Slow Swing.
Composed by Willie
Nelson. Arranged by
Oystein S. Heimdal. Sheet
music. Score and parts,
Flex 7 Solist. Duration
4'. Handelsware #NOR
2617045-95. Published by
Handelsware
(M7.NOR-2617045-95).
ISBN 9790261704595.
English.
Willie
Nelson wrote this song
early 1961, at a time
when he not yet had
started his career as a
recording artist but
mainly wrote songs for
other artists. Crazy was
originally written for
the country singer Billy
Walker, but he turned it
down, because he meant
that it was a 'girl's
song'. Instead, it was
Patsy Cline with The
Jordanaires who released
it on record the same
autumn. It was an instant
success and made Cline an
even bigger superstar of
country music. After the
Cline 1961-version,
several artists have
recorded it. In addition
to Willie Nelson himself,
singers like LeAnn Rimes,
Linda Ronstadt and Kenny
Rogers have made their
own
versions.
Solostim
me: Gesang, Flöte,
Klarinette, Altsax,
Tenorsax, Trompete, Horn
in F 1. Stimme:
Klarinette in B oder
Es 2. Stimme:
Klarinette,
Flügelhorn 3.
Stimme: Trompete,
Flöte 4. Stimme:
Trompete, Horn,
Altsaxophon 5.
Stimme: Posaune, Horn,
Saxophon 6. Stimme:
Euphonium, Posaune,
Tenorsaxophon 7.
Stimme: Tuba,
Baritonsaxophon,
Bass-Klarinette
Rhythmusgruppe:
Kontrabass (mit
Akkordsymbolen),
Schlagzeug, Perkussion
und Stabspiele
Zusätzlich sind
sogenannte Superparts
(Stimmen für Anfänger
in C, B, Es, F und
Bassschlüssel) im Set
enthalten.
Piano - Intermediate; Late Intermediate SKU: AP.47359 Book 3. 1...(+)
Piano - Intermediate;
Late Intermediate
SKU:
AP.47359
Book
3. 12 of His
Original Piano Solos.
Composed by Tom Gerou.
Piano Collection; Piano
Supplemental. Recital.
Book. 36 pages. Alfred
Music #00-47359.
Published by Alfred Music
(AP.47359).
ISBN
9781470641016. UPC:
038081541907.
English.
The Best
of Tom Gerou, Book 3, is
a collection of 12
intermediate to late
intermediate solos for
students. The piano works
in this series were
selected from a variety
of collections and sheets
and were compiled into
graded collections. The
pieces include Tom's
favorites, contest
selections, and
established
student-pleasers
throughout the years.
Performers will find a
well-balanced assortment
of solos reflecting
different moods, sounds,
styles, and musical
challenges. Titles:
Attack of the White
Grizzly * Autumn Rain *
Barcarolle * Columbia
River Waltz * A Golden
Gate Afternoon * Hope *
Joy * Letter from the One
at Sea * March of the
Roman Legionaries *
Northern Lights * Prairie
Winds * The Rough
Rider.
Chamber Ensemble SKU: BT.WHKP01749 Composed by Bent Sørensen. Score On...(+)
Chamber Ensemble
SKU:
BT.WHKP01749
Composed
by Bent Sørensen.
Score Only. 65 pages.
Edition Wilhelm Hansen
#WHKP01749. Published by
Edition Wilhelm Hansen
(BT.WHKP01749).
ISBN
9788759877265.
English.
Ständch
en for 8 instruments was
composed by Bent
Sørensen in 2005-06.
The first three movements
were written for Scharoun
Ensemble and commissioned
jointly by Eleanor
Eisenmenger and the
Scharoun Ensemble with
support from The Danish
Arts Council. The fourth
movement an almost
classical Menuet with a
Trio is dedicated as a
hommage - to Warsaw
Autumn Festival for the
50th jubilee edition in
2007.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Composed by Antonio
Vivaldi. Arranged by
Lynne Latham. Performance
Music Ensemble; String
Quartet. Ludwig Masters.
Score. 68 pages. Latham
Music Enterprises
#36-52703112. Published
by Latham Music
Enterprises
(AP.36-52703112).
ISBN
9781621567479. UPC:
679360715857.
English.
This
collection from Vivaldi's
great set of concertos
features movements from
Spring and Autumn. A nice
collection for the
advancing student quartet
as well as extra
repertoire for the
working quartet. Includes
an optional Violin 3
substitute part for
Viola.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
(On the Lighter Side (inkl. mp3)). Composed by Michael Publig. For piano. On the...(+)
(On the Lighter Side
(inkl. mp3)). Composed by
Michael Publig. For
piano. On the Lighter
Side. Level 2.
Collection. 24 pages.
Published by Doblinger
Music Publishers
Piano - easy SKU: HL.50600649 Facsimile with CD. Composed by Gyorg...(+)
Piano - easy
SKU:
HL.50600649
Facsimile with CD.
Composed by Gyorgy
Kurtag. Contemporary
Music. EMB. Classical,
Facsimile, Hungarian.
Softcover with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#Z15000. Published by
Editio Musica Budapest
(HL.50600649).
ISBN
9790080150009. UPC:
888680895518.
10.25x13.5x0.622 inches.
Hungarian, English.
Gyorgy Kurtag.
In
the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who had
been his student in
earlier years and who,
even today, is one of its
most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades; however, since
then he has used this
collection - expanded
over 32 years since by
Kurtág - whenever he
plays pieces from Games
in concert. Since the
time of this 1974
concert, as he writes: 'I
didn't know that the
spiral notebook I
received at the premiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.' The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score. The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
12 Elementary Arrangements of Classical Themes and Folk Songs. Arranged by M...(+)
12 Elementary
Arrangements of
Classical Themes and Folk
Songs. Arranged by Melody
Bober. Piano Collection;
Piano Supplemental. Grand
Favorites for Piano.
Book. 24
pages. Alfred Music #00-
47752. Published by
Alfred
Music
Altazor [Conducteur] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570363292 Composed by Hilda Paredes. Score O...(+)
Chamber Ensemble
SKU:
BT.MUSM570363292
Composed by Hilda
Paredes. Score Only. 152
pages. University of York
Music Press
#MUSM570363292. Published
by University of York
Music Press
(BT.MUSM570363292).
English.
Altazor
was commissioned by
Festival D'Autumne a
Paris 2011, computer
designed realised at
IRCAM-Centre Pompidou
Studios by Lorenzo
Bianchi, comuter
designer. On completion
of this work the composer
is a member of Sistema
Altazor is composed for
Baritone Voice, Flute,
Clarinet, Oboe,
Percussion, Piano,
Violin, Viola, Cello and
live electronics.