Composed by Paul Clark. Young band. Command Series. Score and parts. Duration 0:3:44. Published by C.L. Barnhouse (CL.011-4426-00).

Concert Band 3-Part Fully Adaptable with Percussion - Grade 0.5

SKU: FJ.B1836

Composed by William Owens. Concert Band. The ReImagine Initiative. Multicultural. Score and Part(s). The FJH Music Company Inc #98-B1836. Published by The FJH Music Company Inc (FJ.B1836).

UPC: 241444429846. English.

Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!

Van Halen. For Guitar. This edition: Authentic Guitar TAB. Guitar Personality. Book. 316 pages. Published by Alfred Publishing.

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040014

Composed by Johannes Brahms. Edited by Rainer Boss. Single Part, violoncello. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040014. Published by Carus Verlag (CA.1040014).

ISBN 9790007303013. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

Chamber Music Contralto

SKU: PR.111403170

Composed by Nkeiru Okoye. 4 pages. Duration 5 minutes. Theodore Presser Company #111-40317. Published by Theodore Presser Company (PR.111403170).

ISBN 9781491135761. UPC: 680160687831. Walt Whitman.

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye’s music and dramatic pacing are in tune with Whitman’s words about the Civil War erupting soon after Lincoln’s inauguration. Whitman’s opening lines, “Arm’d year! Year of the struggle! No dainty rhymes or sentimental love verses for you,” describe both the real world and Whitman’s self-referential poetry, and they are the starting blocks for Okoye’s powerful setting. 1861 was originally composed for solo Tenor (published separately), and later transposed for solo Contralto.

(A Step-by-Step Breakdown of the Guitar Styles and Techniques of Eddie Van Halen). By Eddie Van Halen. For Guitar. Signature Licks Guitar. Softcover Audio Online. Guitar tablature. 120 pages. Published by Hal Leonard

Clarinet in A, cello and piano (P/ST) - difficult

SKU: HL.49033276

Composed by Joerg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Score and parts. Composed 1998. 28 pages. Duration 9'. Schott Music #ED 9764. Published by Schott Music (HL.49033276).

ISBN 9790001137096. 9.25x12.0x0.094 inches.

This is one of the early works by which the clarinettest Jorg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instruments. Sound-sensitive and eruptive moments alternate unexpectedly. Between 'jazzy-secco' and the 'Spieluhr' solo, the piano announces the passage of time: '12 Glockenschlage Mitternacht'.

Trio (strTrio)

SKU: BR.KM-2525

Composed by Adriana Holszky. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Stuttgart, November 30, 1981

Music post-1945; New music (post-2000). Set of parts. Composed 1981. 66 pages. Duration 17'. Breitkopf and Haertel #KM 2525. Published by Breitkopf and Haertel (BR.KM-2525).

ISBN 9790004504383. 11.5 x 13.5 inches.

CD: Deutsches StreichtrioAulos 53595 und Koch-Schwann-Aulos 3-1417 2Bibliography:Kostakeva, Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (p. 59f).

At a Glance. Softcover with DVD. With notes and tablature. Published by Hal Leonard.

Voice and piano

SKU: BR.KM-2529

Composed by Adriana Holszky. Voice; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Tubingen, Landestheater, May 11, 1988

Music post-1945; New music (post-2000). Score. Composed 1988. 68 pages. Duration 20'. Breitkopf and Haertel #KM 2529. Published by Breitkopf and Haertel (BR.KM-2529).

ISBN 9790004504420. 11.5 x 16.5 inches.

CD:Vokalens emble belcanto Frankfurt, cond. Dietburg SpohrAulos 55013Bibliography:Adam-Sc hmidmeier, Eva-Maria von: Journalist ermordet Schmuck und Geld , in: Musik und Unterricht, Heft 105 (November 2011), pp. 16-21.Holszky, Adriana: Wandernde Klangraume und die Korperlichkeit des Klanges, in: Neue Rundschau 132 (2021), Heft 1, S. 146-158Kostakeva, Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (pp. 67-71).

