| Lighten Our Darkness Chorale SATB Paraclete Press
SATB choir, a cappella - Medium-Medium Difficult SKU: PL.9212 Composed by...(+)
SATB choir, a cappella -
Medium-Medium Difficult
SKU: PL.9212
Composed by Randall
Giles. Cathedral/Parish.
Choral, Evensong,
General. Octavo.
Paraclete Press #9212.
Published by Paraclete
Press (PL.9212).
Addressing the
darkness of both the
physical and spiritual
world, this evening
collect has been artfully
elevated in Giles'
musical setting. He has
thoughtfully used
dissonance and rests to
highlight certain
portions of text. The
rhythm of the music is
governed by the text
rhythms, chant-like in
style and spirit. $1.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Pieces The Whole World Plays (WW2) Piano seul [Partition] Music Sales
By Albert E. Weir (Editor). For Piano. Classical. 224 pages. Published by Music ...(+)
By Albert E. Weir
(Editor). For Piano.
Classical. 224 pages.
Published by Music Sales
(1)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| All-Night Vigil - Full Score Chorale SATB SATB divisi [Conducteur] Schirmer
By Sergei Vasilievich Rachmaninoff. Arranged by Anthony Antolini. For Alto and T...(+)
By Sergei Vasilievich
Rachmaninoff. Arranged by
Anthony Antolini. For
Alto and Tenor Vocal Soli
and SATB choir divisi.
Choral, easter. Full
Score. Published by E.C.
Schirmer Publishing
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Je te veux Salabert
High Voice; Piano Accompaniment (High Voice) SKU: HL.50605282 High Voi...(+)
High Voice; Piano
Accompaniment (High
Voice) SKU:
HL.50605282 High
Voice and Piano.
Composed by Erik Satie.
Vocal Collection.
Classical, Concert Music,
French. Softcover. 12
pages. Editions Salabert
#SLB02050700. Published
by Editions Salabert
(HL.50605282). ISBN
9781705174128. UPC:
196288094289. Cafe-
concerts (or caf'conc')
were a form of popular
entertainment in Paris in
mid-nineteenth and early
twentieth century.
Programs were made of
music, dance, opera
arias, songs, and circus
performances. Among the
usual musical fare at a
caf' conc' evening was
the valse chantee,
sentimental and tuneful,
usually with racy lyrics.
Je te veux was one these
valse chantee. These
editions offer the
original version for high
voice and the transposed
version for medium-low
voice. $8.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Élégie Guitare Guitare classique [Conducteur] - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choir Library Breitkopf & Härtel
Male voices with/without accomp. SKU: BR.CHB-5324-00 For Men's Choir(+)
Male voices with/without
accomp. SKU:
BR.CHB-5324-00 For
Men's Choir. Composed
by Breitkopf & Hartel.
Choir; Softcover.
Chor-Bibliothek (Choral
Library). Choral music
for all occasions in the
original notational
image, sorted by genres
and themes
Late-romantic; Early
modern. Choral score. 368
pages. Breitkopf and
Haertel #ChB 5324-00.
Published by Breitkopf
and Haertel
(BR.CHB-5324-00). ISBN
9790004412541. 7.5 x 10.5
inches. The Choir
Library for Men's Choir
includes distinctly more
secular than sacred
music. In this, the
publishing house's
program reflects the
great tradition of men's
choirs with a
predominantly secular
repertoire. It inspired
many composers to write
music for this setting,
among them Franz
Schubert, Robert Schumann
and Felix Mendelssohn
Bartholdy. But also
lesser-known composers of
the romantic period such
as Johann Evangelist
Habert and Othmar Schoeck
created works for men's
choirs. More modern
composers like Jean
Sibelius, Johann Nepomuk
David and Siegfried
Thiele, also represented
here, continue this
tradition into the 20th
century.We wish you lots
of joy at discovering and
singing!Sacred MusicI.
Sacred Songs and
ChantsII. Masses and
HymnsSecular MusicI.
Dance and Love SongsII.
Songs of NatureIII.
Hunting SongsIV. Drinking
SongsV. Evening and
Night-timeVI. Serious and
Patriotic
Songs
Choral music
for all occasions in the
original notational
image, sorted by genres
and themes. Let yourself
be inspired by more of
our Choir Libraries as
well. $39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| When I Grow Up - Teacher's Edition Voix d'Enfants [Edition pour professeur] Hal Leonard
Teacher's Manual. By Emily Crocker, John Jacobson. (teacher edition). Expressiv...(+)
Teacher's Manual. By
Emily Crocker, John
Jacobson. (teacher
edition). Expressive Art
(Choral). Children's
Musical. Softcover. Size
9x12 inches. 56 pages.
Published by Hal Leonard.
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Catalan Serenade Orchestre d'harmonie [Conducteur et Parties séparées] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2334-00 Composed by Fernando Sor. Arranged by Hawkins...(+)
Grade 2 SKU:
CL.RWS-2334-00
Composed by Fernando Sor.
Arranged by Hawkins.
Young Concert Band. Score
and set of parts.
