L'Lors d'une série de paires bref une leçon de DVD pédagogique enseigné par un guitariste professionnel avec un livre supplémentaire pour une expérience d'apprentissage complète. Chaque livre / DVD propose plusieurs leçons se rapportant à un sujet, et les leçons salut-def DVD comportent à l'écran la musique. Les leçons sont chargés avec de précieux conseils et informations, et des exemples chanson populaire aider à démontrer les concepts en action. Solo de guitare caractéristiques de ces leçons: Libellé Rock, Licks Répétition, Scales and Modes de mélange et les substitutions gamme pentatonique. Chansons comprennent: All Right Now - Cliffs of Dover - Eruption - - Freebird difficile à manipuler - Lay Down Sally - Maggie May - Oye Como Va - Fumée - Paranoid sur l'eau - Sweet Child O 'Mine - Sweet Home Alabama - et plus encore. / Guitare

As one of Hollywood's most enduring films, and perhaps the greatest screen adaptation of a novel ever, the 1939 Wizard Of Oz brought the words and story to music, entrenching the songs in popular culture and ensuring their timelessness. With this Ukulele sheet music book, you can learn every song from the hit movie, as well as the bonus hit arrangement of Over The Rainbow/What A Wonderful World by Israel Kamakawiwo'ole.There were other film adaptations of L. Frank Baum's book before and after it, but the 1939 version, starring Judy Garland, remains the one where visual imagination and unforgettable songs gave us a definitive version. What 'Yip' Harburg and Harold Arlen created was a film bursting with unforgettable musical sequences, putting their talented songwriting brains together to produce this most famous of musicals. Obviously, a song like Over The Rainbow needs no introduction, winning an Academy Award for resonating with our desire for something better, and becoming especially prescient given the world war about to erupt.The rest of Harburg and Arlen's songs for the film are just as evocative, instantly conjuring Dorothy's legendary journey from Kansas to Oz and back. An absolute pleasure to perform, these songs belie their 75-year vintage and sound as fresh today as they did when audiences were first thrilled to hear them in the cinema, especially when given a fun new sound when played on a Ukulele. In this Wizard Of Oz sheet music song book, every song from the film is included, Ding Dong The Witch Is Dead, We're Off To See The Wizard, Follow The Yellow Brick Road, If I Only Had A Brain and If I Only Had A Heart, plus the special arrangement of Over The Rainbow/What A Wonderful World by Israel Kamakawiwo'ole.Arranged for Ukulele and Voice, each fantastic song includes melody in standard notation, chord boxes and full lyrics. It really is everything you need to invigorate the songs from the film version with a fresh new sound that the Ukulele can provide. You are guaranteed to enjoy performing the famous songs, and you'll love discovering the more unfamiliar ones if you don't already know them by heart! Because of the nature of these songs, they'll never go out of fashion, so these songs reinterpreted for the Uke is guaranteed to always be a crowd-pleaser.If you've ever wanted to learn Over The Rainbow note for note, or play an inspired take on the ensemble song We're Off To See The Wizard, look no further than this Wizard Of Oz sheet music song book, arranged for Ukulele. / Ukulélé

Par ROZMAN ANZE. Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape.Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape./ Répertoire / 4 Flûtes Traversières

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms’s “German Requiem” in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre

Par BEETHOVEN LUDWIG VAN. The two Rondos op. 51 were written independently of one another and only later consolidated into a single opus by Beethoven’s publisher. The first of these works from 1797 quickly became popular on account of how it combines simple, catchy melody with surprising modulations and expressive, dramatic eruptions within a compact form. With its moderate degree of difficulty, the piece is ideal preparation before embarking on Beethoven’s piano sonatas. Based on her preliminary research for the critical Complete Edition, Beethoven specialist Joanna Cobb Biermann has carefully revised the musical text of the Henle Urtext edition and updated the preface to reflect the latest scholarship./ Répertoire / Piano

Runnin' with the Devil; Eruption; You really got me; Ain't talkin' 'bout love; I'm the one; Jamie's cryin'; Atomic punk; Feel your love tonight; Little dreamer; Ice cream man; On fire

Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre

Par SCHWEITZER BENJAMIN. An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer / Date parution : 2009-11-20/ Répertoire / Baryton, Flûte et Piano

Par SCULTHORPE PETER. '. . .conveyed an impression of a harsh, blistering landscape, which seemed at times on the point of eruption.'Scotsman (Conrad Wilson), 27 August 1984/ Répertoire / Conducteur

Par ROZMAN ANZE. An?e Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape. / Date parution : 2022-11-29/ Répertoire / 4 Clarinettes