World premiere: Tubingen, Landestheater, May 11, 1988.

2 violins, 2 violas, 2 celli - Level 6

SKU: KU.GM-1911

Composed by David Philip Hefti. Edited by David Philip Hefti. Bach format (230 x 302). In A Folder. Full score, parts. 78 pages. Duration 19 minutes. Edition Kunzelmann #GM-1911. Published by Edition Kunzelmann (KU.GM-1911).

ISBN 9790206202384. 9 x 12 inches.

Monu mentum, Music for String Sextet, was written in 2014 to a commission from the Moritzburg Festival, The Chamber Music Society of Lincoln Center New York and the Kathe Kollwitz House in Moritzburg. It is dedicated to the cellist Jan Vogler. The world premiere took place on 19 August 2014 at the Moritzburg Festival, performed by Timothy Chooi & Mira Wang (violins), Roberto Diaz & Hartmut Rohde (violas), Jan Vogler & Harriet Krijgh (cellos). The American premiere took place on 7 May 2015 in the Lincoln Center with the Amphion String Quartet, the violist Yura Lee and the cellist Jan Vogler.

The String Sextet Momentum< /em> commemorates the outbreak of the First World War, the death of Peter Kollwitz – who died as a volunteer, aged just 18, in the early weeks of the war – and the manner in which his mother, the artist Kathe Kollwitz, mourned the loss of her son. The artist worked through her pain by creating her most famous sculpture, The Mourning Parents. It stands today at the German soldiers’ cemetery at Vladslo in western Flanders, where her son Peter also lies buried. During the 18 years that she worked on the Parents , Kathe Kollwitz attended several concerts at the Volksbuhne in Berlin, where from January to February 1927 she heard Arthur Schnabel’s cycle of all the Beethoven piano sonatas. Schnabel performed the Sonata op. 111 in c minor on 26 February 1927, and this work touched her in particular, as we can read in her diary: “The strange flickering notes turned into flames – a moment of rapture, taking one into a different sphere, and the heavens opened almost as in the Ninth (Symphony). Then one found one’s way back – but it was a return after having been assured that there is a heaven. These notes are serene – confident – and good. Thank you, Schnabel!” This encounter with Beethoven’s last sonata inspired the artist to take up work again on her sculpture after a long interruption and to consider different possibilities for arranging the two figures. For this reason, the first minutes ofMomentum  are derived from this sonata by Beethoven – though without it being quoted in an audible manner – and they leave their mark on the form of the Sextet. The number 18 and the date of Peter Kollwitz’s death (23 October 1914) also have a direct impact on the work’s dramaturgy. This music is mostly calm in nature, but is time and again interrupted unexpectedly, being disturbed by unruly sounds and vehement eruptions until time itself seems to dissolve in an aleatoric passage. The work ends with an extended lament on “seed corn should not be ground”, a line from Goethe’s W ilhelm Meister’s Journeyman Years. Kathe Kollwitz often quoted this phrase to argue for peace, and also took it as the title for a lithograph that she made in 1942. - David Philip Hefti

Choir Secular (2-Part choir)

SKU: AP.46560

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46560. Published by Alfred Music (AP.46560).

UPC: 038081531359. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040013

Composed by Johannes Brahms. Edited by Rainer Boss. Single Part, viola. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040013. Published by Carus Verlag (CA.1040013).

ISBN 9790007303006. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040005

Composed by Johannes Brahms. Edited by Rainer Boss. Choral Score. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040005. Published by Carus Verlag (CA.1040005).

ISBN 9790007262396. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040003

Composed by Johannes Brahms. Edited by Rainer Boss. Vocal score. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040003. Published by Carus Verlag (CA.1040003).

ISBN 9790007262389. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

Choir Secular

SKU: AP.46561

Composed by Cole Porter. Arranged by Jay Althouse. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. CD. Alfred Music #00-46561. Published by Alfred Music (AP.46561).