Composed 2023. RWS Music
Company #RWS-2334-00.
Published by RWS Music
Company (CL.RWS-2334-00).
The expansive
lines of Catalan Serenade
evoke the enchantment of
an evening in the
magnificent Catalonian
city of Barcelona. A
pensive theme intertwines
with sinuous
countermelody as all
performers join to
recreate the magic of a
summer night on the
shores of the
Mediterranean. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Catalan Serenade Orchestre d'harmonie - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2334-01 Composed by Fernando Sor. Arranged by Hawkins...(+)
Grade 2 SKU:
CL.RWS-2334-01
Composed by Fernando Sor.
Arranged by Hawkins.
Young Concert Band. Extra
score. Composed 2023. RWS
Music Company
#RWS-2334-01. Published
by RWS Music Company
(CL.RWS-2334-01).
The expansive
lines of Catalan Serenade
evoke the enchantment of
an evening in the
magnificent Catalonian
city of Barcelona. A
pensive theme intertwines
with sinuous
countermelody as all
performers join to
recreate the magic of a
summer night on the
shores of the
Mediterranean. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chorbuch Pueri Cantores Chorale SATB SATB [Partition] Carus Verlag
By Various. Occasions: Eucharist, Peace and Justice, Praise and thanks. Choral c...(+)
By Various. Occasions:
Eucharist, Peace and
Justice, Praise and
thanks. Choral
collection. 128 pages
$30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David Lanz - Painting the Sun
Piano seul Hal Leonard
| | |
| Oxford Choral Classics: Madrigals and Partsongs Chorale SATB SATB A Cappella Oxford University Press
Madrigals and Partsongs by Clifford Bartlett. Arranged by John Rutter. For SATB ...(+)
Madrigals and Partsongs
by Clifford Bartlett.
Arranged by John Rutter.
For SATB choir, mainly a
cappella. Mixed Voices.
Oxford Choral Classics
Collections. Secular,
Choral Collection. Vocal
score. 384 pages.
Published by Oxford
University Press
(1)$25.99 - Voir plus => Acheter | | |
| Twentieth Century Art Songs for Recital and Study Voix moyenne, Piano Schirmer
Medium Voice. By Various. Vocal Collection. Size 9x12 inches. 116 pages. Publish...(+)
Medium Voice. By Various.
Vocal Collection. Size
9x12 inches. 116 pages.
Published by G. Schirmer,
Inc.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Look Inside Masters of the Mandolin Mandoline Hal Leonard
130 of the Greatest Bluegrass and Newgrass Solos. Mandolin. Bluegrass. Softcov...(+)
130 of the Greatest
Bluegrass
and Newgrass Solos.
Mandolin.
Bluegrass. Softcover.
With
guitar tablature. 184
pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Brautwahl Op. 45 K 258 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: MezTTTBarBarB - choir: SATTBB - 3(3picc...(+)
Chorus (with soloists)
and piano (solos:
MezTTTBarBarB - choir:
SATTBB - 3(3picc)3(cor
ang).3(B-clar).3(dble
bsn) - 4.3.3.1 -
timp.perc - hp - cel.org
- str - stage music:
1.2.2.2 - 2.2.corn.0.0 -
timp.perc(2) - pno - db -
low bell) SKU:
BR.EB-9432
Musical-phantastic
Comedy in 3 Acts with a
Postlude. Composed by
Ferruccio Busoni. Choir.
Edition Breitkopf. Opera;
Music theatre; Early
modern; Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
9432. Published by
Breitkopf and Haertel
(BR.EB-9432). ISBN
9790004189092. 0 x 0
inches. Duration:
full evening Text by the
composer basesd on E.T.A.
Hoffmann's tale of the
same name from
Serapionsbrudern
Translation: ital. (G.
Trampus), La sposa
sorteggiata Place and
time: Berlin, um 1820
Characters: Der
Kommissionsrat Voswinkel
(baritone) - Albertine,
his daughter
(mezzo-soprano) -
Thusman, Freier (tenor) -
Edmund Lehsen, paintor,
Freier (tenor) - Baron
Bensch, Freier (tenor) -
the goldsmith Leonhard
(baritone) - the jew
Manasse (bass) - the
valet Voswinkels - crowd,
a Chancre (silent parts)
In Busoni's musical
evolution, this work
marks an important phase
of radical change after
works inspired by Brahms
and Verdi. The composer's
compositional style
became increasingly
revolutionary between the
sketch of the shport
score (1908) and the
completion of the
orchestral score
(1911).Busoni took the
greatest care in
preparing the definitive
form of the work. He
asserted that there was
invention in every bar,
and assigned an important
role to the use of music
from other sources: the
Hebrew march from
Rossini's Mose, for
example, or a German
dance by Mozart, military
music, American-Indian
pentatonic music,
Gregorian plainchant,
melodies from the
synagogue and even quotes
from his own works. With
these stylistic means,
Busoni followed
Hoffmann's serapiontic
principle and came closer
to his idea of a timeless
world music without
borders. $98.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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