeks
after his nineteenth
birthday, John Gillespie
Magee, Jr. wrote the poem
High Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest chapters. Magee
had just completed his
seventh flight in the
iconic Spitfire Mk I
fighter plane, soaring to
heights well above 30,000
feet. These high altitude
exercises supplied his
inspiration for the poem,
which describes the long,
delirious, burning blue
and having touched the
face of God. Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase?. Just
weeks after his
nineteenth birthday, John
Gillespie Magee, Jr.
wrote the poem High
Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest
chapters. Magee had
just completed his
seventh flight in the
iconic Spitfire Mk
IÂ fighter plane,
soaring to heights well
above 30,000 feet. These
high altitude exercises
supplied
his inspiration for
the poem, which describes
“the long,
delirious, burning
blue†and having
“touched the face
of God.â€Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase? $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing a Joyful Song Chorale SATB Hope Publishing Company
SATB choir with optional brass SKU: HP.C5008B Composed by Stan Pethel. Ce...(+)
SATB choir with optional
brass SKU:
HP.C5008B Composed by
Stan Pethel. Celebration,
General Worship,
Adoration & Praise,
Sacred. Brass Parts. Hope
Publishing Company
#C5008B. Published by
Hope Publishing Company
(HP.C5008B). UPC:
763628144883. Origi
nal Anthem Overflowing
with energy and joyful
celebration, here is an
original anthem from
composer Stan Pethel that
affirms the joy of
worship throught music
with a text drawn from
several biblical passages
that make reference to
music. Overflowing with
energy and joyful
celebration, here is an
original anthem from
composer Stan Pethel that
affirms the joy of
worship throught music
with a text drawn from
several biblical passages
that make reference to
music. $34.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Wave Rider Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Derek Richard. Orchestra. String Orchestra. Belwin Intermediate String Orches...(+)
By Derek Richard.
Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. Grade 3.
Conductor Score and
Parts. 144 pages
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass of Saint Catherine of Siena - Choral / Accompaniment edition Chorale SATB - Facile GIA Publications
SATB choir, cantor, priest, assembly, keyboard accompaniment, guitar - Early int...(+)
SATB choir, cantor,
priest, assembly,
keyboard accompaniment,
guitar - Early
intermediate SKU:
GI.G-10479 Composed
by Lorraine Hess.
Arranged by Ed Bolduc.
This edition: Choral /
Accompaniment edition.
Mass. Sacred. Octavo.
With guitar chord names.
32 pages. GIA
Publications #10479.
Published by GIA
Publications
(GI.G-10479). UPC:
785147047919. English,
Greek. With energy,
drive, beauty, and
reverence, Mass of Saint
Catherine of Siena works
well within contemporary
liturgies and is
appropriate for all
liturgical seasons. This
setting is arranged for
SATB voices, piano, and
guitar, reaching its
fullest potential when
percussion and bass are
added. The harmonies,
arranged by Ed Bolduc,
give it fullness, yet the
setting is also suitable
for cantor and piano
alone. Mass of Saint
Catherine of Siena was
written in 4/4 time
intentionally to provide
an alternative to the
many settings available
in 6/8 and its intros and
outros encourage a lovely
ebb and flow with the
rituals of the
liturgy. $6.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 61 ... 121 |