UPC: 038081531366. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover. 40 pages. Published by Hal Leonard

By Various. At a Glance. Softcover with DVD. Guitar tablature. 32 pages. Published by Hal Leonard

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040015

Composed by Johannes Brahms. Edited by Rainer Boss. Single Part, double bass. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040015. Published by Carus Verlag (CA.1040015).

ISBN 9790007303020. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

Concert Band - Grade 1.5

SKU: AP.48110S

Composed by Scott Watson. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Score. 24 pages. Duration 4:30. Alfred Music #00-48110S. Published by Alfred Music (AP.48110S).

ISBN 9781470661373. UPC: 038081557175. English.

The tropical island volcano, Thunder Mountain, has lain dormant for years. As a party of adventurous researchers work atop the legendary mountain, it begins to shake with pre-eruption tremors! Correlated to Sound Innovations, Book 1, Level 6. (4:30) This title available in MakeMusic Cloud.

Violin(s) solo

SKU: BR.EB-9099

Signals for Violin solo. Composed by Adriana Holszky. Solo instruments; stapled. Edition Breitkopf. World premiere: Stuttgart, June 25, 1993. Music post-1945; New music (post-2000). Score. Composed 1993. 12 pages. Duration 6'. Breitkopf and Haertel #EB 9099. Published by Breitkopf and Haertel (BR.EB-9099).

ISBN 9790004179697. 10 x 12.5 inches.

What gave rise to this piece was my work on a scientific study about the signals emitted by bees. It was fascinating to learn that these signals are based on a finely graded micro-periodicity. My work has 15 stages designated as honeycombs. Every honeycomb focuses on about six similar events which have identical dynamics and almost identical playing techniques, tone colors and pitches, but which never create a chronologically exact periodicity. (Adriana Holszky) Bibliography : Kostakeva , Maria: Metamorphose und Eruption. Annaherung an die Klangwelten Adriana Holszkys, Hofheim: wolke 2013 (p. 56f).

World premiere: Stuttgart, June 25, 1993.

Composed by Vijay Singh. National/Emerson Fred Bock. Festival, Concert. Octavo. 8 pages. National Music Publishers #NM1043. Published by National Music Publishers (HL.232909).

Chamber Music tenor voice

SKU: PR.111403160

Composed by Nkeiru Okoye. 4 pages. Duration 5 minutes. Theodore Presser Company #111-40316. Published by Theodore Presser Company (PR.111403160).

ISBN 9781491135754. UPC: 680160687824. Walt Whitman.

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye’s music and dramatic pacing are in tune with Whitman’s words about the Civil War erupting soon after Lincoln’s inauguration. Whitman’s opening lines, “Arm’d year! Year of the struggle! No dainty rhymes or sentimental love verses for you,” describe both the real world and Whitman’s self-referential poetry, and they are the starting blocks for Okoye’s powerful setting. 1861 was originally composed for solo Tenor, and later transposed for solo Contralto (also published separately).

(A Fun and Simple Guide to Understanding Music Effects). RECORDING INSTRUCTION. Softcover with CD. 160 pages. Published by Hal Leonard

(DVD/Book Pack). By Doug Boduch, Marcus Henderson, and Troy Stetina. At a Glance. Softcover with DVD. Guitar tablature. 32 pages. Published by Hal Leonard

Orchestra SAATBB chorus, 2 Fl (Pic), 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.1040000

Composed by Johannes Brahms. Edited by Rainer Boss. Carus digital: Extra digital products. Full Score. Composed 1882. Op. 89. Duration 12 minutes. Carus Verlag #1040000. Published by Carus Verlag (CA.1040000).

ISBN 9790007262365. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.

The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem” in concert.

(Visions of Jazz Series). By Tanya Maria. For Piano. DVD. DVD. Hal Leonard #72034. Published by Hal Leonard